- 21 hours ago
The Crown S02E04 [Full Movie] [High Quality]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47Come on
00:03:57Oh, my God
00:03:59Yes, that's all
00:04:01Thank you
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage
00:04:28are just an overture.
00:04:32That there's often a crisis of ten years,
00:04:35but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have
00:05:01a big anniversary party this year
00:05:05to celebrate hitting our stride.
00:05:14All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits
00:05:33and make one want to kill oneself in equal measure.
00:05:37Took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40Oh, she.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling
00:05:49that somewhere
00:05:50in the middle of it all
00:05:55I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:08Congratulations.
00:06:11Oh, Christ.
00:06:15So if I were
00:06:16to accept,
00:06:18it would be
00:06:20a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I
00:06:29were just discussing
00:06:29having a party
00:06:30for our tenth wedding anniversary.
00:06:33And you and Billy
00:06:34could use the occasion
00:06:35to announce your engagement
00:06:36if you want it.
00:06:40That's a nice idea.
00:06:43Well, that's settled, then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:06:49Good night.
00:06:52Good night, Margaret.
00:06:54Good night.
00:06:55Good night.
00:07:04Good night.
00:07:07Good night.
00:07:09Good night.
00:07:11Good night.
00:07:12Good night.
00:07:14Good night.
00:07:15Good night.
00:07:16Good night.
00:07:16Good night.
00:07:16Good night.
00:07:17Good night.
00:07:18Good night.
00:07:18Good night.
00:07:19Good night.
00:07:19Good night.
00:12:18I'll be back with you.
00:12:21OK.
00:12:22I'll see you.
00:12:24in the character complexity reality no one wants complexity and reality from us do sit down
00:12:37people have enough of that in their own lives they want us to help them escape indeed your
00:12:44majesty imagine this if you will a young woman a commonplace creature she sits in her drab
00:12:52little scullery so much work to do so much washing up how she longs for comfort for hope and again
00:13:02one two three and flash she wants to believe her life has some meaning beyond chores she opens a
00:13:11magazine and she sees her royal highness's photograph for one glorious transforming moment
00:13:18she becomes a princess too she is lifted out of her miserable pitiful reality into a fantasy
00:13:31later she will step out of her house in a a new neckerchief perhaps for which she has saved
00:13:40oh she will hold her head up high she is renewed and all thanks to you your royal highness
00:13:49and to the ideal which you represent
00:13:54and now with a one two three and flash quite marvelous
00:14:21in the twenty or so years we've known the hapless misshapen crane that is billy wallace has any woman
00:14:27ever looked at him as an object of desire i mean even remotely
00:14:32certainly not then how can one begin to explain that
00:14:38you
00:14:40you
00:15:06Ma'am, Lord Blanford just telephoned to apologise
00:15:08and say that Mr Wallis may be indisposed this evening.
00:15:11They can't be indisposed.
00:15:13We're announcing our engagement.
00:15:15Something about an injury.
00:15:16Rather a serious injury.
00:15:33Where is he?
00:15:41The royal highness, the princess Margaret.
00:15:44Out on my way.
00:15:45You must keep the leg up, sir.
00:15:47Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on?
00:16:02It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:16Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend Tennant rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word, duel, was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:33A little childish in this day and age, if you ask me,
00:16:35but a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:53But we faced the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02It would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:13It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46Why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement,
00:17:53I've found myself quite the centre of attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow.
00:18:04Much less a catch.
00:18:06Seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway.
00:18:18Tenant got wind of it.
00:18:19It's gone very cross.
00:18:28Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity.
00:18:45Or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:02Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:26Margaret.
00:19:28Margaret.
00:19:29Margaret.
00:19:31Oh, yes.
00:19:34Can someone...
00:19:34Yes.
00:19:36Have I been good enough?
00:19:41Trouble.
00:19:44Ma'am, I've been asked to tell you that the Madam Princess Margaret will not be announcing an engagement this
00:19:49evening.
00:19:51Our Royal Highnesses shall explain everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:20:18All right, all right, settle down.
00:20:21So on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27My wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, Ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days, I imagined two people welded together into some sort
00:20:50of combined existence.
00:20:53Ten years.
00:20:55Ten years.
00:20:56Ten years has taught me the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves, and presumably, they see that hidden part of
00:21:25you.
00:21:27One ends up knowing more about one's partner than they know about themselves, and it can be pretty tough to
00:21:36keep quiet about it.
00:21:37So you have to, you have to come to an accommodation, an arrangement, a deal, if you like, to take
00:21:46the rough with the smooth.
00:21:52But the extraordinary thing is, down there in the rough, in the long reeds of difficulty and pain, that is
00:22:05where you find the treasure.
00:22:10So I would like to propose a toast, in the name of love.
00:22:17In the name of our beloved country.
00:22:20In the name of steadfastness.
00:22:23In the name of another ten marvellous years.
00:22:31I give you...
00:22:33Mon petit choux.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:47The Queen.
00:22:53The Queen.
00:22:54the Queen, the Queen, the Queen, the Queen, the Queen.
00:23:38The Queen, the Queen, the Queen, the Queen.
00:23:55The Queen, the Queen, the Queen, the Queen.
00:24:24The Queen, the Queen, the Queen, the Queen.
00:25:03The Queen, the Queen, the Queen.
00:25:24The Queen, the Queen, the Queen.
00:25:56The Queen, the Queen.
00:26:23The Queen, the Queen, the Queen.
00:26:39The Queen, the Queen, the Queen.
00:27:11The Queen, the Queen.
00:27:30The Queen, the Queen.
00:27:56The Queen, the Queen.
00:28:19The Queen.
00:28:33The Queen, the Queen, the Queen.
00:28:55The Queen, the Queen.
00:29:39The Queen, the Queen.
00:29:48The Queen, the Queen.
00:30:13The Queen, the Queen.
00:30:26The Queen.
00:30:29The Queen, the Queen.
00:30:45The Queen, the Queen.
00:30:54The Queen, the Queen.
00:31:01The Queen, the Queen.
00:31:05The Queen.
00:31:07The Queen.
00:31:08The Queen, the Queen.
00:31:10The Queen, the Queen.
00:31:11The Queen.
00:31:12The Queen.
00:31:12left eye. You're thinking to yourself, these dabblers and freaks all seem to know one another
00:31:20very well. Then you'd be absolutely right. Now, be honest. Can you remember any of the
00:31:37names? No, not really. Can't remember me either. You know what we've met? We have. Where have we met?
00:31:50Perhaps it'll come to you. Now, where to begin? Far corner. The irresistible so-and-so with the
00:31:59mustard-colored pearly neck. Irresistible? Oh, come on. A nine, surely. Seven.
00:32:07It's called Jeremy. He's heir to a chocolate fortune. Married to the blonde beauty opposite.
00:32:14Oh, she doesn't eat. Isn't she? Yes, they dazzle in public, those do.
00:32:20They don't disappoint you're private, either. More of that another time, I think.
00:32:25Who's next? Ah, yes. Our flushed and fleshy friend in Paisley. His name's Ken Russell,
00:32:31makes documentaries for BBC, travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you? No.
00:32:45Pity. You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:04Yeah. No one can quite make out why she's never a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true. It's true.
00:33:19But,
00:33:20the older gentleman, beside her.
00:33:23Oh, no, no, no, no, no. I know who that one is. That's Don Betjeman. The poet.
00:33:29Books from Boots and Country Lanes, free speech, free passes, class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42...property.
00:33:43...property.
00:33:45...
00:33:46Is it really true, he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:11Oh, God, you really don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favorite.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:31What, these are yours?
00:34:34Yes.
00:34:36Portraits?
00:34:37I don't like that word.
00:34:40It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:46People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03I caught them off guard.
00:35:05It's all luck, really.
00:35:07You made the ugliness beautiful.
00:35:08I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:20Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular?
00:35:28Just doors, generally.
00:35:29The facade is only useful as a mark-up or something one has to get behind or beyond.
00:35:34Service is so dreary, don't you think?
00:35:36What people want to show themselves, the idealised version of no interest is me.
00:35:41What people hide, that interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small, like-and-nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09And in the end, it's kind of like an intrusion.
00:36:18Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:47Go on.
00:36:47When you come to my slum studio, you leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to, miss it.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I've ever been to where nobody got up.
00:37:22Bowed.
00:37:23Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:28Those that did talk to me, did it with such indifference or nonchalance it verged on.
00:37:35I'm pertinent.
00:37:38There was this one, in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:49Like Cecil.
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Well, interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether sure.
00:38:40But I'm also not even curious to find out.
00:38:43What was number five?
00:38:45That was five.
00:38:47No, Margaret, that was four.
00:38:49It was all right.
00:38:50Five was...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:04For me.
00:39:06For us.
00:39:08For everything.
00:39:09For everything we represent.
00:39:13I actually think you'd like it.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:38Upstairs!
00:39:40Upstairs!
00:39:43Upstairs!
00:39:44Upstairs!
00:39:45Upstairs!
00:39:47Upstairs!
00:39:47Upstairs!
00:39:49Upstairs!
00:39:49Upstairs!
00:39:50Upstairs!
00:39:51Upstairs!
00:39:51Upstairs!
00:40:01right
00:40:07wait there
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