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00:00The show was amazing, okay?
00:03The singing and the choreography and the special effects.
00:05And come on, you, you were amazing.
00:07Oh, stop. I'm so glad you all enjoyed it.
00:10I loved it, okay? I loved every single thing about it.
00:13And before I forget, I also love the wardrobe and the sets and...
00:16Oh, my God.
00:18We have the best designers and crew in the business.
00:21You know, the last set is up for probably a few more minutes
00:25if you want to take a closer look.
00:27Could I?
00:27Of course.
00:28Don't touch anything or they'll put you in Broadway jail.
00:30Noted.
00:32I'll be right back.
00:36Well, she's a keeper.
00:37I know. Got lucky.
00:39I'm so happy that Port Charles has been so good to you.
00:43Now, wait, how's the music scene there?
00:44Oh, it's very happening.
00:46My friend Trina's dad owns a club, The Savoy.
00:49They bring really great shows. I know they love to have you perform there.
00:52I've heard of The Savoy. I love The Savoy.
00:54And, you know, I love to perform.
00:57Obviously.
00:58Hey, y'all, I'll set up the gig with Trina's father.
01:00He'll contact your people.
01:01Poor Charles is gonna know what. Hit it.
01:03Come on, let's go.
01:05That's what I'm talking about, man.
01:06They're gonna love you.
01:07I am delighted that our schedules aligned and we were able to meet for dinner.
01:11Yeah, me too.
01:13Uh, but just for the sake of clarity, um, we are both too young to make the early bird special
01:22a regular date, right?
01:24Please?
01:25Today's meal time is purely a function of timing.
01:27Oh, thank you.
01:30Thank you so much.
01:33Um, you know what?
01:34There's something I have to take care of.
01:35I'll be right back, okay?
01:36First one.
01:36Yeah.
01:42Ah, Mayor Collins.
01:45Pleasure to see you as always.
01:47Here to save me for myself yet again.
01:51Well, that depends.
01:52Do you need saving?
02:01I need to ask you some questions.
02:03Oh, in that case, definitely come by anytime you want to unannounced.
02:06I already do, but you're sweet to say it out loud.
02:09Does your mother know you're here?
02:11The quid pro quo of my mother risking everything to protect you
02:15is I get to show up here and get all the information out of you that I want.
02:20Oh, so you're a glass half-full person.
02:23Which is why I'm so sure you're going to tell me everything I want to know
02:26about Anna Devane and Cesar Faison.
02:30How was your trip?
02:32It was fine, but I barely had a chance to unpack before you texted
02:36and insisted I meet you here immediately.
02:38Well, I really appreciate you coming.
02:41So let's get to it.
02:42I have a small window before jet lag takes me.
02:44What's the trouble?
02:46Is it James?
02:47Oh, no, no.
02:48James is gray.
02:49He's taken up karate and he's mildly obsessed with it.
02:52God help the sensei.
02:54If not James, then...
02:56It's Anna.
02:58I'm assuming her progress has been minimal?
03:00I heard from Robin.
03:02And not only is Anna not making progress,
03:05she's getting worse.
03:19Finally.
03:20What took you so long?
03:21I don't know.
03:23My job.
03:24We're going to case that and you texting me every hour.
03:26This is important.
03:27I'm sure it is.
03:28With you, it usually is.
03:29Because you realize I don't answer to you, right?
03:32I don't care if Sidwell hurt your feelings
03:35or Pascal didn't make your tea the way you like it
03:37or you don't feel like working on the prototype.
03:39You can't come crying to me.
03:41What?
03:41I know Rocco's shot column.
03:58Nothing to see here.
04:00I promise.
04:02Another Shirley Topo Keltzman?
04:04Uh, with extra cherries.
04:06And please take it easy on the grenadine this time.
04:11Surprise.
04:13As you can see, I am still young at heart,
04:16therefore, perfectly capable of changing
04:19my list in desirable ways.
04:21At least some of them.
04:23I really am glad to hear that.
04:26But remember what we talked about, though.
04:28You can call me if the pressure becomes
04:32too great for you and your Shirley Temple to handle.
04:38If I have to, I will.
04:40Promise.
04:42Good.
04:44Enjoy your drink.
04:53What was that all about?
04:56And why is Ezra drinking something
04:58that looks like Hello Kitty made it?
05:02Because he's drinking a Shirley Temple.
05:07I know.
05:07I know.
05:08It's just that he had a few too many the other day
05:12at the brown dog, and I almost got himself thrown out,
05:15as a matter of fact.
05:17Were there complaints filed?
05:18Were the police involved?
05:19Oh, sweetheart, I assure you, this is not a story.
05:22No.
05:23A city councilman is publicly intoxicated?
05:25It sounds like a story to me, a potentially important one.
05:28Or perhaps it's just a man who made one bad choice
05:31after another, you know?
05:33And no one was hurt, except, of course, for him.
05:36And I think that maybe the hangover was
05:39a punishment enough.
05:41I don't get it, Mom.
05:42That guy has been nothing but a huge thorn in your side.
05:47Why are you suddenly protecting him?
05:50The doctors at the clinic were confident that rest and distance
05:55from her regular life would free Anna of her delusions.
05:59But unfortunately, that course of treatment seems to be
06:02having the opposite effects.
06:05Meaning she still convinced that Cezaya's alive
06:07and is holding her captive?
06:08Yes.
06:09Her paranoia has gotten worse.
06:12She now thinks that her doctors are working for Faison
06:16and doing his bidding.
06:18She keeps trying to escape.
06:20And she's almost succeeded more than once.
06:23They'd be well advised to double the guard.
06:25Anna will try again.
06:27And given her training and experience,
06:30someone may end up getting hurt.
06:31Well, that's why I wanted to meet you here.
06:36I was hoping that you could help me prevent that
06:40from happening.
06:41I'm sorry for Anna's troubles,
06:43but what can I possibly do?
06:44I've already told you everything I know about Cezaya.
06:46Um, one of Anna's delusions is that you are part
06:51of Faison's scheme.
06:54She believes that he brought you in to give her a phlebotomy
06:59treatment and that you are still loyal to him.
07:04So, I was hoping that you and I could go to France
07:09and you could explain to her face to face that you are not Faison's
07:16co-conspirator and that it's all in her mind.
07:20That, that I cannot do.
07:23Any word on Anna?
07:25As far as I know, she's still in the hospital in France.
07:29No change in her condition.
07:32And there's still charges pending from her assault on that officer.
07:35What do you want to know about Anna and Faison?
07:41A little light reading?
07:43Just a little something I picked up after discovering Cullum
07:46carrying it around the night of the storm at Windermere.
07:50And inside it, there was an inscription that said,
07:52For my muse, see.
07:54He was also carrying around a box of cigarillos.
07:57Cigarillos?
07:59Faison smoked us.
08:01So, any idea on how and why Cullum would be carrying around
08:05two items so closely associated with Faison?
08:09What are you talking about?
08:11Rocco didn't shoot Cullum.
08:12Jason shot Cullum.
08:13You're the one who told Dante that.
08:14As good as you are at lying, it's too late.
08:18Rocco told me everything.
08:22Well, that was a mistake.
08:24He wasn't supposed to tell anybody.
08:26He needed to tell someone.
08:28He's drowning in guilt.
08:29Yeah, well, if he doesn't keep his mouth shut,
08:31then feeling guilty is going to be the least of his problems.
08:34He's a kid, and he shot someone.
08:37Yes, he did it to save Jason's life, and probably mine,
08:40but now Jason is paying the price.
08:42It's a lot for him to handle.
08:43Stop it.
08:44You're not his therapist.
08:45Just worry about the work at Windermere.
08:47You let me worry about Rocco.
08:48What does that mean?
08:49That I will protect him.
08:50I'm already doing everything I can to make sure that nobody finds out
08:53what happened on the pier.
08:55Yeah, for now.
08:57But what happens when you need to score points with Cullum?
09:01How do I know you're not just going to hand Rocco over on a silver platter?
09:05You really think that that's something that I would do to a 15-year-old,
09:08to Lulu's 15-year-old?
09:11Well, it's exactly what our father would do.
09:39Well, it's exactly what our father would do.
09:51Do you have a secret career as a Broadway dancer?
09:54Oh, yeah.
09:55Only in my dreams.
09:58In this trip, it's been a dream.
10:03Only you made it real.
10:05I'd do anything for you.
10:16You know, I've been so worried about my grandma
10:20that I haven't really had time to think about anything else.
10:24And you took my mind off of that for a little while.
10:28I don't know how I'm ever going to thank you for such a magical knight.
10:31You'll think of something.
10:53Closed Captioning is brought to you in part by Rogers,
10:56Canada's best and most reliable 5G Plus network.
10:59Rogers, we got you.
11:04The End
11:05Man, there's like a million people waiting out there for you.
11:07Thank you again for the tickets and for the backstage tour.
11:10Emma, girl, I love meeting you.
11:13Hey, I'm going to get Curtis to book Michael at the Savoy.
11:16Oh, no, that's so fun.
11:18Yeah.
11:18We'll see you in Port Charles then.
11:19I can't wait.
11:24I know that you and Anna have a complicated history,
11:28but she deserves every chance to come out of this with her sanity intact.
11:33You misunderstand.
11:35It's not that I don't want to help Anna.
11:37It's that I'm not capable of it.
11:40If I go to France with you, my presence would only reinforce her delusions
11:44and cause her further harm.
11:47But you'd be with me.
11:49She'd believe you'd been co-opted by Cesar's network.
11:53What?
11:53You say Anna claims that I'm working with the captors
11:57and that I gave her medical attention.
12:00In her mind, the only reason I would do that is because I'm still married to Cesar.
12:06But you could find a way to prove to Anna that you're not, couldn't you?
12:12From what you've described, she believes I'm, I'm still working for a man who so disgusted me.
12:19I repudiated him years ago.
12:22How can I convince her of anything when she won't believe a word I say?
12:25Isn't it at least worth a try?
12:28Leisha.
12:29I realize I'm the, the latest try you're grasping in an attempt to save your friend,
12:33and I commend you for your effort.
12:35But if you were thinking more rationally,
12:37you'd see that Anna would interpret a visit from me as another one of Cesar's manipulative tactics.
12:44I'm sorry, but I cannot save Anna.
12:50Why would Colum be carrying a copy of this book with a pack of cigarillos?
12:56Colum was the WSB phase-on expert.
12:59Maybe he's using them as an opportunity to get back in the man's head.
13:02Okay, but what's the endgame?
13:05That's no secret.
13:07That Anna was haunted by Faison's obsession with her.
13:13Colum would have known that she was emotionally vulnerable when it came to him.
13:17Okay, so, so what?
13:19You think Colum was, was using these items as props to help him set Anna up?
13:24Yes, but the timeline does not work because Colum was in town when Anna was picked up in France.
13:31There is a connection, but I'm not seeing it.
13:35What the hell is it?
13:42Our father wouldn't see Rocco as a person.
13:44He'd see him as leverage.
13:45They wouldn't hesitate to use Rocco if it helped him achieve his desired outcome.
13:49I am not our father.
13:51Everything that I have done since I showed up on that pier has been about shielding Rocco.
13:56I am the one that took him out of a crime scene and brought him back to Lulu.
13:59I am the one that made sure both of them knew in no uncertain terms that no one was to
14:04know that he picked up the gun and pulled the trigger.
14:07Isn't that exactly what you'd do if you wanted to use Rocco for leverage yourself?
14:13Get him to trust you.
14:15Act like you're helping him keep a secret until the time comes when you can use that information to your
14:20own advantage.
14:20Look, I get that I don't hold a candle to Saint Nathan.
14:24Alright, but do you really believe that I want Colum to know that Rocco shot him?
14:29Because then Colum knows that Rocco knows that he's a double agent and he will kill Rocco just like he
14:36killed Marco.
14:38I don't need your gratitude for what happened on the pier or for saving your life.
14:43But you need to get something in your head.
14:45I will protect Rocco.
14:47Nothing bad will happen to him.
14:48That is a promise.
14:52Can you get it together, please?
14:54What if somebody was downstairs and had heard you?
14:57If Colum has driven Anna insane by playing on her worst fear, I will not stop until I have destroyed
15:04him.
15:04I will put him in a padded room screaming at an audience of no one.
15:08Hey, hey, can we press pause on your revenge plan really quick?
15:12Because it doesn't matter why you want to bring Colum down.
15:15All I care about is that you get it done.
15:17And in order for you to do that, you need to get a grip.
15:20Okay?
15:21So can we start by remembering nobody can know you're here?
15:26What else do you want from me?
15:27I want information.
15:29And not just on Colum.
15:31On everybody he's working with.
15:33So, Sidwell broke Marco before he was killed?
15:36What about Nathan West?
15:39Is there any possibility that he's involved in this?
15:44Okay, let's...
15:46Let's say I believe you're going to protect Rocco.
15:50My next question is how are we going to make sure he stays safe?
15:54Or we.
15:55We are not going to do anything.
15:57I will handle this.
15:58You are not keeping me out of this.
15:59No, you're going to keep yourself out of this.
16:01Because the best thing you can do for the kid is to make sure that Sidwell and Colum are happy.
16:06I'm already doing that.
16:07I'm working every chance I get.
16:09I just spent the whole night in the lab at Windermere.
16:11And as far as Rocco goes, you are going to need my help.
16:15What am I going to need you for?
16:16Because I found Rocco in Colum's hospital room.
16:19When?
16:20What was he doing in Colum's hospital room?
16:22His community service.
16:23He didn't realize it was Colum's room when he was sent in there.
16:26By the time I walked in, they were already talking.
16:28About what?
16:29Nothing.
16:30But I got Rocco out before Colum could suspect anything.
16:33But if I hadn't shown up, who knows what would have come up?
16:35So...
16:36So you just...
16:37You find Rocco in Colum's hospital room and you just yank him out of there
16:41and you don't think that Colum is going to find that the least bit strange?
16:43I'm not going to leave Rocco to fend for himself.
16:46Rocco knows he's not supposed to tell anybody what he did.
16:49So why did he tell me?
16:50I don't know.
16:51Well, I do.
16:52Because Rocco is scared and traumatized and feels guilty.
16:55He told me because he needs my help.
16:57He doesn't need your help.
16:58He needs his mother.
17:00And that ain't you.
17:05Maybe a better place to start is how did you even know about Ezra's fender at the brown dog?
17:12Oh, Dante.
17:13He stopped by my office to let me know that he was at the brown dog while on his way
17:18to making a spectacle of himself.
17:20Dante did.
17:21Why?
17:21Because he knows how many times Ezra has exploited me.
17:25He thought maybe I would want to use Ezra's bad night out to my own advantage somehow.
17:31But instead of giving as good as you got, you went to the brown dog to help the city's most
17:37obnoxious councilman.
17:38Okay, well, I'm not the type of politician to tear down my political opponents.
17:46Besides, much to my surprise, I found myself feeling kind of badly for him.
17:52Mom, that has got to stop.
17:57Your compassion has been a constant my entire life.
18:02And I have been its beneficiary in a million different ways.
18:06But Ezra Boyle is a public servant and I could argue that the people of Port Charles deserve to know
18:12that a member of their town council is going off the rails.
18:16I know you could.
18:18You don't even have to get involved.
18:20I could follow up with a bartender and I could get the story out that way.
18:24Yes, I know you can, but I really hope that you won't.
18:27Uh, pardon the interruption, but if you allow me, I would love to pick up your tab as a small
18:35token of my thanks.
18:36That's not necessary, councilman.
18:39Your mother did me a kindness.
18:42That's one way of putting it, I guess.
18:46Keeping you off the hook for public intoxication is another.
18:53I was thinking about writing the story myself to highlight my mother's good deed, of course.
18:59But my mother convinced me that there wasn't a story there.
19:05So I'm gonna let it go.
19:07Just another reason you should be grateful to her.
19:11I see.
19:14Ah, well, Mayor Collins, I do my best to lead by example, but when will you learn?
19:24You have me right where you want me.
19:27You have the advantage.
19:29Why are you not using it?
19:32Who says I'm not?
19:42Oh, man.
19:44So, my publicist, also Michael, got you a reservation at my favorite actor theater spot.
19:50He'll meet y'all out in the front, and I will see you at the Savoy.
19:54Yeah.
19:55Thanks again, man.
19:56Mike, you're the best.
19:57You're the best.
19:58Seriously.
19:59It was a special night I'm never gonna forget.
20:01He better not.
20:03Okay.
20:05Okay.
20:09Dinner awaits.
20:21So you do have something up your sleeve.
20:24Care to share?
20:25Just following your example.
20:27And you are the one who told me that politics was all about trading favors.
20:31Hmm.
20:32I'm surprised you'd be willing to take a page from the old Ezra Boyle playbook.
20:36I'm happy to learn from anyone.
20:37Hmm.
20:38Even you.
20:40And how will I be repaying you for this favor, Madame Mayor?
20:44You are going to give me 100% of your support when I announce my next initiative, Universal Pre-K
20:53for Port Charles.
20:54And if I don't support you?
20:56Ooh.
20:57I may suddenly feel the urge to do a deep dive into your patronage at the Brown Dog Bar and
21:03your habit of spending time with escorts.
21:06Hmm.
21:06Hmm.
21:08Hmm.
21:08No need.
21:09Just tell me when and where and I will be there, nodding and smiling.
21:13I can even match my tie to whatever outfit you plan on wearing that day.
21:18No.
21:18Don't do that.
21:19Ever.
21:20Hmm.
21:21Hmm.
21:22You know, um, it's not really a favor.
21:25Because your initiatives are always so sensible and popular with the voters.
21:30I support you.
21:32I come out smelling like a rose.
21:34Win-win.
21:36Have a fun evening, ladies.
21:44Well played, Mom.
21:46Right back at you, daughter.
21:48Nathan's an Eagle Scout who has all his badges.
21:51Nathan's an Eagle Scout who's been missing for seven years.
21:54And then all of a sudden he turns up out of the blue, unable to remember anything that happened to
21:59him.
21:59Yet somehow manages to pick up his life right where he left off.
22:04You think maybe I'd help making that happen?
22:06Well, it's not an impossible leap, right?
22:08Look at Britt.
22:09We know what happened to her and that Faison's people were behind it.
22:13Why shouldn't Faison be behind Nathan's disappearance?
22:17More likely than not.
22:18So you agree that Nathan's hiding something?
22:20Not necessarily.
22:21It could be that he has no memory of what happened to him.
22:24I mean, there are ways to manipulate the human mind.
22:26I would imagine Faison's disciples know some, if not all of them.
22:29So either an innocent man has been returned to live his life,
22:33which would make Nathan the one exception to the all Faisons are criminals rule.
22:38Or Nathan is just as dangerous as the rest of them.
22:41And you should leave him alone.
22:45It's tragic what's happened to Anna.
22:48Such a strong, vital woman, incapacitated because of a delusion.
22:53But I understand how it could have taken hold.
22:57If anyone could return from the dead, it would be Cesar.
23:02Do you know something?
23:05I know that my children have come back to me.
23:08And it gives me pause that Anna, the object of Cesar's obsession,
23:16is the one insisting she has seen him.
23:19Is there any chance that Anna's assertions are grounded in fact and that he is somehow alive?
23:27I can see how you want that to be true.
23:29Because it would mean that your friend is sane.
23:32However, for the sake of my children.
23:38I mean that Anna is wrong.
23:42And that Cesar is long dead.
23:46Colm knows that you care about him, which means he can use that against you.
23:50So, I don't know, maybe try not making things worse for the kid?
23:55Rocco opened up to me.
23:56It's obvious.
23:57He needs someone to talk to.
23:59Someone he can trust.
24:00And I promised him that I would fix this.
24:02He doesn't need you to do that.
24:04He has Lulu.
24:06He has me.
24:07Together, she and I will get him through this.
24:09Oh, my God.
24:10How dense are you?
24:12There is no you and Lulu.
24:14There can't be.
24:22I may have eaten too much.
24:25I definitely did.
24:26And I blame Michael James Scott.
24:29Why?
24:30He's the one who made that reservation.
24:32Well, everything on the menu was incredible.
24:34It's not like we could stop eating.
24:36We're not robots.
24:38Merely humans.
24:40As soon as I get up the energy, I'm gonna call him.
24:45And I'm gonna thank him.
24:47That was incredible.
24:49I thought you said you were stuffed.
24:52That's our dessert.
24:54Hey, I wasn't judging.
24:56Good.
24:58You gonna share or...?
25:01Yeah, for sure.
25:05You know, if we're not planning to annihilate ourselves at every meal,
25:11maybe next time we're in the city, we should eat at the bus station.
25:14Uh, first of all...
25:16Ugh.
25:17Second of all, there's gonna be a next time?
25:20Yeah, I mean, I hope so.
25:22I mean, I don't know if I could top this adventure, but...
25:25Joe, you don't have to top anything.
25:27You are the adventure.
25:30I don't know about that.
25:32Oh, I do.
25:34When I'm with you, I see the world with new eyes.
25:37Well, New Years, but...
25:40Yeah, what do you mean?
25:41You see the world through New Years.
25:44Music and sound, that's a part of your soul.
25:48Walking down the street.
25:50You know, when you hear the garbage trucks and the subway.
25:54I can see you taking that in.
25:57Trust me, it's not the way that I do.
26:01Well, yeah.
26:02The subway, it's like a...
26:04It's like a tiny orchestra.
26:07Right.
26:11It really is.
26:12Like the...
26:13The subway rumble.
26:16It's like the bass.
26:18And the subway horn, the...
26:21It's like a French horn.
26:22Obviously.
26:23Naturally.
26:24And the subway brakes.
26:26The...
26:27It's a piccolo.
26:29Or maybe like a...
26:30Like an E-flat clarinet.
26:32What about the people?
26:33Yeah, the throne.
26:36It's like...
26:37It's like muted violin strings.
26:42And it may be a bassoon.
26:46It's a cymbal roll for sure.
26:47Or...
26:49Kitchen at Bobby's.
26:52Oh.
26:52Oh, man.
26:54That's like the whole percussion section.
26:56Including...
26:56The triangle.
26:59And, uh...
27:01You opening the dessert back.
27:09It doesn't matter...
27:11Where we go.
27:12Or what we do.
27:16You are my whole new world.
27:22How is Rocco's hand?
27:25It's...
27:26Healing.
27:27Not as fast as he or anyone would like, but...
27:29It's getting there.
27:30Well, I guess you can't really call yourself a cook unless you've got a scar or two to show for
27:35your time spent in the kitchen, right?
27:37Rocco's more of a microwaver, an occasional vegetable slicer.
27:42Retired, no.
27:43Oh, he'll be back.
27:44I hope so.
27:47Why do you think he won't be?
27:49It's not just his hand.
27:53Rocco's been distant.
27:56Lately, I know that he's upset...
28:00About...
28:01Danny's situation and what happened to Jason.
28:04Yeah, well, he's not the only one.
28:06And Rocco feels things so deeply, especially about...
28:11People who he really cares about, like Danny.
28:13And it is a really wonderful quality, but in this case, it's just taking its toll.
28:18Well, it's an awful situation.
28:20At least both boys can lean on family.
28:23And I'm trying to be patient and just give him some time.
28:28And I am trying my best not to hover.
28:33Trying.
28:35It turns out that hovering is my default setting.
28:38One of the hardest things to do as a mother is to know when to take a step back and
28:45then to actually do it.
28:46I know.
28:47I know.
28:48And I don't think I could do it at all if...
28:52If it weren't for Nathan.
28:57To do as a mother is to know when to take a step back and then to actually do it.
29:04I know.
29:05And I don't think I could do it at all if...
29:10If it weren't for Nathan.
29:14You know it's not right.
29:16Lulu thinks she's sleeping with courageous, honest, loyal Nathan West and not...
29:21Yeah, I know, I know.
29:22Not treacherous, lying Cassius.
29:24Well, yeah.
29:26Look, most of the time I'm not in a position to judge.
29:30For damn sure.
29:31But I'm not in a relationship pretending to be someone else.
29:35You need to put distance between you and Lulu.
29:38What about James?
29:40Where am I supposed to distance myself from him because I'm not his real dad?
29:45In a perfect world, yes.
29:47But it's too late with James.
29:49You're already in his life as his father.
29:51You made that little boy love you.
29:53If you were to pull away from him now, it would break his heart.
29:57But Lulu is an adult.
29:59Most of the time.
30:00You can still back away.
30:03Say you...
30:05Say you decided you couldn't betray Maxie or mess up your friendship with Dante, who is also your boss.
30:10Take your pick.
30:12Lulu will survive.
30:14But you need to do it now before she really falls for you.
30:19Do it for Rocco's sake.
30:23Your concern is touching, but I don't answer to you.
30:26Are you answering to anyone right now?
30:31Listen, I recognize your professional competence, Agent Jax. I do.
30:36I'm not arguing with you right now as a colleague. I'm arguing as a friend of your mother's.
30:41I've seen it firsthand. She's agonizing over you.
30:44Every minute of every day.
30:47Doesn't every parent feel that way?
30:50Yes, I suppose that's true, but this is an extreme circumstance.
30:54You're in a lot of trouble.
30:56I don't think you should go looking for more.
31:07Hello.
31:10That's right.
31:12Great.
31:14I gotta go.
31:16Will you please tell me that you heard me?
31:19I heard you.
31:21But it doesn't mean I'm gonna listen.
31:29Dr. Obrecht?
31:31Hi, Dr. Obrecht.
31:34I'm so happy to see you.
31:36Do you have a minute to chat?
31:37I'm afraid I was just leaving.
31:39I've recently returned to Port Charles after a very long journey, and I'm ready to go home.
31:43Oh, well this will only take a minute.
31:45Perhaps we can catch up some other time.
31:46Last time we spoke, you thought it was possible that someone was impersonating your ex-husband?
31:52Do you still believe that?
31:54Why do you ask?
31:56Because I think you're right.
31:58Do you think that someone could be your son?
32:05Yes.
32:07I'm Dr. Kevin Collins.
32:10Thank you very much.
32:13I need some information about the patient, please.
32:18Anna Devane.
32:20Sounds like things are going well with you and Nathan.
32:24They are.
32:25As tough as things have been with Rocco.
32:29Nathan's been a consistent bright spot.
32:32Good.
32:33So you feel supported by him?
32:35Completely.
32:36It's really easy to lean on him.
32:38Well, that's a relief because you had misgivings about getting involved with him initially.
32:44I did.
32:46And I think part of the reason I was able to get over them
32:51is because I know exactly who Nathan is.
32:55And he's always honest with me.
33:00I think he might be the best thing that's happened to me in a really long time.
33:07Oh, sweetheart.
33:09When Lulu finds out who you really are, it is going to break her.
33:14Maybe she will put herself back together again.
33:16Maybe not.
33:17But either way, Rocco's going to suffer.
33:20I hear you, Britt, okay?
33:22But that's not going to happen.
33:25Because I'm in love with Lulu.
33:28That was fast?
33:30Yeah.
33:31And I'm going to keep being Nathan for as long as it takes to hold on to her.
33:35And then what?
33:38What's your long-term plan?
33:41That's what I thought.
33:43One way or another, the truth will come out.
33:46It always does.
33:48So if you really love Lulu, you need to end it.
33:53Now.
34:08Probably not the best idea.
34:10Yeah.
34:11Your friend's already doing us a big favor by letting us stay here.
34:16Yeah.
34:17Yeah.
34:17We should probably leave his couch.
34:19Mm-hmm.
34:20Alone.
34:21Yeah.
34:22And you know what they say.
34:23Friends don't canoodle on other friends' couches.
34:26Mm-hmm.
34:27Mm-hmm.
34:29But hey, hey, you did buy him some really nice olive oil, though.
34:33Yeah.
34:34Yeah, I mean, it's the least I could do to thank him for letting us stay here.
34:38And you bought Olivia some because?
34:42Because I love her.
34:43And I want to make her happy.
34:44And cooking makes her happy.
34:46Right.
34:47And I thought she could use it when she cooks.
34:49And maybe if she cooked something with it, she might let you try it?
34:53I was planning to cut you in on whatever she made.
34:55Oh.
34:55Well, then it's the perfect gift.
34:59Tell me the truth.
35:01No regrets about not seeing your family on this trip.
35:05No.
35:06No.
35:07No, we'll see them next time.
35:09And that will be an adventure.
35:12Well, I'll start preparing now.
35:14And it was great meeting Michael.
35:16He's a great friend.
35:18I missed him a lot.
35:23And you really don't miss out on all the glamour and excitement of the theater when you saw him?
35:27I got all the excitement I can handle.
35:30Right here.
35:36What is it?
35:37No, you have glitter on you from hugging Michael earlier.
35:40I do?
35:43No.
35:45No, my bad.
35:47I thought you did.
35:49It's just...
35:52You.
35:55You just...
35:57Sparkle.
35:58You.
36:01You.
36:03All right.
36:03You.
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