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The Crown S03E10 [Full Movie] [Trending]Full EP - Full
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00:28Transcription by CastingWords
00:38Transcription by CastingWords
01:06Transcription by CastingWords
01:08Oh Margaret
01:10I forget what about
01:12There are so many
01:14Exchanges of views these days
01:21I thought things had moved on
01:24They've moved on alright
01:25He's moved on
01:28On to the next one
01:36He can't help himself
01:39My bright epic little snapper
01:43Oh
01:46Oh
01:48Oh
01:48Let's go.
02:19Let's go.
02:50Let's go.
02:50You've never told me about the wallpaper.
02:52The rogues' gallery.
02:54Isn't it fun?
02:56I did it to remind Princess Margaret that her family has as many skeletons in the cupboard
03:01as anyone else's.
03:03House of Windsor.
03:05House of Horrors, mon egg.
03:07I hope she saw the funny side.
03:10God, no.
03:11She said as long as that wallpaper was there, she'd never come to the house.
03:14Not that she needed an excuse.
03:17She always hated it here.
03:19She considers it as ugly, misshapen, and common as me.
03:24The failure of our marriage could not be better encapsulated by the two houses, the two dwellings,
03:31in which she and I are most comfortable.
03:36Hers is some insect-infested gin palace given to her by fawning sycophants.
03:43And this is mine.
03:49Oh, you too.
03:51I know.
03:53And poor you to get caught up in it.
03:57My advice would be to escape while you still can.
04:01I'll never be able to give you what you want.
04:04She'll never divorce me.
04:07She might if she falls in love with someone else.
04:12What makes you think that'll happen?
04:15Me, you did.
04:18Didn't you?
04:24You're right.
04:28I did.
04:30I did.
04:55Easter mum.
05:02I did.
05:04I have noοΏ½οΏ½.
05:06I don't know.
05:09I have no www.averal.com.
05:10Go.
05:13Go.
05:15Go.
05:16Go.
05:16Go.
05:16Go.
05:17Yeah.
05:18Go.
05:20Go.
05:55With MPs from smaller parties holding the balance of power, both Roma and the Tories look
06:00unable to reach the magic number of 318.
06:05I'm sure it was her.
06:09The Thing.
06:10She has a name, you know.
06:13Yes.
06:14And, um, I had been told it, but I can never remember, so I call her The Thing.
06:21Lucy Lindsay Hall.
06:22Mm-hmm.
06:24The Thing.
06:26The car she climbed into outside looked very much like Tony's.
06:32I suppose they're in Sussex now.
06:35Ugly little house.
06:38Dredge would look ashamed.
06:44And he thinks I'll take the humiliation lying down, does he?
06:49Well, he's got another thing coming.
06:53May I speak frankly now?
06:55As a friend.
06:58I can think of several couples of whom it could be observed that having not found the contentment
07:04they desired within matrimony, have chosen to live apart and appeared happier.
07:10Tony and I will never let go of one another.
07:12And it's not just because divorce is incompatible with my faith.
07:17Because this is just how we like it.
07:24War is our love.
07:26Brutal fight to the death is our mating dance.
07:29I speak for both of us when I say, we wouldn't want it any other way.
07:37Contentment is dull.
07:39And Tony and I are anything but dull.
07:42You can now say with mere certainty that neither party will achieve a majority.
07:47So, the clock is now ticking for 10 feet to firm an alliance with Jeremy Falk's Liberal Party.
07:53If he can't, he might rise to a return to power for Harold Wilson, if you can call a minority
07:58government power.
07:59What a mess.
08:01I mean, honestly, can you remember a time when the country was in worse shape?
08:04When one had as little confidence in one's leaders?
08:07Speaking of bad shape.
08:08One wakes up in the morning flinching.
08:11How could matters get any worse?
08:12What more could possibly go wrong?
08:14And then you come down to breakfast, you see the newspapers, and you realise they've done it again.
08:19Margaret's birthday is coming up.
08:21I mean, right now, the United Kingdom is the equivalent of a patient dying on the operating table and the
08:26surgeons.
08:27No, the butchers.
08:28No, sorry.
08:29The murderers responsible for causing that death are seeking re-election.
08:32Instead of throwing them in jail, are people like lemmings queuing up to extend their bloody contracts.
08:38She called me late last night.
08:40Said she had something important to discuss.
08:43Who?
08:44Margaret.
08:45She's run out of tonic?
08:47No.
08:48She's been knocked up by one of the footmen?
08:50Philip.
08:51You wouldn't put it past her.
08:53I worry it's Tony.
08:59Ready?
09:03Mr. Heath came to tell me that he was unable to form a co-relation with the Ulster Unionists, all
09:08the Liberals, which left him with no alternative but to resign.
09:10At which point, I don't mind admitting, I let out an unconstitutional cheer.
09:16Privately, I hope.
09:17Well, it's not his politics I object to, so much as his company.
09:20And now, Mr. Wilson, who I must say looks very tired, not at all well, is back again as Prime
09:26Minister of a minority government, and the best we can hope for is that he can survive until the next
09:31election in the auction.
09:48I have asked you all here, my family, on the occasion of my birthday.
09:56Happy birthday, Margaret.
09:58You should notice that my dear husband is not at my side on this joyous occasion.
10:02It is because he's now betraying me, not just in private, but openly in public, too.
10:08And I don't think we should take this lying down.
10:11Oui.
10:11Yes, oui, Mummy.
10:13If Tony insults me by implication, he's insulting the whole of the family, too.
10:17I'm not sure I followed that logic.
10:19What would you like us to do?
10:20Send a clear signal to the world whose side you're on, and impose sanctions.
10:27What?
10:27What kind of sanctions?
10:29No more invitations to royal events, no more royal photographs, no more access to crown property.
10:36It's in where it hurts.
10:38Punish him.
10:40Draw blood.
10:40Where is he now?
10:41He left the country this morning to make one of his films.
10:46Oh, Ghana, or did you say Guinea?
10:49Gabon.
10:49Ah.
10:50With the thing.
10:51The what?
10:52I'll explain later.
10:53I rather liked his last film.
10:55Is that the one about dwarves?
10:56I'll tell you what I liked about it.
10:57Yes, it's sore.
10:58It had compassion.
11:00It had kindness.
11:01In fact, I think that's the thing I most like about Tony.
11:04And his wit.
11:05Yes.
11:06And the fact that he's generous enough to flirt with his mother-in-law.
11:10He's going to throw up.
11:12He cares.
11:13All right, Mummy.
11:14He has a heart.
11:15Not that his wife or children have noticed.
11:17And his charity work for the disabled and the way he was at Aberfan.
11:21Yes.
11:21He's the mother-in-law.
11:23Yes.
11:23Very generous enough.
11:25Get out!
11:26Get out!
11:32Why do you do this, Mummy?
11:35Why do you all do this?
11:37Why do you always, always take a side?
11:41This is my birthday party.
11:45And when I tell you that my husband is out of the country, betraying me with another woman,
11:52instead of supporting me and condemning him, you just sit here praising him to the sky.
12:04My family, my own flesh and blood, my birthday.
12:15Perhaps we'll just stick to the back teeth of you and have sympathy for him.
12:19Philip!
12:19Well, am I wrong?
12:23Hands up anyone who thinks I'm wrong.
12:26Anne.
12:33We should eat these before they get cold, shouldn't we?
12:36She'll be all right.
12:37I hate them.
12:38I hate them, I hate them, I hate them, I hate them.
12:40Why don't you come up here, ma'am?
12:43Come to Glen.
12:45We've invited a few guests for the weekend.
12:49Come here.
12:50You might even enjoy it.
12:58Come here.
13:03Come here.
13:09Come here.
13:10Come here.
13:13Come here.
13:14Come here.
13:16Come here.
13:18Come here.
13:19Come here.
13:20Come here.
13:21Come here.
13:22Come here.
13:23Come here.
13:24Come here.
13:24Come here.
13:25Come here.
13:26Come here.
13:26Come here.
13:27Come here.
20:38Who...
20:52Thank God, we've stumbled upon an experiment in its presence, in breeding.
21:02Your royal highness!
21:04Gentleman's bathing trunks, please.
21:07What size are you?
21:09Small.
21:10Sincerely hope not.
21:12He means slim.
21:24Did we ever get to the bit where you told me your passion in life?
21:27No.
21:30Then what is it?
21:32Gardening, ma'am.
21:36Ah.
21:38These, please.
21:41No, these.
21:43I'm paying, I choose.
21:45Try them on.
21:52And the music's all right.
21:56Oh.
22:08No, not a garden.
22:10It means doing.
22:12Do you?
22:13I imagine you must have an army of gardens.
22:15I don't believe everything you hear.
22:18You know, my garden is quite neglected.
22:21Especially the one in Mustique.
22:23Where?
22:25It's a small private island in the Caribbean.
22:31So lovely.
22:32Mmm.
22:33My husband hates it.
22:35Since I hate my husband, what he thinks is irrelevant.
22:38You know, in the Caribbean, I have one of my favourite trees.
22:43The silk cotton tree.
22:46The challenge for any gardener is to judge the right amount of pruning.
22:50Is that so?
22:52Well, you need very nimble fingers.
23:03And do you have nimble as well as pretty fingers?
23:09I do.
23:12Mmm.
23:15Perfect.
23:16She goes...
23:37So now a duet.
23:39Duet!
23:50I'm just a girl.
23:52A wonderful girl.
23:53I'm the sweetest one in town.
23:55You could touch some miles around.
23:58But not one like me, kind of all.
24:01You've got a smile, a wonderful smile, and a certain little way.
24:06And every time the boys get near me, they look at me and say...
24:13Red Hot Mama!
24:15Red Hot Mama!
24:16Red Hot Mama!
24:17You're the one we meet!
24:19Red Hot Mama!
24:21Sun Sharma!
24:22Yes, indeed!
24:24They say that I should be...
24:27In the fallies, but tomorrow's, I have a pair of boys.
24:32Just like old Svengali's.
24:36I confess that you possess the sweetest charms in town.
24:41And unless I miss my guests, the boys all follow you around.
24:46I'll make a music master drop his fares.
24:49I'll make a bald-handed man start the air in the middle.
24:52Red Hot Mama!
24:53Red Hot Mama!
24:54I have to tell my devil!
24:56Hey!
24:56Red Hot Mama!
24:58Red Hot Mama!
25:02Red Hot Mama!
25:03Red Hot Mama!
25:04Red Hot Mama!
25:05Red Hot Mama!
25:05Yes, indeed!
25:22When she went to bed, did you notice?
25:24Of course I noticed.
25:25Everyone noticed.
25:26The top of the stairs, instead of turning right.
25:29He turned left.
25:30What have we done?
25:32This could come back to haunt us.
25:35Why?
25:35It would look like we've encouraged the Queen's sister to betray her husband.
25:40She's not betraying Tony.
25:42She's with Tony.
25:44Can't you see?
25:45Slim, Welsh, reddish hair.
25:48The two men are virtually identical.
25:50Roddy's a carbon copy of Tony.
25:53Just younger.
25:55I hadn't thought of that.
26:17I hadn't thought of that.
26:27Your Majesty.
26:28Dear Tony.
26:32So kind of you to come.
26:33I know how busy you are.
26:42Before we start, just look what I found in my studio the other day.
26:51How young we were.
26:53How pretty you were.
26:54Oh, stop it.
26:55Like Vivian Leigh.
26:58I've always loved this picture.
27:01Yes.
27:02Gosh.
27:03Philip.
27:04Not looking cross for once.
27:05Miraculous.
27:07All yours, ma'am.
27:08For me?
27:09With my compliments.
27:10Oh.
27:10And now, to the main business.
27:19Voila.
27:21A mug.
27:24And?
27:30A teapot.
27:35And?
27:40Oh.
27:41A commemorative plate.
27:46And a tea towel, with the dates 1952 to 1977.
27:54The powers that be thought it might be nice if someone from inside the firm were to design some of
28:00the memorabilia.
28:01Oh, Tony, you are clever.
28:02Always happy to help my family.
28:05Are you?
28:07Let's talk about that for a minute.
28:09May I keep these as well?
28:11Yes.
28:11Yes, of course.
28:13Now, I don't want to pry or lecture anyone about what goes on in a marriage.
28:22In my experience, people find a way to do what they need to do to remain happy or sane.
28:27I often think turning a blind eye is the best approach.
28:32Things work themselves out in the end.
28:35But recently, Margaret has been so wretched.
28:40And so lost.
28:44And she's so in love with you.
28:46I wouldn't be a responsible elder sister or head of the family if I didn't say how happy it would
28:52make us all, but particularly Margaret,
28:55if you two were to patch things up again.
28:57Even if just for the children.
29:01I quite agree.
29:04And had been giving the matter serious thought.
29:07Had you really?
29:09Yes.
29:09But then I heard the latest developments.
29:15Who she's met.
29:17What she's doing.
29:18How she's conducting herself.
29:26What latest developments?
29:38Feel free to see.
29:39For a maze in the can.
29:46And move.
29:47I want you.
29:47How are you now?
29:52You're here!
30:08welcome your royal highness no i don't think you see no quite right hot and sweaty
30:13yes isn't it unbearable what are you talking about that's lovely oh you're right heavenly
30:19it's the airplane that was hot hello is this us yes ma'am yes i think straight to the house
30:24i don't want any of that right hello ann hello boy look do keep up now come on i'm sorry
30:33darling
30:33don't call me that in public ever if i didn't call me boy you are one you're a little boy
30:40steady who needs to be taught everything ma'am
31:09there it is the jolis oh lovely i was given it take those to the wedding present
31:18the irony is one person i never share it with is my husband drink ma'am
31:29yes wonderful idea shall we
31:36well no one told me about her what could i do
31:43well no one told me about her
31:47no they all knew
31:50but it's too late to say you're sorry
31:53not what i knew
31:55why should i care
31:57please don't bother trying to find her
32:01she's not bad
32:04well let me tell you about the way she looked
32:06the way she acted
32:08the color of her hair
32:10her voice was soft and cool
32:12her eyes were clear and bright
32:14but she's not bad
32:29but she's not a bad
32:30I don't want any different people
32:35I think she can't be confused
32:38and that's pretty exactly what you're saying
32:38and that is just music
32:38there has been nice
32:42and I love the people
32:44so few of them
32:45and I'll contribute to the culture
32:45Not there.
32:46Yesterday.
32:46But no one told me about her.
32:50What could I do?
32:52Hello!
32:53Hello!
32:55Where are you?
32:57Hello!
32:58Look at all her!
33:01She's so bad for me!
33:03I wouldn't know why she died.
33:07Your mother trying to find her.
33:10She's not there.
33:13My life is out about the way she loved me.
33:16The way she acted.
33:18The color of her hair.
33:20Her voice looks up and blue.
33:22I smell blossom and the trees are bare.
33:30All day long I seem to walk on it.
33:34I wonder why...
33:39Enjoyed it?
33:40You too?
33:41No, no, no.
33:42No, no, no.
33:42I don't sing.
33:43I don't sing.
33:43Oh, turn it up.
33:45Turn it up.
33:46I love this song.
33:47A little bit louder.
33:48On the way!
33:49Sing the tale.
33:51Sing the tale.
33:52Sing the tale.
33:54Go!
33:54Go!
33:56Go!
33:58Go!
34:00Go!
34:04Go!
34:05Go!
34:05Go!
34:06Go!
34:07Go!
34:08Go!
34:11You can come.
34:14Go!
34:17Go!
34:19Go!
34:19Go!
34:21Boy!
34:22Thanks for that!
34:24I'll cut this out
34:29She's being an elusive creature to me.
34:35But here she is, finally, sitting among us.
34:39And I say, welcome.
34:43I won't mention how late her arrival is.
34:48Who?
34:49Hmm?
34:52Happiness, dear.
34:55Oh, never mind.
35:01Cream?
35:02I'm not burning, am I?
35:04Not yet.
35:06Better safe than sorry.
35:37How could she be so stupid?
35:40Who?
36:05What's the matter?
36:11your majesty
36:16the floozy and the scrounger lady and the trep it's not entirely margaret's fault
36:21she had gone a long way to be private spending 12 hours on an airplane doesn't give you a
36:25license to behave like a whore you must bring her back straight away that won't be easy
36:30she doesn't take well to my orders fine then she can take mine see to it please martin
36:38are you still here
36:51we don't know all the facts yet what is this if it's not a fact that is a fact that's
36:56a
36:56fact that's a fact and that's a fact
37:10so
37:14so
37:42you've seen the papers
37:44i have
37:47what's the matter thought you'd be happy
37:51why would i be happy
37:54because now we have what we've been waiting for
37:57margaret in love with someone else legitimate grounds for separation in a way that will
38:02still protect your name
38:04your reputation
38:07our future
38:08and
38:10you expect me to jump up and down with jai
38:15she's my wife
38:18mother of my children
38:30was there anything else
38:46to the
38:46the
38:46the
38:46the
38:46the
38:46the
38:56I don't know.
39:25I don't know.
39:54I don't know.
40:24I didn't expect to find you here.
40:26Where else would you expect to find me?
40:28It's my home.
40:30Used to be your home.
40:32It's still my home.
40:35What is he doing in it?
40:37Hello, sir.
40:41I would ask where you got the nerve to come here if I thought you had nerve.
40:46But looking at you, I can tell you've no nerve at all.
40:49You're just stupid.
40:50Come on, get out.
40:50Don't you dare talk to him like that.
40:53I'll speak to him whichever way I like.
40:55In my house.
40:56My house.
40:57Our house.
40:58Ducky.
40:59No, not ours anymore.
41:06Please leave.
41:08I won't leave.
41:10You don't want me to leave.
41:12I'm desperate for you to leave.
41:14Desperate.
41:15Like a patient.
41:17Desperate to cut out a cancer.
41:19Think very carefully about what you're saying.
41:22Every game has its limits.
41:24It's not a game anymore.
41:29He's a child.
41:31He's no idea how to make him happy.
41:34You made me happy.
41:35Couldn't make me any more wretched than you have.
41:38You were wretched when I found you.
41:42Your little love notes.
41:44You leave me everywhere.
41:45How do I loathe thee?
41:47Let me count the ways.
41:49You look like a Jewish manicurist.
41:51You look like a Maltese landlady.
41:53Little rich, I think, coming from a misshapen cripple.
41:55Oh, yes.
41:56Holy boy.
41:57Hoppity hop, hoppity hop.
41:59Overlooked by his mother because he wasn't strong enough.
42:02Or, well, born enough.
42:04An embarrassment.
42:05Not able-bodied enough.
42:06And if we're talking about overlooked,
42:09you know what this is all about.
42:10Overlooked Margaret with no role, no purpose,
42:13no real friends.
42:14Of whom it must have finally asked.
42:16What is a princess for?
42:20You go after him and I'll divorce you.
42:22Oh, you wouldn't dare.
42:25You go after him and I'll bring you to your knees!
42:28Molly!
42:29Molly!
42:32Molly!
42:34Molly!
42:34Molly!
42:35Molly!
43:01It's age.
43:03It happens to us all.
43:04No, ma'am.
43:05It's not just age.
43:07It's been diagnosed.
43:08It has a name.
43:12Alzheimer's.
43:24I first noticed symptoms two years ago.
43:29I always speak in public without notes.
43:32I have something of a photographic memory.
43:35But then, one day, I dried.
43:40And in the months that followed, I noticed more forgetfulness.
43:48Agitation.
43:52Delusion.
43:55Paranoia.
43:56I shouldn't worry too much.
43:58Several of your predecessors had far more serious afflictions.
44:01And they continued to govern without the public being any the wiser.
44:05Oh, no, ma'am.
44:06It's a mental health issue now.
44:09I shall put myself in the hands of the doctors.
44:15Prime Minister, I am sorry.
44:17This will come as a terrible shock.
44:19Well, maybe.
44:21No shock lasts longer than 48 hours.
44:25There's too much appetite for the next shock.
44:31I'll miss our sessions terribly.
44:34I don't mind admitting I let out an unconstitutional cheer
44:37when you beat Mr. Heath this time.
44:39Oh.
44:41I always said deep down you're a lefty at heart.
44:44Nothing to do with the politics or just a better companion.
44:47Although I wouldn't have said that first time we met.
44:50No.
44:51You thought I was going to rough you lot up.
44:54And look what a sentimental old royalist I turned out to be.
45:15Your Majesty.
45:31Prime Minister.
45:35If you saw fit to invite your Queen to supper at Downing Street before you left,
45:40she would be honoured.
45:43But that's an honour previously only given to Churchill.
45:48The Duke of Edinburgh and I would like that very much.
45:54So would Mrs. Wilson and I.
46:12Martin?
46:14him. The amount of nitrazepam the princess took was quite critical, ma'am. Nitrazepam?
46:36A sedative, used in short periods for the relief of anxiety and insomnia, based on the numbers
46:51of empty packets we found. You would say more indicative of a cry for attention than a genuine
47:00suicide attempt. A cri de coeur rather than a coup de grace.
47:45Hello, you. Hello, you.
48:07Am I going to get her ticking off? That hadn't been my intention. Maybe perhaps I should.
48:14Why? Because for a while there it was touch and go. So I hear. Did you mean it? Don't
48:29know. Possibly. How do you feel now? Tired.
48:42It's sore. There were tubes. A little bit foolish. Where's Roddy? Gone. Where?
49:00Run for the hills. I hear Moroccan hills. And Tony? Back for the thing. Future Lady Snowden
49:10and I would wager. I'm not very good at it. What? The men. Seem to drive them all back.
49:32I heard. Tony and I are going to separate. Yes, I think that's probably wise. Which I'm afraid
49:39to say will lead to divorce. Yes. The first royal divorce since Henry VIII and Anne of Cleves.
49:49I have a little bit of good news in that department. Which is? If we time it right, the announcement
49:56of your separation might get lost in the Prime Minister's resignation.
50:00I thought Ian just got re-elected. Or did I really miss something? Due to ill health. Alzheimer's.
50:14Sorry? How many does that make it? Prime Minister's. Hmm. Whoever replaces him will be my seventh.
50:23The rest of us drop like flies. But she goes on and on.
50:53For the record, I think there are many things you're good at. Name one that's actually meaningful.
50:59Being a sister. No need to humor me. I'm not. Of all the people everywhere, you are the closest
51:08and most important to me. And if by doing this, you wanted to let me imagine for one minute
51:16what life would be like without you. You succeeded. It would be unbearable.
51:32Then we must both carry on.
52:00Good morning, Your Majesty. Good morning, Your Majesty.
52:33Well, usually when I drive into Broadcasting House just after five in the morning, the most
52:37I'm likely to see is a bridge delivery van or an office cleaner on the way to work. But
52:41this morning, despite the dark skies, there was a feeling of activity. A string of horses
52:45clashing through the streets and knots of people wearing red, white and blue gear drifting down
52:50towards the Fowler Square. But one of those have been up all night to make sure of getting
52:54a good view of the procession. And the price is with them outside Buckingham Palace.
52:59I'm standing in front of Buckingham Palace and I expect the Queen's teesmaid has just
53:02rung her back to consciousness. I expect she's lying there, just coming to and remembering
53:07that this is Jubilee Day. This is a day as gruelling as her coronation 25 years ago, certainly
53:13in ceremonial terms. But she was a bit of a thing in those days. I expect today she's
53:18wondering if the shoes she's going to wear are quite as comfortable as they might be.
53:22Now, the weather looks as though, as I say, as though it's certainly going to hold for the journey out.
53:29What's your view, the Jubilee?
53:35You must do it.
53:38You don't think it might all backfire on me?
53:43Ask yourself, in the time I've been on the throne, what have I actually achieved?
53:47You've been calm, stable and useless and unhelpful.
53:54This country was still great when I came to the throne and now look.
53:57So much for the second Elizabethan age, which Winston talked about.
54:03All that's happened on my watch is the place has fallen apart.
54:06It's only fallen apart if we say it has.
54:10That's the thing about the monarchy.
54:14We paper over the cracks.
54:17And if what we do is loud and grand and confident enough,
54:23no one will notice that all around us it's fallen apart.
54:27That's the point of us.
54:31Not us.
54:33You.
54:37You cannot flinch.
54:40Because if you show a single crack,
54:44we'll see it isn't a crack, but a chasm.
54:48And we'll all fall in.
54:52So you must hold it all together.
54:58Must I do that alone?
55:01There is only one Queen.
55:09And now the poet laureate, Sir John Benjamin.
55:13God save the Queen.
55:17In days of disillusion, however low we've been,
55:21to fire us and inspire us.
55:24God gave to us our Queen.
55:28She exceeded young and beautiful to a much-loved Father's throne.
55:34Serene and kind and beautiful, she holds us as her own.
55:40And 25 years later, so sure her reign has been,
55:46that our great events are greater for the presence of our Queen.
55:54For our monarch and her people, united yet and free,
55:59let the bells from every steeple ring out loud the Jubilee.
56:09As the captain has made us alive,
56:11we're only one of our knights in the Cajun.
56:12The host of the Queen of the Greenland,
56:18the Saint Louis,
56:18the King of the James O'Connor and the Queen of the Missy.
56:20Emma and the Botha,
56:26the King of the James O'Connor.
56:27The King of the James O'Connor,
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