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27:16Yes, Claire, it's Samuel. Just to tell you that everything is in place for this evening, but there's just a
27:22little problem with Mark Van Dijk. I'll explain it to you later.
27:40Shooting photo tomorrow or party, ok for you?
27:42Super.
27:45Mark.
27:49For this evening?
27:50What, this evening?
27:54Yes?
28:04Hello?
28:05Yes, Claire Delval.
28:07Bonjour. Comment va votre père?
28:11Très bien, merci.
28:14Nous organisons une reconstitution dans le cadre de l'enquête Ludivine Gilson.
28:18Une reconstitution? Je n'étais pas au courant.
28:22Votre équipe nous a fait savoir votre impossibilité à y participer, mais je me permets d'insister, personnellement. Ça a
28:27été très compliqué à mettre en place.
28:30Ce soir, vous dites?
28:32Oui, ce soir, 20h30.
28:34J'y serai. Si je peux être utile, j'ai à cœur que justice soit faite pour cette jeune femme.
28:42Merci. Au revoir.
28:44Au revoir.
28:48Tu fais n'importe quoi. Tu vas te jeter dans la gueule du loup, Mark.
28:51C'est de ne pas y aller qu'il serait suspect.
28:52Mark, fais-moi confiance. Je ne sens pas ce truc.
28:55Je peux encore faire jouer ton immunité par le monde.
28:56Non, tu ne fais rien du tout. Et sache que je n'ai pas apprécié que tu refuses sans me
29:00consulter.
29:14Ça va?
29:16Ça va, mon chéri?
29:17Oh, Peter!
29:21Quelle beauté!
29:23Attention au tapis, là .
29:24Oh, maman, s'il te plaît.
29:25C'est bon, attends, je vais faire une story.
29:27C'est n'importe où.
29:28Si, Peter.
29:31Je crois qu'il ne va pas le porter comme ça toute l'après-midi.
29:36Ça va, mon nom?
29:37Oui, ça va. Tu veux que je t'aide?
29:38Non, je l'avais dit que c'était trop tôt. Je vous l'avais dit.
29:47Là , là , tout le malheur.
29:58Arrête.
30:04Moi, elle, je fais comment, moi? Pour ouvrir le tiroir, le téléphone qui est trop loin?
30:15Attends.
30:17Arrête, arrête avec ça.
30:19Qu'est-ce que ça change? Je ne risque pas de marcher dessus.
30:26Allez, laisse-moi.
30:38Papa, je suis désolée. Vraiment.
30:41Ce genre de transaction, ça se faisait à l'époque. Rien à voir de la corruption.
30:45Oui, mais t'appelles ça comment, alors?
30:47Le HNO avait besoin d'un boost. C'était la cata, là -bas.
30:50Cette usine a sauvé la région.
30:52Papa, arrête.
30:52Il y a des familles qui ont une maison, qui mangent au chaud, grâce à moi.
30:57Mais ça, tu ne veux pas savoir.
31:05Les hommes politiques ne sont pas au-dessus des lois.
31:08Même mon père.
31:10Surtout lui.
31:17On vient de l'apprendre, le député fédéral Marc Van Dijk, qui a pas mal occupé l'espace médiatique ces
31:22derniers jours, sera tête de liste du parti libéral francophone.
31:26On a sait ce que vient d'annoncer son président, Georges Michelet. On l'écoute au micro de Baudelaide.
31:30Le travail de Marc Van Dijk sur le terrain et au sein du Parlement a été exemplaire.
31:34C'est donc tout naturellement que nous lui avons proposé...
31:38Travaux de merde en dehors à la con, politicien de mes couilles.
31:48Ces travaux de merde, c'est quand même une bonne nouvelle pour moi.
31:54Je comprends pas.
31:57Les égaux effondrés, ils ont besoin d'un spécialiste pour les problèmes structurels.
32:04Attends, mais tu vas pas accepter.
32:06Ah mais c'est une opportunité en or, six mois de boulot.
32:10Mais putain, Peter, le procès va commencer. C'est mon instruction. Mon père y est mêlé.
32:16Il faut quand même pas être devin pour voir qu'il y a conflit d'intérêts, non ?
32:20Et t'as vraiment besoin de me parler comme ça ?
32:23Pardon. Pardon.
32:27Bien sûr que j'y ai pensé, mais c'est plus ton instruction.
32:30Et ce chantier m'a été proposé après, alors moi je vois pas où est le problème.
32:35T'as pas l'impression que c'est déjà assez compliqué pour moi comme ça ?
32:43À tous les coups, on va me le reprocher.
32:51Claire, s'il te plaît, j'ai besoin de ce chantier.
32:55Tu... tu peux pas trouver autre chose ?
32:59La société est à sec. Et c'est pile dans mes compétences.
33:05Écoute, désolé, mais ce chantier-là , tu oublies.
33:07Et depuis quand tu décides pour moi ?
33:09Vas-y, avance.
33:09Toujours rester loin de tes affaires. Toujours.
33:12Ouais.
33:15Putain, il fait quoi le con ?
33:16Pour moi.
33:17Oh, tu vois pas que tu bloques tout là ?
33:19Allez, avance, le laisse pas passer !
33:21Qu'est-ce que tu veux ?
33:24Tu vas-y, là ?
33:28Tu vas-y, là ?
33:28Hé, la vieille, là .
33:30Tu vas-y calmer un peu ?
33:31Claire.
33:52Tu vas-y, là .
33:53Tu vas-y, là .
33:54Tu vas-y, là .
33:55Tu vas-y, là .
34:15Bonjour.
34:17Marc Van Dyck est en chemin.
34:18Parfait.
34:19Et Ludivine Gilson ?
34:22Pas de nouvelles.
34:46Comment ça bat dans sa chambre ?
34:48On cherche partout.
34:49Personne ne l'a vu sortir.
34:50Ok, et bien qu'on les rappelle.
34:52D'accord.
34:56Bonjour, madame Nelval.
34:57Bonjour.
34:58Merci d'être venue.
34:59Je vous en prie.
35:00Je suis désolée, on a un peu de retard.
35:01Un petit contre-temps.
35:02D'accord.
35:08Alors ?
35:09Toujours.
35:11Essayez surtout qu'il y a sa personne.
35:13Rappelez.
35:13Je ne sais pas.
35:14Je ne sais pas.
35:14Je ne sais pas.
35:15Je ne sais pas.
35:22Je ne sais pas.
35:44Un democracyário.
35:47Je ne sais pas.
35:48Un asin de laidée.
36:00Pour de nouvelles.
36:02Je ne sais pas.
36:03Tu peux et être plus tôt.
36:11Oh, man.
36:21Oh, man.
36:24Oh, man...
36:27Oh, man.
36:30Wait a minute.
36:32Wait a minute.
36:50It should be here.
36:51Yeah.
36:55Well, it's good.
36:59You should be allonged.
37:17Yeah, more or less here.
37:19Are we sure of the position of the victim?
37:21Yes.
37:22That corresponds to the trace on the ground.
37:24One of these gentlemen could take my place.
37:26I have to take note.
37:29Please, someone?
37:31What are we doing?
37:32Is it a mannequin, Mrs. Judge?
37:33No, we're waiting.
37:38Mrs. Delval, I'm sorry.
37:40Thank you for your patience.
37:41I won't be able to stay.
37:46Listen, I'm waiting for news from the hospital.
37:51As you can see, it's a certain mobilization.
37:55Excuse me.
38:17I'm not nervous.
38:17You're doing that for a long time.
38:23I can't wait.
38:26Respirez.
38:26Don't you feel an anxiety?
38:28Respirez, it's fine, go ahead.
38:30Look at me.
38:30Look at me, just.
38:31Look at me.
38:32Respire.
38:34Climb.
38:35Look at me.
38:36Look at me.
38:39Look at me, fix your respiration.
38:53I'm with you, Claire.
38:56Respire.
38:58Here, here.
39:13Here, here.
39:18Here.
39:24Didy Ville?
39:26Can you tell the others that Ms. Gilson arrived?
39:31Yes.
39:33Yes.
39:33How are you?
39:35Yes, and you?
39:36Yes.
39:39Have you been drinking?
39:40Just to put me in the mood.
39:43Let's go?
39:44Okay.
39:54We were trying to determine your position.
39:57I remember.
40:03It's here that they were taken.
40:06And they were raped.
40:11Very good.
40:13Everyone in place?
40:35Yes.
40:52Yes.
40:54We're going to stop.
40:55You decide.
40:59What's wrong with you?
41:04What's wrong with you?
41:06It was written like a war cry.
41:12And other things?
41:14Oh my god!
41:26It's what you want to do?
41:26Oh, my God.
41:36Well, I know.
41:38Oh my God.
41:39Oh, my God.
41:42Oh.
41:42Oh, my God.
41:48and a big bag in money,
41:51and a big bag of money,
41:52and a big bag of money.
41:54That's very good.
42:05We'll trace their departure, if you want.
42:09Do you remember what happened after they left?
42:15No.
42:18No.
42:22Okay, let's go.
42:24Please.
42:29Yes.
42:34They were talking.
42:36There was one who said,
42:38I'm too bad,
42:39and the other who said,
42:42I'm going to invite you.
42:47And you were talking about...
42:48a quick,
42:50or a pizza,
42:52or...
42:53I don't know.
42:55I don't know.
42:59I'm going to have a cup of water,
43:00s'il vous plaît.
43:01I'm going to have a cup of water,
43:27and, I'll take a deep breath and take a deep breath.
43:30No.
43:31It was at what time?
43:33I don't remember, but I think it was in my declaration.
43:37You arrived by where?
43:40By the stairs.
43:42But your parking parking place is at the top?
43:45Yes, but there was someone at my place.
43:47I had to go down here to me.
43:50Where did you find the divine place?
43:54A little further, in front of the stairs.
43:58Madame la Juge?
43:59Excusez-moi.
44:02Il y a un cubic sur le boulevard
44:04et deux pizzerias dans un rayon de 500 mètres.
44:07L'une est fermée et l'autre est dans la galerie d'à côté,
44:10pile devant une caméra.
44:13Je mets mes ombres dessus.
44:14On aura des nouvelles cette nuit.
44:20Beau boulot, les gars.
44:23Je veux montrer l'endroit exact?
44:24Oui, oui.
44:25On y va?
44:34Hopp!
44:36Il y a Nmail!
44:36Il y a Tristanet est cham directorsés ici.る
44:37without a��. C
44:43'est parti? Encontre
44:52l'air. Il y a
44:52protein est des matières, ne boulevard
44:52il y a Gather fez ? Il beds". Ensemble
44:57en planfer
44:57industries. Et les gars spray .
44:57il se desserinto
44:57remplac 어� Female renais ?
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