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00:00:30Good evening and welcome to The Great Indian and Sapri Show!
00:00:41Arsana Ji, Shesupai Ji,
00:00:44Today is the final episode of the fourth season.
00:00:48Today's episode is dedicated to the relationship of father and father.
00:00:54It's a great relationship because this relationship is so great
00:00:57It's a great relationship with father's signature,
00:00:59and all the time of father's signature,
00:01:03you see, the first father's definition is that
00:01:10father is the one who is in full depth of the child
00:01:12and shows the love of the world.
00:01:14But today's father is the one who is the last night
00:01:17and goes to the house and takes the iPad.
00:01:20He says, look at all the love of the internet.
00:01:22You can see, look at all the time.
00:01:26If the child is the father,
00:01:29the father is the same.
00:01:30He will teach our father.
00:01:31But today's technology is so popular,
00:01:34that father says,
00:01:36he doesn't teach your father.
00:01:37How do they do?
00:01:38Whoo!
00:01:40That's it!
00:01:43Then, the son teaches that,
00:01:45Father,
00:01:46this one that you follow for two months
00:01:47on Instagram.
00:01:50It's true or not?
00:01:51It's true.
00:01:53Look at it.
00:01:56We've studied all our lives
00:01:58about the son's son.
00:01:59The son's son,
00:02:02the son's son,
00:02:02the son's son,
00:02:03the son's son,
00:02:04the son's son,
00:02:05the son's son,
00:02:05the son's mother-to-broker Blues,
00:02:08her mother-to-broker sƩcuritƩ,
00:02:10the son's son's son's son.
00:02:13She's a woman from history
00:02:15She's been asking for the same question
00:02:16She asked for the son's son,
00:02:18like the son's son.
00:02:19She asked for her to ask for the son's son,
00:02:24and she asked for the son's son.
00:02:24She had a lot of work on her son.
00:02:30It's a complex
00:02:30It's very simple and
00:02:31The kids are very simple, the kids have a lot of weight.
00:02:33The father says, look at the son of Sharma's son,
00:02:36learn something from him.
00:02:37Today, you can't speak.
00:02:39The child is growing up and growing up.
00:02:40Have you seen Sharma's son?
00:02:42According to his income, one child was born.
00:02:46He was born in the last five years.
00:02:48He was born in the last five years.
00:02:51And after retirement, he was also growing up.
00:02:55When the father was growing up,
00:02:56he said, I'm going to kill him.
00:02:59I'm going to kill him.
00:02:59After retirement, I did this for the government to know
00:03:03that the man should retire in the past five years.
00:03:09The father's thinking is different.
00:03:12If he thinks about it, he'll give it to him.
00:03:14He'll give it to him.
00:03:15He'll give it to him.
00:03:17The father's different.
00:03:18The father's asking, drink, drink.
00:03:20If you drink cold drinks and drink tomorrow,
00:03:23I'll drink your stomach and stomach.
00:03:24I'll give it to him.
00:03:26The father's way is different.
00:03:29And we, the generation,
00:03:30we've only seen the iPhone,
00:03:31the father's different versions.
00:03:34The oldest model, you all know,
00:03:36the father.
00:03:36So this is the father.
00:03:37You know, the son will come,
00:03:39he'll get out of his feet,
00:03:40he'll give him a gift.
00:03:42He'll give someone a smile.
00:03:43He'll give him a smile.
00:03:45He'll give him a smile.
00:03:52He'll give him a smile.
00:03:54I'll give him a smile.
00:03:56I'll give him a smile.
00:03:57I'll give him a smile.
00:03:58Then this father,
00:03:59who's the father,
00:04:00who's the father,
00:04:00who's the father.
00:04:01He'll give him the heart.
00:04:03They'll keep his hands up.
00:04:03They're the half of his hands up.
00:04:03Yes, that's right.
00:04:04They're not wearing hands up,
00:04:05but they're not wearing hands up.
00:04:06Come on, I'm with you.
00:04:07But the generation of the children,
00:04:09he'll give him another word.
00:04:10Papa, what are you doing?
00:04:16Papa, what are you doing?
00:04:16Papa, what are you doing?
00:04:16I mean, the father is scared of his daughter,
00:04:19the children are scared of his daughter.
00:04:22This is the same generation.
00:04:23Either their hands go to their father's back,
00:04:26or their hands go to their back,
00:04:28or their hands go to their back.
00:04:30But they're taking the back-to-back.
00:04:33They're doing the cheers.
00:04:34Let's go.
00:04:35The ways changed, but today, if you see a dream,
00:04:38I see a dream,
00:04:40that I will become my father,
00:04:41and my father is the only person that I want.
00:04:44My child will grow.
00:04:46Today, here,
00:04:47there is a father-in-law,
00:04:49I want them to be a mentor.
00:04:52Please welcome Mr. David Dhawan
00:04:55and Mr. Varun Dhawan.
00:04:58Here is your hero.
00:05:01Here is your hero.
00:05:02Here is your hero.
00:05:03Here is your hero.
00:05:04Here is your hero.
00:05:10Here is your hero.
00:05:16Here is your hero.
00:05:18Here is your hero.
00:05:21Here is your hero.
00:05:24Here is your hero.
00:05:26Here is your hero.
00:05:26David sir,
00:05:27have you been thetown?
00:05:28How many years have you been thetown?
00:05:30How does it feel the Holy Spirit?
00:05:32So public?
00:05:33It is crazy.
00:05:34I think this is what we live for.
00:05:37I love you sir, I love you.
00:05:53Siddhupa ji, something happens, something is growing up.
00:05:56David Dronacharya and Arjun, Varun Dhawan.
00:06:02What you have shown, sir, is a dream of crores.
00:06:07You have a dream of crores, but it's a dream of crores.
00:06:11You have made so happy that you have my dream.
00:06:18Go there.
00:06:20Hold on, sir.
00:06:25David Dronacharya and Arjun came to the last night.
00:06:27The tree was in the forest, trees, trees, trees.
00:06:31You have come here and have a dream of dream.
00:06:36You all know, David sir has worked with all the actors.
00:06:40But this is not the truth that he has acted with Sidhu Paaji.
00:06:43Yes, absolutely.
00:06:45And who was the picture?
00:06:47He will marry.
00:06:49Sir, when you were in the parliament,
00:06:51you were in the parliament,
00:06:53you were in the parliament.
00:06:53Yes, absolutely.
00:06:54Today we will come to Sidhu Saab shooting.
00:06:56Today we will not come to the shooting.
00:06:58Today we will not come to the shooting.
00:06:58We have made it.
00:06:59For two days,
00:07:00we were not coming.
00:07:01Then we needed a stadium.
00:07:04And we needed it.
00:07:05And we needed it.
00:07:05The commentator's box.
00:07:07We didn't get it in Delhi.
00:07:08Then we took it to Ghaziabad.
00:07:09You took it to the side.
00:07:10Correct.
00:07:11Correct.
00:07:11Correct.
00:07:12Correct.
00:07:12Yes.
00:07:12There was Sajit Khan with the second commentator.
00:07:16He gave the scene.
00:07:17And the one dialogue said.
00:07:19And the one dialogue said.
00:07:26Yes, David.
00:07:35How can I forget it?
00:07:36What was the film with Sunny Dool?
00:07:38Which film was it?
00:07:39Aagka Gola.
00:07:40Give it to you, which film did you get?
00:07:43What was the song with Sunny Dool?
00:07:46Oh, the Gola is not my fault, sir.
00:07:48David Sir, where did you see Arshuna?
00:07:54How did you think about Aagka Gola?
00:07:56He was the producer,
00:07:58so he said that
00:07:59it was the role of Wham.
00:08:07There was another film.
00:08:09Shola and Shabnam you did with me.
00:08:10Yeah, Shola and Shabnam.
00:08:12Outstanding.
00:08:12Outstanding role.
00:08:17Okay, you know,
00:08:19you've also known that
00:08:20this is a director and actor.
00:08:22They've also filmed a film in the direction.
00:08:25Now there's another film,
00:08:26very quickly.
00:08:27David Sir, don't you say that
00:08:28we have a lot of fruit in the house.
00:08:29We hear a lot.
00:08:31How much is it difficult
00:08:32to work with a man with a man?
00:08:34How much is it difficult to work with a man?
00:08:35I have to satisfy him also.
00:08:38Of course.
00:08:39It doesn't happen so quickly.
00:08:40the question is everywhere.
00:08:41Why do I do this?
00:08:43Okay.
00:08:43Because I'm saying
00:08:44that this is why I do it.
00:08:49David Sir,
00:08:50you've worked with so many actors.
00:08:53That's great.
00:08:53And I've also heard
00:08:54that when David Sir has given
00:08:56a narration of the
00:08:58big and small
00:08:58for him,
00:08:59he said that
00:08:59there are two four,
00:09:01one Amitabh Bachan
00:09:02and one Govinda.
00:09:03And there are two police officers.
00:09:04One Amitabh Bachan and one Govinda.
00:09:05So this is a film.
00:09:06You're going to come.
00:09:08So people told
00:09:09that if David
00:09:09they're making something
00:09:10then they will make it good.
00:09:12So Varun,
00:09:12do you tell us
00:09:13about the film
00:09:13that they tell us
00:09:14that we're going to reach
00:09:1515 minutes?
00:09:1515 minutes is very late.
00:09:17It's 7 minutes.
00:09:20But do I ask too many questions?
00:09:23You don't get convinced.
00:09:25How can this happen?
00:09:26Because sir,
00:09:28I'm just saying for example,
00:09:29I'm doing a picture like border.
00:09:30Very serious film.
00:09:36Thank you sir.
00:09:37Thank you sir.
00:09:37Thank you sir.
00:09:38But I'm doing that cinema
00:09:39and I'm on the set.
00:09:41Now suddenly,
00:09:42he says,
00:09:42let's break the wall.
00:09:44Talk to the audience.
00:09:45Now I'm talking about heroines
00:09:46and talk to the audience.
00:09:47Talk to the audience.
00:09:49Talk to the audience.
00:09:50Talk to the audience.
00:09:51Lala Lala Lory,
00:09:52Dut Ki Katori.
00:09:53How can I tell you
00:09:54that I'm a love story?
00:09:57How can I tell you?
00:09:58How can I tell you?
00:10:00How can I tell you?
00:10:00So this cinema
00:10:02actually has a cut in.
00:10:03I'm sure Kapil will agree with me.
00:10:05Because
00:10:05it's very difficult for someone
00:10:06to laugh.
00:10:08Absolutely.
00:10:09Sir, and my gurus
00:10:10were
00:10:11Manmohan Desai
00:10:12king of entertainment.
00:10:15And they taught me
00:10:17that this scene
00:10:19you feel this
00:10:21it's convincing
00:10:22that the audience
00:10:23can get convinced.
00:10:24You feel it is okay?
00:10:25It's okay.
00:10:26First of all,
00:10:27they told me
00:10:28when I was making Anthony
00:10:29in America
00:10:29then my mother
00:10:31was in the hospital
00:10:32and three children
00:10:33were giving her
00:10:34and there was
00:10:35a chintu saying
00:10:37what are you doing?
00:10:38How will it happen?
00:10:39Amish Ji also
00:10:40told me
00:10:41you short
00:10:42and they said
00:10:44when the scene
00:10:45will be coming
00:10:46on the screen
00:10:46the greatest
00:10:47personality will be
00:10:48Look at that.
00:10:49What did it?
00:10:50That's true.
00:10:52You always give my
00:10:52references
00:10:53but who wins then?
00:10:55Who is convinced?
00:10:56you get convinced by David?
00:10:58No, no, no.
00:10:59I can't.
00:10:59He gives me a rehearsal
00:11:00if I like it
00:11:01then it's fine
00:11:02I have to satisfy him
00:11:05this director is to satisfy me and he's a legend, I mean forget that I'm his son, you're an actor
00:11:10on the set,
00:11:10I'll eat the most of the money, this is the truth, you can ask anyone, but artistically I have a
00:11:20way to do a scene,
00:11:22how many films have done with Govinda sir, how many films have done?
00:11:2617 films, wow, wow, wow, wow, that's amazing, 17 films and I think one of the best actors
00:11:34I've worked with this Govinda, absolutely.
00:11:39Now the scene that you write in every scene reminds me of Chichi Bhaiya,
00:11:44that how do you do Chichi?
00:11:46So I'm saying that, but I'm doing it for my audience,
00:11:51he's also small and small, so I have a very tall order to live up to,
00:11:55so I always say Salman, Chichi, Anil,
00:12:02so I have to find myself that I'm going to do Varun.
00:12:06See, but I'll tell you one thing,
00:12:08I've worked with one actor, a brilliant actor,
00:12:12and he's also learned a lot,
00:12:13his name is Rishi Kapoor.
00:12:15Oh wow, wow, wow, wow.
00:12:17He's one of the questions, he doesn't know,
00:12:19he said, okay, why do I do this?
00:12:23Now he has to convince him, sir, he has to convince him,
00:12:26I don't want to ask him, okay.
00:12:28Well I don't want to ask him that,
00:12:30but he was going to ask him,
00:12:31that was the best man who was just 17th of my city,
00:12:34he was going to ask him,
00:12:38and he's going to ask him to ask him a story,
00:12:45I want to listen to this story.
00:12:51He sat in the car and started the story.
00:12:54He said, the first short story,
00:12:56that this time is at night.
00:12:58He said, stop it.
00:13:00He said, stop it.
00:13:01He said, stop it.
00:13:03He said, I don't do a film in the night.
00:13:05He gave it.
00:13:08That's right.
00:13:10But today's generation of actors,
00:13:12they ask questions.
00:13:15They ask for script.
00:13:16Give a script.
00:13:17Give it to the beginning.
00:13:18I want to go through the script.
00:13:20He gave me a script.
00:13:22You understand?
00:13:23He's the old one on the phone.
00:13:26Yes, I'm doing it.
00:13:28He said, okay.
00:13:29He said, okay.
00:13:29He said, what do you want to do?
00:13:31Leave it.
00:13:31Tell him.
00:13:38I want to tell you one thing.
00:13:42I work with the directors of today's today.
00:13:46It's a very polite time.
00:13:47You can't give a lot of shit.
00:13:51You can't give a lot of shit.
00:13:52Because there's no more friends.
00:13:52Yes, it's a very good job.
00:13:54But if someone has done the acting on the mic,
00:13:58he said,
00:13:58he's a bad actor.
00:14:00What's happening?
00:14:02If you don't have an acting,
00:14:03then you can do it.
00:14:05And you can do it.
00:14:06You can't give a lot of shit.
00:14:06What's happening?
00:14:07You can do it.
00:14:09The hero has to be like a line.
00:14:11The character artist,
00:14:12they are the best.
00:14:14Kadar Khan,
00:14:15Shakti Kapoor,
00:14:15Anupam Khed,
00:14:17Satish Korsak,
00:14:18Parish Ravel.
00:14:20Unbelievable.
00:14:20I want to tell you about Govinda.
00:14:23Sir, people say it's late.
00:14:25Who is late today?
00:14:26It's late, leave.
00:14:27And you won't believe it.
00:14:31My whole scene came.
00:14:33It's a 4-page scene.
00:14:34I looked at it.
00:14:36I was taking a shot.
00:14:37I said, don't take a shot.
00:14:39I said, look at it.
00:14:42I'll give it in one shot.
00:14:44He was in a partner.
00:14:46He was sitting on the table.
00:14:48He was sitting on the table.
00:14:48What does he do?
00:14:50You can't imagine.
00:14:51He said, take a shot.
00:14:54Unbelievable.
00:14:59You know, my favorite film, David Sir?
00:15:04Kamal film.
00:15:07When it was released,
00:15:09there was another film released.
00:15:11Something.
00:15:12So, Varun left his father's film.
00:15:14He went to watch the film.
00:15:16Varun, it was the only reason that
00:15:17Papa said, come on.
00:15:18You will launch it.
00:15:19You will launch it.
00:15:21I have to know that you have a legendary director in your house.
00:15:27David Sir, what was the reason
00:15:28that the first film came from Varun?
00:15:31He was studying abroad.
00:15:33He was studying abroad.
00:15:35He was studying abroad.
00:15:46He was studying abroad.
00:15:47He was studying abroad.
00:15:48Yeah, I swear on you.
00:15:49He said, I want to assist Karan.
00:15:52I didn't even know.
00:15:53He said, my mother.
00:15:54And he went and met him.
00:15:56Then he assisted Karan.
00:16:02He was studying abroad.
00:16:04He was studying abroad.
00:16:04I was busy.
00:16:05I was studying abroad.
00:16:09I was studying abroad.
00:16:09So, what happened one day?
00:16:12Karan came to the house.
00:16:14And he said, I want to launch him.
00:16:17Oh.
00:16:19The next time he came,
00:16:20he took photos.
00:16:21Siddhartha and Siddhartha
00:16:22took photos.
00:16:24And this is the path.
00:16:26Aliyah also.
00:16:27This is the person.
00:16:29Now, who is the director?
00:16:31He said, he will produce.
00:16:32Right.
00:16:33And in the end, he came.
00:16:34He said, I'm going to direct this.
00:16:36Oh.
00:16:36So, we were so happy.
00:16:38He's got a break from the right place and all.
00:16:41Right.
00:16:41But this is a story
00:16:42that they have just told themselves.
00:16:45His twist is that
00:16:46when I was acting in 8th or 9th,
00:16:49I knew that
00:16:50my dream was to go to Times of India.
00:16:53Oh.
00:16:54What happened?
00:16:56My birthday is on April 24th.
00:16:58And you know who is born on April 24th.
00:17:00Sachin Tanduka.
00:17:01Exactly.
00:17:02So, Sachin Sir always came to the photo
00:17:04and was cutting cake.
00:17:05And I always told my mom
00:17:06that my mom,
00:17:07one day, my mom,
00:17:08it would come to me as a cake.
00:17:10So,
00:17:11my brother always liked it.
00:17:12Either you go to jail
00:17:13and the photo will come to you.
00:17:15Or you will do something.
00:17:18It was fun.
00:17:19So, my mom told me
00:17:21that
00:17:22they never launched anyone.
00:17:25Whether it's a hero or a big man
00:17:28or something.
00:17:29He doesn't believe in that.
00:17:30He needs to be prepared for me.
00:17:33He kept a very high standard.
00:17:35So, I said,
00:17:35how did I break it?
00:17:37No, you broke it, Guru.
00:17:38I tell you,
00:17:39children and young people
00:17:40who are teenagers,
00:17:43their heartthrob
00:17:44their heartthrob.
00:17:46I guarantee you.
00:17:47The youngsters adore you.
00:17:49I adore you.
00:17:51Sir,
00:17:53I can't take any credit.
00:17:54Like my mom came,
00:17:55that's the same thing.
00:17:56I just learned it.
00:17:59The school of comedy,
00:18:01entertainment scenes,
00:18:03that's the same thing.
00:18:05That's the same thing.
00:18:17So,
00:18:17there was a film
00:18:17of Akshay Paji's time.
00:18:19Have you seen the picture?
00:18:21Yes.
00:18:21I always laughed
00:18:22because I felt like
00:18:23this is happening.
00:18:25So,
00:18:26I mean,
00:18:29he would not say,
00:18:29but they would think
00:18:30that you all would feel
00:18:31that he is the black sheep
00:18:32of the family.
00:18:33That he will not do anything.
00:18:35But,
00:18:36it's good.
00:18:36But,
00:18:40it's one of your finest performances.
00:18:42Again,
00:18:43it's a challenge.
00:18:44I've even done a phone
00:18:45too.
00:18:45Yes.
00:18:46Yes.
00:18:48I thought that was a challenge.
00:18:51Yes.
00:18:51Yes.
00:18:52Yes.
00:18:53Yes.
00:19:02Yes.
00:19:04I can't tell you.
00:19:10I came back
00:19:11and I was so proud of him.
00:19:13I tell you,
00:19:14first time,
00:19:15I said,
00:19:20you could stand your own
00:19:22and prove yourself.
00:19:23The director really used him very well.
00:19:26A million.
00:19:28Do you think
00:19:30Have you seen a change in warun when he became a father?
00:19:33Yes, very much.
00:19:34You can't know that...
00:19:35I always say that sometimes I always say that...
00:19:37I always say that Lali, what is the father?
00:19:41I don't know this.
00:19:42If you have a son, he knows what is the father.
00:19:46It's true.
00:19:49No, a hundred percent.
00:19:50I think that this is the best way to my wife.
00:19:52Definitely.
00:19:53She has taught me a lot after marriage.
00:19:58But my mom, you know, touch wood.
00:20:01Kuch bhi, kabhi bhi hota hai, jhagda hota hai,
00:20:04wohh meesha meri patni ka hi side lehte hai.
00:20:06Poori family.
00:20:07Poori family.
00:20:09Toh mein lehi nahi, mein matab...
00:20:12Waisse thoda akila padh gaya ho mein.
00:20:13Ho ho.
00:20:14Ho jage pe.
00:20:15But, mein khush hu ki, yaar, eventually success,
00:20:18I feel yehi hai, joo ghar pariwara aapa.
00:20:21Pehle toh, pehle toh ye jhagda hotte teh ki yaar,
00:20:23papa vaykana go out at night, yaar.
00:20:25Mein dho baje bhi rath ko a gaya,
00:20:26aasar mein jata hai niyo bhaat.
00:20:27Doos ke buddhe pili gaya,
00:20:28wai you awake?
00:20:29Kukke uhthe rehte teh, rath ko.
00:20:31We are so worried.
00:20:32Hama loog polis ko phone karen hala.
00:20:33Aasar, brr, mein mobile hai.
00:20:35Huchey karlo.
00:20:36Ek baar,
00:20:37yeh ghar aya nihi, bhaar time ho gaya.
00:20:39Yeh, yeh, yeh, yeh, chota tha.
00:20:42Yeh, sidiya chate ho, joo niche,
00:20:45paati chal rhi thi.
00:20:47Toh yeh music sunteh sunteh anadar chala gaya.
00:20:49Yeh, paati ba huya.
00:20:50Yeh, paati chate ho, joo niche,
00:20:51yeh udar ha.
00:20:52Hama loog dhunde aani niya.
00:20:54Kidar gaya?
00:20:55Mahalum hi niya.
00:20:56Mera joo bada beeta tha na,
00:20:57Rohit.
00:20:58Ho bhi.
00:20:59Usko pata chala.
00:21:00Ho niche gaya.
00:21:00Poocha and all.
00:21:01Watchman ne bataya usko.
00:21:03Ki bahiya idar.
00:21:03Yeh, anadar gaya.
00:21:04Usko khichke maarte maai.
00:21:06Iska matlab sir,
00:21:11Iska matlab sir,
00:21:12shahid ki boond hai.
00:21:13Makhiya toh aayengi sir.
00:21:14Kya wad ka rohit?
00:21:16Rohit.
00:21:16Rohit kitna bada hai,
00:21:17David sir, Varun sir?
00:21:184 saal.
00:21:194 saal.
00:21:20Aap bada bhai toh,
00:21:21ek saal bhi bada ho,
00:21:22toh woh toh pitai kari rita hai.
00:21:23Toh muje laga ki abhi maarega,
00:21:24toh phir upar jaake kuchh kaani bana lege.
00:21:26Kyunke maar toh diya hai na,
00:21:28usne dothhapad.
00:21:29Par upar jaake,
00:21:30usne bol bhi diya.
00:21:31He was dancing with girls inside and all.
00:21:34Iska matlab sir,
00:21:35aap extrict father thay.
00:21:37Varun ki meri tarah,
00:21:38jise merah fadhar khadkai karta tha.
00:21:40Aap kratle thay sir,
00:21:41khadkai?
00:21:42Mene isko aaj tak maara diya.
00:21:44Haath nahi utha hai.
00:21:46Mammi ne maara hai.
00:21:47Lali mas sam na.
00:21:48Mammi hai.
00:21:49Aap believe nahi karo ga ek din,
00:21:51mein bhaar tha.
00:21:51Nain, ek bhaar maara hai.
00:21:52Mammi ne maara hai.
00:21:53No, you hit me once.
00:21:54You slap me.
00:21:56Nain maara hai.
00:21:58Eek baar,
00:21:59inki aur mere bade bhaai,
00:22:00Rohit ka,
00:22:01koi jhagda ho raha tha.
00:22:02Devo shouting adiche.
00:22:03Mene upar aaya tha,
00:22:03mene chashmete horna inpe.
00:22:05To mein utke,
00:22:06neen se upar aaya tha,
00:22:07boxer boxer, boxer mei,
00:22:08shorts mei.
00:22:08Mene dekh raha hunka koi jhagda vaga.
00:22:10Api ek dousre pe chila raha hai.
00:22:11To mein urad chila,
00:22:12hota raha raha tha hai, rooz ka.
00:22:13Main toh,
00:22:15tivi ki kira dekh raha ho.
00:22:15Jhagda raha baabit ta hai.
00:22:17Toh beach me,
00:22:18nain meri ko thappad maan.
00:22:20He wanted to slap him,
00:22:28my specks fell down.
00:22:29And I picked up the specks.
00:22:31What the hell?
00:22:33Sir, ye kasi madhe,
00:22:34kare koi or kare koi.
00:22:35Chote pitugnath ho jata kabi kaba.
00:22:36Lali ne kab kak maara tha.
00:22:37But one thing I want to tell you sir.
00:22:39Lali toh Lali toh Lali hai.
00:22:42You know,
00:22:43Lali is one who keeps the family together.
00:22:46She is one of the strongest women I've known.
00:22:49Aap believe me karo ga,
00:22:50we all stay together.
00:22:52Yee liche waare floor mein,
00:22:53upar war mein aur rohet,
00:22:58we eat together at times.
00:23:00Match dekhna hai,
00:23:01match dekhna hai,
00:23:02final chal raha hai,
00:23:03semi-final chal raha hai,
00:23:04we see together.
00:23:05But it's ki bhi kaani,
00:23:06kiunke mujhe ghar kareedna tha,
00:23:07when I was a bachelor,
00:23:08mujhe ghar kareedna tha,
00:23:09I said, you know,
00:23:09mele ko dhekhna hai,
00:23:10I need space and all like.
00:23:11Ho ta hai,
00:23:11success ho jata hai,
00:23:12har insaan ke dhimaag mene,
00:23:13I need privacy,
00:23:15asab, asab.
00:23:16Toh mene,
00:23:17dhekhnei laga jago ko ghar pe.
00:23:18Friendly,
00:23:19they are like,
00:23:19hum log ne final kare diya,
00:23:20ghar mili.
00:23:21I said, kaha hai,
00:23:22ek floor niche.
00:23:23I said,
00:23:24but na hai,
00:23:24apne peseo se ghari jila.
00:23:26Naini,
00:23:26available ni hai,
00:23:27ghar kitar,
00:23:28available ni ni hai.
00:23:28I said,
00:23:29puriha bombay mein,
00:23:29ghar hi nahi available hai,
00:23:30kisi kaani.
00:23:31Kali, he ek ghar available hai niche.
00:23:34You know, he told me,
00:23:35you know what,
00:23:35told me,
00:23:36is it emotional reasons you want to?
00:23:38I said, ya,
00:23:39it is emotional.
00:23:41Mujhe aanti ki baat yaad agai,
00:23:43Barun ke mamma ki.
00:23:44Eh, barna,
00:23:45hum log
00:23:46Marriott jata da,
00:23:47mein swimming karnei.
00:23:49Toh,
00:23:50barun ke mamma aya,
00:23:51toh,
00:23:52ek-doh hotel ke staff alee khaade da,
00:23:53kya hua, kya hua.
00:23:54I said,
00:23:54madam ki ring giro gheyi.
00:23:55Achcha, achcha,
00:23:56I said,
00:23:56auntie,
00:23:56mehengi ti,
00:23:56haa,
00:23:57bita,
00:23:57diamond ring ti,
00:23:58achcha.
00:24:19haa,
00:24:19haa,
00:24:20haa,
00:24:21haa,
00:24:27haa,
00:24:30haa,
00:24:31haa,
00:24:31haa, haa, haa, haa, haa.
00:24:32So,
00:24:33Hithik Roshan had not been launched at that.
00:24:35Hun ka launch nuri hoata.
00:24:36Toh,
00:24:36in ke phone sem thai,
00:24:38Toh,
00:24:38hunnui ne Hithik Roshan ka phone,
00:24:39le ke aage hi college.
00:24:41Haa, haa, haa, haa.
00:24:44Then I think Rakesh Roshan called dad and Hrithik
00:24:46came to the house with the phone
00:24:48and then Hrithik was not Hrithik
00:24:50but then he was a good boy and a good looking
00:24:52So when I was eating food, Hrithik was like
00:24:55Hello, auntie
00:24:56How's it?
00:25:00Hey, auntie
00:25:04But I was doing that
00:25:06I was doing that again
00:25:07But I was doing that again
00:25:14It was very embarrassing because he was sitting in lungi
00:25:16without a t-shirt
00:25:18He was sitting in lungi without a t-shirt
00:25:21and Hrithik Roshan came
00:25:23Big tall guy like that
00:25:25full
00:25:26Huh?
00:25:27Hey auntie
00:25:31So dad was there
00:25:33and he called Uncle David
00:25:34Uncle David
00:25:36I think you got my phone
00:25:37Is that nice?
00:25:39So, my mom said Hrithik
00:25:41you know by mistake you're such a sweet boy
00:25:42and all that
00:25:43And I and Rohit are like this
00:25:46Thank you for
00:25:47I'll remember that
00:25:54Super
00:26:03But genuinely
00:26:03I think
00:26:05I think
00:26:05when I saw Hrithik
00:26:06I said
00:26:07How can he be so perfect?
00:26:09How can he be so perfect?
00:26:10Then I had a tension
00:26:10that
00:26:11Salah this is so good
00:26:12so how will my launch
00:26:13be?
00:26:13How will he be so perfect?
00:26:15How will he be so perfect?
00:26:16I'll be so happy
00:26:18I'll be so happy
00:26:20But yeah
00:26:20I mean
00:26:21I'll be so happy
00:26:22I think
00:26:23I think
00:26:24my childhood was very funny also
00:26:25He's so happy
00:26:27He's so happy
00:26:28But I'm going to tell you
00:26:29like David Sir
00:26:30There are many actors in the house
00:26:32When I go to school
00:26:35I think
00:26:36I'll write a book
00:26:36I'll write a book
00:26:37or write a book
00:26:54I'll do anything
00:26:55So, I was embarrassed to call a girl or a friend.
00:27:03We'll meet in Lungi.
00:27:04So, that's the same.
00:27:10Then, my mother said,
00:27:12David, this is not right. The kids get people home.
00:27:15You're roaming around in Lungi.
00:27:16So, next day,
00:27:19there was some friend in the room.
00:27:20Now, she entered Lungi.
00:27:23There are Jordan's shots.
00:27:24Jordan's shots.
00:27:27But, bare body.
00:27:29Bare body.
00:27:34Ahtu, Ahtu.
00:27:35This is a big deal.
00:27:38You're familiar with the comedy.
00:27:40I'm married now.
00:27:44So, I'm wearing a t-shirt.
00:27:46Oh, what a joke.
00:28:08Sister is with this.
00:28:11Oh and that is a world where he has been talking.
00:28:14A good time man is coming.
00:28:18Hello friends.
00:28:20Hey.
00:28:20I live here with you.
00:28:21Hello the Š»ŠµŠ¶ What a professional eat of you.
00:28:22Hello, how are you?
00:28:22This is a ho frog.
00:28:23Yes.
00:28:23Do you want to take your vegetables?
00:28:24Yes, take your vegetables.
00:28:26Mother, you take it, I have to take your vegetables.
00:28:29Your hands are open, Mother.
00:28:32Your hands are open, and my feet are also open.
00:28:36I have four more of the vegetables in my feet.
00:28:39I feel like I'm hungry.
00:28:42What is the value of the vegetables for that, Mother?
00:28:47What did you say?
00:28:48Mother, you are going to bite, bite.
00:28:50I was saying, I take it, I take it.
00:28:52I take it, Mother.
00:28:53Come, come, come.
00:28:55I'm going to get it.
00:28:55Look.
00:28:56Yes.
00:29:00Are you going to take your legs, David?
00:29:02Yes, sir.
00:29:03It's been 20 years.
00:29:04It's not a year, it's a month.
00:29:06It's a little girl.
00:29:07It's a little girl.
00:29:10And Varun Ji, how are you?
00:29:11Are you all right, Varun Ji?
00:29:13Yes, very good.
00:29:14Why are you asking them?
00:29:15I'm sitting here in the bagel and ask them directly.
00:29:17Mother, if you ask them directly,
00:29:19then you will call me to my mother,
00:29:19and you will call me to my mother,
00:29:21and then I will talk about her.
00:29:23You are going to be like this?
00:29:28I'm doing all these things.
00:29:28I'm not doing all these things.
00:29:30Direct and then I will talk to them.
00:29:31and I will talk to them, then I will talk to them.
00:29:33Yes, Mother.
00:29:35Don't take your six-pack and take your six-pack.
00:29:39Show me your whip.
00:29:41Can you show me?
00:29:43What?
00:29:44Can you tell me?
00:29:50What are you doing?
00:29:52You don't say, open the door.
00:29:54Open the door.
00:29:55Open the door.
00:29:57Open the door.
00:29:58Open the door.
00:29:59Open the door.
00:30:02Open the door.
00:30:04I'm standing here.
00:30:04I'm doing this.
00:30:06I'm not going to do this.
00:30:07I'm not going to come here.
00:30:07I'm calling your mother.
00:30:08She sees her mum's eyes.
00:30:09My mother does mention the shadows.
00:30:09She ishi and look at the shadows movements.
00:30:09No mum, don't do that.
00:30:13My mother is in hospital.
00:30:15Yet is the operation of his eyes.
00:30:17She needs eyes.
00:30:17She's in hospital.
00:30:19It's there.
00:30:20She has opened the doors.
00:30:20It's opened the doors from yourRRspod.
00:30:21The head ėØøė¦¬ Colleen used to be in hospital.
00:30:22See, she was in hospital.
00:30:23He'slling to put the doors of her eyes.
00:30:28It's Š¾ŃŠ“ŠµŠ»ised her eyes.
00:30:32I'm looking for my eyes.
00:30:36Neem.
00:30:36Hello, brother.
00:30:38How did you send this girl?
00:30:41I'm taking a look at her and taking a look at her.
00:30:46This is your son.
00:30:49Why are you asking me to ask me?
00:30:51You should ask me to ask me.
00:30:53Yes.
00:30:54Let's take a look at the next time.
00:31:00You asked me to ask you.
00:31:04That's the truth.
00:31:05What's your story?
00:31:05I have to ask you.
00:31:08How is David's situation?
00:31:11How are you?
00:31:13How are you?
00:31:14Just a little bit.
00:31:16All right, you have to sit here.
00:31:18Sit here, sit here.
00:31:20I sit here.
00:31:22I like you.
00:31:24I like you.
00:31:25I like you.
00:31:27Yes, mamma.
00:31:27Look.
00:31:29There is a mamma.
00:31:31There is a mamma.
00:31:34How are you, Mammy-jee?
00:31:36I love you so much.
00:31:39One minute.
00:31:41Look at this.
00:31:42I'll take your love teddy bear here.
00:31:44You're so cute.
00:31:45You're so cute teddy bear.
00:31:47You're very cute.
00:31:50Very cute teddy bear.
00:31:51I'll tell you about that.
00:31:54Mammy-jee.
00:31:55Yes?
00:31:55There's no one here.
00:31:57There's no one here.
00:31:58Yes, I think that Sardar Ji
00:31:59has taken this way.
00:32:07Ah...
00:32:08Ah...
00:32:09Barun-ji.
00:32:09Ah-ha.
00:32:11I remember the picture of the bear.
00:32:12What?
00:32:13The bear also came in our house.
00:32:15What?
00:32:16Our bhaens was scared.
00:32:18Yes.
00:32:19I was scared too.
00:32:21She's saying,
00:32:22Mammy-jee, I'm gonna say anything else.
00:32:23Yes?
00:32:28You said bhaens to me?
00:32:30No one, you should be.
00:32:32Oh, it's not.
00:32:35Ah...
00:32:36Hey, Mom-ji!
00:32:37Hey, look.
00:32:39Yeah, yes.
00:32:40Yes, yes.
00:32:40Here, yes, yes.
00:32:42Ah...
00:32:42David-ji,
00:32:43we have got gifts for our boat.
00:32:47We have got gifts for our boat.
00:32:48Different bills of our boat.
00:32:50Is not our boat.
00:32:51It's a...
00:32:52Hey, hey, hey.
00:32:53Hey, I was thinking,
00:32:55you know,
00:32:57maybe you can buy a great gift for our husband's dad.
00:33:00We will buy some great husband's birthday gift for our husband's dad.
00:33:07We will give them someone.
00:33:09Yes, yes.
00:33:11The gift is in third-class.
00:33:16Look,
00:33:17there is no class in this gift.
00:33:19There is a gift.
00:33:20If gifts are given in the gift, I see the love in one that.
00:33:23But the gift comes from birth.
00:33:25Why do you give gifts?
00:33:30I think the gift comes from birth.
00:33:34I think the gift comes from birth.
00:33:40I have given the gift.
00:33:43I have given the gift.
00:33:44I have given it.
00:33:45What's your name?
00:33:46What are you giving me ?
00:33:48What's your name?
00:33:49How are you bringing your report?
00:33:53Don't call me!
00:33:54Don't call me!
00:33:59I'm going to put my circle on my ears!
00:34:01I'm going to put my MP on my ears!
00:34:06Go, go!
00:34:07There's a circle on my ears!
00:34:09It's never beenå“©rocketing!
00:34:12That is the circle!
00:34:15Don't call me.
00:34:16I gave them a gift for you here.
00:34:20What's your gift, Mother?
00:34:22You don't understand everything.
00:34:25I'll give them a gift here.
00:34:27It'll be a good relationship.
00:34:30It'll be possible because of the relationship,
00:34:32take your heroine in the next film.
00:34:38I don't want to make a heroine film.
00:34:41I don't want to make a heroine.
00:34:43Why?
00:34:44What do you mean?
00:34:46You don't want to make a heroine film.
00:34:49You don't want to make it happen.
00:34:54You don't want to make a heroine.
00:34:58If you don't have to make a heroine film,
00:35:02then you can't make yourself.
00:35:03I'm lying at all.
00:35:05I'm almost all looking at you.
00:35:07I don't see your dreams.
00:35:11I see a lot of things.
00:35:13Look at this head.
00:35:14I think he has made a lot of work.
00:35:15I'm going to sit one minute and sit down.
00:35:18I got to get my diver.
00:35:19I get asked students to ask him to send them back.
00:35:21He doesn't help?
00:35:23I'm not doing now.
00:35:24I was just sitting back in a second.
00:35:26He had 5 years of age.
00:35:28They went all in front of his pants.
00:35:29I thought what I was doing.
00:35:35I would say what came to him.
00:35:36One of my favorite things is you should do smarties.
00:35:41This is the famous thing.
00:35:43When you are famous, you go to the podcast.
00:35:49You get to know the stories you are getting.
00:35:51You are doing this.
00:35:54Who will listen to the guy who is?
00:36:02You don't want to do this.
00:36:03You do a good job.
00:36:05You are doing a good dance.
00:36:05I'm good at dancing.
00:36:06Okay, show this.
00:36:07You learn dancing.
00:36:08You learn dancing.
00:36:09You learn the same as Nora.
00:36:10I'm numbering.
00:36:11What is dancing?
00:36:12You learn the dancing from the village.
00:36:13All the Bollywood people.
00:36:15Okay.
00:36:16Then Allah, let's go for a minute.
00:36:18You learned all that from there.
00:36:20What's that step?
00:36:21Our bird is eating grass like this one day.
00:36:25There's two trees in the back of grass.
00:36:27That's the same step, Mom.
00:36:38I gotta THOMAND.
00:36:50Okay, let's go.
00:36:51Hold on.
00:36:57I sou a little man
00:36:59I sou a little man
00:37:03Oh
00:37:14I
00:37:15Maybe you have to buy it. Yeah, which I don't know how to do it.
00:37:21This is what I'm not going to do
00:37:23I'm not going to
00:37:25I'm not going to
00:37:28I'm not going to be
00:37:30Dada's dance
00:37:47David, you started your career as an editor, right?
00:37:50I'm an editor, basically.
00:37:51I'm an editor.
00:37:52If you don't believe me, I've edited 50 films.
00:37:56Wow!
00:37:56Look at this one.
00:38:00I've worked with Mahesh Bhad.
00:38:03He's named his name.
00:38:06I've edited a film in Mukul Anand.
00:38:09Now, if you come to my office, I'll be in the editing room.
00:38:13We're scared because it's very fast.
00:38:16It doesn't make a reel.
00:38:18The actors' performances are very hilarious in the film.
00:38:22So, you have to do that too.
00:38:24You have to do that too.
00:38:25You have to do that too.
00:38:26You have to do that too.
00:38:30In fact, he's a gold medalist from FTI.
00:38:32Yes, I have him.
00:38:33Yes.
00:38:35I was editing NAM.
00:38:37Okay.
00:38:38I was editing NAM.
00:38:38Sanju came in NAM.
00:38:40He came in NAM.
00:38:41He came to see.
00:38:42He came to see.
00:38:42He came to see.
00:38:43He came to see.
00:38:43He came to see.
00:38:44He came to see.
00:38:45I said, why don't you become a director?
00:38:47You're doing so good.
00:38:49So, at that time, I said,
00:38:51it's a good idea to make you.
00:38:52But who will make the picture?
00:38:55You know what he told me?
00:38:56You got the film.
00:38:57Tomorrow, I've signed a film.
00:38:59You'll direct that film.
00:39:00I'm sending him tomorrow.
00:39:02And that's why I became the director.
00:39:04Wow.
00:39:06Wow.
00:39:07See, this is.
00:39:09Wow.
00:39:09He's my friend today.
00:39:11That's how he is.
00:39:11David Sir.
00:39:12One thing is,
00:39:12your child,
00:39:14your child is a man.
00:39:15What do you feel?
00:39:16Do you feel your quality?
00:39:18Yes, man.
00:39:19That's what I feel.
00:39:20That's what I feel.
00:39:21Look, his qualities are.
00:39:23He takes care of his parents.
00:39:25Oh, sweet.
00:39:25That's a great thing.
00:39:29He said, I went to the hospital.
00:39:33He used to come and stay there,
00:39:35in the night.
00:39:37Yeah.
00:39:38Next day,
00:39:38another person would come.
00:39:39They were there all the time.
00:39:41And he knew all the doctors.
00:39:44There were 6, 7, 8 doctors.
00:39:45He had the most reports.
00:39:46I was sleeping at night.
00:39:48I was sleeping at night.
00:39:50I was sleeping at night.
00:39:51I was sleeping at night.
00:39:52I was sleeping at night.
00:39:53But my heart was not a good thing.
00:39:56You know.
00:39:56No, but I'm blessed that my brother is a big brother.
00:40:00Because if I'm in shooting for some of the people,
00:40:02he's always there.
00:40:04Obviously, my brother is my daughter.
00:40:06My wife is my mom.
00:40:07My mom is the most important thing.
00:40:08I was sleeping at night.
00:40:09But I always think,
00:40:11as much as my brother has sacrificed for my success,
00:40:15for their success.
00:40:16Wow.
00:40:16You know,
00:40:17he always...
00:40:20He always will say,
00:40:21let's go.
00:40:22Let's shoot.
00:40:23I will see.
00:40:24When I was sleeping.
00:40:24How many times I've been sick?
00:40:26Ever since I've got sick?
00:40:27Got nothing.
00:40:28It's happening.
00:40:29Like in Bangkok.
00:40:30There is also another flight.
00:40:31I will take next flight.
00:40:33I won't sit.
00:40:35Rohit will come here.
00:40:36Rohit will come here.
00:40:36I will say,
00:40:37this is the scene.
00:40:37Keep it up.
00:40:38He has always come and taken over as a director.
00:40:42Always.
00:40:43Never let the producer suffer.
00:40:46When he was sick,
00:40:48this is a six day shooting.
00:40:50We started shooting for six days.
00:40:51We started shooting.
00:40:51I started shooting. He was fine. Six days he was in the ICU.
00:40:56Oh.
00:40:56Oh, my God.
00:40:57In ICU, I was plugged in, plugged in, everything.
00:41:00I came to meet.
00:41:01And the first thing I saw and said,
00:41:04You haven't come here.
00:41:10This is a weird thing.
00:41:12I'm not laughing, I'm not laughing.
00:41:14I'm stuck in a weird state.
00:41:17And then I said,
00:41:18Go and go and shoot.
00:41:20I was shooting.
00:41:21It was the hardest day.
00:41:23I remember that day.
00:41:24We were shooting.
00:41:25Rohit was.
00:41:27I don't know.
00:41:29You're shooting and you're in ICU.
00:41:33I mean, it's just very difficult to work in that state.
00:41:37Varun, there are two directors in your house.
00:41:39The legendary David Dhawan.
00:41:41Rohit Dhawan.
00:41:42After that, when you go outside and sign the film,
00:41:45you don't have to eat at the dining table.
00:41:47Sir, there are two directors in my house.
00:41:49But in their house, there's one actor, right?
00:41:52Yes.
00:41:52And you work with the actors outside.
00:41:55Yeah, Varun.
00:41:57No, but genuinely,
00:41:59if you ask me this,
00:42:01the script's demand is the type of actor cast.
00:42:05You know,
00:42:06the film is the best.
00:42:07The picture is the best.
00:42:09It's the best.
00:42:10The best.
00:42:11The best.
00:42:16The best.
00:42:18The best.
00:42:26The best.
00:42:31The best.
00:42:33The best.
00:43:12As an audience director, he doesn't enjoy a line, he doesn't force the line, he doesn't
00:43:24create it.
00:43:26So when he gets the line, he doesn't get the fun, he doesn't get the fun, he doesn't
00:43:30get the fun.
00:43:30But there are actors who can really do it.
00:43:35David sir, your craft, your edit and scripts, he is the one, but human management, it is
00:43:44Every person is different, is different.
00:43:47It is different, it is different, it is different, it is different, it is different.
00:43:52But I have done a double film in the film, Salman and Akshay Kumar were in this film,
00:43:59I married him.
00:44:01It is not easy to work with them, both are different temperament.
00:44:04Akshay has a habit of doing something in the scene, so I am saying that I don't
00:44:09I am saying that.
00:44:13But I used to wear it both.
00:44:15Sanjay and Salman.
00:44:17Sanjay and Salman are the best.
00:44:18I mean, they want to do both acting.
00:44:25That is outstanding.
00:44:27Salman and Sanju, I mean, best pairing here.
00:44:30Very good, very respectful.
00:44:30Okay, today our legendary director, David sir, Varun is here.
00:44:36And Pita Putr too.
00:44:37We are also talking about this time.
00:44:39Pita sometimes thinks that my son is not able to understand me.
00:44:43And his son also thinks that we are the generation of today,
00:44:46Pita is not able to understand us.
00:44:48Whatever they want to talk about in this time, they can stand up with their hands.
00:44:50Today we will take them to fight for fun, David sir.
00:44:52I am doing this.
00:44:53Yes.
00:44:55He is a son and a son.
00:44:57Hello?
00:44:58Both of you are here.
00:44:59Hello?
00:45:00Sir, I think I like his son.
00:45:02Okay.
00:45:04And his name?
00:45:04His name is Lokesh Vijay Vargi.
00:45:06Sir, I have come from India, Jaihin, Kapil sir.
00:45:10Jaihin sir.
00:45:11David sir, Varun sir.
00:45:12I am retired from BSF.
00:45:13Oh, wow.
00:45:14And I have a little bit of advice from my husband.
00:45:17That's why I would like to talk about that.
00:45:18If I am a poor man, I am a poor man.
00:45:21If I am a poor man, I am a poor man.
00:45:21If I am a poor man, I am a poor man.
00:45:23I am a poor man.
00:45:23I am a poor man.
00:45:24I am a poor man.
00:45:24I am a poor man.
00:45:26I am a poor man.
00:45:30My poor man, I have no poor man.
00:45:32If I am poor man would say thank you.
00:45:34I am a poor man.
00:45:35I cannotėek.
00:45:38But, and, what else do you have?
00:45:40I know, aenc ŁŲ°Ų§ical man took my day...
00:45:43Maela
00:45:48foreign
00:45:49foreign
00:45:51foreign
00:45:51foreign
00:45:53I was trying to get this, that, that.
00:45:55Papa, I was trying to get this,
00:45:56all the things that I've been doing.
00:45:56Everything has been sitting,
00:45:57now I'm sitting, talking about this.
00:46:00And, son, what did he show me?
00:46:03Look, you know,
00:46:04he's running around 11 in the morning.
00:46:06What's the reason?
00:46:07I don't know.
00:46:08He doesn't know how to tell.
00:46:10Yes, the girl came to marry yesterday,
00:46:11they'd say,
00:46:12you're not running.
00:46:13He said before,
00:46:14I'm telling him.
00:46:14But I'm telling him,
00:46:15it's a good thing.
00:46:17But you're running around 11?
00:46:19It's a very early day.
00:46:20It's a very early day.
00:46:21How many days it is?
00:46:22Saturday, Sunday, sir.
00:46:24Saturday is early.
00:46:26Officer, what do you do, brother?
00:46:28Sir, I'm doing MBA.
00:46:30I'm doing first job in Mumbai.
00:46:31And what do you do with your master?
00:46:33He was a master, but he doesn't have a master.
00:46:36But your father's master, your mother didn't come here?
00:46:39Hello, hello.
00:46:40Namaste, sir.
00:46:41Who does it feel right?
00:46:42Your son or your son's son?
00:46:44Who does it feel right?
00:46:49Sir, I think both of you will feel good.
00:46:51He doesn't see the son's son.
00:46:54He doesn't see the son's son.
00:46:55He looks good.
00:46:58But my son is better.
00:47:00He has better.
00:47:03Brother, this is the reason why my father is in BSF.
00:47:06So I don't think maybe Shanivar or Ravivar isn't there.
00:47:10They work nonstop.
00:47:11I work in the country, and I work in the country.
00:47:14So first, I'd for you thanks to him.
00:47:15For youration.
00:47:21With God.
00:47:22With God.
00:47:28For your initiative.
00:47:29Whatever.
00:47:32For your parents.
00:47:33I've lost my father.
00:47:33I'll pass it.
00:47:34I've never met myself in my life.
00:47:34I'll leave some in my life.
00:47:34That's when I lost my father.
00:47:37I was 22.
00:47:38He was the hero of his father.
00:47:39That's why he was the hero of his father.
00:47:41Definitely.
00:47:41So I didn't get that time.
00:47:44But I say that the lucky people who have been in their homes,
00:47:48you need to talk to them and learn from them.
00:47:51Give them time to tell them.
00:47:53I think that's what I need to do.
00:47:55It's a very right thing.
00:47:56I want to tell you something about my life.
00:47:58My father retired.
00:48:00He was in banking, very well posted and all.
00:48:03Everything was his life.
00:48:05He, after retirement,
00:48:08I started working.
00:48:08So he used to come and stay with me also at times.
00:48:12And I said, I'm not going, I'm going, I'm going, I'm going, I'm going.
00:48:16I couldn't give him time.
00:48:18And I realized now.
00:48:19I feel guilty about this.
00:48:22Oh, oh.
00:48:24So this is all, David Sir?
00:48:27No.
00:48:28It is, you know, I know what it is.
00:48:30When he came from Hong Kong,
00:48:33he came back from posting,
00:48:34he retired.
00:48:35He was retired.
00:48:36I was working as editor.
00:48:38He said, I didn't have a house.
00:48:41He was working.
00:48:41He was married too.
00:48:43He was married too.
00:48:44He saw his family and everything.
00:48:47You won't believe it.
00:48:48In his Providence Fund,
00:48:49he took out the money and bought me a small house.
00:48:52But he bought me the house.
00:48:54He was married too.
00:48:58I am a very proud.
00:49:05Oh, that was the one I can say.
00:49:06Oh.
00:49:08Oh.
00:49:09Oh, oh.
00:49:10Oh, oh.
00:49:11Oh, oh.
00:49:13Oh, oh.
00:49:13Oh, oh.
00:49:14Oh.
00:49:14Oh.
00:49:14Oh.
00:49:15Oh.
00:49:15Oh.
00:49:16Oh.
00:49:17Oh.
00:49:17Oh, oh.
00:49:19Oh, oh.
00:49:21Oh, oh.
00:49:23she did she started working so that we could manage and she used to take them
00:49:30in go cricket but she has you know that's how we both came up
00:49:48okay sir you can't think about how many people will change their lives
00:49:55how many people will get to see who they will know that this is a song
00:49:59but one thing that I know is that I won't take this conversation
00:50:03and I will be scared
00:50:05sir you have a salute
00:50:06yes sir
00:50:07in my family, my nanihal, my dad
00:50:10all the forces
00:50:12and BSF's job
00:50:14it is so difficult
00:50:16we did not do it but we have seen it
00:50:19I also got to BSF's job
00:50:22it is a strange story
00:50:24but salute sir
00:50:25thank you sir
00:50:26please come to you
00:50:27we have a special wish for you
00:50:29thank you
00:50:34thank you
00:50:35thank you
00:50:36thank you
00:50:36thank you
00:50:36thank you
00:50:38thank you
00:50:38thank you
00:50:39thank you
00:50:45thank you
00:50:46information
00:50:48thank you
00:50:49thank you
00:50:50thank you
00:50:50thank you
00:50:50thank you
00:50:50thank you
00:51:09It is my love, it's a love, you're a love you
00:51:14It's your love and your love and your love is a love
00:51:18But how many times you're in love?
00:51:21But how many times you're in love?
00:51:28It's coming in front of me
00:51:30My heart is tired, my heart is broken
00:51:32And I'm going to be left by my heart
00:51:58So the music was fun
00:52:02Oh my God, what happened?
00:52:04Oh my God, it was a song with me.
00:52:07Why did you throw me this shit?
00:52:10Oh my God, it's not necessary to throw me this shit.
00:52:14From a very early time, your real partner is here.
00:52:19Oh my God, I was giving you a child.
00:52:22Just kidding.
00:52:23You are so cute, man.
00:52:26Oh my God, David.
00:52:30Ah, oh my God.
00:52:31Oh, Mr. Most.
00:52:48I love you.
00:52:51I know.
00:52:55It tastes like this.
00:52:57You look at things like this.
00:52:58The body's become an amazinguggle.
00:53:02This feels like the same.
00:53:10Come on, then.
00:53:11You're not afraid you're going to be more of a meal just like this.
00:53:14You think, I'm not about David's dhengan.
00:53:17I'm talking about Varun's dhengan.
00:53:20You're wrong.
00:53:22You're confused.
00:53:23Oh, look at this picture, I've been watching this movie.
00:53:29It's fun, man.
00:53:31You are really wrong, man.
00:53:34I've been doing this movie.
00:53:36You've been watching this movie.
00:53:37I've been watching this movie.
00:53:38I've been watching this movie.
00:53:39I'm watching this movie.
00:53:43Hey, you've seen this movie.
00:53:46What movie films you've been watching?
00:53:49Hey.
00:53:50Oh, man, you've made so many films so how did you do this work for two numbers?
00:53:58What kind of work for two numbers?
00:53:59What kind of work for two numbers?
00:54:01You know the whole world.
00:54:03His first son is angry.
00:54:05When he comes to two numbers, he comes to two numbers.
00:54:08That's correct.
00:54:09That's correct.
00:54:10But, David, what kind of work for two numbers?
00:54:14You know, this is not clear.
00:54:17This is not clear.
00:54:18I know how much I am doing.
00:54:23This is not clear.
00:54:25Did you know what he did with David?
00:54:27Like he made a hero in the film,
00:54:29he made a father as a father.
00:54:31And like he made a superstar,
00:54:33he made a grandfather.
00:54:38Congratulations, David.
00:54:40Love you, y'all.
00:54:42Love you, y'all.
00:54:42I love you.
00:54:43I love you.
00:54:44Hey, can you see this?
00:54:49This is a lot of stories, David.
00:54:50David, we have a great, great pleasure.
00:54:52It's a great pleasure, I'm so good.
00:54:55I was so happy.
00:54:56When we shoot him together,
00:54:58I love him.
00:55:00I've never really loved him.
00:55:01We have never made a man's son.
00:55:04What did he say?
00:55:05I have never been able to go alone.
00:55:09When we were sitting in Vanity Van,
00:55:12we were sitting in four other people.
00:55:15So we were not able to go alone.
00:55:18That's true.
00:55:19We were going to go alone,
00:55:21so we would keep four people in the line.
00:55:25So we were not able to go alone.
00:55:28What a matter of fact.
00:55:29When we went home,
00:55:31we were not able to go alone.
00:55:33We were not able to go alone.
00:55:39So we would have been able to go alone.
00:55:42Man-suit.
00:55:43Oh God.
00:55:46Oh my God.
00:55:48I gave such a big vanity.
00:55:49I was just a big vanity.
00:55:50I'm alone.
00:55:52I used to buy five toys,
00:55:54and I'm alone.
00:55:56I get a heroine for me.
00:55:59I was only two heroines for me.
00:56:30I am alone!
00:56:31Oh, oh!
00:56:34But David, I have a complaint.
00:56:36If you were to romance to an Indian,
00:56:39we didn't romance in a country in sharing.
00:56:45You know, Antarctica and honeymoon is the same for us.
00:56:50Why?
00:56:51We listened to our name,
00:56:53and we didn't experience it.
00:56:56It was very wrong.
00:56:59Cheating.
00:56:59Look, David is an excellent girl.
00:57:01There is no demand for us.
00:57:04Our girl is a simple girl.
00:57:07The girl is a little bit like a Karishma Kapoor.
00:57:10The hair is a little bit like a Raveena Tundan.
00:57:13Mama!
00:57:13The hair is a little bit like a Urmila Matunkar.
00:57:15And the hair is a little bit like a twinkle.
00:57:18The rest are simple.
00:57:20Simple.
00:57:22David is so cute.
00:57:23You look at 5-5 in your house.
00:57:25Your demand is increasing.
00:57:27Are you enjoying it?
00:57:28No.
00:57:29I don't know.
00:57:29I'm talking to you.
00:57:30I'm talking to you.
00:57:31Corona.
00:57:32I've seen a lot of a man for this for this.
00:57:35A man?
00:57:38Why are you talking to me?
00:57:40Listen to me.
00:57:41A man.
00:57:42A man.
00:57:43A man.
00:57:44A man.
00:57:46A man.
00:57:47A man.
00:57:47A man.
00:57:47A man.
00:57:48A man.
00:57:49A man.
00:57:56A man.
00:57:56A man.
00:57:57A man.
00:57:58A man.
00:57:58A woman.
00:57:59A man.
00:58:00A man.
00:58:01A man.
00:58:03Dude.
00:58:04There's so much.
00:58:04This old boy in the future.
00:58:07Is it a boy?
00:58:47Oh
00:58:48Yeah
00:58:59More my little kick about who?
00:59:15My little give up
00:59:23Oh my God.
01:00:01Oh my God.
01:00:18Oh my God.
01:00:22Oh my God.
01:00:22Oh my God.
01:00:25Oh my God.
01:00:27Oh my God.
01:00:53Oh my God.
01:01:31Oh my God.
01:01:40Oh my God.
01:01:44Oh my God.
01:01:51Oh my God.
01:02:07Oh my God.
01:02:25Oh my God.
01:03:02Oh my God.
01:03:02Oh my God.
01:03:32Oh my God.
01:04:29Oh my God.
01:04:32Oh my God.
01:05:06Oh my God.
01:05:07Oh my God.
01:06:01Oh my God.
01:06:07Oh my God.
01:06:09Oh my God.
01:06:37Oh my God.
01:07:12Oh my God.
01:07:44Oh my God.
01:08:12Oh my God.
01:08:15Oh my God.
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