- 6 minutes ago
＂Westworld＂ de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [Full Series]Full EP - Full
Category
🎥
Short filmTranscript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:48We have you on grid 5.
00:06:53Notify ground.
00:07:01Standby.
00:07:02Locking in now.
00:07:06Shutdown 2.
00:07:08Shutdown 3.
00:07:10Down 2.
00:07:11Down 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine.
00:07:58Peter Martin.
00:08:01Please go to your color-coded tram, which will take you to the world of your choice.
00:08:07We are sure you will enjoy your stay in Western world.
00:08:10Was she a...
00:08:11Probably.
00:08:12If you are there, please do whatever you want.
00:08:13That's amazing.
00:08:14There are no rules, and you should feel...
00:08:16Supposedly, you really can't tell.
00:08:17Every whim.
00:08:18Except by looking at the hand.
00:08:19You may not be afraid of hurting anything or of hurting yourself.
00:08:22They haven't perfected the hands yet.
00:08:23Nothing can go wrong.
00:08:25You will enjoy your stay in Roman world.
00:08:27While you are there, please feel free to indulge your every whim.
00:08:32Medieval world exists for you, the guest.
00:08:35Nothing can go wrong.
00:09:05Medieval world exists for you, the guest.
00:09:07Medieval world exists for you, the guest.
00:09:37You're keeping this in real time.
00:09:39Switch me over to an online status, and I'll do it manually.
00:09:42Okay, you've got a three millisecond cycle delay, which should be completed.
00:09:45I don't know what to do if the stagecoach is late.
00:09:49Come on.
00:09:50I don't know what to do.
00:09:50I don't know what to do.
00:10:24Oh, it's fantastic.
00:10:47I reckon that's everything.
00:10:50Pass down the hall.
00:10:52Pass, of course, to two bits for hot water.
00:10:55Dinner at 7, breakfast at 6.30.
00:10:58Get lunch on your own.
00:10:59A couple of places in town to eat.
00:11:02Don't look like much here, but we have everything.
00:11:05Just a minute.
00:11:17You mean to tell me he's a robot?
00:11:19That's what I need to tell you.
00:11:25I'm paying $1,000 a day for this?
00:11:28It's authentic.
00:11:30The west of the 1880s.
00:11:35Well, at least they could have made it a little more comfortable.
00:11:38Well, that's the point.
00:11:40This is really the way it was.
00:11:43You wanted comfort.
00:11:44You should have stayed in Chicago.
00:11:46Hey, Julie would have loved all this.
00:11:49Poking around for hours in all those funny shops, looking for silly things.
00:11:52Peter, what the hell's wrong with you?
00:11:53You're a lawyer.
00:11:55You know better than anybody else what a ride she took you for.
00:11:58Well, the kids.
00:12:00Fine, the kids.
00:12:01Here you are, six months later, still thinking about it.
00:12:04No, not really.
00:12:05Just came to mind is all.
00:12:14There's a lot to do here.
00:12:37There's a lot to do.
00:12:43Okay.
00:13:17What will it be?
00:13:18Whiskey.
00:13:19What about you?
00:13:21Uh, I'd like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38Looks like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43It's the best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are, uh...
00:13:53Guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough, but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:19Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:37Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:14Give this boy a bib.
00:15:20Go on.
00:15:29He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:48You say something, boy.
00:15:55I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:30Your move.
00:16:39I said you talk too much.
00:16:47You say you talk too much.
00:16:56You say it's the last place.
00:16:58I said you talk too much.
00:17:20Pretty realistic, huh?
00:17:22Listen, are you sure he was, uh...
00:17:24Of course. You don't really think he shot anybody, do you?
00:17:30Wow.
00:17:34Hey, John, how do I know I'm not gonna kill another guest with this thing?
00:17:41Try it.
00:17:45Shoot me.
00:17:49Go on, shoot.
00:17:57Shoot!
00:18:01The gun has a sensing device.
00:18:04It won't fire at anything with high body temperature.
00:18:07Only something cold like a machine.
00:18:09Hmm.
00:18:11I thought of everything.
00:18:15The Black Knight won't be repaired till tomorrow afternoon.
00:18:18There's a distortion change on the 4-5.
00:18:19Guns on writing is 5-5-5.
00:18:21Repeat 5-5.
00:18:23Yeah, I have the banquish schedule for 5-30 if that conforms.
00:18:31The Black Knight won't be repaired till now.
00:18:31Yeah.
00:18:42What the hell?
00:18:42Oh, my god.
00:18:44I'm sorry.
00:18:46I'm sorry.
00:18:48I'm sorry.
00:18:50I'm sorry.
00:18:51I'm sorry.
00:18:51I'm sorry.
00:18:52Okay.
00:19:12What do folks do for companionly entertainment in this town?
00:19:15I wouldn't know about such things.
00:19:17I'm just running this hotel.
00:19:19Miss Carrie has a real nice saloon down at the end of the street.
00:19:22Now, I won't have talk of that woman in this house.
00:19:24Not over my dinner.
00:19:27Food's real good, ma'am.
00:19:29Thank you, stranger.
00:19:30You're a gentleman of some breeding.
00:19:32Here's a receipt of everything.
00:19:35Who's Miss Carrie?
00:19:52What?
00:19:53What?
00:20:20Oh
00:20:22Uh, the fella's new in town?
00:20:27Yep. Whiskey.
00:20:30Just passing through.
00:20:33Maybe.
00:20:34Looking for some fun?
00:20:38Maybe.
00:20:40Well, you come to the right place. There's plenty of fun here.
00:20:45That's Cindy and Arlette.
00:20:48Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to them.
00:20:54Perhaps?
00:20:55They're real accommodating.
00:20:58There you go.
00:21:00You're looking, gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, that sounded good to me.
00:21:07Are those two girls machines?
00:21:10Now, how can you say this thing like that?
00:21:14Come on.
00:21:28What's going on?
00:21:31They're robbing the bank.
00:21:32Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:36Ah.
00:21:37Well, you don't know. It might be fun to fight bank robbers.
00:21:39Look, Pete.
00:21:41This is better.
00:22:09You don't know.
00:22:25Uh, there, uh, there is something I have to tell you.
00:22:30I don't know if it matters, but it matters to me.
00:22:41I, uh, I haven't ever had a, uh, uh, well, I hardly know you, if you know what I mean.
00:22:50I mean, uh, we just met a few minutes ago, and, uh, you're probably very nice.
00:23:03Uh, I feel funny.
00:23:23Why?
00:23:50Uh, I feel funny.
00:24:16I
00:24:16Think you're very nice
00:24:27How was it wasn't it terrific boy machines are the servant of man was that great not that not bad
00:24:38Now you're the big lover
00:24:42Well, you know it is some guys have a way with women
00:24:47Shooting stop I
00:24:51Guess we missed the robbery
00:24:54You can't have everything
00:25:01John this place is really fun
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00:30:37spreading from one resort area to the next.
00:30:40Perhaps there are superficial similarities to disease.
00:30:43It's only a theoretical concept. There are many ways to order that data.
00:30:48I must confess, I find it difficult to believe in a disease of machinery.
00:30:52We aren't dealing with ordinary machines here.
00:30:55These are highly complicated pieces of equipment,
00:30:58almost as complicated as living organisms.
00:31:00In some cases, they've been designed by other computers.
00:31:04We don't know exactly how they work.
00:31:14That input goes out of level 537.
00:31:18I'm not getting sound pick up from the 10th quadrant.
00:31:20We'll try to stabilize there.
00:31:23Okay, the sun is good.
00:31:25Repeat at 2-2-3.
00:31:28We have sunrise at 0.43.
00:31:31Ready on all quadrants?
00:31:33Energize grid.
00:31:34Get energized.
00:31:36And switch it over to 9-0-5.
00:31:39All right, then.
00:31:40Give me 4-3-6 if you catch that.
00:31:42Not 4-3-5.
00:31:44I have sound now.
00:31:46Thank you very much.
00:31:48Yes, I want scrambled eggs and bacon and cinnamon toast.
00:31:51Do you have cinnamon toast?
00:31:52You do?
00:31:53Okay, send it down to Central Control Room, Council 3.
00:31:56Hold on.
00:31:58Now, what was that?
00:31:59No grounding in Unit 5?
00:32:00Yeah.
00:32:01Try a bypass.
00:32:02I have readings at all Units 5 included.
00:32:04Hold on.
00:32:05After 14-8.
00:32:06All right.
00:32:07Let's stand by for resort activation.
00:32:15Are you ready on phase 4-4-3?
00:32:214-4-3.
00:32:24Okay, we're going to activate at 5-9.
00:32:29Lower gain alpha-2.
00:32:34Ready on 6, on 5, on 4, on 3, on 2.
00:32:40Activate now.
00:32:44Oh, no, no, no, no, no.
00:33:01That's me.
00:33:07Oh, no, no, no.
00:33:08Oh.
00:33:08Oh, no.
00:33:08Oh, no, no.
00:33:09Oh.
00:33:24Oh, give me a home, where the buffalo roam, and the deer and the antelope play, where
00:33:38seldom is heard a discouraging word, and the skies are not cloudy all day.
00:34:14What do you want?
00:34:16Home, home, home, range.
00:34:23One word.
00:34:26You mind if I finish it?
00:34:35Have you no sense of de-
00:34:46No, no, no.
00:34:48No, no, no, no, no, no, no, no, no.
00:34:53No, no, no, no, no, no.
00:35:19Was he bothering you?
00:35:22He isn't gonna bother you again.
00:35:24Well, I'm here to tell you the things have changed.
00:35:26There's a law here now.
00:35:27You can't go around plugging whoever you please.
00:35:31But Sheriff, it was self-defense.
00:35:33It's what they all say.
00:35:35Shot a man, you'll have to stand trial.
00:35:38The judge will be here next week.
00:35:40If I were you, I wouldn't trouble over your friend here.
00:35:43Judge Benson likes to hang him.
00:35:45Hang him high.
00:35:46Look, Sheriff.
00:35:47Beat it.
00:35:51I said beat it.
00:36:11I've never been in jail before.
00:36:15First time for everything.
00:36:20But I haven't done anything wrong.
00:36:22Well, you shot a man, that's something.
00:36:26Where are you from?
00:36:27Chicago.
00:36:30Well, Chicago's a long way from here, fella.
00:36:34A thousand miles and more.
00:36:44But there's no more.
00:36:45We have that all.
00:36:47Remember, many of you have.
00:36:48And here's again, Mr. I said.
00:36:53One of you here.
00:36:55Too long.
00:36:57Show me.
00:36:57Two enough.
00:36:58This is good news.
00:36:59Here's快 more.
00:37:04We have a George my time.
00:38:58Hold it!
00:39:26I guess that sort of makes us...
00:39:28Desperados, I guess.
00:39:34Well, what do we do now?
00:39:36The way I figure it, anything we want.
00:39:38There's no law in that town now.
00:39:40I'll say.
00:39:42We go in there, we do anything we want.
00:39:46You know what?
00:39:48What?
00:39:50I almost believe all this.
00:39:52Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:57Yep.
00:39:58I reckon.
00:39:59What can you give me in grid 7?
00:40:01We have that on SM514.
00:40:03There was nothing wrong with it.
00:40:05Transferred?
00:40:05No.
00:40:06Frequencies here at 252729.
00:40:10Rescheduled.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:14I can't disappoint a guest.
00:40:15Yeah, listen.
00:40:15This is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts and most of my...
00:40:20You're rechecking the tapes on the mechanism now.
00:40:23We have programmed infidelity in the queen as of, uh, two minutes ago.
00:40:28All right, coming up in the castle.
00:40:31Zero.
00:40:32Now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:57My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:11Let us pray it shall not be so.
00:41:14I have news.
00:41:16The Black Knight has returned and seeks a match with you.
00:41:21The Black Knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten and cunning besides.
00:41:31But his sight is weak in his left eye.
00:41:35Stay to his left and you will prevail and win the day.
00:41:38Confirmation of the reprogramming of that Black Knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:42:15The last day in the resort.
00:42:19Let's make it a lulu.
00:42:22Marley M. Broad Sword, schedule a lot.
00:42:25We have a problem with the air conditioning and beta section.
00:42:27Send a crew out.
00:42:29Yes, he can be sheriff any time he wants.
00:42:32That is correct.
00:42:32Just give him the badge.
00:42:46Now, I'm the new law around here.
00:42:49You think you can handle things?
00:42:55You want to try me?
00:42:56You want to try me?
00:43:26What is your name, child?
00:43:31Daphne.
00:43:33Daphne.
00:43:36Oh, I love this place.
00:43:39I love my horse.
00:43:40I love my horse and I love Julie.
00:43:42Oh, shut up.
00:43:44I like the spots on the horse.
00:43:46Did you see the spots on the horse?
00:43:48Your horse is beautiful.
00:43:49Yeah, thank you very much.
00:43:50I liked yours, too.
00:43:53Look out.
00:43:54Let me handle it.
00:44:03Get it.
00:44:04Jump.
00:44:19God damn it.
00:44:20Do you suppose it's real?
00:44:21Hell no.
00:44:24That's not supposed to happen.
00:44:26Maybe it is.
00:44:26Maybe it's part of the thing.
00:44:28The hell goddamn machines anyway.
00:44:30That's not supposed to happen.
00:44:34The rattlesnake struck a guest?
00:44:35Yeah, he was shooting at it.
00:44:36He missed.
00:44:37Even so, the snakes are programmed never to hit on a strike.
00:44:39Was the guest injured?
00:44:40His minor puncture was.
00:44:42Inexcusable to injure a guest.
00:44:44Pick up that snake for a total post at once
00:44:46and check all the snake central mechanisms tonight during the repair period.
00:44:56Isn't anything work around here?
00:44:59All right.
00:45:27All right.
00:45:53All right.
00:45:59All right.
00:46:12Logic circuits on the snake simply failed to respond.
00:46:15There was no sign of mechanical damage or tampering
00:46:18and no clue to the malfunction.
00:46:20Central mechanism, Sycosis?
00:46:22I feel we should shut down the resort for a month.
00:46:24Oh, that seems rash.
00:46:26Well, the snake injured a guest.
00:46:27We can't allow that to happen.
00:46:29Many elements of the Delos resort are potentially dangerous.
00:46:31That's part of the appeal.
00:46:33But if they should become truly dangerous...
00:46:34I agree.
00:46:35We can announce that the resort is overbooked
00:46:37and not allow any further new guests to arrive.
00:46:40I think we can take care of the ones already here.
00:46:43If we can't ensure the safety of the guests,
00:46:45we're going to be in desperate trouble.
00:46:46But we can ensure their safety.
00:46:48Everything's fine.
00:46:49It's okay.
00:46:51Good night.
00:47:14Bye.
00:47:33All right, let's start that bar fight.
00:47:36Cheat!
00:47:44John, what do you say?
00:47:46Uh, hit you.
00:48:07Now, that's just rude.
00:48:13Do what?
00:48:18Whoa!
00:48:18Hey, hey!
00:48:22Whoa!
00:48:29Whoa!
00:48:29Hey!
00:48:30Hey!
00:48:31Hey!
00:48:31Hey!
00:48:32Hey!
00:48:33Hey!
00:48:33Boy!
00:48:33Oh, boy!
00:48:37Pull up there.
00:48:39Pull up there.
00:48:41Pull up there.
00:48:43Pull up there.
00:48:47Yeah!
00:48:47Right!
00:48:49Go!
00:48:50Woo!
00:48:53How are you?
00:49:10How are you?
00:49:19Come on, let's go upstairs.
00:49:21Go, go, go!
00:49:51Oh, my God.
00:50:32What's his problem?
00:50:34Nothing. He got shot up today, so we're taking the opportunity to replace the visual cortex.
00:50:39Using the new infrared units.
00:50:41And we're increasing audio sensitivity.
00:50:48You called for me, my lord?
00:50:50Yes. How long have you been in the palace, Daphne?
00:50:56Since I was three, my lord.
00:50:59Charming. I think we ought to get to know each other better, Daphne.
00:51:04Better, my lord?
00:51:07I can reward you well.
00:51:12My lord.
00:51:14Daphne.
00:51:16Daphne.
00:51:17My lord.
00:51:18Daphne.
00:51:21My lord forgets himself.
00:51:24Uh-oh. Problem with the girl. Program breakdown.
00:51:28What's the trouble?
00:51:29One of the castle machines isn't responding.
00:51:32Refusing a guest seduction.
00:51:34Get her out of there and report it to Central Repair.
00:51:36Right.
00:51:37Turn it off and bring out another order.
00:51:38Refusing any other animal trouble.
00:51:57Did you find the trouble?
00:51:58No apparent trouble.
00:51:59But she wasn't following programming.
00:52:01She refused a guest seduction and she is a sex model.
00:52:04Certainly is.
00:52:06You think they're going to shut down?
00:52:07No.
00:52:07The director's field to close down now would hurt tourists' confidence.
00:52:10No.
00:52:11I don't like it.
00:52:20Breakfast.
00:52:39I'm never going to drink again.
00:53:07I don't like it.
00:53:12So please check my leads to console.
00:53:14Anergize, Wib.
00:53:32Hold, varlet.
00:53:43Are you speaking to me?
00:53:45None other, sir.
00:53:48Look, I'm hungry and I...
00:53:52Prepare for thy doom, thy scurrilous knave.
00:53:56Wait a minute.
00:53:58Can't we talk this over?
00:53:59What have you?
00:54:00No spine, garland?
00:54:02Well, I...
00:54:03Aha.
00:54:04The queen.
00:54:09Full monitor.
00:54:13Okay.
00:54:16Let him go.
00:54:18Let him go.
00:54:19Let's go.
00:55:09Let's go.
00:55:26Let's go.
00:56:00Let's go.
00:56:12Let's go.
00:56:18Shut down.
00:56:19Shut down immediately.
00:56:25Secretary sponsor.
00:56:27Then cut the robot power.
00:56:29Power cut.
00:56:31Oh, my head.
00:56:40Freezing.
00:56:46Gotta get to the hotel.
00:56:49I think I'm gonna be sick.
00:57:03They're not responding.
00:57:04Should we cut the main power grid, sir?
00:57:06It'll kill the lights.
00:57:06Shut it all down.
00:57:07Shut it all down.
00:57:19Hold it.
00:57:24Come on, not now.
00:57:27Not you again.
00:57:29It's too early.
00:57:33Let me do it this time.
00:57:38Your move.
00:57:50I'm shot.
00:57:52I'm shot.
00:57:54I'm shot.
00:58:05John?
00:58:18Oh, my God.
00:58:23Draw.
00:58:35Sir, we have no control over the robots at all.
00:58:38Come on.
00:58:39Let's go.
01:00:10Hello? Hello? Hello?
01:00:11Hello?
01:00:12Hello?
01:00:25Hello?
01:00:26Hello?
01:00:29Hello?
01:00:30Hello?
01:00:30Hello?
01:00:30Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:31Hello?
01:00:53Hello?
01:00:57Hello?
01:01:13Hello?
01:01:16Hello?
01:01:16Hello?
01:01:26Hello?
01:01:28Hello?
01:01:31Hello?
01:01:34Hello?
01:01:34Hello?
01:01:45Hello?
01:01:47Hello?
01:01:54Hello?
01:01:55Hello?
01:01:57Hello?
01:02:00Hello?
01:02:08Hello?
01:02:15Hello?
01:02:16Hello?
01:02:18Hello?
01:02:18Hello?
01:02:18Hello?
01:02:21I don't know.
01:02:58I don't know.
01:03:19I don't know.
01:04:01I don't know.
01:04:04Temperature elevated, 98 degrees.
01:04:07Oxygen, 17% and dropping.
01:04:11Get that power on so we can open these doors.
01:04:32I don't know.
01:04:47Hey, don't shoot me.
01:04:50Hey, wait a minute.
01:04:54What's the matter with you?
01:04:58Hold out your hands.
01:05:00Let me see your hands.
01:05:06You're a guest.
01:05:07You really gave me a scare.
01:05:09Look, everything's broken down.
01:05:11The machines have gone crazy.
01:05:12You know about the machines?
01:05:14Yeah, I repair them.
01:05:15There's one chasing me now, a gunslinger.
01:05:18Gunslinger.
01:05:20Must be a Model 404, maybe a 406.
01:05:23Here's a 406.
01:05:24He's got all the sensory equipment.
01:05:26It's a beautiful machine.
01:05:28He's after me.
01:05:29I don't doubt it.
01:05:30What can I do?
01:05:31There's nothing you can do.
01:05:32If he's after you, he'll get you.
01:05:33You haven't got a chance.
01:05:35There must be something.
01:05:36Fella, don't kid yourself.
01:05:38There are things you could try.
01:05:39Asked for his visual system.
01:05:42Noise for his hearing.
01:05:43No matter what you did, he'll always be one jump ahead of you.
01:05:46You haven't got a chance.
01:05:51Yes, I do.
01:05:53Let's go.
01:06:10Let's go.
01:06:12Oh, my God.
01:06:47Oh, my God.
01:07:19Oh, my God.
01:07:42Oh, my God.
01:08:12Oh, my God.
01:08:57Oh, my God.
01:09:00Oh, my God.
01:09:04Oh, my God.
01:09:50Oh, my God.
01:09:59Oh, my God.
01:10:32Oh, my God.
01:11:20Oh, my God.
01:11:30Oh, my God.
01:12:20Oh, my God.
01:12:23Oh, my God.
01:13:20Oh, my God.
01:13:50Oh, my God.
01:13:57Oh, my God.
01:14:49Oh, my God.
01:15:11Oh, my God.
01:15:23Oh, my God.
01:15:55Oh, my God.
01:16:49Oh, my God.
01:17:20Oh, my God.
01:17:40Oh, my God.
01:18:01Oh, my God.
01:18:23Oh, my God.
01:18:58Oh, my God.
01:19:41Oh, my God.
01:20:03Oh, my God.
01:20:09Oh, my God.
01:20:32Oh, my God.
01:20:51Oh, my God.
01:21:20Oh, my God.
01:21:53Oh, my God.
01:22:21Oh, my God.
01:22:51Oh, my God.
01:23:18Oh, my God.
01:23:51Oh, my God.
01:24:30Oh, my God.
01:25:02Oh, my God.
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