- 17 hours ago
The Crown S02E04 [Full Movie] [Official Release]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47There's an arrangement
00:03:54I saw
00:03:54I saw
00:03:54Quick
00:03:54That's the...
00:04:04High
00:04:05And the understory
00:04:05I knew
00:04:07That's not the word
00:04:09Though
00:04:16Congratulations
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:04Yes.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:12Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:07:09My pleasure.
00:08:33I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What is it doing up there?
00:08:42Notionally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03...first try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37How long do you want to do this?
00:10:38A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:26Into a fantasy.
00:13:32Later, she will step out of her house.
00:13:35In a...
00:13:36A new neckerchief, perhaps.
00:13:38For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal.
00:13:51Which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the 20 or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:39I am beginning to explain what things you want to explain.
00:14:44You are not leaving.
00:14:44No way, dear.
00:15:04You be naga fair number.
00:15:05I'm going to touch
00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallace may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:36Oh.
00:15:41Your Royal Highness, the Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:36stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42Don't!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we face the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the centre of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:18Anyway, Tenant's got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret.
00:19:31Margaret.
00:19:32Yes.
00:19:32Margaret.
00:19:33That's a while.
00:19:41Madam, I've been asked to tell you.
00:19:46Madam Princess Margaret will not be announcing the engagement this evening.
00:19:51Our Royal Highness says she'll explain everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:19:55Thank you, ma'am.
00:20:19all right all right settle down so on my recent tour of the pacific
00:20:24i was introduced to a man who said to me my wife is a doctor of philosophy and much more
00:20:31important
00:20:31than i am to which i could only reply ah yes sir we have that trouble in our family too
00:20:43you know when i imagined our marriage in the early days i imagined two people
00:20:48welded together into some sort of combined existence ten years ten years has taught me
00:20:57the secret of a successful marriage is actually to have different interests
00:21:03well different interests but not not not entirely different
00:21:13so it's a funny business one sees the whole of the other person you see even that part
00:21:19of them that they don't see themselves and and presumably they see that hidden part of you
00:21:27one ends up knowing more about one's partner than they know about themselves
00:21:33and it could be pretty tough to keep quiet about it so you have to you have to come to
00:21:40an
00:21:40accommodation an arrangement a deal if you like to take the rough with the smooth
00:21:52the extraordinary thing is down there in the rough in the long reeds of difficulty and pain
00:22:04that is where you find the treasure
00:22:09so i would like to propose a toast
00:22:14in the name of love in the name of our beloved country in the name of steadfastness in the name
00:22:24of
00:22:25another ten marvelous years
00:22:30i give you mon petit choux
00:22:40lilibet
00:22:44elizabeth
00:22:47the queen
00:22:53the queen
00:22:55the queen
00:22:56the queen
00:25:12Use me while I disappear.
00:25:31Angels.
00:25:38Angels.
00:26:14Blackheart.
00:26:16I can't.
00:26:18I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I just can't.
00:26:32I can't have it touch me.
00:26:34Be near me.
00:26:35His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know.
00:27:05I know.
00:27:06darling what a mess it is the most beautiful day
00:27:17i bought something to cheer you up cecil's magnificent work he's quite outdone himself
00:27:25this time i can tell you which one i would choose as the official birthday portrait
00:27:31and cecil immediately agreed but of course it's for you to decide
00:28:12and with regards to billy wallace don't mention that name i've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand i'm never speaking to him again
00:28:24then we will find you someone else i don't want you to find me anyone moritz landsgrave of hess
00:28:35he's a distant cousin now his mother was a catholic but their lands are still intact
00:28:41and he gives a very good show of himself on the polo field no one someone suggested prince christian
00:28:48of hanover a descendant of queen victoria served in the luftwaffe but we won't hold that against him
00:28:56i do know what the official duties of lady-in-waiting are accompanying me on foreign
00:29:00trips dealing with my meal do you suppose it might also include helping me climb over the wall to escape
00:29:09i just can't bear it anymore i'm having some people to dinner tonight
00:29:16not normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements which are
00:29:36but none of them breeds horses owns lend or knows my mother
00:30:04all right all right all of you hello
00:30:08hello everyone i'd like you to say hello to our guest of honor her royal highness the princess margaret
00:30:19hello
00:30:22are you ready ma'am here come the introductions here we have dudley on the piano
00:30:31and this here is
00:30:32and this here is
00:30:32shilpa
00:30:36oh god jerry
00:30:42i don't know
00:30:44i don't know
00:30:48you know that our designers
00:30:49Oh, this crap.
00:31:11You're feeling a little left eye.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well
00:31:28then you'd be absolutely right
00:31:32now be honest
00:31:35can you remember any of the names
00:31:41you're not really
00:31:42can't remember me either
00:31:44not we've met we have
00:31:48where have we met
00:31:50perhaps it'll come to you
00:31:52now where to begin
00:31:56far corner
00:31:57the irresistible so and so with the mustard colored pearly neck
00:32:01irresistible
00:32:02oh come on a nine
00:32:04surely
00:32:07he's called jeremy
00:32:08he's heir to a chocolate fortune married to the blonde beauty opposite
00:32:13oh she doesn't eat
00:32:15isn't she
00:32:17yes they dazzle in public those do
00:32:20they don't disappoint in private either
00:32:22more of that another time i think
00:32:24who's next
00:32:26ah yes our flushed and fleshy friend in paisley
00:32:29his name's ken russell makes documentaries the bbc travels everywhere on a bus
00:32:38you've probably never been on a bus have you
00:32:43no
00:32:45pity
00:32:46you really do meet the best people
00:32:51tell me about the woman with the extraordinary eyes
00:32:58brownish frankenstein
00:33:00she played opposite boris carloff of that movie you know actress
00:33:05no one can quite make out why she left a rather brilliant film producer for a dreary politician
00:33:13his name's john perfum
00:33:16fucking dull
00:33:17it's true
00:33:18it's true
00:33:18it's true
00:33:20the older gentleman
00:33:22beside him
00:33:23oh no no no no i know who that one is that's john bitcham
00:33:25the poet
00:33:26um
00:33:29books from boots and country lanes
00:33:31free speech free passes
00:33:33class distinction
00:33:36distinction
00:33:39democracy
00:33:40democracy and
00:33:42property lanes
00:33:45just so
00:33:50is it really true he has two wives
00:33:54i hope so
00:33:56better if he has three
00:33:59we don't want anyone conventional around here
00:34:10well
00:34:10tell me about you
00:34:11oh god you don't remember
00:34:13no
00:34:15i'm a photographer
00:34:18oh the wedding photographer
00:34:20ah that was a favour it's not my normal line of work
00:34:23what is
00:34:26this
00:34:31what these yours
00:34:33yes
00:34:36portraits
00:34:36i don't like that word
00:34:38it's so stuffy and traditional
00:34:41oh sorry
00:34:42what are they then
00:34:46people
00:34:46people
00:34:47faces
00:34:47they're the most interesting subject that i've found so far
00:34:52if you can think of anything more interesting do let me know
00:34:57oh i like them
00:34:59oh i like them
00:35:00as if there's no camera at all
00:35:03caught them off guard
00:35:04uh it's all luck really
00:35:06made the ugliness beautiful
00:35:09i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:15don't you
00:35:17is that why you took up photography
00:35:21maybe
00:35:23maybe it's just a good way to get behind closed doors
00:35:26somebody's door in particular
00:35:27just doors generally
00:35:29the facade is only useful as a markup or something one has to get behind or beyond
00:35:33the surface is so dreary i don't think
00:35:36what people want to show themselves the idealised versions of no interest to me
00:35:41what people hide
00:35:44that interests me
00:35:49but you get so close
00:35:52isn't it rather an intrusion
00:35:55it's very much an intrusion yes
00:35:57that's exactly what photography is
00:36:00i use a small leica nothing fancy
00:36:03in natural light which means that i can prowl around
00:36:06all the while i'm getting closer and closer
00:36:09and in the end it's kind of like
00:36:11it's uh
00:36:13intrusion
00:36:17intimacy
00:36:38how would you feel about taking my photograph
00:36:40well i'd consider it
00:36:43on one condition
00:36:46go on
00:36:47when you come to my slum studio
00:36:49leave the titles and princess outside
00:36:53happy to
00:36:54and for the duration of the session
00:36:57do everything i saw
00:37:00don't look like that
00:37:02you're dying to miss it
00:37:07dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:14it was the first room i've ever been to where nobody got up
00:37:22bowed
00:37:23curtsied
00:37:25sam just carried on having conversations
00:37:27if i wasn't there at all
00:37:28and those that did talk to me
00:37:30did it with such
00:37:32indifference or
00:37:34nonchalance it verged on
00:37:37impertinence
00:37:38there was this one
00:37:39in particular
00:37:41tony
00:37:42anthony shawley
00:37:43no
00:37:44he insisted
00:37:45tony
00:37:46armstrong jones
00:37:47this is
00:37:48photographer
00:37:49like sissor
00:37:50no
00:37:51nothing like sissor
00:37:52couldn't be less like sissor
00:37:54well maybe a bit like sissor
00:37:56he's obviously queer
00:37:58interestingly
00:37:58elizabeth denies it
00:38:00elizabeth who
00:38:02cavendish
00:38:02i called him when i got home last night
00:38:05interrogated her
00:38:05what are the five most important things
00:38:07i need to know about that man
00:38:09why five
00:38:10i don't know it felt like the right number
00:38:12why not three
00:38:14it's more interesting than three
00:38:17so what did she say
00:38:19one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:27he has a passion for inventing things
00:38:30and he would never dream of being anything as straightforward as simply queer
00:38:34what on earth does that mean
00:38:36not altogether sure
00:38:39but
00:38:41i'm also not even curious to find out
00:38:43what was number five
00:38:45you can go
00:38:46no that was five
00:38:47no margaret that was four
00:38:49it was alright
00:38:49five was
00:38:52i liked him
00:38:54yes
00:38:55i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:01what for
00:39:04for me
00:39:05for us
00:39:08for everything we represent
00:39:14i actually think you'd like it
00:39:17that's what's so dangerous about him
00:39:20it
00:39:21you
00:39:22him
00:39:22i
00:39:22he
00:39:22i
00:39:22i
00:39:22and
00:39:35i
00:39:42i
00:40:00Right.
00:40:06Wait down.
00:40:13Back in the room.
00:40:43Back in the room.
00:41:16Back in the room.
00:41:44Back in the room.
00:41:46Back in the room.
00:41:47Back in the room.
00:41:48Back in the room.
00:41:52Back in the room.
00:41:55Back in the room.
00:41:56Back in the room.
00:41:57Back in the room.
00:41:58Back in the room.
00:41:59Back in the room.
00:42:01Back in the room.
00:42:02Back in the room.
00:42:03Back in the room.
00:42:04Back in the room.
00:42:05Back in the room.
00:42:09Back in the room.
00:42:11Back in the room.
00:42:11Back in the room.
00:42:14Back in the room.
00:42:16Back in the room.
00:42:16Back in the room.
00:43:00Back in the room.
00:43:17Back in the room.
00:43:44Back in the room.
00:44:04Back in the room.
00:44:40Back in the room.
00:44:47Back in the room.
00:45:10Back in the room.
00:45:40Back in the room.
00:46:03Back in the room.
00:46:26Back in the room.
00:46:56Back in the room.
00:47:22Back in the room.
00:47:44Back in the room.
00:48:18Back in the room.
00:48:31Back in the room.
00:49:01Back in the room.
00:49:20Back in the room.
00:49:46Back in the room.
00:49:47Back in the room.
00:50:08Back in the room.
00:50:09Back in the room.
00:50:12Back in the room.
00:50:22Back in the room.
00:50:36Back in the room.
00:50:39Back in the room.
00:51:03Back in the room.
00:51:46Back in the room.
00:52:01Back in the room.
00:52:23Back in the room.
00:52:58Back in the room.
00:53:00Back in the room.
00:53:26Back in the room.
00:53:46Back in the room.
00:54:09Back in the room.
00:54:32Back in the room.
00:55:03Back in the room.
00:55:16Back in the room.
00:55:25Back in the room.
00:55:55Back in the room.
00:56:24Back in the room.
00:56:42Back in the room.
00:56:54Back in the room.
00:57:02Back in the room.
00:57:04Back in the room.
00:57:23Back in the room.
00:57:35Back in the room.
00:57:41Back in the room.
00:57:44Back in the room.
00:58:04Back in the room.
00:58:19Back in the room.
00:58:51Good night.
00:58:53Good night.
00:58:57Maybe millions of people
00:59:01come by
00:59:03but they
00:59:06come to us
00:59:07from you
00:59:20and I
00:59:23only have
00:59:29for you
00:59:32Oh, gracious.
00:59:48Oh, la la.
00:59:50Oh, la la la.
00:59:55Oh, la la la.
01:00:04Oh, la la la.
01:00:23Oh, la la la la.
01:00:29Oh, la la la la.
01:00:42There you are.
01:00:44Oh, la la la la.
01:00:54Shapes.
01:00:57Naked.
01:01:00Yes.
01:01:01I don't know.
01:01:38I don't know.
01:02:02I don't know.
01:02:34I don't know.
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