- 2 hours ago
Alibi Season 01 - Ep 09 [Full Movie] [Latest Version]Full EP - Full
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00:26I'll see you next time.
02:03Petya, Petya, Petya, Petya.
02:11Что случилось?
02:12Скажи мне, что тебе нужно?
02:14Помощь моя нужна, деньги тебе нужны?
02:16Где Гриса, ваша мать?
02:17Нет, спасибо большое.
02:19Правда.
02:21Я в порядке.
02:22Сделайте стол нормальный.
02:24Петр Сергеевич, здравствуйте.
02:26Присчитал ваш роман, это просто Лолита Набокова.
02:28Продолжение следует...
02:45Продолжение следует...
02:56Продолжение следует...
03:07ДИНАМИЧНАЯ МУЗЫКА
03:12ДИНАМИЧНАЯ МУЗЫКА
03:25Опаздывайте.
03:28Все на пять минут.
03:30Ну что, работаем, все разбираем, всех вызываем.
03:36Я читала, она прекрасна.
03:39Это с автографом, это тебе.
03:40Спасибо.
03:41В общем, до сухой все звонят, угрожают, что на вас подойдут суд.
03:45Кто-то угрожает, что вообще бандитов будет нанимать.
03:48Между прочим, звонил Шульгана, говорит, что если вы не возьмете трубку, доберется до вас.
03:52И это ваши близкие к меня, почему тоже считать вашим близким человеком?
03:55Дашь!
03:55Да.
03:56Стоп.
03:58Меня больше нет.
03:59Нет ни меня, ни агентства.
04:02Живи в будущем.
04:03Не знаю, влюбись.
04:04Замуж выйди.
04:07Да ты прочти.
04:08Там нет ничего.
04:10Нет ничего настоящего.
04:11Я все поменял.
04:12Имена, фамилии.
04:14А зачем вам кувалда?
04:18ДИНАМИЧНАЯ МУЗЫКА
04:25О, окей.
04:27Понятно.
04:29Вот зараза, а.
04:31Никому верить нельзя.
04:33Помнишь, когда ставили, говорили, что оно пуле непробиваемое?
04:37Ага.
04:38А меня всегда точил, через сомнение.
04:43ДИНАМИЧНАЯ МУЗЫКА
04:51Все, нет больше агентства.
04:54А за меня не волнуйся.
04:56Я сменил место жительства.
05:02Ну и вероисповедание, и пол, если надо.
05:08И что, стану крестным твоему ребенку?
05:14Ну или крестный, если полз меня.
05:18Не смешно.
05:22А как же я?
05:28Ну да, ну и несмотря на все это, Филипп Дидко на Арзамасе написал,
05:34что я, ну, чуть ли не луч света в темном царстве русской литературы.
05:38Ну, а так как я с ним точно не спал, поэтому, значит, ему действительно книга понравилась.
05:43А в книге же реальные люди описаны?
05:45Да.
05:46Понятно, что имена изменены и совпадения случайны,
05:48но все-таки у вас не будет с этим проблем?
05:52Будут, да, конечно, будут.
05:54Да и уже есть.
05:55Но в любом случае я хочу сказать, чтобы вы все это записали.
05:59Я люблю жизнь, поэтому если меня найдут перед каким-то мостом или в петле,
06:04то я не сам это делал.
06:06У меня вопрос.
06:08А с учительницей сына у вас что на самом деле было?
06:14Учительница сына...
06:16Учительница сына очень хороший человек.
06:19На самом деле.
06:19И я уверен, что у нее все будет хорошо в итоге.
06:23Ну, и потом она варит восхитительный грибной суп.
06:28Вам не кажется, что финал слишком открытый и складывается ощущение,
06:32что герой так не оставит все и будет бороться за свою семью?
06:35Ну, на то он и герой, поэтому, да, он будет бороться.
06:39А вот за что будет бороться, это мы узнаем в следующей книге.
06:45А скажите, Федор, а о чем будет следующая книга?
06:50Следующая книга будет о святых людях в высших эшелонах нашей власти.
06:55Мне кажется, очень нужная книга, да?
06:57Друзья, к сожалению, наше время подошло к концу, поэтому я вынужден вас покинуть.
07:01Для всех для вас есть подписанные экземпляры книги.
07:04Читайте, пишите про книгу, я хочу заработать много денег.
07:06Спасибо.
07:08АПЛОДИСМЕНТЫ
07:09АПЛОДИСМЕНТЫ
07:09АПЛОДИСМЕНТЫ
07:14АПЛОДИСМЕНТЫ
07:41АПЛОДИСМЕНТЫ
07:47АПЛОДИСМЕНТЫ
08:05Добрый день.
08:07Здравствуйте.
08:07Excuse me, there is a girl with a girl with a horse, but it doesn't have a logical explanation or
08:17a joke?
08:18Yes.
08:19No.
08:21Oh, thank you.
08:29Hi.
08:31You are looking for me?
08:34No.
08:36Let's talk about it.
08:37Let's go.
08:40Are you with all your clients?
08:43Or is it my own pleasure?
08:59Can you have a menu?
09:08Yes.
09:12Yes.
09:17I need a drink.
09:19I have a drink.
09:24I have a drink.
09:26Of course.
09:27And wine.
09:28The light.
09:31Sorry.
09:40I really want to talk about it.
10:18I want to talk about it.
10:21I want you to.
10:24What do you mean?
10:25I don't have anyone.
10:27I am totally one.
10:28You need me.
10:29When I saw you in this store,
10:31I just took off.
10:33Wait, what do you mean?
10:35Look at me.
10:37I'm a idiot.
10:40I don't understand what's going on.
10:42You think people, who are with you,
10:44what are you doing?
10:46They are living people.
10:47They have their feelings.
10:50People want to eat and eat.
10:52No, they want to eat and eat and eat.
10:54They want to be in your heart.
10:55They want to love.
10:57I don't know.
10:58It's nice.
10:59You can't do it.
11:02I'll leave your address.
11:06Come to me.
11:08You will be my wife.
11:10Well, you need me.
11:14Aya.
11:17Aya.
11:18Is it okay?
11:21Yes, it's fine.
11:23Yes, it's fine.
11:23Friends, you better leave.
11:28What are you doing?
11:30What are you doing?
11:31What are you doing?
11:31Get out of here.
11:32Aya.
11:35Aya.
11:38Aya.
11:39Aya.
11:53In a river.
11:55Aya.
11:57Aya.
11:57Aya.
11:58Aya.
11:59Aya.
11:59Aya.
12:04Aya.
12:04Usually, they are….
12:06Aya.
12:07O-o-o-o-o.
12:09Aya.
12:09Aya.
12:12You need to write the second novel.
12:15And the third novel.
12:17And the third novel.
12:18The second novel is the first novel.
12:21The second novel is the most difficult one.
12:23You will now be able to do it?
12:29Come on.
12:39The second novel is a little.
12:40You have to do it a bit, L.
12:42You have to do it a bit more, L.
12:45That you should read.
12:46At least enough, Link.
12:49Maybe you shouldn't read it.
12:51The last novel is what you have to do.
12:59How much?
13:00You don't need to know.
13:0937 years old.
13:13It looks like Pушкин, that's what?
13:18Do you want to know?
13:24He woke up?
13:26He went to the exit.
13:46Listen, how did you find me?
13:50We're still still not.
13:52So they call me and ask me to evacuate the body.
13:55So you need to do it?
13:57Let's go, I have a passport with you.
14:00I'll be fine.
14:02I'll be fine.
14:04I'll be fine.
14:04I'll be safe.
14:06You're safe.
14:06I'll be in a car for a while.
14:08And where did you go?
14:09I'm going to go with my car.
14:11You're not going to go to bed.
14:13I'm going to go with my car.
14:16You're not going to go in.
14:16Let's go and start working.
14:18I'm going to go away.
14:19I'm going to get you a dick.
14:21Look at that!
14:22Are you going to watch the romans?
14:24Yes, and now everyone knows about us.
14:27No, it's written,
14:29all the similarities with real people
14:31or events are случайные.
14:33What about you think about him?
14:35No, you'll get your booker or what?
14:38What about you?
14:40Tell me, it's okay?
14:42It's kind of...
14:43It's kind of...
14:45It feels like the author is an upset
14:50and the author is a good person.
14:51The author is an upset.
14:53Rешетников,
14:54you're going to live with?
14:55It's a good person.
14:58It's a good person.
14:59The guy left the studio,
15:00the guy left me and left me.
15:01What do you mean?
15:22Oh, you need me.
15:25You're not.
15:26What do you need?
15:26Hey!
15:27Hold on!
15:31I'm sorry.
15:33I'm sorry.
15:36I'm sorry.
15:36Tell me, how do you need?
15:37How do you need?
15:39How do you need?
15:40How do you need?
15:40Lannister always pays the money.
15:43Well, if Lannister...
15:44Then five.
15:47Well, three hundred and seven hundred.
15:50And your wife all paid.
15:59There's a bag.
16:01I'm sorry.
16:03I'm sorry.
16:04Tell me.
16:05Tell me, do you have my fingers in my pocket?
16:09Yes.
16:17Are you okay?
16:18Yes.
16:21I'm okay.
16:23I'm okay.
16:24Well, that's the case.
16:26That's what a bunch of money will be.
16:28I don't know.
16:29I'll be sure.
16:32Or that they'll be, or that they will kill me.
16:35Pётр Сергеевич!
16:36Ah.
16:38Your вчernian's question is still in the air?
16:43Yes, it's still in the air?
16:45Yes, it's still in the air.
16:46Can I ask you?
16:47No.
16:49No, no.
16:49No, no, no.
16:50You can say, what do you need?
16:52What do you want to find out?
16:54I don't know.
16:55What is it?
16:56I can't die for a long time.
17:01I can't do it.
17:03I need to analyze.
17:04I need to analyze.
17:06I understand.
17:08Maybe...
17:09Maybe you can just say a day,
17:11and tell me how much money is,
17:13to get me in the middle?
17:15I think...
17:16150-200.
17:18We will leave.
17:22We will leave.
17:28Hello?
17:30Yes, Daryl.
17:32I can help you?
17:34Mr. Peter, we have police.
17:36You should be here.
17:38You should be here.
17:46You should be here.
17:48I can help you.
18:09I can help you.
18:11I can help you.
18:13Yes, Daryl.
18:15Yes, Daryl.
18:16Yes, Daryl.
18:19Yes.
18:21Yes, that's a place.
18:24We have a place.
18:25It's a place.
18:26What's going on?
18:28What happened?
18:30They closed us?
18:32Who?
18:33People are in shape.
18:35They're in shape.
18:39Now you're open.
18:41If you need, I'm in shape.
18:44Let's help people.
18:47Yes, of course.
18:48Dasha.
18:50Are you going to come here?
18:52Or are you going to go?
18:55I'm going to go to the office.
18:56Yes, we're open.
18:58Second.
18:59There's no camera.
19:01We have a glass.
19:06But...
19:09You work?
19:11Coffee, coffee?
19:13No, thank you.
19:17So...
19:19Now...
19:26...
19:26...
19:26...
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20:17...
20:17I still don't understand how I can help you.
20:21It's important to him to return to the world.
20:25I'll go back to my ministry.
20:28If anyone knows, or at least I'll go back to him.
20:30He'll ask me to go straight to the office.
20:34Well, let's try it.
20:38What else?
20:40Well, then you'll have to complete all the documents,
20:46You can write a contract, and we will work.
20:49Is it expensive?
20:50For you.
20:51For you, 100%.
20:54But it will be worth it, of course.
20:57It's good.
21:00I love all the best.
21:14Sure.
21:15Sure.
21:15Опять ты занимаешься какой-то ерундой решительной.
21:18Предупреждать же надо, так резко не появляться.
21:21У тебя времени нет.
21:22А ты всяких козлов выгораживаешь.
21:25Нет, я не брошу олимпи.
21:27Объясню, почему.
21:30You know, we were in childhood with brother, we were playing in soldiers, we were making them some huge stones
21:39from some huge specks,
21:40we were making them a whole life with dreadfuls, with evils, with evils, with evils, but it was always fine.
21:51I don't know, it was the moment when people understood that in life everything is fine.
21:56Well, it should be the moment where you understand that there is no syllable,
22:06that there is no syllable, that there exists only in novels.
22:11And I remember that I didn't accept it.
22:14I wanted to be if it was if.
22:16If it wasn't a finger, if it wasn't a finger.
22:19If it wasn't a finger, if it wasn't a finger.
22:20If it wasn't a finger, if it wasn't a finger.
22:21I was not sure if it was a finger that I would have taken over the battle of Puskina.
22:28I'd be looking for the Titanic to prevent the situation with a iceberg.
22:34You're a legend, Grishetnikov.
22:36You have to write stories.
22:37I wrote stories.
22:39I've been a great job.
22:41I've been a great job.
22:42I've been a great job.
22:42I've been a great job.
22:43I've been a great job.
22:45I had to write those up and write stories on my job.
22:47But I do not pass it off as long as I can.
22:50Because you've written stories...
22:51And that you gave them a producer.
22:54So you've offered them your own stories.
22:57And that you've given them a pen.
22:58he brought the story to the channel and there was one or two editors who also
23:03did something to do with their own, and then the director, who actually
23:07can see everything completely different than you see. And it's normal.
23:11So it should be, because cinema is collective, and all of them should, on the other hand,
23:16in this material, and then the operator, who will also participate in the
23:21editing.
23:21Operator, where it goes?
23:23Because if he wants to be not summer, but summer, because he needs
23:26yellow leaves, I will write it again, and then the actors will appear, and it
23:32should be nice, because they should be talented, they should be
23:37competent, wise, wise, and just elementary, even if it will happen, and all this
23:42will happen, then at the end, you will sit in the
23:47room or at home, before the television, and you will watch
23:51the same thing, and the same thing, and the same thing, and the same thing, and it
23:57is nice.
23:57But, but that's all this, in the same way, when you are
24:07chosen to the people who are chosen to make your own
24:11scenario and change the life of someone.
24:13And in Alibi I took on myself this function, I am, I am, if I am, if I am, I
24:19am the if I am, which in life actually doesn't exist.
24:22And even if I sometimes get a lot of bitches and bitches, I don't care, because even if one of
24:29ten of my clients is capable of saving,
24:32then I am on my place, then I do it right, because everyone should do what he does best.
24:41And this, this, this, this I do best, and no one does it, as I do.
24:49I have for 10 years no one, no one serious mistake.
24:53No one? How is your family?
25:02Your own family?
25:06Well, yes.
25:09Well, I have no idea.
25:11Yeah, I do.
25:12Yeah, I do.
25:14I have no idea.
25:17I am not a kid.
25:21Well, I am not a kid.
25:22I am not a kid.
25:22Maybe there will be another chance.
25:25I am.
25:26I am.
25:29I am.
25:32I am.
25:35All you need is love.
25:37I am.
25:39I am.
25:42I am.
25:49I am.
25:55I am.
26:03I am.
26:08I am.
26:10I am.
26:13I am.
26:14I am.
26:15I am.
26:16I am.
26:18I am.
26:35I am.
26:36I am.
26:55I am.
26:57I am.
26:59I am.
27:00I am.
27:00I am.
27:01I am.
27:03I am.
27:05He allowed me to have some time for him.
27:07Go ahead.
27:10Oh, how beautiful!
27:12Can you?
27:13Of course.
27:27This is beautiful.
27:28Who is this?
27:34Nervous.
27:48Oh, who is this?
27:51Hello!
27:52Hello!
27:55Who is this? Who is this? Who is this?
27:59He's got a little. He's got a little bit off.
28:01No, don't let me.
28:03Let me.
28:30Well, we're going to work?
28:31Let's go.
29:37ДИНАМИЧНАЯ МУЗЫКА
29:43Анатолий Геннадьевич, к вам Галина.
29:46Что? Кто?
29:49Здравствуйте, я от Петра.
29:52Какого?
29:54Это ваш сын, все, кто ушел?
29:57Проходите, конечно.
30:04ТЕЛЕФОННЫЙ ЗВОНОК
30:06Галина.
30:08Здравствуйте.
30:11Вам уже объяснили ситуацию?
30:13Да, конечно, Петр меня ввел в груздела.
30:18Ну и как будете возвращать?
30:22Через массаж.
30:24В смысле?
30:26Я массажистка.
30:28Кто?
30:30Кто?
30:31Остеопат.
30:32А, ну тогда другое дело.
30:34А то массажистка, сами понимаете.
30:37Ну, конечно, всякое бывало.
30:39Не понял.
30:40Не понял.
30:43У сына же спина болит, да?
30:47Да.
30:48Знаете, нам нужно найти повод, чтобы совершить подход к телу.
30:52Я вас уверяю, за два сеанса верну его к жизни.
31:01Я готова.
31:03Расскажите, с чего это начинается?
31:06Придумывают название?
31:07Да нет, какое название.
31:09Название это...
31:11Это, считай, в самом конце.
31:15Ты пишешь?
31:17Да.
31:18Пиши.
31:18В начале июля.
31:21В чрезвычайно жаркое время.
31:23Под вечер.
31:24Один молодой человек...
31:26Что?
31:27Это преступление-наказание.
31:30Все он уже написал, да?
31:32Зараза.
31:33А о чем будет роман?
31:34На любви?
31:35Да какое о любви?
31:37Нет.
31:38Любви мне в прошлый раз уже.
31:40О чиновниках.
31:42О чиновниках?
31:43Это смешное?
31:44Почему смешное?
31:45Нет.
31:46Страшное.
32:02Петр Сергеевич, вам звонит Баргуль.
32:04Соединяю?
32:05Да, соединяю.
32:08Слушаю.
32:08Ты в курсе, что она шлюха?
32:11Да.
32:12А перед этим была остеопатом.
32:14Ты знал, что она проститутка?
32:16Ну, разумеется.
32:19Разумеется?
32:19Анатолий Геннадьевич, послушайте.
32:22Эта девушка, она волшебник.
32:24Она...
32:25Если кто ей может, человека, с того света вернуть, так это она.
32:29Она меня из петли достала.
32:30А ее прошлое вас не должно волновать.
32:33Доверьтесь.
32:34ДИНАМИЧНАЯ МУЗЫКА
32:51Что делать будете?
32:54А это...
32:56Да, это он расширсанет.
32:57Слушайте, а позвоните ему, скажите, что вас интересует несколько вопросов по поводу битвы Курукшетра.
33:05Ему будет приятно, что вы интересуетесь тем, чем он хочет посвятить свою жизнь.
33:10Ку...
33:12Курукш...
33:27Курукш...
33:30Леш?
33:31А?
33:31Давай поедем куда-нибудь.
33:32Куда?
33:33Ну, в Австрию, например.
33:35М-м-м...
33:36Ты что, собираешься уже?
33:38Да, слушай, поеду.
33:39Обещал детям завтра с ней в цирк сходить с утра.
33:43Ну, оставайся, ты отсюда поедешь утром.
33:47Поеду.
33:48А как мы полетим в Австрию?
33:50У меня же дети.
33:51Ну, полетим на неделю.
33:53Ну, если только мы их возьмем, ну, Сашка.
33:56Угу.
33:58Угу.
33:58Ну, мы поедем, у меня школа.
34:09Ладно, я сношу с вами.
34:11Куручим.
34:12Угу.
34:13Можешь, открутимся, что ли?
34:16Ну, может, ты остались тогда?
34:18Я тебя отвезу с утра.
34:20Ну, ну, хорошо.
34:21Угу.
34:24Саш, ты куда?
34:25В бар.
34:28Давай, прочти.
34:30Прочти все, что получилось.
34:33Метелин любил думать о России, задавался суровыми вопросами.
34:37Что это за страна, зачем она?
34:39Часто он слышал от своих коллег, что место это...
34:41Все, стоп.
34:42Прости, сотри это все.
34:45Что, все?
34:46Все, все.
34:48Все, что мы написали за сегодняшний день, все сотри.
34:51Все это бред.
34:53Никому не нужно.
34:55Плохо это, да?
34:56Нормально.
34:56Плохо даже.
34:57Попугай, понимаете.
35:00Что дальше?
35:05Что дальше?
35:08Поехали.
35:22Поехали.
35:34ЛИРИЧЕСКАЯ МУЗЫКА
35:34Do you want to go?
35:36Yeah.
35:52Opa!
35:54Well, go ahead.
35:56Hello.
36:00Go ahead.
36:03Oh, I'm glad, that you came.
36:05I'm not expecting that.
36:06It's strange that you came so quickly to me.
36:09It's strange that you've taken me in the book.
36:12It's good that you're going to be able to pay attention.
36:15And explain, please, why do I always go to the club?
36:20Well, it's a joke.
36:22There's a lot of fantasy.
36:24I'm glad to see you.
36:25Listen.
36:28I'm not one.
36:29I'm not one.
36:30I'm not one.
36:32I'm not one.
36:33I'm not one.
36:59I'm not one.
37:01I'm not one.
37:06I'm not one.
37:08I'm not one.
37:10I'm not one.
37:12By the way, she was also his wife.
37:17Come on.
37:23Come on. Come on.
37:25Come on. Come on.
37:26Come on.
37:28Come on.
37:39Listen, are you going to be able to do it with mom?
37:44No.
37:46No, we'll be going to do it.
37:49We'll be able to do it with the parents.
37:52It will be a new girl.
37:53I'll have to take you to the next day.
37:55I'll take you to the Delfinaria, a park and a dog.
37:59I'll eat food.
38:01I'll eat food.
38:03And I'll eat food.
38:04Well, yeah.
38:07You have a new girl.
38:09You said you'll visit her.
38:11I'll take a look.
38:13Do you want to meet her?
38:16When you meet her?
38:18today evening or maybe right now I'll call you?
38:21Well, yes, of course.
38:23What do I do?
38:25I don't know, пап.
38:30Listen, I need to make a phone call, okay?
38:33Five minutes.
38:35Excuse me.
38:45Well, Anna Nicolauvna,
38:48вы ничего в романе получились.
38:51Саш, может, не будем на вы?
38:54Да нет, честное слово.
38:57Вас там все жалеют.
39:01Я бы хотела у тебя попросить прощения, Саш.
39:05Не нужно.
39:08А вы вместе сейчас с папой, да?
39:12Нет.
39:13Нет.
39:15Да, почему?
39:17Папа у меня классный.
39:20Ладненько, я пойду.
39:23Пап!
39:24Я пошел, пока!
39:26Погоди, погоди.
39:28Сань, куда ты? Погоди, я сейчас закончу.
39:31Нет, все, я пошел, а то мне мама потом обструкцию устроит.
39:34Погоди, как мама?
39:35Я думал, что мама уехала.
39:38Уехала?
39:39Куда?
39:41Отдыхать.
39:43Она устала?
39:45Мой сын.
39:51Ладно, давай, беги.
39:55Пока.
40:02Все, заметано.
40:04Субботу забираю, я тебе в конце месяца два дня отдам.
40:07Железно.
40:08Давай.
40:09Вывел субботу.
40:12С боем.
40:14Проведем или вместе?
40:16Ну?
40:17Сходи туда-нибудь.
40:18Давай ближе к делу решим.
40:21Как хочешь, в театр пойдем.
40:25Петь, я устала, я спать хочу, прости.
40:32Петь, так пейте.
40:36Поехали.
41:16You're in the middle of a camp...
41:26...the KNIFE...
41:26...it doesn't interfere.
41:28There's a supplant that was in place for you,
41:30and you can not keep in calm.
41:33And the same thing is...
41:34...that you don't know about your old friends?
41:37There are all kinds of things.
41:42They are all good.
41:58I'm not going to die.
42:00It's amazing that it makes one light of sun with a person.
42:04You know who said that?
42:05I know you. I'm like a guy.
42:09If you have a car, then I'll go to the street in the wrong place.
42:12If you have a car on your head?
42:14I don't want to write a novel. I don't want to write a novel.
42:17I want to work. I want to live like normal people.
42:21What the hell did you do then?
42:24You wanted to write a novel.
42:26I would write a novel.
42:28I want to be more than I want to.
42:29Why do you want to live with this girl?
42:31I'm not sure.
42:33I don't understand.
42:34That's what you're looking for.
42:35Well, I want love.
42:37I want love and origi.
42:39And origi and origi.
42:40And the most of the same, the most of the best.
42:43And it's not for you.
42:45You should write a novel and write a literary novel.
42:48It's a bad thing, no one needs to.
42:50It's not a quote.
42:52It's not a quote.
42:53You can't manipulate people.
42:55You don't manipulate people.
42:57You want to manipulate people?
42:58I wrote that I didn't want to live.
43:00You really didn't want to live.
43:02Well, why? Why do you need to write?
43:07Maybe you can answer it?
43:08Is there God?
43:15You want to go?
43:33Oh, my God!
43:36And I was like...
43:39There's an effect.
43:41You really work?
43:45Hello, dad.
43:47Hi, dad.
43:49Hi, dad.
43:50It's a osteopath.
43:52I'm Gali.
43:54Hello.
43:55Hello.
43:55Hello.
43:56What are your questions?
43:58There are questions, son.
44:01You don't want to?
44:03You're not going to hurt yourself.
44:05Thank you very much.
44:06But I'm a mantra.
44:08I can help.
44:10But until I work, you can read the mantra.
44:14I can't.
44:15Look how you suffer.
44:18Okay.
44:20Let's go.
44:21Let's go.
44:23Can I leave you there?
44:24Yes, father.
44:27I will leave two weeks in India.
44:29It's very important.
44:30I will pray for you there.
44:53I will be there.
44:55I will be there.
44:56I will be there.
44:57I will be there.
45:03I will be there.
45:05I will be there.
45:06I will be there.
45:07I will be there.
45:08You have to tell your spouse.
45:09You told him that he could check his friends.
45:12I will be there.
45:15And he will be there.
45:17He will be there.
45:17And so, he will be there.
45:18He will be there.
45:19I will be there.
45:20I'm happy to know the way I can help you.
45:22All right, all right.
45:23You're fine.
45:24You always have time for me.
45:26Yeah, Piotr Sergei?
45:27Hello.
45:29You already have a hug?
45:30At the end of the day, I have a hug.
45:31Dasha, I have a espresso.
45:36I'm, if you're for the door.
45:37I have a very heavy leg.
45:41Hey, guys, go get five minutes.
45:48You're not changed.
45:50You're not changed.
45:51In this case, I have a hug.
45:54All right.
45:56All right.
45:56We've finished.
45:57Well, that was it.
45:59You agree?
45:59I have a partner's proposal.
46:03Come on.
46:05So, let's go.
46:06Let's go.
46:08I'll explain.
46:12I'd like you to expand your business
46:14to the level of the country.
46:16Okay.
46:17But with an exit from the border.
46:19After a year or two, maximum.
46:20There are people who are in trouble.
46:24I still don't understand what you're talking about.
46:26I buy your agency.
46:29I will sell you to the most serious people.
46:32You will work in five times less,
46:34and you will get in ten times more.
46:36You heard about the law of the Paré?
46:39For 20% of the effort, 80% of the effort.
46:42Yes.
46:43For you, it will not be a job, but a hobby.
46:46Look at the agreement.
46:47Look at the agreement.
46:48There is a great source of your mind.
46:50The main resource is your mind.
46:50But we won't be able to download them.
46:52You will travel.
46:54You will write a book.
47:04You will write a book.
47:09It's not a book.
47:13It's not a book.
47:13It's not a problem.
47:14Let's try it.
47:16Let's try it.
47:18Let's try it.
47:19My mind doesn't sell it.
47:20It's what?
47:21You write the scenario, and you're the same.
47:23They sell your mind.
47:25It's not a problem.
47:25I don't mean, I was a good at all.
47:27Say.
47:29Let's try it.
47:32Let's try it.
47:33It's easy to send you to your mind.
47:34problems with the power of power.
47:36I sent you to the general, and the problem was solved.
47:40I know a lot of problems. They are serious.
47:43I take them on myself.
47:47The money and peace are what I want you to do.
47:51I don't work with m******.
48:04I don't work with m******.
48:05I don't work with m******.
48:11I'm going to work with m******.
48:16I don't work with m******.
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