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Detective.Hole.S01E04.540p.X265.AAC [Full Movie] [New Drama]Full EP - Full
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00:28Transcription by CastingWords
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01:13Transcription by CastingWords
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02:12Transcription by CastingWords
02:14Because you love me.
02:44It's a form of five gates.
02:47The right gate leads to the place where the capital needs to be.
03:41The right gate leads to the power of five gates.
04:01I was very happy to meet you, Agnes, and I was the chairman of the Justice Committee
04:06to vote for the proposal that the people of the police will bear weapons
04:10and then I'll give you the rest in the center and I'll give you more information about it.
04:16Yeah, I have full trust to both your and the Justice Committee's budget.
04:24Yeah, okay, I thought you came here to tell me what I wanted to do.
04:30Is it not that all the people want to do?
04:33No.
04:33You should have a meeting with the Narkotikaforening.
04:37Yeah, it was a fascist-forening, and they don't exist anymore.
04:41Hey, you know what, to be honest,
04:44it makes my job easier if you just stand up the whole thing.
04:49So, you didn't want to do that?
04:51You know, we can't blame you, the politicians,
04:53when we don't want to leave.
04:55We don't have the right conditions.
04:57But, I don't want to.
05:02Do you know...
05:03... How many Narkotikaforening just as the Justice Department decided to leave the fot?
05:09Maybe.
05:10It's not.
05:11Maybe not.
05:13What do you mean?
05:15Maybe they were not in the night, maybe they were in the night?
05:20That they were in the back? Is that what you mean?
05:23I can see that some of the most extreme and dangerous
05:26don't let them stop so easily.
05:29Mama, there's a telephone to me.
05:37Mello?
05:38I'm sorry to force you on Sunday, but we've got some in post.
05:44It looks like Lisbeth Barley has been able to cut off fingers.
05:51Do you say that...
05:54Do you say that we have a...
05:58like this one?
05:59Yes, it looks like this.
06:02Okay, I'm coming in.
06:04If this is what we think, we need Harry Ole.
06:08He's got a spark in.
06:09Yes, but he's the only one who has experience with this.
06:15Okay, I'll take care of him then.
06:16Yeah, good. I'm holding on.
06:23I've talked a lot about me and me.
06:27Do you like it?
06:28You love him, I'm not happy.
06:33I want to love him, Anderson.
06:36Why is that that?
06:40Because he's very good, he's very good.
06:45I don't know.
06:48Maybe I don't want to go.
06:55Where is he now?
06:57Out in Europe, somewhere. He came home late.
07:01What are...
07:04What are you doing?
07:06He tells...
07:10Things like churches, bade, houses, altar, tables, old and new.
07:17So I'm not sure.
07:21I'm wearing a hat.
07:30I'm sorry to apologize for the children of my children.
07:34I'm a little bit of a tanning today.
07:36But as I said, it's so good for you guys.
07:44Hey, let's go.
07:50I tried to take care of you at work.
07:52I wanted to tell you a couple of things about Camilla,
07:55which I couldn't tell you when you were at home.
08:00Why?
08:01No, because Anders was there.
08:04He was crazy every time I said that Camilla is a new guy,
08:10as if he didn't have heard it.
08:14Why did he say that?
08:16He believed that I blamed Camilla for being a whore.
08:21But I just wanted to say that he had a very sweet and good sex life.
08:33So you would take care of me to tell Camilla?
08:35Yeah.
08:36I didn't know him.
08:38No.
08:40It was not just that.
08:41It was...
08:43It was no one who rang me.
08:45From a skilt number, I wouldn't have thought about it.
08:47But after what happened with Camilla...
08:52Yeah.
08:54It was no one who just pushed me out of the door,
08:57without saying anything.
09:00I got a feeling that the one I did was very close to him.
09:11Do you know you or your son, Lisbeth Barley?
09:15The young lady who was there?
09:17Yes.
09:20The young lady who was there?
09:22Yes.
09:24Why did you do that?
09:25Why did you do that?
09:30Why did you do that?
09:30I must come back home.
09:33I can follow you.
09:34It's only 400 meters.
09:37Well, I'll do it.
09:51Can I have to take care of Rachel?
10:11All right.
10:12I was like...
10:21Well, let's take care of Rachel deeds.
10:21All right.
10:33Sorry Molywood Kay.
10:36Okay.
10:37Oh, okay.
10:53Hello.
10:54Where's the hole?
10:55I don't feel it.
10:56I'm sitting on cell 129.
10:58The captain is showing you.
10:59He's there.
11:09Oh, fuck you, fuck you.
11:26I'm sorry, fuck me.
11:30Let's go.
11:31We have to leave the fuck here.
11:41It's a part of Lisbeth Barley that has come to this point.
11:46It's a cover.
11:54I've got the answer for Barley and Lohenfall.
11:59You're the only house that has killed this type of murder.
12:06But it's my decision.
12:09What?
12:11I wonder if you've been thinking about what we talked about earlier.
12:19What do you want to help me?
12:21We want to help each other.
12:23What do you want to help me?
12:33Okay.
12:37I'll admit to you, Harry.
12:44I've got a gun.
12:48I've got a gun.
12:53I've got a gun.
12:54I've got a gun.
12:56I'm going to stretch it with my hands.
12:58On my knees. On my knees.
13:00Then I saw Ellen.
13:03I saw what he had done with her.
13:06And well.
13:10Ellen.
13:11You saw yourself.
13:13Ellen.
13:17What should I do?
13:19Should I let him come out of the prison?
13:22It's the land.
13:23For life after 15 years.
13:27I said it.
13:28I cut him in my mouth.
13:45Then I saw that he cut two shots in the door.
13:48So good.
13:48So good.
13:48So good.
13:48So good.
13:53So good.
13:58So good.
13:59So good.
14:02The good job.
14:02That's all, right?
14:06That's two.
14:08That's good.
14:08Yeah.
14:33I think you're not supposed to have a reason for folks
14:36like us and do what we do.
14:46This is my first memory.
14:48My father stood out and looked at me over my bed.
14:52It looked too bad.
14:55He was calm.
14:57He was a wall.
14:59They were always at home after I had gone to Lackman.
15:02I noticed that he was always stuck at work before I woke up.
15:07If I opened my eyes, he would just lay on me and rub my hair.
15:12Then he went away.
15:15So I had to sleep so that he would stay a bit longer.
15:25What did you say with your father?
15:30My father was always home.
15:34He was also home.
15:37Even my cousin, my mother.
15:40And the plaintiff.
15:42The big boss who was all the time.
15:46The whole night he was all the time.
15:48I was in the morning when I went to school.
15:50I was standing there.
15:53I tried to get contact with him.
15:55He was at me.
15:57He was thrown up against the sack.
15:58I was in the morning.
16:01He went to the grinden.
16:06The opening of the grinden.
16:09It was like I knew he was so angry.
16:15So a lot he was if was angry.
16:16Then the blunt upon me was very upset.
16:18But the cops came out on the balcony and screamed at the gun.
16:21He screamed at me.
16:22I was never going to die again.
16:24You little snorunge.
16:25I heard too bad the I had the point in the story.
16:31The night I was calm.
16:34And it was really quiet.
16:36And also the here door opened.
16:38It was my dad's foot stage.
16:40When I opened my door, I closed my eyes.
16:48When I saw a hammer, I knew that I would never see the dog again.
16:56So I would like to sleep.
16:58Just a little tobacco.
17:04Tryggen.
17:20I died, Svare Olsson.
17:24For Ellen's skull.
17:29For our skull.
17:33For the whole of the whole family's skull.
17:42For the whole family's skull.
17:49For the whole family's skull.
17:58We do not believe that we can.
17:59But we have sponsors to pay for the well for the well.
18:06Yeah, and who are you?
18:08What are you doing for Buala?
18:11A alcoholic man over 40 years old.
18:15Vem Ƥr du skyldar nƄnting? Polisen?
18:19Dina chefer vƤnder ryggen till sƄ fort nƄnting hos dig.
18:23KlappbƤnder.
18:27Jag kan erbjuda dig tio gƄnger bara tjƤna henne.
18:31Fast det Ƥr inte det viktigaste. Jag kan erbjuda dig lite vƤrdighet.
18:45Jag ser att du inte vill ge upp.
19:03Vi mƶter i efterforskningsgruppen klockan Ƅtta. Det Ƥr om tre timmar.
19:16Det ficksar du.
19:37KlappbƤnder.
19:42KlappbƤnder.
19:49KlappbƤnder.
19:50KlappbƤnder.
19:52KlappbƤnder.
19:52KlappbƤnder.
19:54KlappbƤnder.
19:54KlappbƤnder.
19:54Etter forrige ukes gjengskjutning har det kommit krav om bevepning av politiet fra flere hƄll.
19:59Her i debatten skal vi nĆ„ hĆøre fra en innringer.
20:08This is Lisbeth Bali's hand, and this is the finger we got on the post yesterday.
20:13According to the loan, more of them are matched with finger-out-tryk from Bali's place.
20:18Even if we wait in the end of the report, we get out of that it's Lisbeth Bali.
20:23The police don't want to go out with more information about the crime on Camilla Lohan
20:27and about the song of Lisbeth Bali's disappearance.
20:29But a letter to NTB says that these two things are connected together.
20:34This stone we found under Camilla Lohans eyes.
20:39As you can see, it's the same shape as the one on Lisbeth Bali's ring.
20:45I've been in contact with a diamante-expert on The Beers.
20:49She says that spectrometry and micro-tomography can be used to identify exactly where the diamante comes from.
20:56So she'll come from London at night with the flight to help us.
21:01Good, Beate. Very good.
21:05Do you have any more thoughts about it?
21:08It's a bit of a dream.
21:12No doubt.
21:15Come on, we must look positive on it.
21:17We have two things, but we look after one man.
21:22We have two things, but we have too many things, and we use too many resources.
21:26This is a dream.
21:29What do you call it?
21:33Okay, you're so much alcohol-skated.
21:36There's no room at the top of the door there, or?
21:38It's a scary place.
21:40I remember just that you came from Nark.
21:43It was a few years ago.
21:45But one thing you can try to remember is, scary.
21:48When she was in all sorts of planning, then she knew that it was quite a lot of problems.
21:53She can be undermined by the technology lights.
21:57She can have been in the sense of panic, she can have been leaving for the disaster point.
22:00She had quit with them.
22:01DrapsvƄpne, and so on. But there is one thing that a man never wants to do at home, for this
22:06research is what it is.
22:07Skarre.
22:10It's the motive.
22:12It's so basic that we always forget it.
22:14One day it's a drapsman from the worst marit or wild dream.
22:19All this, how you're mobliered in your head.
22:21A drapsman, without a motive.
22:24I know you're old in Traltenor, but we call it...
22:27Without a motive, which is possible to understand.
22:29For all we know, it can be a simple and classic motive.
22:33He's right.
22:34Of course he's right. We can't sit here.
22:37Skarre.
22:39Harry has right, of course.
22:42We have done these cases in five or ten days without finding any connection between cases.
22:48Until now.
22:49And when the connection is the method, ritual,
22:53something that looks like a code,
22:56then you start to think about a word that no one says,
22:58but everyone should hold it in the back of your head.
23:00And I also suggest that...
23:02...all the people here...
23:04...hold the mouth closed...
23:07...and the eyes open when the over-known people talk about this.
23:10Okay?
23:12To summarize, we hold two thoughts in the head.
23:15On one side, we're doing this systemat,
23:19and I'm going to pay for my education.
23:22And I know the price.
23:24My daughter gets a lecture in France for 18 pence time,
23:28...of a really French man.
23:30You can't take so much of me to learn my mother's name.
23:34So I'm going to give you more than a skilling.
23:37And if you don't take away...
23:39...and if you don't take away...
23:40...and if you don't take away...
23:41...and if you don't take away...
23:43Okay, we'll take it again.
23:44Okay, we'll take it again.
23:47And I know the price...
23:50The first day of the scene is a little bit with light and sound.
23:53Yeah, of course.
23:56Yeah, of course.
23:58Have you seen how much you're lying now?
24:00La verra!
24:01F***!
24:03It doesn't work!
24:05I mean...
24:06This dialect is completely impossible.
24:08No, it's really nice.
24:10Very nice.
24:10Just take it from the top again, and...
24:12...it's coming to go and see it.
24:13I love you.
24:16Toya is a little sister to Lisbeth.
24:19Okay, we'll take it.
24:19She's a friend in the band to Lisbeth.
24:21...lamour in the band to Lisbeth.
24:23Well, I didn't want to pay myself for...
24:26...and I know...
24:28...but you are listening to the band to Lisbeth.
24:30We thank you for 18 pence, Roman.
24:32...of the perfect bright man.
24:34Yeah.
24:34Upframe.
24:34Two seconds.
24:36I'll just break those five from the end.
24:39I'll just come over with you.
24:40Take the P3 over here and pass it on you.
24:42I'm back.
24:43It's a great fun one.
24:47I have to tell you.
24:49I was looking for the theater at the school.
24:54When I was in the interview, I was in the scene.
24:57I was in the scene.
24:59I said, you should get your money from me.
25:02They are like no.
25:06But I didn't come in.
25:08So I was looking for the theater at the school instead.
25:12There were many men.
25:15I was 40.
25:15I realized that I had talent for others to do what I can't do.
25:22There came a book.
25:25It contained...
25:27...a finger.
25:34I saw the scene in the scene.
25:40It's what we drive with.
25:41We...
25:42We believe that we are gods and we can bestow everything.
25:45And if there's something like this,
25:46then we become...
25:49...helpless.
25:50Here you are, Elizabeth.
25:51I saw the scene in the scene.
26:31The solution is over.
26:34The VG says that Oslo is running out of open air.
26:38The two of them are running out of the group.
26:41The number of people should now handle such situations
26:45when the people who don't have to do it.
26:49The NRK is aware of the Supreme Court's Justice Committee
26:52and has a new hearing in the first meeting.
27:08I'm so sorry.
27:13Yes, it's clear that it's coming.
27:15And you won't mention it!
27:21Thank Barbara.
27:23I'm going to take a look at him.
27:39Have you talked to me?
27:41Hey, it's Maja Ek from Aftonposten.
27:43I wonder if you can confirm that you've taken up Loan and Lisbeth Palifallet
27:46and that you are now looking after just one man?
27:49Then you have to talk to the chief of the draft. He's called Bjarne Mƶller.
27:53Who won't say shit?
27:56Why did you think I wanted it?
27:58Maybe we can help each other. I've heard that you're thirsty.
28:02We can see us on top of glass. Talk about it.
28:08Or just one.
28:10Have a good day.
28:24What are you doing?
28:26No, not today.
28:34What are you doing here?
28:39No, not today.
28:45Hey.
28:47What are you doing here?
28:48Thank you for the plan.
28:50Yes.
28:54But...
28:55Do you want to come home to us?
29:01Yes, mom doesn't know.
29:03No, she doesn't know.
29:05It's because you're glad to come home.
29:11Do you want to come home?
29:13Yes, mom...
29:14I'm so happy.
29:14Don't get out of here, too.
29:20Dear mom?
29:30I can't wait for you.
29:32Neh, please.
29:32I'm sorry.
29:34Hey, kids, look like...
29:36Never mind for you...
29:37So sorry.
29:37Hello, Dan.
29:37Come on, I can't hear you, I mean.
30:01Hi.
30:03Hey, where are you going?
30:05No!
30:07Just playing ball.
30:08You should have just been off.
30:12Sorry.
30:16I am going to play football.
30:25Hey.
30:27Hi.
30:34What are you going to do with it?
30:37Yeah.
30:40Say it.
30:46Oleg said you want to stop working?
30:50What do you want, Harry?
30:53What do you want?
31:01What do you want to do with it?
31:08You don't want to stop working.
31:09You don't want to stop working.
31:10What do you mean by the police?
31:13I understood.
31:13What do you want to do with it?
31:22I could find a job that would have had more time to be here.
31:28And it's just...
31:31It's just...
31:33It's not your job that's your problem.
31:36It's...
31:39It's you that's your problem.
31:51I'm not sure he is.
31:59It's he is.
32:07Harry, who am I?
32:11Can we go to the front of the day of the morning?
32:14I'd like to try 10.
32:16You know, with the weekend.
32:19Yeah, that's great for me.
32:21We're going to listen to where we are.
32:23Yeah.
32:25Bye.
32:25Bye.
32:36It's 16.55.
32:38This is the warm-up.
32:39It's not morning.
32:41No, not you.
32:43God, I'm done with the things.
32:55It's breaking the pot.
32:56It's not morning, we're going to go.
32:59Just a moment.
33:00Hey.
33:01What can I help you with?
33:02I've met with Halle in the morning.
33:05That was a few minutes left.
33:05I think it was a little for me.
33:07Yeah.
33:08Could I just get a little gas?
33:09Okay, sure.
33:11Thanks.
33:12For the next time.
33:43Asphalt.
34:01Oh, my God!
34:05Sorry, El.
34:08I'm just...
34:10Yeah, I'm just a little bit nervous today.
34:12Okay.
34:13Men du er jo faktisk ogsƄ pƄ dametoalettet, da.
34:47Vi har aldrig med, du endar jag.
34:47Fogstunnel, Beppelsage, ursƤckt akust.
35:03Fogstunnel, Beppelsage, urnƄgodkullen.
35:12I'm sorry.
35:13Over, I go.
35:14Right here.
35:17And his colleague there, he's a Swedish.
35:35I'm going to get a little bit of a break now.
35:36I'm going to get a little bit of a break.
35:39Okay.
35:41I'm going to get a little bit of a break.
35:45Okay.
35:50I can't snack.
35:51Is that the cold?
35:51I'm going to get a little bit of a break.
36:03What are you doing?
36:06Barbara Svenza.
36:09Receptionist.
36:1128 years.
36:13Put in the back of the head.
36:17A piece of paper.
36:19The paper.
36:20Yes.
36:21Yes, that light-dumped is a special equipment.
36:30It's a strange feeling.
36:35Yes, it looks amazing that murderers have left her and arranged her after all.
36:44What was it that found?
36:46A woman in the lawyers.
36:48You know?
36:50No.
36:51There was a visitor who stood at the reception and asked for a glass of water.
36:56Barbara Svensson went to pick it up.
36:57It was 16.55 and then he came back.
37:00And then he came back?
37:02Yes, it looks like.
37:03We're closer to the kitchen.
37:10And...
37:11I don't know if anyone saw on the reception.
37:15No, I don't think so.
37:18Yes.
37:19And what did he say?
37:20What did he say when he came back?
37:24No, I thought he was good.
37:26He looked up at the house that he could do.
37:30So he was known before?
37:32No, it was the first time he was here.
37:48So he was the last one who saw Elida, as far as we heard.
37:51Yes, it works.
37:52And...
37:52And...
37:53It was about 16.55 and 17.
37:5617.15.
37:57Yeah.
37:57What did he do there?
38:03What was he say?
38:04Was there a problem with it?
38:07It was on him just...
38:11After that, they died, while in the cold night.
38:16Man can just feel that the energy is on the train, but...
38:22I don't know.
38:29I know.
38:32I know you want to understand.
38:39I can understand.
38:52What do you want to do with the job?
38:55You're exactly the same as I'm here.
38:58There's nothing to do with this.
39:01You're going to suffer from yourself.
39:02You're going to take your life out of it.
39:17You need a answer.
39:21You're better to do it.
39:23You're better.
39:39What do I want to do with the job is to go back and forth?
40:50These diamonds are new, and that they've probably been smuggled from Sierra Leone to another country, but they've been provided
40:57with fort certificates.
40:58So there's a serial murder.
41:00Yeah, you can just set it in and cancel your murder, Chef.
41:03You need everything that can be done.
41:05Bro, this will come mildly.
41:06I'm not a serial murder, Chef.
41:09All right.
41:39In the direction of Eastern Europe.
41:41Eastern Europe?
41:44I have seen these star-shaped diamonds before.
41:47They were smuggled from former East Germany and the Czech Republic.
42:06Here's a woman who's full of drifts.
42:07So there's more pressure.
42:09Okay.
42:10Hey, sorry.
42:13Is it Diamants Order?
42:15Sorry about who the offer is.
42:16I just want to tell you, sorry.
42:18It was me who called you earlier.
42:21When I went from the afternoon post.
42:22I feel like a damn idiot.
42:27Hey, I know a lot of misuse.
42:31My little brother.
42:34He's a heroine. He's sitting in a room in Sweden.
42:37Fari?
42:43Fint.
43:07Fint.
43:08Fint.
43:08Fint.
43:09Fint.
43:12Fint.
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47:43Fint.
47:44Fint.
47:51We want to create a civilization created for and out of the civilized people.
47:57We must break the weak and useless laws to enter the strong laws.
48:03Those who actually protect the citizens of this country.
48:11And so, and just so, can we help this country to lead one more time.
48:18We are the strong.
48:22And with strength.
48:25We get the power.
48:28We have one day!
48:33One day!
48:34Two, two...
48:44It's a German.
48:47Come on, come on.
49:20Come on, come on.
49:45Come on, come on.
50:15Come on, come on.
50:52Come on, come on.
50:53Come on.
51:25Come on.
51:26Come on.
51:28Come on.
51:30Come on.
51:32Come on.
51:34Come on.
51:36Come on.
51:38Come on.
51:40Come on.
51:42Come on.
51:44Come on.
51:46Come on.
51:48Come on.
51:50Come on.
51:52Come on.
51:54Come on.
51:56Come on.
51:58Come on.
52:00Come on.
52:02Come on.
52:04Come on.
52:06Come on.
52:07Come on.
52:33Come on.
52:36Come on.
52:37Come on.
53:03Come on.
53:06Come on.
53:07Come on.
53:07Come on.
53:09Come on.
53:10Come on.
53:11Come on.
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