- 6 hours ago
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00:08My name is Hasan Chaudhary and this is Buz!
00:12Buz کی ایک اور دھواں دار دھماگے دار اپیسوڈ کے ساتھ آپ کی خدمت میں حاضر ہیں
00:17کفیل میں بہت کچھ ہو رہے ہیں اور جو کچھ ہو رہے وہ دل کو چھو رہے ہیں
00:21میں آشیر وجاہت کی بہت زیادہ یہاں پر تعریف کرنا چاہوں گا
00:25That boy has nailed his character Subuk
00:28اس ہفتے کی جو دو اپیسوڈ آئیں
00:31I'm sure آپ نے بھی اس میں آشیر کے کام کو بہت appreciate کیا ہوگا
00:34بہت ہی خوبصورت وہ ایک conversation ہوتی ہے
00:37جو دنین کے والد کے ساتھ Subuk کرتا ہے
00:40اور اپنا point of view شیئر کرتا ہے
00:42کہ یہ دیکھیں یہ میرا ایک چھوٹا سا apartment ہے
00:44اور یہاں پہ پانی بھی properly نہیں آتا
00:46gas نہیں آتی
00:47اور ایک دو کمرے ہیں
00:49ایک چھوٹا سا bathroom ہے
00:50جو کہ آپ کے servant quarter کے bathroom سے بھی چھوٹا ہوگا
00:54تو میں کیسے آپ کی بیٹی کو اس گھر میں لے ہوں گا
00:56اور جب اس نے یہ ساری باتیں کی
00:58تو دیکھنے والوں کے دلوں میں بہت سارا پیار ہوں
01:01ابرا
01:02Subuk کے لئے اور ساتھ ساتھ آشر کے لئے
01:04I think he has done a fantastic fabulous job
01:06and of course
01:07جس طرح سے سنم سعید زیبہ کا کردار لے کے چل رہی ہیں
01:10I think سنم نے بہت اس سے پہلے بھی بہت زبردست کردار نبھائے ہیں
01:15لیکن کفیل میں جس طرح سے زیبہ کو انہوں نے depict کیا
01:18یہ آنے والے وقتوں میں ایک یادگار performance ان کی رہے گی
01:23انتظار اب اس بات کا ہے
01:24کہ جامی ون اور زیبہ کے بیچ میں یہ جو ایک رشتہ بن سکتا ہے
01:30یہ بنے گا یا نہیں بنے گا
01:31مجھے بڑی خوشی ہوئی جب میں نے وہ scene دیکھا
01:34کہ جمال actually زیبہ کی والدہ اور ان کے بھائی کے پاس چلا جاتا ہے
01:38اور ان کو convince کرنے کی کوشش کرتا ہے
01:40very progressive writing
01:42i know کہ کچھ لوگ اس کے اوپر کچھ سوالات بھی اٹھا رہے ہیں
01:46جیسے کہ دھنین کے والد کی جب ہم نے پوری back story سنی
01:49اور لوگوں کو لگا کہ یہ تو بڑا simple سا ہے
01:52اور بڑا simplistic قسم کا ایک point of view ہے
01:54کہ ٹھیک ہے باپ کیونکہ اس طرح کے دور سے گزرا ہے
01:57تو اس لئے وہ صبح کے ساتھ relate کر رہا ہے
01:59اور اصل میں اس طرح کی جو شادی ہوتی وہ چل نہیں پاتی
02:02actually you know i disagree with that thought
02:05because مجھے بھی ایسا ہی لگتا ہے
02:06کہ شادی آپ کی زندگی میں بہت ساری تبدیلیاں لے کی آتی ہے
02:10اور یہ تو اللہ نے بھی بولا ہے
02:11کہ آپ کا جب نصیب جڑتا ہے ایک اور شخص کے ساتھ
02:15تو آپ کا رزق تو رازق تو اللہ ہی ہے
02:17تو اس میں کوئی میرے خیال میں doubt کرنے والی بات نہیں ہے
02:20اگر نیت اچھی ہو
02:22اور جس طرح کا کردار صبح کا دکھایا گیا ہے
02:25ایک بہت اچھے دل کا بچہ ہے
02:27مہنتی بچہ ہے
02:28اور overall he is just a very very nice chap
02:30so اس کیس میں
02:32اگر وہ دانین کے ساتھ شادی کر لیتا ہے
02:34اور دانین کے والدین یہ چاہتے ہیں
02:36کہ وہ بہت امیر ہوتے ہوئے بھی
02:37ایک اس طرح کی فیملی میں اپنی بیٹی کو بھیا دیں
02:40تو اچھے کاموں کا انجام اچھا ہی ہوتا ہے
02:43میرے خیال میں اس بات پر ہم سب کو ایک قوی یقین ہونا چاہیے
02:48خواتین وزرات اس پورے ہفتے میں
02:51جو میرا سب سے فیورٹ ڈراما ہے
02:53وہ سارے ٹی وی چینلز پہ
02:55سارے ڈراموں پہ بھاری وہ ایک ڈراما ہے ڈاکٹر بہو
02:58i am absolutely in love with the chemistry
03:02جو شجا اور کبرا نے create کر دی ہے ڈاکٹر بہو میں
03:06بلکہ میں تو اس extent پہ چلا گئوں
03:08اب مجھے ایسا لگتا ہے
03:08کہ کبرا and شجا
03:10are perhaps one of the best on screen couples
03:14that we have seen on the پاکستان television screen
03:18اتنی زبردست chemistry ہے دونوں کے بیچ میں
03:21مہرین جبار سنم مہدی کو full marks for the writing and direction
03:25اور for the direction مہرین کی direction ہے
03:27سنم کی writing ہے
03:28دونوں نے باکمال طریقے کے ساتھ یہ کہانی بنی ہے
03:32اور جس طرح سے یہ دیکھیں
03:34ایک چیز ہوتی ہے کہانی ایک چیز ہوتی ہے
03:36story telling the art of telling a story
03:38i think جو art ہم دیکھ رہے ہیں
03:42ڈاکٹر بہو میں جس طرح سے مہرین نے
03:44ان سارے کرداروں کو present کی ہے
03:46جو cinematography ہے
03:48جو music ہے
03:49i mean that song
03:50میں تو constantly hum کر رہا ہوتا ہوں
03:53اپنی گاڑی میں چلتے پھرتے
03:56beautiful song
03:57اور کہانی بھی بہت powerful ہے
03:59دمدار ہے
04:00ہر episode میں ہر ہفتے ہم دیکھتے ہیں
04:03کہ کس طرح سے سانیا اور سلمان کا رشتہ آگے بڑھ رہا ہے
04:07دوستوں کی طرح دوستی سے جس طرح سے وہ محبت یا پیار کی طرف جا رہا ہے
04:11وہ direction بھی ہمیں نظر آ رہی ہے
04:13similarly ساتھ ساتھ سانیا جن challenges سے گزر رہی ہے
04:16of course اس گھرانے کو ایک ڈاکٹر بہو چاہیے تھی
04:19وہ تو ان کو مل گئی
04:20لیکن کیا وہ کافی ہے
04:22is that enough
04:23and i think اس سوال کو جس طرح سے ڈراما اڈریس کر رہا ہے
04:27کہانی اڈریس کر رہی ہے
04:28وہ ایک بہت important جو society میں ایک ہم اکثر یہ دیکھتے بھی ہیں phenomenon
04:33اس کی بھی بہت خوبصورت طریقے کے ساتھ اکاسی کرتا ہے
04:35i can't wait for the next week's episode
04:37اور اس سے پہلے کہ میں آپ کی ملاقات ہماری آج کی گیس سے کراؤں
04:41جن کا بہت گہرا تعلق ہے ڈاکٹر بہو کے ساتھ
04:43میں ایک shout out دینا چاہتا ہوں فرحان سعید کو
04:46ان کا ایک بہت زبردست ٹیزر ہم نے اس ہفتے دیکھا
04:49ان کے آنے والے ڈرامے کا جس کا نام ہے بس تیرا ساتھ ہو
04:51جس کو قاسم علی مرید نے ڈریکٹ کیا ہے
04:54سائرہ رضا مرحومہ کا وہ script ہے
04:57بس
04:58میں اتنا کھاتوں جتنا آپ ڈال دیتی ہیں آپ سمجھائیں
05:03آپ بھی ان کے ساتھ مل جاتے ہیں
05:05آپ لوگ مجھے اپنا کام کیوں نہیں کر رہے دیتے ہیں
05:07بڑا ہو گئے ہوں میں اب
05:10میں آپ سے کیا کہہ رہا ہوں
05:12آپ تو خود ان کے ساتھ مل
05:16ہر کام میں ہاتھ پگڑ کے ہاتھ پگڑ کے
05:19کبھی سوچیں اگر آپ لوگ نہیں ہوں گے تو کیا کروں گے
05:23اتنا آسان نہیں ہے اس دنیا میں رہنا
05:29نہیں ہوں گے تو کیا کروں گا
05:34انہیں کام خود کر لیتا ہوں میں
05:37کر لوں گا
05:38بسم اللہ الرحمن الرحیم
05:46موسیقی
05:47موسیقی
05:48موسیقی
06:04موسیقی
06:05موسیقی
06:07موسیقی
06:19موسیقی
06:21فلمز اے آر وائے فلمز کے اشتراک سے بنی ہوئی اس فلم کا
06:23بہت بے سبری سے ہمیں انتظار ہے
06:25عمران ملک صاحب نے اس کو ڈریکٹ کیا ہے
06:27تو یہ ایک عید جو ہے
06:30بڑی عید یہ بھی بہت انٹرسٹنگ ہونے والی ہے
06:32کیونکہ کافی ساری فلمیں لائن اپ ہوئی ہیں
06:34اور کوشش کریں گے کہ بز پہ
06:36آپ کو ان آنے والے فلموں کے سٹارز کے ساتھ ملوائیں
06:41موسیقی
07:00موسیقی
07:16یا تو کہانی مکمل ہوتی ہے
07:20یا ختم
07:25فلال خواتین و حضرات
07:27وقت ہوا چاہتا ہے آپ کو آج کے ہمارے سٹار سے ملوانے کا
07:30بہت ہی زبردست پرفارمن ہے
07:32جب میں ڈاکٹر بہو کی بات کر رہا تھا
07:34ذکر کر رہا تھا
07:35تو افکوس ڈاکٹر بہو میں ہر ادھاکار نے اپنی جان ڈالی
07:38اور بہت بہترین طریقے سے اپنے کام کو نبھایا ہے
07:42اسی طرح اسی ادھاکار نے بھی اپنے کردار میں بہت جان ڈالی
07:45اور اس کو بہت زبردست طریقے کے ساتھ
07:47آگے لے کے چلنی اور بہت ایکسائیٹمنٹ ہے
07:49ڈاکٹر بہو کو لے کے ان کے ٹریک کو لے کے آج ان سارے موضوعات پہ ان سے بات کریں
07:53گے
07:54لیڈیز ہیں جنلمن بس پہ آرہی ہیں
08:26اور آپ میں رہے ہیں جنلمن بس پر اپنی جان ڈالی
08:51So there was a little stagnancy personally but then I mean obviously you know life happens and then everything becomes
09:01super fast that it almost becomes overwhelming so yeah it's been good that's something I would say it's been good.
09:10I wanted to convince you that in the past 3 years I haven't seen you as much as I would
09:18have liked to see you. What's the reason for this?
09:20Because I was shooting and everything that I always do is that I am working on that time it doesn't
09:28have to be honored.
09:29And when it happens it will be back to back to back. Exactly. So the 3 projects that I was
09:34working on actively are now together.
09:37So let me tell you that your perspective on our industry or the content that we are creating in the
09:44past few years has changed.
09:46Because the passion that I had seen in you before, it feels like a little marginal.
09:52Passion has never happened, I think it has changed.
09:55You know that thing that everything is not necessary in survival mode.
10:00Everything is not necessary in survival mode.
10:03Sit back, relax and look at everything as an audience as well.
10:07Be an audience for your own life. You know, professionally and personally.
10:11Look what's happening, what's necessary to do.
10:15Don't be in a rush.
10:17What's the reason for this?
10:18Because I have become a long race, Hasan. I don't want to come for years and that thing will be
10:24finished.
10:25And I want to leave a mark. And I want to be remembered.
10:27You know, it's not possible that there are impulsive choices.
10:32And in this, a very big role that you have done is your manager.
10:37And to be led by a strong woman makes a huge difference.
10:42So, you know, the one who is watching, I don't see.
10:46The one who is watching, he doesn't see.
10:47So, I feel like at this point, I'm very aligned. Both of us are aligned.
10:52We know what we want to do.
10:54We know how we want to represent ourselves.
10:56How I want to put myself out there.
10:59So, yeah.
11:00In our industry, which you used the phrase used,
11:03is a long race.
11:05What do you think in this industry,
11:07what do you have to do for a long race?
11:12I don't have to do much, to be honest with you.
11:15No, no, no. It's not rocket science.
11:18It's actually very simple.
11:19It's not complicated.
11:22You just have to open your mind.
11:24Basically, you have to disconnect from every single perspective
11:28that you are following.
11:31What you are saying is that you have to close your eyes.
11:34And you have to listen to your voice.
11:36Blinders, blinders, blinders.
11:38You should be tunnel vision.
11:39You should be very clear on what you want to do.
11:42Follow your feeling as well.
11:44Because, personally, when I look at my life,
11:49I don't follow the feeling a lot.
11:51I am very practical.
11:52But because acting is everything for me.
11:55So, in that I go with my feeling.
11:58So, at the end of the day, I want to be honest to myself.
12:03You know, that's the thing.
12:04What are your eyes at?
12:06But in the moment also, what is the goal?
12:10See, I will not say the goal.
12:13But I know one thing for sure, Hassan.
12:16One thing I am confident about.
12:17And one thing that I have full faith on it.
12:21That I will be seen.
12:23You cannot ignore me.
12:24Mashallah, you are seen.
12:26This has achieved.
12:27Exactly.
12:28I have achieved.
12:29And you know, a lot of times, when you are a young character actor.
12:34Like I am not just a character actor.
12:36I have also done mainly this as well.
12:38But, I would not want to be confined.
12:41Okay?
12:42But in our industry, we are,
12:44One of those who are very old people so far.
12:48There is a hierarchy in their brain
12:49If they shoot their people.
12:51They shoot their people overshadaño.
12:54Why?��
12:56끝� Bankers of their own body? Why?
12:59nota passé that they are committed to action? All right
13:01now. Why does
13:05that matter? It has
13:06always been said that,
13:07It's not in the mind of the directors, but it's such a thing that people who are very old, are
13:12embedded in it.
13:14You mean that they have a relationship between them?
13:16No, I think it's more like a mental thing.
13:20It's more like a mental thing that they're used to a system.
13:23Okay.
13:24You get that when they're used to a specific system.
13:26But what is their common factor? Do they know each other?
13:29No, no, no, no. It's because they are focused on one product and not the whole thing.
13:35That their focus is only one.
13:37You know, they'll cast.
13:38In the lead cast, or whatever.
13:40Whatever.
13:40Whatever.
13:41So you should have, I'll say every actor, you should have enough confidence in yourself, in your ability, in your
13:49talent,
13:50that you will not be missed.
13:52You know?
13:54But you said it's a very good thing.
13:56But unfortunately, there are such actors that they don't have talent and skill.
14:01They don't have talent.
14:02They push the system a lot.
14:05Yes.
14:05And they get a lot of facts.
14:07Yes.
14:07But they're not seen.
14:09But that's because, no.
14:12Hasan, they are seen even though they don't have a lot of talent.
14:15They're seen in a bad way.
14:17They would say they're not doing their job.
14:19They're not doing their job, but why are they doing their job?
14:21Yes.
14:21But then, I guess, see I'll tell you.
14:25We're living in an industry.
14:28We're working in an industry, where everything's become a business.
14:31It's all about numbers now.
14:33Okay.
14:34So for me, as an individual, as an artist, my Instagram life is a lot.
14:40But many people have hacked this.
14:43You know, if their numbers on social media are good in a way, they'll get casted.
14:49Okay.
14:50That's not an issue for them.
14:51So, those people who are going through the business perspective, they are winning at this point.
14:57They're winning at this point because I'm not a business person.
15:00I really just follow my heart.
15:02You're an artist in the truth.
15:03I mean, I'm an artist or call it whatever.
15:06But yeah, I think that's what they're doing.
15:09Because those people who know their weaknesses,
15:12who know their strengths and weaknesses,
15:16they're playing with it.
15:17So yeah.
15:18But I do believe, at the end of the day,
15:20if you're true to your art,
15:22then you can't lose anyone.
15:24You seem like a person who's very self-aware.
15:28And I suppose also, it appears so that self-critical.
15:31Yes.
15:32I'm very self-aware.
15:34Do you think I'm very self-aware?
15:36I'm very self-aware.
15:36I'm very self-aware.
15:36I don't see it.
15:36Now, you don't see it too?
15:39We're shooting too, so I don't see the screen.
15:41But I don't see it.
15:43I've done it.
15:43I've done it.
15:43I've done it.
15:45I've done it.
15:47Do you not watch your dramas?
15:49Very little.
15:50Very little.
15:51Although you should see it,
15:53because you can see it better.
15:54But I always, especially if I'm working with a director,
15:59who's good at the artistic side,
16:01who can tell me,
16:02where do you want to open?
16:04What do you want to do?
16:05Then I ask them.
16:07But otherwise...
16:08So, if you don't see self-analysis,
16:10then how will self-analysis happen?
16:11How will it happen?
16:12Exactly.
16:13Exactly.
16:13That is a battle.
16:14That is a battle.
16:15You're absolutely right.
16:16But I don't know.
16:17It's too hard to do it.
16:19I've done it.
16:19When you shoot it,
16:21it becomes self-analysis.
16:23Yes.
16:24And the thing is,
16:25on Dr. Bahoo specifically,
16:27you know,
16:28we were a great bunch.
16:30Everyone was great to work with.
16:32That's right.
16:33So, there was something there,
16:34but the other people also gave so much space.
16:36So, let me tell you,
16:36if I have to do something on the bottom.
16:38So, they would also tell you.
16:39So, we would always play something.
16:42So, yeah.
16:43But speaking of Dr. Bahoo.
16:45Yeah.
16:46This is my favorite drum today.
16:48I'm so glad.
16:50It's very wonderful.
16:51I'm so glad.
16:52My audience isn't great.
16:53But I would like to go to Dr. Bahoo.
16:57Absolutely fantastic project.
16:59Right from the direction to cinematography.
17:03And, of course,
17:04all you guys,
17:04all the actors,
17:05you guys have done such a fantastic job.
17:07Thank you, Hasan.
17:07I'm waiting for that.
17:09I will see these two questions.
17:11When will you see the next two questions?
17:13Yes.
17:14Yes.
17:15Yes.
17:16Before, let me tell you,
17:17that you have a IR project.
17:20Of course, Mehreen Jabbar was to be directing it.
17:24And Sanam has written it.
17:25Sanam is also one of those writers.
17:27Oh, Sanam is great.
17:28Sanam is a really good writer.
17:29You take their work seriously.
17:30You say that if Sanam has written it,
17:31it will be written it.
17:32It will not be arbitrary.
17:33At the very least.
17:35So, when you have a IR script from the filter,
17:37what was the first reaction?
17:39I said no.
17:40Eh?
17:41Yes.
17:42Were you offered the same Minna character?
17:43Yes.
17:44Yes.
17:44I said no.
17:45And I said no twice.
17:48Give this news.
17:49And...
17:49Today, Yameen,
17:50has been rejected by Dr. Bahuk's work.
17:53I said no to it.
17:55Because I thought that this is going to be like a sumbhal.
17:58And I don't want to play another sumbhal.
18:01So...
18:01People are drawing parallels.
18:02Exactly.
18:03Exactly.
18:04He was the director of Noor Jahan.
18:06Yes.
18:06So, I remember,
18:08I was in New York.
18:09I went on vacation.
18:10And I felt like...
18:12It was the time of the morning.
18:13I knew that at that time,
18:14it's been a lot of nights in Pakistan.
18:16Why are you calling me at that time?
18:18I had a feeling that what will happen.
18:20So, I got a call.
18:21And Nadeem said,
18:22You will be stupid if you don't do it.
18:24And I love Nadeem.
18:26I absolutely adore him.
18:28And Hasan,
18:29he's really had my back.
18:31You know,
18:31for a lot of things that I'm doing now,
18:34a lot of credit goes to Nadeem Bhai.
18:37So,
18:38he said,
18:38You will be stupid if you don't do it.
18:43I said,
18:44Nadeem Bhai, I love you.
18:45And I'm going to do this only for you.
18:47So, I said,
18:48Yes, then.
18:49Then,
18:50I sat down with my stylist.
18:53Because my stylist does not just work on the clothes.
18:56She also works on the personality of the character with me.
18:59So,
19:00we have two days with script.
19:02That we have to do it.
19:03How can we differentiate it?
19:04It's body language,
19:06it's for everything.
19:06Everything.
19:08So, we have completely revamped that similarities do not come.
19:12So, I've realized that I realized that this is very different from the symbol.
19:18And I can do it.
19:20we'll come back
19:21with our hajra
19:33we'll come back
19:35we'll come back
19:35welcome back
19:35we'll come back
19:37talented
19:38we'll come back
19:39yeah
19:39yes
19:41it's a good feedback
19:48there's a win
19:50when the common man and women
19:52they reach out to me and when they say that
19:54they feel connected to my story
19:56you know that is a win
19:58for me. Dr. Bhook, it's an interesting
20:00thing that
20:01there are so many people
20:04every person's journey
20:07but at the end of the day
20:08at least like you know
20:10as a facade they're
20:12like a unit
20:14which is very interesting
20:16that you see
20:17like Saniya's mother
20:18they're saying it's a perfect family
20:21exactly
20:21I think you've reached the audience
20:26so
20:27was it a struggle on set
20:29because you know you've got so many actors
20:31oh
20:32we've got so many
20:33the cast was incredible to work with
20:37you know what is my favourite thing in the whole drama
20:40in the whole story telling
20:41it's the
20:43female gaze on
20:45men
20:47it's like men written
20:49and directed by women
20:51you know
20:52so if you look at a standard
20:53a human character
20:57and if you look at Shujah
20:58and Adil's character
20:59then look at
21:02they have their own shades of grey
21:05but somehow
21:07they're so humanized
21:08you know what Adil is doing
21:10is you know
21:12it's a very big and wrong thing
21:14but
21:15how humanized it
21:18Shujah's character
21:19how sweet he is
21:21and how sweet he is
21:23I love Shujah and Kubra's chemistry
21:26I'm absolutely in love with it
21:28one of the best on screen couples you've seen
21:30exactly
21:30exactly
21:31I love it
21:32so
21:33I've also seen Shujah
21:34on the set
21:35and now
21:36on the screen
21:37it's also translated
21:38on the screen
21:39so
21:40I feel like
21:42a female gaze
21:43on a man
21:45you know
21:45it really does wonders
21:47I feel like
21:48Adil and Shujah's characters
21:49are being directed by a woman
21:52strong female gaze
21:53I'd like to add
21:54strong female gaze
21:55there's nothing in our eyes
21:57no no
21:57exactly
21:58where is the female gaze
21:59so
21:59I feel like
22:01this is a magical thing
22:02to witness
22:03as a woman
22:04in this drama
22:05that
22:06how
22:06how
22:07Mehreen has
22:08softened up
22:09male characters
22:10and humanized them
22:11When you were making it
22:12you were thinking
22:14that this is a different thing
22:15or
22:16it will resonate
22:18with people
22:19or
22:19you thought
22:20that this is a drama
22:21but when you shoot
22:21it's so important
22:24that you don't know
22:24more ideas
22:26then
22:26then
22:26then
22:27then
22:27then
22:27then
22:27I don't think
22:33about outcome
22:35because
22:36today
22:37it's so unpredictable
22:38everything
22:38you know
22:40what will happen
22:41how will it go
22:41how will it go
22:42how will it go
22:42how will it receive
22:42our drama's reach
22:44so much international audience
22:46now
22:47that
22:49Dr. Bahoo
22:50is now celebrating
22:53and
22:54I think
22:54reached
22:55was always
22:56there
22:56and
22:57I feel like
22:58I also
22:59understand
23:00so
23:02story telling
23:03is very important
23:05the
23:05lens
23:05camera
23:06photography
23:06I mean
23:08there are certain
23:08like you know
23:09shots
23:11the beauty of the shot
23:12just takes you
23:13back in
23:13the first episode
23:14or the second episode
23:15one take
23:17and that's all
23:19Tayyab
23:20Tayyab is our
23:21D.O.P.
23:21he is incredible
23:22he is incredible
23:24it's like
23:25he makes
23:25painting
23:26he thinks
23:28that this character
23:29is the lighting
23:29this character
23:30is the lighting
23:31he is
23:32very
23:32very
23:33good with his
23:34hope
23:34what can
23:37you tell us
23:38about
23:38Minah
23:38obviously
23:39without giving
23:40any spoilers
23:40because
23:41there is a flare
23:42in Minah
23:42of course
23:43Minah is not
23:44that if
23:44her skin
23:46clinic
23:47or
23:47being a gynecologist
23:48she constantly
23:50brings it up
23:51and she knows
23:53that
23:56at this point
23:57what we have
23:58understood
23:59is
24:00there is more
24:01to it
24:02obviously
24:03because she can't
24:04conceive
24:05this is the one
24:06reason
24:07this is a little
24:08back foot
24:08is that the only reason
24:10or is there more
24:11to it?
24:11no there is way more
24:12there is way more
24:14to Minah
24:15than what has been
24:17what has been
24:17unraveled
24:18right now
24:18my husband's character
24:20is the eldest son
24:23and he has been
24:25controlled
24:26to a certain point
24:28individually
24:28but since he was a child
24:31it was decided
24:31what to do
24:32every single move
24:33that Faizan is going to do
24:35was decided
24:35by his father
24:36first
24:36so I feel like
24:38here is
24:38no control
24:40fight
24:41so obviously
24:42Minah's story
24:43will grow
24:44in the set
24:45your best bonding
24:46was with you?
24:47with you?
24:49his name
24:50Kubra and Shajah
24:52yeah
24:52Kubra and Shajah
24:53was the most
24:53the scene
24:54you have observed
24:55the chemistry
24:56how are you?
24:57tell me
24:58tell me
25:00the scenes
25:01that we started
25:03the drama
25:03shoot
25:04and they both
25:05were the first time
25:06so
25:07these are the scenes
25:08there will not be
25:09less chemistry
25:10no no no no
25:14no no no no
25:14I think
25:15I think
25:16you have to go ahead
25:16whatever happens
25:17it will feel easily
25:18because of this chemistry
25:19that you are seeing now
25:21you know
25:21I feel like
25:22this chemistry
25:22was very important
25:24because
25:24what happens
25:25you will be really attached
25:26to their track
25:28to see all of that
25:29so off-camera
25:30what is he eating
25:31what is he eating
25:32what is he eating
25:32he was eating
25:33he was studying
25:34in free time
25:35he was playing games
25:37he was dancing
25:38he was doing
25:39we were doing
25:41even our senior actors
25:43I mean
25:44no one of Adil's energy
25:46could match
25:48Adil
25:48is unstoppable
25:50on set
25:51he was contained in the scene
25:53but
25:54he and I go to the same gym
25:56have you seen him?
25:58he is constantly walking
26:01he doesn't stop
26:02he is walking out
26:03either he is walking out
26:03or he is walking
26:04yes
26:04and I and Adil
26:06I was standing in Zen
26:08and Adil
26:09is doing anything
26:10and I had a habit
26:11that we were
26:12there was such a good thing
26:13towards the end
26:14of Dr. Bahu
26:15that Adil
26:16is the chipmunk
26:17and I am just
26:18Zen
26:19in my element
26:21with Meera
26:21there was also a great
26:22scene
26:22Oh Meera again
26:24you know
26:25a very secure actor
26:26to work with
26:27you know
26:27all of these actors combined
26:29you know
26:30they were so secure
26:30in whatever that they were doing
26:32that
26:33like I said
26:34even in Noor Jahai
26:35was the same
26:35give each other space
26:37keep your own ground
26:39you know
26:40it was a very
26:41nurturing
26:42sort of an environment
26:43now
26:44Dr. Bahu
26:45that you are the ones
26:48who are the fans
26:48who are the audience
26:50who are the fans
26:52who are the fans
26:52who are the fans
26:53who are the fans
26:54I would say
26:55that you put your seatbelt
26:56seatbelt
27:13seatbelt
27:13career wise
27:14are you
27:15are you at a place
27:16where you think
27:17that I am content
27:18the role that I am getting
27:20the work that I am doing
27:21I am more than happy
27:22there is still that
27:24aspiration
27:24that
27:26that character
27:27that you want to do
27:29in your heart
27:30that you have to do
27:30that has not come
27:31yet
27:31this contentment
27:33will not have been
27:33ten years
27:34and I feel like
27:36this contentment
27:36is a really big red flag
27:38for any actor
27:39that you are content
27:40at any point
27:42in your career
27:43because
27:45because
27:45the urge
27:46and the passion
27:47to move forward
27:48and to do better
27:49and to break
27:50whatever mould
27:51you are in
27:52is so much
27:53there is just
27:54so much
27:55that
27:56I don't think
27:57that I am content
27:57that I am not
28:00that I have done
28:03I still feel like
28:04there is so much more
28:06there is so much more
28:07that I have to do yet
28:08You don't see your work
28:09but how aware are you
28:11that the horror industry
28:13that drama
28:13that are being told
28:14that the stories
28:14are being told
28:15by the social media
28:17I am very little
28:19on TV
28:19but
28:20now
28:20tell me
28:22why actors
28:22say that you have to say
28:24have to look small
28:24some of your work
28:25no time
28:26at night
28:27at 11am
28:28I have to wake up at 8am
28:30and then I have to do
28:31at 7am
28:31and then I have to go to the set
28:33even
28:34when
28:34there is also
28:36So, I mean, I mean, I think that when we shoot after a few days,
28:42I'm just watching the wall.
28:45Really?
28:46Yes.
28:46I'm just watching the wall.
28:48I've just painted all the walls of my house.
28:51And I haven't done anything.
28:52Because we're always surrounded by so many people.
28:55That I would like to see empty walls when I get home.
28:59You know?
29:00Because we're all surrounded.
29:02That's bizarre but also very interesting.
29:03Yes, we're always surrounded by so many people all the time.
29:07And you stare at the walls.
29:08Yeah.
29:09Do you talk to yourself?
29:10I do, of course.
29:12Where do you look at the wall?
29:13I love talking to myself.
29:15What do you do when you do the wall?
29:17I have all internal monologues.
29:19Like in the set, I would find Kubra talking to herself.
29:22And I'd be talking to myself differently.
29:24So, then we got to understand that we're all doing this.
29:29So now we're good.
29:30You know?
29:31You're doing it.
29:32You're doing it.
29:32You're doing it.
29:33Do it.
29:34Do it.
29:34Do it.
29:35When we're in set, it'll be a lot of matters.
29:38So, my home, you're not doing it.
29:41No, no, no.
29:43No, no.
29:43No, no.
29:43No, no.
29:43No.
29:43No, no.
29:44No, no.
29:51It was that we were playing physically, we were playing games, we were trying to prank each other, we were
29:57eating.
29:57It was a really fun set.
29:59It was a really fun set.
29:59People would say that we should go again.
30:02No, it was a really fun set and I think this was a common thing in all of us.
30:07Shujah, Kubra, Adeel, Shahzad Nawaz, Saba Apa, it was a common thing in all of us was to take everyone
30:14together.
30:16I feel like the director, for Mehreen it was a huge set to manage.
30:22And for all of us, we were just talking about that we all were together.
30:26And Shujah is our Abba.
30:28Yes, go, go, go, go, go, go, go, go, go, go, go, go, go, go.
30:32Abba is, that's a small Abba.
30:34So, yes.
30:36Tell me about me, Mehreen has an extensive experience.
30:41Yes, yes.
30:43Because he lives outside and does a lot of work.
30:45Yes, yes, yes, yes.
30:46So, most of us, the director of whom you have worked with,
30:50how much of Mehreen's insight is different because when you see it, there is a difference.
30:55Yes, yes.
30:56Yes, I will tell you, Mehreen, I don't know, Mehreen,
30:59the patients don't say anything in your actors' process.
31:04She will stick with the version you're bringing in your character.
31:09She will not intervene.
31:11She intervenes very little and I think that the casting also does the same.
31:16And I have done a lot of work with Mehreen before.
31:18This is the first long stretch that we have done.
31:20Otherwise, I have done a lot of short films with her, some ads with her,
31:23on domestic violence, I remember I had done with Mehreen.
31:26So, she is very smart when it comes to casting.
31:30That those people who get on set,
31:33who know that they will do homework and they will get something that Mehreen has never thought.
31:38So, Mehreen's set is not easy as an actor.
31:43You have to go as an actor and do your work.
31:46Like I would say that working with Nadeem Bhai is a treat
31:49because he will walk you with your character in every moment.
31:53He will tell you the tiniest of details, you know,
31:57he will engage you so much.
31:59But with Mehreen, you have to think about all of this yourself.
32:03So, what is the discussion between the director or the actor?
32:07It is obvious that there is a lot of discussion, there is a lot of readings with Mehreen.
32:13And in his mind, we are working on the nuances,
32:19but Mehreen is seeing from an eagle eye point of view,
32:23what to capture, where to capture and what to do.
32:26So, it's like going back to school with Mehreen.
32:29You know, that you have to do everything yourself as an actor.
32:33So, if you are used to going to the set on the day,
32:38he cannot go there.
32:39He cannot go there.
32:41You have to do your work.
32:43Actually, as an actor, it is not a normal routine set of Mehreen.
32:47Is it comparatively easy on sets?
32:49It is a lot easier.
32:52Asan, I feel like a lot of directors and DOPs have become a version of the film.
33:02They are not more flexible about it.
33:04But Mehreen is very flexible about it.
33:06As I said, he doesn't come to the actor and character.
33:10He will give you a hint.
33:13He will trigger you, that it will be possible.
33:15Otherwise, he will not do much with it.
33:18As you talked about styling,
33:20when you are sitting with your stylists,
33:22you will develop your whole personality.
33:25Okay, this is Mina's character.
33:27So, this is not just look-wise, but otherwise also.
33:29How will it be a personality?
33:31I will tell you about the look.
33:32Because again, you are being appreciated.
33:35Yes.
33:35Alhamdulillah.
33:36Specifically, the look styling.
33:39Not your personality, but the wardrobe.
33:41Of course, your beautiful hair.
33:42I will tell you about it.
33:43In the last time, my and Hajra's character,
33:45there is a whole segment on your hair.
33:47You told me that people, actually directors, everybody,
33:51they want you to keep your hair and you want to experiment.
33:54I tell you that I want to see what will happen.
34:00Because I am an actor.
34:01So, I would want to see myself differently as well.
34:04But they say, no, we are good.
34:07We are good.
34:07We are good.
34:07We are good.
34:08We are good.
34:08When you were doing Mina's styling,
34:11what did you think you approached her?
34:15So, this is all Anila.
34:16Anila Murtaza.
34:17She is my stylist.
34:18And she said, how do we make it look good and effortless?
34:22So, that's when we came to dress pants and dress shirts for your office.
34:28And she also kept colour schemes.
34:30She saw that there are dialogues and scenes.
34:33So, she said, there is too much going on.
34:36So, it cannot be that we have a lot of prints.
34:39Or a lot of colours.
34:40So, it has to be mellow.
34:42It has to look like there is no effort.
34:44At the same time, you know, this household is a very old money situation.
34:51So, at the same time, we have to do that as well.
34:54So, my sense of style is very random.
34:57Like, I live in old extra large t-shirts and pyjamas.
35:02Or in gym wear.
35:04So, these prim and proper clothes are very difficult for me.
35:10I cannot.
35:11I cannot.
35:13I mean, I don't have to wear a little heel.
35:15I said, I am going to rehearse.
35:17What?
35:18I mean, what is happening?
35:19Let me do it.
35:19Because I am most comfortable in big clothes.
35:24So, when these people come in, I said, I have a little body.
35:26Now, how do I feel?
35:28This is also the effort of actors.
35:30It is not that it will go on the set of band.
35:32Yes, it will not be possible, Hassan.
35:34It will not be possible because you have to look at the camera.
35:36And I am a tiny person.
35:38So, the fittings have to be right.
35:40You know, there are many things in consideration.
35:43Think about it.
35:45It will not be possible.
35:47What is next?
35:48Mashallah, Dr. Bahoo has picked up.
35:51And how successful this is.
35:52Yes.
35:52Even if you have scripts, I am sure.
35:55I am sure.
35:55I am sure.
35:56Now, the calls have started to come.
35:58So, what do you feel?
35:59That the next project, when you will be able to do it,
36:01you already had a concern that it will get a little bit.
36:04Yes.
36:05What are you thinking about further?
36:06Actually, there is a project that I am very excited about.
36:10I am actually doing a project with Farooq Rind.
36:13Yes.
36:14That is already in big matters.
36:15Ahad and Maya.
36:16Yes.
36:17Yes.
36:17I am very excited about it.
36:19It is a very, very powerful character.
36:22Okay.
36:23Nothing like Minna?
36:24Nothing like anything I have done.
36:27More like what you did in Jindo?
36:29More like when I did like six, seven years ago.
36:33It has been a long time.
36:35But, I cannot find a similar character.
36:40It is completely new.
36:42Yes.
36:42And I had a lovely time working with Ahad.
36:45He is such a good co-actor.
36:47So, yes.
36:48Do you have more Ahad?
36:50Yes.
36:51Maya.
36:52Maya is also working with Maya.
36:53But it is a lot of work.
36:54It is with Ahad.
36:56And Farooq bhai gives so much space to you, you know.
37:00And once he is…
37:01He is also a great director.
37:02Yes.
37:02He is a great director.
37:03And when he sees how much of an actor's dedication to their character.
37:07Then he does a lot of additions.
37:10Then he does a lot of additions to your personality.
37:11He does a lot of changes in the script.
37:16It is a lot of fun.
37:17Is it a negative character?
37:18No.
37:19It is not a negative character?
37:20No, no.
37:20It is not a negative character.
37:21It is a very shaded character.
37:24Okay.
37:24Maybe you are negative.
37:26Maybe you are negative.
37:27Maybe you are negative.
37:27You are a great director.
37:29Yes.
37:30Yes.
37:30She is a human child.
37:32Yes.
37:33Yes.
37:34Yes.
37:35Positive and negative.
37:36All of us have shadows we are working with.
37:39Yes.
37:39So, yes.
37:41Yes.
37:41Seriously, how is the drama coming out of this film?
37:43It is great.
37:44May.
37:44May.
37:44May this is coming in.
37:46May this is coming out of this film.
37:47You will see the next one of us.
37:49It is coming out in May.
37:50The Majra Mayer and Ahad will be coming together.
37:53Inshallah.
37:53Thank you so much Ajra.
37:54Thank you for having me.
37:55Thank you for having me.
37:55It's always a pleasure chatting with you.
37:57They are the pleasure of others.
37:58You may be talking to those actors who are thinking actors.
38:01You should not think much.
38:04I do not think so much.
38:07But you need to think a little bit.
38:09What you think, you need to think a good idea.
38:11You need to think a good idea.
38:12Okay, right.
38:14Thank you. Good luck with Dr. Bahoo and all your upcoming projects.
38:19And inshallah, as you will be doing a good job.
38:21I hope to see more of you now.
38:27I want to see more of myself as well now.
38:30What are you doing?
38:31I want to see more of myself and I want to see myself in a completely different...
38:36I want to be challenged, Hassan.
38:37I don't want to be comfortable.
38:39I feel like my death will be a little.
38:42If I am very comfortable in my craft.
38:45There are few actors in the industry.
38:48I know for a fact.
38:49Who say that I want to be challenged.
38:52And I think that's a big deal.
38:54So actors who say that we challenge ourselves.
38:57We have two difficult jobs.
38:58We have to do this.
39:00They also need to give that job.
39:02And I think Hajra is, mashallah, a very capable actor.
39:05And a capable candidate for those kinds of roles and characters.
39:09Thank you so much once again, Hajra.
39:10Thank you for that.
39:10On that note, Khayatine and Huzrat.
39:12Inshallah, you will want to wish you again.
39:14Inshallah, next week you will be again.
39:15Thank you so much.
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