- 10 hours ago
The Crown S02E04 [Full Movie] [Official Release]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I'm your old friends
00:03:48But I'm your old friends
00:03:59You do
00:04:00You do
00:04:01You don't have to
00:04:01We're all in it
00:04:06You do
00:04:07You do
00:04:07You do
00:04:07You do
00:04:15You do
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:44Yeah.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year
00:05:05to celebrate hitting our stride.
00:05:14All right.
00:05:22Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:43Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:06:48benefits.
00:06:50People will work out of the aid game of those.
00:06:50That'll be finished.
00:06:51Yes!
00:06:51showers for me.
00:06:51Yeah.
00:07:10Whoa.
00:07:17That's 새得ers.
00:09:52Get things back on track.
00:09:57They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you on to the station.
00:10:25Well, I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:48I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54You've done it.
00:10:54Yes, it is.
00:10:56Yes, it is.
00:10:56You've done it.
00:10:58You've done it.
00:11:15It's time, now.
00:11:19I'm sorry.
00:11:20I'm sorry.
00:11:21I'm sorry.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be cecil
00:11:39beaten taking my official birthday portrait what's wrong with cecil when it came out last
00:11:44year everyone said how pretty you know they said how much i look like you well quite
00:11:52yes this is one thing fairy tales yes but he does it so well and to me your royal highness
00:12:01little
00:12:02less chin and what do you think i asked my new lady-in-waiting here today your majesty to offer
00:12:12her opinion having at least one foot in the real world i think birthday portraits should evolve
00:12:19and mature with age like the subject show change in the character complexity reality
00:12:30no one wants complexity and reality from us do sit down
00:12:37people have enough of that in their own lives
00:12:40they want us to help them escape indeed your majesty imagine this if you will
00:12:48a young woman a commonplace creature she sits in her drab little scullery so much work to do so much
00:12:56washing up how she longs for comfort for hope and again one two three and flash
00:13:05she wants to believe her life has some meaning beyond chores she opens a magazine and she sees her royal
00:13:14highness's photograph for one glorious transforming moment she becomes a princess too she is lifted out of her
00:13:23a miserable pitiful reality into a fantasy
00:13:32later she will step out of her house in a
00:13:36a new neckerchief perhaps for which she has saved oh she will hold her head up high
00:13:43she is renewed and all thanks to you your royal highness and to the ideal which you represent
00:13:54and now with a one two three and flash quite marvelous
00:14:21in the 20 or so years we've known the hapless misshapen crane that is billy wallace has any woman ever
00:14:27looked at him as an object of desire i mean even remotely
00:14:32certainly not then how can one begin to explain that
00:14:58so
00:15:06ma'am lord blamford just telephoned to apologize and say that mr wallace may be indisposed this evening
00:15:11they can't be indisposed we're announcing our engagement something about an injury rather a serious injury
00:15:18so
00:15:33where is he
00:15:41The royal highness, the princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit.
00:15:46You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on?
00:16:02Oh, it's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend, Tennant, rather took offense at something I did.
00:16:23You came to blaze with Colin?
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me.
00:16:35But a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we face the dawn with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself
00:17:54quite the centre of attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a beau, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:16Anyway, Tenant got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:26Margaret.
00:19:28Margaret?
00:19:31Maria?
00:19:44Ma'am, I've been asked to tell you that the Princess Margaret will not be announcing engagement this evening.
00:19:51Our Royal Highnesses should explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably, they see that hidden part of you.
00:21:27One ends up knowing more about one's partner than they know about themselves.
00:21:33And it can be pretty tough to keep quiet about it.
00:21:37So you have to...
00:21:38You have to come to an accommodation, an arrangement, a deal,
00:21:45if you like, to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:04that is where you find the treasure.
00:22:09So I would like to propose a toast.
00:22:14In the name of love.
00:22:18In the name of our beloved country.
00:22:21In the name of steadfastness.
00:22:24In the name of another ten marvellous years.
00:22:30I give you...
00:22:33...my petty shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:54The Queen.
00:22:55The Queen.
00:22:56Thank you very much.
00:24:56Oh, where is my angel?
00:25:06Oh!
00:25:09Oh!
00:25:11Oh!
00:25:39Oh!
00:25:41Oh!
00:25:43Oh!
00:26:13Oh!
00:26:14Oh!
00:26:14Blackheart.
00:26:16I can't.
00:26:18I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I know.
00:26:30I just can't.
00:26:32I can't have him touch me, be near me.
00:26:36His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know.
00:26:50I know.
00:26:56I know.
00:27:03I know.
00:27:04Good morning.
00:27:05Oh, darling, what a mess.
00:27:09It is the most beautiful day.
00:27:16I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But, of course, it's for you to decide.
00:28:12And with regards to Billy Wallace...
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning, quite distraught.
00:28:20Then his mother, then his grandma.
00:28:21No, I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:29I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic, but their lands are still intact.
00:28:41And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:45Someone suggested Prince Christian of Hanover.
00:28:49A descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips, dealing with my mail.
00:29:04Do you suppose it might also include helping me climb over the wall to escape?
00:29:09I just can't bear it anymore.
00:29:11I'm having some people to dinner. Tonight.
00:29:16Not normal people.
00:29:18Yes, they're all normal.
00:29:21But in their own way, they're all quite exceptional, too.
00:29:24You can go.
00:29:25Possibly not deferential.
00:29:29That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36That none of them breeds horses, owns Lend.
00:29:40Or knows my mother.
00:30:04All right, all of you?
00:30:07Hello?
00:30:09Everyone.
00:30:10I'd like you to say hello to our guest of honour.
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:27Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:33Hello?
00:30:33Hello?
00:30:37Hello?
00:30:37Oh, God, Joan.
00:30:38Hello?
00:30:41Hello?
00:30:46Oh, my God.
00:30:53Hello?
00:30:53I don't usually run with me, but I don't agree that's fine, but this is tonight.
00:30:59I feel it's been read the outside of my mind.
00:31:01Discussing me, please, but I don't think you have to be afraid of me.
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself, these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45You know what we've met?
00:31:46We have.
00:31:48Where have we met?
00:31:51Perhaps they'll come to you.
00:31:52Now, where to begin?
00:31:55Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:13Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking doll.
00:33:17It's true.
00:33:18It's true.
00:33:20But the older gentleman beside her.
00:33:23Oh, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's John Perfumo, the poet.
00:33:25And, um, books from boots and country lanes, free speech, free passes, class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and proper dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:56Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favorite.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:31What?
00:34:32These are yours.
00:34:34Yes.
00:34:36Portraits.
00:34:37Mm, I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:46People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05Uh, it's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:20Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, I don't think.
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide,
00:35:44that interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer, and in the end, it's kind of like, well, it's, uh...
00:36:13An intrusion.
00:36:17Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio, you leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to, miss it.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to where nobody got up, bowed, curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:28And those that did talk to me with such indifference or nonchalance it verged on impertinence.
00:37:37There was this one in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:50Like Cecil?
00:37:50No.
00:37:51No.
00:37:51Nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So, what did she say?
00:38:19One.
00:38:20He's Welsh.
00:38:21Is that interesting?
00:38:22No.
00:38:23Not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether, sure.
00:38:40But, I'm also not even curious to find out.
00:38:43What was number five?
00:38:45You can go.
00:38:46That was five.
00:38:47No, Margaret.
00:38:48That was four.
00:38:49Well, all right.
00:38:49Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:04For me.
00:39:05For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like him.
00:39:17That's what's so dangerous about him.
00:39:21It's a tough one.
00:39:25Okay.
00:39:25I definitely think he will spend the world working here on the left side.
00:39:30It's a tough one.
00:39:36I think he'll be creative.
00:39:37I think we've got to put a splinter.
00:39:37I think we have no idea.
00:39:37It's not a tough one.
00:39:37I think we have to help each other.
00:39:37But I do have to show you.
00:39:37He's also not a tough one.
00:39:37I think he's going to help each other.
00:39:37It's a tough one.
00:39:39And I'm not saying that...
00:39:39It's a tough one.
00:39:40It's a tough one.
00:39:43I think I'm ready to keep him.
00:39:43It's time to find us to keep him.
00:40:01Right.
00:40:06Wait there.
00:40:13Back in the minute.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself,
00:43:10but I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm un-cooperative.
00:43:16Because you have no idea who you are.
00:43:19Look to the window?
00:43:21So I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:08Jesus.
00:44:10I'm sorry, but, uh, Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:32Yes.
00:44:40But my business with Peter Townsend.
00:44:44And...
00:44:45Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:45:47Do nothing.
00:45:48I do nothing.
00:45:48Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:49So, this is home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:18Who's she?
00:47:22A friend.
00:47:25What kind of friend?
00:47:27A friend.
00:47:29And this one?
00:47:32Couldn't you cheer her up a little?
00:47:33That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it's not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02It makes being happy so very difficult.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Sorry.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:42Cleo Lear.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Hmm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:02I keep a diamond to the purpose.
00:49:04Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl.
00:49:19Hmm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52All right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:22All right.
00:50:23Oh.
00:50:31Oh.
00:50:37Oh.
00:50:40Oh.
00:50:43Oh.
00:50:45Oh.
00:50:46Oh.
00:50:47Oh.
00:50:50Oh, God.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:45Why?
00:51:47Just the way you talk to women.
00:51:49Understood.
00:51:50Women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips, all vanity and fastidiousness.
00:52:20I'm not vain.
00:52:24I'm insufferably vain.
00:52:30But now I see you're not queer.
00:52:35Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:53:59Hmm.
00:54:03You, um, you want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:40Hey, I'm coming to the train.
00:54:43I'm jealous of that.
00:54:46We're the one who does a nice place.
00:54:47Oh, that's all.
00:54:48Oh, so that's all.
00:54:48We're the one who gets you,
00:54:51Tidak!
00:54:51Oh, so that's all.
00:54:52All right.
00:54:53Come on.
00:54:54Oh, so that's all.
00:54:56Oh, so that's all.
00:54:59Oh, so that's all.
00:55:04All right.
00:55:05You're all right.
00:55:07Who are all right?
00:55:22Thank you so much.
00:55:30God, I thought that would never end.
00:55:32You made it to go on, rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:55:37On and on and on.
00:56:06Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love
00:56:42I can't see anyone but you
00:56:49I can't see anyone but you
00:57:16I don't know if it's cloudy or dry
00:57:21I only have eyes
00:57:28I can't see anyone but you
00:58:15I don't know if we're in a garden
00:58:32I don't know if it's cloudy or I don't know if it's cloudy or dry
00:58:50I don't know if it's cloudy or dry
00:59:03I don't know if it's cloudy or dry
00:59:20I don't know if it's cloudy or dry
00:59:30I don't know if it's cloudy or dry
00:59:37I don't know if it's cloudy or dry
01:00:24There you are
01:00:25I don't know if it's cloudy
01:00:55It appears she's...
01:00:57Naked.
01:01:00Yes.
01:01:27Naked.
01:01:55Naked.
01:02:25Naked.
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