- 9 hours ago
The.Sandman.S02E12 [Full Movie] [Full Story]Full EP - Full
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00:28Dear Sylvie,
00:32by the time you read this, I'll be dead.
00:52Gone.
00:54I know.
00:56You said we shouldn't talk for a while.
00:58But I didn't want you to think my death had anything to do with you.
01:04Or us.
01:07Truth is, the planet is dying, democracy is dead,
01:12and the human race is next.
01:14But not before we inflict as much damage on the planet and on each other as we possibly can.
01:23Hiya.
01:27Hiya.
01:29Hiya.
01:31You're not at the office?
01:34Neither are you.
01:35Who?
01:37Yeah, well, I'm playing truant today.
01:39Amelia's helping me.
01:41Oh, but if you're working, Saxon, we can...
01:43Or, or, you're on your way out to work in that cafe where you sometimes work?
01:49Huh?
01:51Yes.
01:51Yes.
01:52Yes.
01:52I was on my way out.
01:56Uh...
01:56Just one last email to send.
01:58Oh, I read your piece in The Guardian.
02:01The one about the climate crisis.
02:03What?
02:03They're all about the climate crisis.
02:04I found it very hopeful.
02:06You did?
02:07You did?
02:10Well, um...
02:11We'll leave you to work, but you're coming out with us tonight, yeah?
02:17Actually...
02:18Is that tonight?
02:20You promised.
02:21Yeah, but don't you just want to have a night in?
02:23That's what we ever have.
02:24Do you like my friends?
02:25I do, just not as much as I like you.
02:27Oh, my God.
02:27They already told Jackie that we're coming, all of us.
02:29You, me, and Sexton.
02:30Yeah, well, Jackie will understand.
02:32I'm not going to cancel on her.
02:33Look, can you blame me if I want to be alone with you?
02:35You're obsessed, man.
02:36Yeah, and whose boy is that?
02:38It can't just be the two of us in the way for that one time.
02:40It's not just the two of us in the way for that one time.
02:42It's not just the two of us in the way for that one time.
02:47Hi, Sylvie.
02:53Hiya, Sylvie.
02:55Hi, Sylvie.
02:59It's me.
03:01Um...
03:01I know that you said that we shouldn't talk for a while.
03:06But, uh, I needed you to know that what I'm about to do...
03:11It's got nothing to do with you.
03:17Oh, wow.
03:19Well, who would throw you away?
03:24Oh.
03:36Oh.
03:41Oh.
03:43Oh.
03:43Oh.
03:47Oh.
03:47Oh.
03:47Oh.
03:48Oh.
03:51Oh no.
03:58Oh, man.
04:00Oh.
04:01Oh.
04:04Oh, God.
04:12Oh, man.
05:05Fuck.
05:14Hello?
05:17Someone there?
05:21Yeah?
05:25Hello?
05:32Are you all right?
05:33Yeah.
05:35I just can't seem to move.
05:39Oh, yeah, I see the problem.
05:42Do you think you could maybe...
05:45Oh, I don't know.
05:47Never moved your refrigerator before.
05:50Maybe.
05:51Just give it a good...
05:55Oh, look at that.
06:02Didn't expect to be doing that today.
06:04Here.
06:05Nice.
06:06Oh, no.
06:07Sorry.
06:08Sorry.
06:09I forgot.
06:09It's my day off.
06:16There you go.
06:18Oh.
06:18Oh.
06:18Oh.
06:19You good?
06:21Yeah.
06:22Wow, what were you doing down there?
06:24Nothing.
06:25I fell.
06:26Oh.
06:26Oh.
06:29Looking for these?
06:29Oh, yeah.
06:30They're...
06:31They're for my allergies.
06:35Oh.
06:35You're bleeding.
06:37Oh.
06:38No.
06:39You better come back to my place.
06:40What?
06:42I'm only a few minutes away.
06:43I've got plasters for that arm.
06:44And I might even fix a jacket for you.
06:46But after that, you're on your own.
06:49Come on.
06:51Oh.
06:52Oh.
07:05I can't get over this beautiful day.
07:09Listen.
07:10Do you hear that?
07:14I hear...
07:16Charving?
07:16Yes.
07:17That's what it is.
07:18Do you enjoy the sound of traffic?
07:20Well, isn't that why people live in London?
07:24Was that your rubbish back there?
07:26What?
07:26Were you flying to me?
07:27No.
07:28What?
07:28That's illegal.
07:29I would never do that.
07:30Then what were you doing?
07:32If you don't mind me asking.
07:35Thinking, I suppose.
07:38What about?
07:42How about how we've taken a perfectly good planet
07:45and turned it into a place to put all of our rubbish?
07:48I don't know.
07:50I quite like it.
07:52This is me.
07:57Come on, we'll get you sorted.
08:03It's very nice of you.
08:04Well, it's no harder to be nice to people than it is to be awful.
08:09And it's much more fun.
08:11Wow.
08:14That looks much better.
08:16Have you met the goldfish?
08:19Oh.
08:20The big orange one, that's slim.
08:23And the little yellow one, he's called Wandsworth.
08:28I would introduce you, but you haven't told me who you are yet.
08:32Sorry, Sexton Furnival.
08:35I blame my parents.
08:38I like it.
08:41Sexton Furnival.
08:42And you are?
08:45I am...
08:49Very good at sewing.
08:55Okay?
08:56Yeah, you are.
09:00Is that what you do?
09:01Are you in the fashion industry?
09:04No.
09:05Then what do you do?
09:08I...
09:10rescue journalists from illegal fly tips.
09:14Three sugars?
09:17Yeah, I...
09:19How did you know I'm a journalist?
09:21How many Sexton Furnivals do you think there are in the world?
09:26You read my column?
09:28When I have time off.
09:30Time off from what?
09:33Look, I tell you, but you won't believe me.
09:37Why not?
09:41Because...
09:45I'm deaf.
09:50You're deaf?
09:52Yeah.
09:54Okay.
09:55But you have nothing to worry about.
09:57Because...
09:58Today's my day off.
10:01Oh.
10:05Death is a day off.
10:07Just one.
10:08Every hundred years.
10:10Just to see what it's like to be human.
10:14Hmm.
10:16Death lives in Shoreditch.
10:18No.
10:19No, this place is just the universe's way of making me feel comfortable.
10:23Technically, right now, I'm only a few hours old.
10:27Of course.
10:32I should probably...
10:35Go.
10:36Thank you for the jacket.
10:38And the tea.
10:40And everything.
10:42Of course.
10:45Well, I'll see you again.
10:48You will?
10:51Sooner or later, I'll see everyone.
10:55Right.
10:57Okay, bye.
10:58Okay.
10:59Bye.
11:00Bye.
11:24Oh.
11:46Hello, me bonnie boy.
11:48You were with her, weren't ya?
11:50I can smell it on ya.
11:53Upsy-daisy.
11:54Do you just be the most understanding here?
11:56In my experience, broken bottles is sharp enough to make your face a lot less bonnie, bonnie boy.
12:02But look, if it's money you need...
12:04Button your lip and shut your face.
12:07You're going back inside, you're gonna knock on her door, you're gonna tell her it's you.
12:12Aren't ya?
12:15Hello.
12:17It's...
12:17It's Sexton.
12:19Furnival?
12:20Sexton.
12:24You're back.
12:25I didn't expect to see you so soon.
12:28Oh.
12:29It's you.
12:30That's right.
12:31It's me.
12:33Get in, bonnie boy.
12:43What?
12:44Leave Sexton out of this, mad Hetty.
12:45I'm not leaving him out of this.
12:47He's me bargaining thing, innit?
12:50And I've got a job for ya.
12:54Fine.
12:56What's the job?
12:59Take a seat, bonnie boy.
13:09I want you to find me soul for me.
13:12Your soul?
13:16Any idea where you lost it?
13:17I didn't lose it.
13:19Put the little bugger somewhere safe as houses I did somewhere.
13:24No one would find it.
13:25Especially not you.
13:27If you hide your soul from death, you never die.
13:31Well, she can't take it if she can't find it, can she?
13:34Let me get this straight.
13:35You've hidden your soul from me, and now you want me to go and find it for you.
13:40Will ya?
13:43I've tried ever so hard.
13:46I can't do it on my own.
13:55Any idea where you've hidden it?
13:57Hmm.
14:00My hat, I placed it in a duck egg.
14:04Inside a duck.
14:05Inside a well.
14:07In a castle, on an island, surrounded by a lake of fire.
14:11Guarded by a hundred dragons, each larger and more ferocious than the last.
14:18And maybe you didn't.
14:21It's been a long time, love.
14:25And, um...
14:26Sometimes me mind goes a bit too lally.
14:32Fine.
14:39I'll keep an eye out for you.
14:42Help yourself to whatever's in the fridge.
14:45There's tea and biscuits in the cupboard.
14:48Thanks, love.
14:54Why aren't you going to call the police?
14:56Why?
14:57Because there's a homicidal mad woman in your flat.
15:01You'd be mad too if you'd lost your soul.
15:03Oh, do you want anything?
15:05I've been so busy, so I forgot to eat.
15:08No, thank you.
15:09Yum.
15:10Hello.
15:11One, please.
15:13Chicken, lamb or veg?
15:15Veg.
15:16And what would you like on it?
15:18Whatever you've got.
15:19Chef's choice.
15:20All right.
15:21One veggie flatbread with the works.
15:24There was this Zen monk, right?
15:26And he orders one of these.
15:29Do you know what he says?
15:30Make me one with everything.
15:32You've heard that one, eh?
15:33Oh, I hadn't.
15:35Oh, that looks delicious.
15:37What do I owe you?
15:39Nothing.
15:39Keep your money.
15:40What?
15:41No.
15:42A beautiful woman with a healthy appetite.
15:44You make me feel glad to be alive.
15:47You enjoy that?
15:48This might be the best thing I've ever tasted.
15:50It's actually, you've got to try it.
15:51Oh, thank you.
15:52Hey, try it.
15:53Mmm.
15:55I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and her girlfriend asked me to leave so they could...
16:04Have sex?
16:05Aw, that's sweet of you.
16:07I've no idea how long that's going to take.
16:09How long have we been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Like what?
16:22Mmm, like go to the opera.
16:25Or BFI.
16:26Oh, I want to get a chai in the queue at Dishun.
16:29And then a party.
16:30Then maybe an after party.
16:32Oh, and then I want to get a full English at the Regency Cafe.
16:36Oh, and I promise Mad Hattie I find her soul.
16:39How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:54Because...
16:54I don't know you.
16:56And if you don't get in this cab, you never will.
16:59Where to, love?
17:02Sexton, where would you like to go?
17:05Home?
17:07Where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Anywhere else you want to go?
17:14I...
17:15No idea.
17:17And that's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind.
17:26Well, I always like a bit of greenery.
17:29Can't see a drive through the park?
17:31That sounds perfect.
17:33Hop in.
17:35But what about the opera and the shooting?
17:38We'll get there.
17:40As my older brother would say, certain destinations are inevitable.
17:46After you.
18:05Can I ask you a question?
18:08Is it personal?
18:09Very.
18:10Good.
18:11Yeah, go on, pass.
18:13What is it you think makes life worth living?
18:19Well...
18:20My sister, Maggie...
18:23She thinks it's men.
18:26For me...
18:28It's at the end of my night shift.
18:31And the sun's just coming up.
18:34And I've got London all to myself.
18:37And just for a moment...
18:39Everything...
18:40Everything feels possible.
18:43Yeah.
18:45I love that.
18:47What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your clubmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10Well, the Undercut Club's just down the road.
19:12The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:19Have you been?
19:21My ex used to drag me there for 80s nights.
19:24And noughties nights.
19:26But never 90s nights.
19:29Is it fun?
19:31If you like that sort of thing.
19:33What, if you like fun?
19:34If you like crowds and overpriced drinks and drugged up wannabes cyberpunks who look like they've escaped from a bad
19:41movie.
19:42Okay, you're actually making me want to go now.
19:44You sold it to me. I'd go.
19:46Would you like to?
19:47I'd love to.
19:47I do.
19:48But I'm on the clock.
19:49So, I'd better drop you two there, yeah?
19:56Yes, please.
20:12What do I owe you?
20:14Nothing.
20:16It's a gift.
20:17Really?
20:21Say thank you, Sexton.
20:23Yeah.
20:25Eh, thank you.
20:26What?
20:27Is there a problem?
20:29Well, London taxi drivers don't generally give people free rides through the park at rush hour.
20:34Yeah, I know.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:51Well?
20:52Thanks, now.
21:00You have a knack for never having to pay for anything. What's it like to live for free?
21:04Nobody lives free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and, ooh, two pence.
21:13Even if that's enough to get us in the club.
21:15I'll get you in.
21:16I'm not going.
21:17Why not?
21:19You scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:27How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:34What I don't know is why you won't come in with me.
21:38Cuz, this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47What are you doing here?
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead. I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:02No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee Dee.
22:10This is, er, my flatmate Billy.
22:14Pleasure.
22:15So, how did you two meet?
22:17Stop smiling, it's not like that.
22:19I found him on a flight tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:29She says I just want to spend all my time alone with her
22:33and I don't want to hang out with any of her friends.
22:35They're all inside waiting for me.
22:38She'll be so happy you're here.
22:40Oh, she might even forgive me.
22:41I'm not staying.
22:44He's scared he's gonna see Sylvie.
22:46He's dying to see Sylvie.
22:47No, I'm not.
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows the guy on the door so we can get him for free.
23:03For free, you hear that?
23:05Come on, sex addicts, it's my lucky day.
23:08And yours?
23:13Fair one.
23:19crystal brim is like you too,
23:21Dr.
23:28We need you.
23:30Yes,la, no.
23:33We need you.
23:33And, you know...
23:33All my friends.
23:35We need you.
23:38And, you know?
23:40A little bit there.
23:43kimut have agey ...
23:51Hey, I'm here and look who I brought. Sexton, you came.
23:57Hey.
23:58Hey.
23:59See?
24:00Isn't this nice?
24:01Pass on a night out together.
24:03Oh, this is Sexton's friend, DeeDee.
24:06This is Amelia, and that's Jackie.
24:09Wow.
24:09You both look stunning.
24:12Wow, those gloves are amazing.
24:14They're vintage.
24:15Ah!
24:16Sexy.
24:17You collect vintage stuff, don't you?
24:20Really?
24:21What do you collect?
24:22Oh, paperbacks.
24:23Typewriters.
24:24Toys.
24:25Toys.
24:26Rocket ships.
24:27Race cars.
24:28The toy collection is a modest one.
24:31That's a shame.
24:34Right, we need drinks.
24:37Uh, first round's on me.
24:38I'll come with you.
24:39No, you stay.
24:41I'll go.
24:41Go receiving equipments.
24:53Boom.
24:58First panel.
25:05모르iques.
25:07You mean, you'll be there.
25:09Sixku, two minutes.
25:10Second panel's mirror!
25:11at the moment which is not entirely unjustified given the world at the moment and which a lot of
25:17people share but you done well I did then I met Amelia and I'm not saying she's the answer or
25:31anything she's just a person but sometimes a person is all it takes to make you feel better
25:39about it all you know I think people are wonderful nothing like them are you looking for someone oh
25:55is still be here where no I was just lost I'm sorry who's Sylvie sex and sex oh well if
26:07you've managed
26:07to stay friends with your ex that says a lot about both of you I'm not sure she'd consider me
26:12a friend
26:13oh why did you break up with her no oh I'm sorry um I'm gonna go help with the drinks
26:26we'll meet you
26:28there well I'm glad you came and sorry about earlier Billy had no right to ask you to leave
26:41she had every race she wanted to be alone with you
26:46yeah all she wants to do is shag man Amelia I've known Billy since uni she's never been
26:52interested in sex ever until she met you did she tell you to say that she'd kill me for saying
26:58that
26:59you cannot tell her oh I got you a gin and tonic that's okay
27:12I thought we were fighting mm-hmm sex ever sorted me out in it
27:15how much do you have for the drinks drinks are on the house
27:28this is very kind of you and in front of Sexton's hello Theo Sexton you are this is my friend
27:39Dee Dee Theo is the manager here house DJ club promoter and your house for the evening
27:50you're always friends with Sylvie got it thank you Theo yeah thanks Theo
27:57thanks
28:02Sexton your friend Dee Dee how long have you known her I just met her a few hours ago
28:08you brought a girl to a club that you met just a few hours ago
28:13that doesn't sound like you Sexton you don't know me Theo
28:18yeah just also be talking I think that don't worry just you know she likes to have fun and you
28:24don't
28:25not your kind of fun no I don't do any of that shit really so you just make money encouraging
28:34other
28:34people to do it
28:39well Sylvie will be very happy to hear that you've met someone
28:43no no no Dee Dee and I are not together
28:46well in that case what about your girlfriend what about Natalie
28:51you two still yeah but Natalie does her thing
28:56I do mine maybe that's why we're still together
29:15I love this place well done
29:26you all right sorry I'm I was just admiring your Hank
29:35Egyptian right symbol of death
29:41the opposite actually immortality right
29:46because the Pharaohs all wanted to live forever didn't they
29:48some of them did some of them knew better
29:53immortality is not all it's cracked up to be
29:55I don't know about that
29:59if you knew you're going to live forever you could do whatever you want
30:03you wouldn't have to be afraid of anything
30:07anyone
30:11you don't need immortality for that though do you
30:18did section show you this used to be a department store
30:20the club yeah bed linens garden furniture kids toys
30:26also upstairs you need to provide the parties
30:29I can give you the tour you feel like yeah maybe later
30:34sure
30:39do you want to dance
30:42I'd love to but
30:45I came with sexton so
30:46ah sexton doesn't dance
30:49at least not according to serving
30:53shall we
31:05what is wrong with you she likes you she likes everyone
31:12I can't work out whether she's being serious or not
31:16she told me
31:22she thinks she's death
31:25what
31:27she thinks she's the living incarnation
31:30of death
31:32she told you that
31:34oh she'll tell you
31:35if you ask her she's not shy about it
31:40maybe I will
31:42someone needs to save her from DA
31:44come dance with us
31:45no
31:48according to Sylvia I don't dance
31:51it's to prove her wrong
31:59I'm so happy yeah
32:08but
32:10I'll do it
32:13I'm so happy
32:18I'm so happy
32:19that's it
32:19and yeah
32:19when I'm so happy.
32:21I'm
32:21so happy I'm
32:22so happy I'm
32:37Are you not a joiner then?
32:40No, I've never been very good at that.
32:43Takes practice.
32:49I think I must be doing it wrong.
32:53Everyone here seems to not notice or care.
32:57The world is ending.
33:01Well, maybe that's why they're here.
33:10It just makes me want to give up.
33:15You don't mean that.
33:19Yeah, you're probably right.
33:25May I offer another perspective?
33:28Are you going to try and cheer me up?
33:30I'm never the exact opposite.
33:33Yeah, by all means.
33:35So, I had this friend who was abused by her father and a few of her father's friends.
33:44Jesus.
33:45Yeah.
33:46The family fiction was that she loved hunting and fishing, which is why he would take her
33:52away on these weekend trips with all his friends.
33:55He was a posh barrister.
33:56And one of the other men was a police inspector.
33:59There was no one she could tell.
34:03So, one day, she got one of her father's hunting knives, locked herself in the toilet, and started to cut.
34:15I know.
34:16I'm sorry.
34:20I'm only telling you this because when she woke up in the hospital, even with bandages all the way down
34:26her arms,
34:27and her father just sitting there, terrified she would talk,
34:33but she was still glad to be alive.
34:52So, according to Theo, this place used to be a department store.
34:56He's invited us on a tour.
34:57He's invited us, or you.
35:02Me.
35:03But I'm inviting you.
35:05He's got a girlfriend, you know.
35:06She's called Natalie.
35:08You two go.
35:10I've got dancing to do.
35:18Come on, Theo's waiting.
35:20Theo is not a good guy.
35:22Oh, Sexton, do you really believe that there are good people and not good people in this world?
35:27I'm a reporter.
35:27I know for a fact that there are, and I've heard things about Theo.
35:31Really?
35:31Such as?
35:32Ready for the tour?
35:36Yeah.
35:37You don't mind if Sexton comes too, do you?
35:41Not at all.
35:44This way.
36:02Well, this looks like a storeroom.
36:08So, this is where you host private parties?
36:11Well, we're having one right now.
36:15Ow!
36:16Theo, give it back!
36:16Get back!
36:18It's not a weapon.
36:20It's a symbol.
36:20It's a sigil.
36:21Your sigil.
36:24From now on, I decide who lives and dies.
36:28It doesn't work like that, Theo.
36:31You better hope it does.
36:35Theo!
36:36Hey!
36:37Theo!
36:38Theo, let us stay in here!
36:40Theo!
36:42Don't let me help!
36:43We can't hear you, Sexton.
37:05Don't let me help you, Sexton.
37:05Did you tell him you're deaf?
37:09I didn't have to.
37:14You summoned me here.
37:27So welcome, Mark.
37:39I'm so sorry, Sexton.
37:43It's not your fault.
37:46It is.
37:47You warned me.
37:48But I got cocky.
37:51I just thought it doesn't matter if something happens to me.
37:55That's what today's for.
37:58I didn't think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:11At this point, we'll never find her soul.
38:14I thought you were just humoring her.
38:17No, of course not.
38:19She's counting on me.
38:23And I only have a few hours left.
38:26Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open.
38:46We'll open Theo's skull.
38:48Sexton.
38:49Put that down.
38:51You could hurt him.
38:54You sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:01No.
39:03There is such a thing as free will.
39:05People make choices.
39:08People don't choose to die.
39:11Normally, there's war.
39:14There's famine.
39:18Disease.
39:19I'm not saying it's not painful to be alive, but it's not always painful, is it?
39:31No.
39:37In fact, sometimes it's so nice that you forget that there's suffering everywhere.
39:46All the time.
39:48People with nothing, struggling to survive, to keep their families alive.
39:55It never stops.
39:56No matter what I say or do or write.
40:00No matter how hard I try to make a difference.
40:02I don't.
40:02I can't.
40:03Which leads me to why bother.
40:06Which leads me to what's the point.
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like not to be able to feel these things.
40:32What it's like not to have free will.
40:36You don't have free will.
40:39Well, my siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:54Every hundred years.
40:58When death takes a holiday.
41:02Spends it locked in a storeroom.
41:05Well.
41:07That's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:31What?
41:43Marbles.
41:53When Theo comes back.
41:54He'll slip on these.
41:56He'll fall non-fatally.
41:58And we'll get away.
42:00Are you trying to save your life with those?
42:02Or mine?
42:04Ideally.
42:05Both.
42:08What a difference a day makes.
42:12What do you mean?
42:15The sleeping pills.
42:17In your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:25And.
42:27Today you want to live.
42:34What the fuck are you doing?
42:37Were those meant for me?
42:46Where's my egg?
42:47At the bottom of the Thames.
42:49Doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well.
42:53Doesn't matter.
42:55Because I've got you.
42:57And you're coming with me.
42:58Theo, she's not that.
43:00I've told him.
43:01He doesn't believe me.
43:02Even if she was.
43:03You don't need her.
43:03You've got the power to kill.
43:05It's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:17Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:35Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:43Including summoning me.
43:47You know one's going to believe that though, are they?
43:52They're all going to think I killed her and why wouldn't they?
43:57I'm going to spend the rest of my life in prison.
44:04I'm best.
44:06Theo.
44:07Will you take me like you took her?
44:08No, Theo.
44:09Listen.
44:09Theo, put the gun down.
44:11Shut the fuck up, Sixten.
44:12I know you think I killed a two.
44:13No, I don't.
44:14I swear.
44:14Theo, put the gun down.
44:15Just stay back.
44:28Theo, he's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:52Not today.
44:56Today's my day off.
45:10Thanks.
45:13I said he's going to be okay.
45:14Then he might have a concussion, so we'll keep him overnight.
45:17Thought maybe we could go and see him tomorrow?
45:21I won't be here.
45:25Right.
45:28Death only gets one day off.
45:35Well.
45:37It wasn't the day I wanted, but...
45:40It was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you...
45:57Ah, just give it to her.
46:00We all know you're going to.
46:03For you...
46:0530 quid.
46:0830 quid.
46:11Is it real silver?
46:1430 quid, love, you're lucky it's real metal.
46:16Well, how much for that?
46:20How much you got?
46:2220 pounds and...
46:24two pence.
46:27I'll take the pence.
46:29I'll take the pence.
46:29You keep the pence.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:49But it was part of the whole thing.
46:54And I wanted the whole thing.
46:57Speaking of which...
47:01For you.
47:03It's all I got left.
47:07Well, you never know when they'll come in handy.
47:09Hmm.
47:11Oh.
47:11And, uh...
47:16This...
47:17is for Mad Hettie.
47:32Hmm.
47:36Have a lovely day.
48:07It just goes so fast.
48:13You want to hang on to every second.
48:18And you give anything for just one.
48:20Oh.
48:33Please.
48:35Help.
48:38Please!
48:43Please!
48:48Yuri?
48:49Yuri?
48:49Yuri выше?
48:49Yuri Yuri?
48:49Yuri?
48:51Dee Dee!
48:54Dee Dee!
48:59She's dead, love. She's gone.
49:05You can't bring her back now.
49:13Did she give you the dance?
49:24Give her me a...
49:30That's the cost of life.
49:42Poor love.
49:44She only gets a day every hundred years.
49:48Doesn't ever get any easier.
49:53Did she give you anything else before she died?
50:08There you are.
50:13I knew she'd find you.
50:21Me soul.
50:26This was called Delia.
50:28Me baby.
50:30I wasn't mad at you back then, of course.
50:33They called me Henrietta.
50:35And I lived in a fine house.
50:38Long time ago now.
50:41All gone.
50:46I suppose I'd better hide you again.
50:53If she'd stuck around, I could've asked her where to put it, but no one would think of looking.
51:01I'd give her time, only boy.
51:07Another hundred years.
51:09But she'll be back.
51:23A few minutes later, the paramedics came and...
51:27took her a while.
51:32They thought it might have been a heart attack, but...
51:37What if she really was death?
51:44Not be nice if death was someone.
51:49And not just pain and emptiness.
51:53Someone friendly, genuinely likes people, and is...
51:59kind and...
52:02funny.
52:07No idea.
52:29Hi.
52:30It sucks now, right?
52:34Uh, see for yourself.
52:36Um, we were worried, and...
52:39Billy said you didn't make your home last night.
52:42I just wanted to make sure you were okay.
52:44After our chat.
52:47Yeah.
52:47I'm sorry we didn't get a chance to...
52:49Oh, no, no, no. It's fine.
52:51There were so many people.
52:57Uh...
52:58Well, I'm sure you're working.
53:03No, I...
53:06Do you...
53:08want a cup of tea?
53:10Yeah.
53:11Yeah, if you have time.
53:24Milk and sugar?
53:25Three sugars.
53:32So that was it?
53:41Yeah.
53:43That was it.
53:45Ugh.
53:52It was wonderful.
53:54It was filled with people.
53:58I got to breathe and eat and dance.
54:03I only wish it didn't have to end like that.
54:07It always ends.
54:09That's what gives it value.
54:12When you get to be alive, even for a day,
54:19well, it's really only one way to stop living.
54:23I suppose so.
54:27Was it worth it?
54:33I wish it could have gone on forever.
54:41Take my hand.
55:13I wish it could have gone on forever.
55:16eyes on you. I thought to myself, oh, could it be someone that's made just for me? Oh, I can't
55:30make this up. What if I fuck it up? Well, then I'm wrong. You're not the perfect someone
55:41made for me. Right when I lay eyes on you, I thought to myself, oh, could it be someone
55:55that's made just for me? Oh, I can't make this up. What if I fuck it up?
56:38Oh, I can't make this up.
57:10Oh, I can't make this up.
57:16Oh, I can't make this up.
57:21Oh, I can't make this up.
57:21Oh, I can't make this up.
57:21Oh, I can't make this up.
57:22Oh, I can't make this up.
57:22Oh, I can't make this up.
57:23Oh, I can't make this up.
57:24Oh, I can't make this up.
57:26Oh, I can't make this up.
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