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The Crown S03E01 [Full Movie] [Full Version]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:14the way, the way, the West
17:20is North and the public and the best Evenef's most i've had to be that, the best and most of
17:27those, the gray, but the safety, the best, and the best things that we've got to save them, we're gonna
17:32be going to be about to have today.
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say your majesty.
17:58After that, it's man.
17:59Runs with ham until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:10No small talk unless she invites it.
18:13At the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor and doubtless you'd have preferred him to have continued in office.
19:23It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Bosch Alec.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:39Hardly.
19:41Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am.
20:12A Labour government devalued the pound once before with little success.
20:16And my party cannot risk being seen as the party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country.
20:27And the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol?
20:39Your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time.
20:48And thinking how odd it looked.
20:51At the same time realising I would probably one day
20:54have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors,
21:31Churchill, Eden, Macmillan, even Ellick,
21:34each in their own way,
21:35was formidable.
21:37Statesman-like.
21:38But Wilson
21:39is neither old nor young,
21:42tall nor short,
21:44loud nor quiet,
21:45warm nor cold.
21:47He seems to have come from nowhere
21:49and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable,
22:01unremarkable,
22:02not stand out in a crowd.
22:04We used to say that about Henry,
22:05didn't we, dear?
22:06What?
22:07That you would have made the perfect spy
22:08because no one could remember having met you.
22:13I'd say that was marginally better
22:15than everyone having nightmares
22:17having met you.
22:30Of course, we do tease each other.
22:32With Tony,
22:33one never knows quite whom
22:34one's going to get
22:35from one moment to the next.
22:37It's changeable.
22:39It goes from loving to hating.
22:40Mummy,
22:41you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try
22:51not to let him consume you like this.
22:55Two of you have your trip
22:56to America coming up.
22:58Yes.
22:59You'll be with each other
22:59round the clock,
23:00working together as a team.
23:02Your father and I
23:03always found those trips
23:04very bonding.
23:08I hope you're right.
23:12All right.
23:58Sir?
23:59Margo.
23:59Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door-to-door.
24:06I'm claiming that as a land-speed raffle.
24:08Is there any food left?
24:10Have you eaten it all?
24:10Your Majesty.
24:14Your Majesty, a thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, darling.
24:22Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:28She was just saying she sees your nun at the time.
24:31Mm.
24:31Because he's always working.
24:33Travelling or water skiing.
24:35It's my new passion, ma'am.
24:37Your Majesty, there's a telephone...
24:39On the label, Sonny.
24:40Oh, it's lovely.
24:41Actually, there's a ghastly little pond.
24:43I think it's fine.
24:44We owe.
24:45I think it's fine.
24:46You're singing.
24:46What do you know?
24:47You have the wine to go.
24:49Oh, whichever one.
24:50Oh.
24:53Charming, Elizabeth.
24:54Thank you so much.
24:56Oh, it's a really good job.
24:57That's fine.
24:59Happy birthday to you.
25:01Oh, my word.
25:02Happy birthday to you.
25:05Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Amen.
25:17Winston is dead.
25:41You may be leaving.
25:41Give me a second.
25:47Oh, my God.
25:49Oh, my God.
25:51Oh, my God.
25:53Oh, my God.
25:54Oh, my God.
25:55Oh, God.
25:55Oh, my God.
26:02Oh, my God.
26:38Sir, the CIA's director of counterintelligence on the phone.
26:43I'll call him back.
26:43He called on Juliet, sir.
26:47Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
27:18Jim?
27:21Martin.
27:21A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole
27:35at the top of the British establishment.
27:58Where is he now?
27:59Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land
28:09to join in prayer on the occasion of the burial of a great man
28:14who has rendered memorable service to his country
28:18and to the cause of freedom.
28:24We shall think of him with thanksgiving
28:26that he was raised up in our days of desperate need
28:31to be a leader and inspirer of the nation
28:35for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:44And since all men are subject to temptation and error,
28:49we pray that we, together with him,
28:53may be numbered among those whose sins are forgiven
28:58and have a place in the kingdom of heaven.
29:02I attended Cambridge University
29:05and it was during this time
29:07that I was first approached
29:10by members of the Communist Party.
29:23Right?
29:25Right.
29:33I'll confirm with them, Majesty,
29:35and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, Your Majesty.
29:55Your Majesty, thank you for seeing me.
30:06It gives me no pleasure to tell you
30:08that we have been approached
30:09by a former Russian agent
30:11who has identified a mole
30:13at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally,
30:24in close proximity,
30:25one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long,
30:34undetected,
30:35is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about,
30:44to see if we might find a way
30:45to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy in Downing Street.
30:56Oh, those rumours.
30:58You were talking about Harold Wilson.
31:00Yes.
31:02I'm so sorry, ma'am.
31:03Yes, it's widely accepted
31:05that repeated attempts were made
31:07by the KGB to recruit Wilson
31:08when he was younger,
31:10working on trade missions.
31:11He travelled to Russia a great deal
31:13in those years.
31:14But the evidence for the Russians
31:16having succeeded is so weak.
31:18We discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:25He died of lupus.
31:26The fact is,
31:27even if the Russians had poisoned Gateskill,
31:30the most likely beneficiary
31:31would have been George Brown,
31:33not Harold Wilson.
31:34Wilson was not favourite
31:35to take over the leadership at the time.
31:38We don't have a Russian spy in Downing Street?
31:41No.
31:44But it seems
31:46we do have one
31:48in Buckingham Palace.
31:53We look at a painting
31:54and immediately want to know it,
31:57understand it.
31:59But can anything
32:01ever be fully understood?
32:05Take our bearded trickster here.
32:08A Venetian card sharp
32:10originally ascribed to Titian
32:12until new evidence came to light
32:14proving the painting
32:15is actually by Lorenzo Lotto.
32:16As time passes,
32:19so we learn.
32:21Truths are revealed.
32:24In the late Renaissance,
32:26painting after painting,
32:27masterpiece after masterpiece,
32:28seem full of hidden intentions,
32:32multiple meanings.
32:36Annibale Caracci's
32:37Allegory of Truth and Time,
32:39painted in 1584 or 1585.
32:42This winged figure here
32:45rescues a young woman,
32:47his daughter,
32:49from the darkness.
32:50He is time,
32:52she is truth.
32:54And this figure below,
32:57trampled by truth,
32:59is deceit.
33:00Caracci's message is clear.
33:05Be patient.
33:07The truth will out.
33:09I'm afraid I can now confirm
33:10that the surveyor
33:12of the Queen's pictures,
33:14Sir Anthony Blunt,
33:15was the fourth man
33:16in the Cambridge spy ring.
33:18The message encoded
33:20in the painting
33:21is repeated in reality.
33:23As with the lotto,
33:24time passed
33:25and the painting was restored
33:26to reveal
33:28deceit is two-faced.
33:30She has a second
33:31monstrous visage.
33:34And that alongside
33:35conducting a distinguished career
33:37as an art historian
33:38and member
33:39of the royal household,
33:41he spent 15 years
33:43as an active KGB mole
33:45and passed
33:46almost 2,000 documents
33:48of sensitive military secrets
33:49to the Kremlin.
33:51Truth may lie
33:52beneath the surface,
33:54buried, forgotten,
33:55but time
33:57has a way
33:58of uncovering it.
34:00One thinks
34:01of the Merchant of Venice.
34:04Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may,
34:12but at the length,
34:15truth will out.
34:35We had initially hoped
34:36the information was false.
34:38We get these sorts of claims
34:39all the time,
34:40but
34:42we subsequently detained
34:44and interviewed Blunt,
34:46and
34:48I'm sad to say
34:49he has confessed.
34:53In full.
35:03What's the next step?
35:04Well, as a traitor
35:05to his country,
35:06he should, of course,
35:07stand trial,
35:08be put in prison,
35:09and the key thrown away,
35:11quite frankly.
35:12Unless
35:12it was felt
35:14that exposure
35:15of Blunt's treachery
35:16could cause
35:18even more damage.
35:19What,
35:20then keeping it silent?
35:22How?
35:23Apparently it could have
35:24a catastrophic effect
35:25on the reputation
35:26of our intelligence services.
35:28The fact that he had gone
35:29undetected for so long,
35:31which could, in turn,
35:32seriously affect
35:33our relationship
35:34with the Americans.
35:35We're on our last reserves
35:37of goodwill with them
35:38as it is.
35:39One more operational failure
35:41and our credibility
35:41would be completely shot.
35:43What are they suggesting?
35:45That we turn a blind eye
35:47and allow a traitor,
35:49an enemy of this country,
35:50to remain free
35:51with his career
35:53and reputation intact?
35:55Just a spare MI5's blushes?
36:01The man should be shot.
36:02I agree.
36:04But instead,
36:04I have to get up
36:05and pay tribute to him
36:06at this exhibition.
36:08How am I supposed
36:09to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight,
36:29surrounded by some of the royal collection's
36:32greatest treasures,
36:33to admire the genius of Rubens,
36:36Titian,
36:37Rembrandt,
36:37and Hoback,
36:39but that we are able
36:40to make sense of it all,
36:41appreciate it,
36:43understand it.
36:44It speaks to the genius
36:46of another man
36:46whose exceptional scholarship
36:48and vision
36:50have brought us together today,
36:53Sir Anthony Blount.
37:00It is he who has curated
37:02this exhibition
37:03and given meaning to mystery
37:05and revealed what really does
37:07lie beneath the surface.
37:10I, for one,
37:11had never thought of art history
37:13in that way,
37:14as the art of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait
37:27which turned out
37:28to have another person
37:30lurking beneath the surface.
37:35Have I described that correctly,
37:36Sir Anthony,
37:37or am I stumbling around
37:38in the dark as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon
37:45in the early modern period
37:46for an artist to finish a portrait
37:48and the patron would take a look
37:50and ask for a more flattering
37:52version of themselves,
37:53and the artist would paint
37:55another version over it.
37:59So not two different people?
38:01Two different versions
38:02of the same person.
38:04Which might as well be
38:06two different people.
38:08The idealized version of themselves
38:10they want to be seen
38:11and the less desirable person
38:13they rarely are
38:14hidden away.
38:16There's even a word for it,
38:18pelimpsest.
38:19That generally applies
38:21to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento?
38:26Well, I think I speak
38:28for everyone here
38:29when I say none of us
38:30will be able to trust
38:31or look at anything
38:33in the same way
38:34ever again.
39:05Prime Minister.
39:08Your Majesty.
39:10I'm so glad you came.
39:11It gives me the chance
39:12to apologize in person.
39:15What for?
39:16There's no need to understand
39:17all you need to know
39:19is that I misjudged you terribly
39:21and I'd like to take
39:22this opportunity
39:22to say sorry.
39:29Are you an art man?
39:31Art?
39:33Yes, art.
39:33Paintings.
39:34Well, actually, no.
39:36No.
39:37I'm an economist.
39:39A statistician at heart.
39:41I'm happiest with numbers.
39:44You can trust numbers.
39:45They're honest.
39:48There's no mystery
39:50or deception
39:51or allegory.
39:54You know where you stand.
39:57What you see
39:58is what you get.
40:01I prefer things that way.
40:04I quite agree.
40:15Excuse me a moment.
40:21Excuse me a moment.
40:27Ready, sir?
40:39And the very least you could do is quietly crawl away, not force us to live with you
40:47under the same roof.
40:49Doing the right thing, the decent thing, the honorable thing, you know the faintest idea
40:57what that was.
41:00Well, I am going to be watching you on one wrong step, you treacherous snake, and I will expose
41:09you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:18You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember, at the height of the Profumo sex scandal, there was talk of a member of
41:33the royal family being involved.
41:35No one knew who, but it was rumored to be a senior member of the royal family.
41:41Very senior.
41:45When the osteopath at the center of the scandal, Stephen Ward, took his own life, there was
41:53speculation that a number of portraits of that senior member of the royal family had been
41:57found in his apartment.
41:59Naturally, a great many people were keen to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world was able to make sure they
42:12didn't fall into the wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath.
42:19If he made drawings of me, he would have done so from photographs.
42:24We all tell ourselves all sorts of things to make sense of the past, so much so that our
42:32fabrications, if we tell them to ourselves often enough, become the truth in our minds and
42:39everyone else's.
42:41And believe you me, I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be, for example, if those pictures saw the light of day now,
42:57a storm it would create.
43:00And for what?
43:03It's the past.
43:27It's the past.
43:32Would you excuse me?
43:33Of course.
43:34Yeah, I'm just kidding.
43:35Let's go.
44:05Let's go.
44:35Let's go.
45:49Let's go.
46:16Let's go.
46:28Let's go.
46:40Let's go.
46:43Let's go.
46:44Let's go.
47:14Let's go.
47:15Let's go.
47:16Let's go.
47:16Let's go.
47:39Let's go.
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