00:28Transcription by CastingWords
00:38CastingWords
01:06CastingWords
01:10CastingWords
01:11CastingWords
01:13He's a mess, so I don't need it. Thank you for having me.
01:24Is it him that's coming?
01:25No, he's a politician. He knows what he's doing.
01:43He knows what he's doing.
02:12Ah.
02:21Go, go, go.
02:29Let's go.
02:46Oh, my God.
03:19Oh, my God.
03:43Om din mamma vaknar, sÄ kommer jag bli tvungen att döda henne.
03:49FörstÄr du?
03:49SÄ vi mÄste hjÀlpas Ät dem och jag.
03:52Vi ska Äka pÄ lite tur.
04:05SÄ gÄr jag.
04:36Kom her.
04:36Kom her.
04:41Kom her.
04:53Kom her.
04:56Kom her.
04:57Kom her.
05:03Kom her.
05:10Kom her.
05:13Kom her.
05:17Kom her.
05:26Kom her.
05:27Kom her.
05:34Kom her.
05:36Kom her.
05:42Kom her.
05:46Kom her.
05:48Kom her.
05:53Kom her.
05:55Kom her.
06:13Kom her.
06:32Kom her.
06:33Kom her.
06:34Kom her.
06:57Kom her.
07:02Kom her.
07:05Kom her.
07:08Kom her.
07:14Kom her.
07:19Kom her.
07:51Kom her.
07:51Kom her.
07:53Kom her.
07:53Kom her.
07:55Kom her.
08:14Kom her.
08:15Kom her.
08:15Kom her.
08:16Kom her.
08:17Kom her.
08:18Kom her.
08:19Kom her.
08:20Kom her.
08:21Kom her.
08:21Kom her.
08:23Kom her.
08:25Kom her.
08:25Kom her.
08:26Kom her.
08:28Kom her.
08:30Kom her.
08:31Kom her.
08:32Kom her.
08:32Kom her.
08:33Kom her.
08:34Kom her.
08:35Kom her.
08:36Kom her.
08:37Kom her.
08:38Kom her.
08:42Kom her.
08:44That's why her friend had ended under her neil after her death.
08:48What does that mean?
08:50That you killed her, cut her finger, put her in the river, before we came here.
08:58That's what we call a technical evidence.
09:00Okay, a technical evidence.
09:03It's a concrete and un-dragable fact.
09:08Okay.
09:15I understood that when they came here, they used a picture, right?
09:19So I understood that it was the best place for her fingers.
09:24Smart.
09:26So it was a certain degree of sentimentality.
09:33The picture. I didn't see the picture that I had here at the first time of the class.
09:38I saw a different picture today.
09:40It's the same with the two teeth.
09:43I understood who, Martin Ave, and him tried to pursue her.
09:45He used to repress him, and some women who were divorced.
09:49He understood why.
09:52If you discovered how he was into a relationship to Aminaud,
09:55he was on a voyage to France, right?
09:58Is that okay?
10:01It's okay.
10:02You have to do it.
10:03You have to pay both hands.
10:08I didn't know that Lisbeth had a short relationship to the man.
10:15But I didn't know that we were going to put up the toilet.
10:20I found two letters.
10:23I love my country's flame.
10:26I'm going to be my thoughts.
10:28Next time I'm going to love you in a heaven's room.
10:31Not on the back of the room.
10:32You earn more than what you write.
10:34And what you wrote about a marriage that is a practical solution.
10:37A lifelong living.
10:42As I told you, I've been deceived by the affair.
10:45I need to get some money away from you so that I can get on your feet.
10:49As soon as this is fixed, I'm going home from you.
10:52I'm writing my contract on the back of the bathroom.
10:55I remember him from four years before he was living our day.
10:58They were selling a head of the pot with a scatter of the mat.
11:01So we got a card with an address on it if we bought more.
11:08How do you understand that the person you love...
11:13...is not just to blame you, but not to love you?
11:19What was the other thing?
11:22It was her that wrote.
11:24It was posted in check-in.
11:27It came back, because it was an unknown address.
11:29KjĂŠre Martin, it's been so long since I've heard from you.
11:33I hope the money I've sent you helps.
11:35I still don't want to think about anything else.
11:39When I love my husband, I imagine that he's there.
11:44Where are you?
11:45It wasn't the worst. The worst was to see the data.
11:50It was sent...
11:53...in February.
11:56...in year.
12:01What's going to do here, then?
12:04Mm.
12:05I saw the scene that you dropped on your kona.
12:09...and he left the sky on him.
12:12It's a bit of energy, too.
12:14Mm.
12:16You said you should find him.
12:18Never more.
12:19Okay.
12:21No worries.
12:21It's just okay, but no worries.
12:24People thought of the diamond.
12:24What hotel was on, it's all you know?
12:27Now, this was a temporary switch.
12:34And then I told him that I need the light of diamonds, the guns and the guns.
12:41Without mellandhender.
12:44And then we told him that he would come to Oslo
12:46and put his legs in a sĂžppelbĂžt in the farm every 5th day.
12:50You knew that he was here.
12:52But he had never been here.
12:54He took you four times.
12:58And then you played a cassette that you had on.
13:02A five-kant course.
13:04Give me a question.
13:05And I'll give you a answer.
13:08So send us finger to your sister.
13:12Why is this so complicated?
13:16Because I needed a sin book.
13:19If this thing had not been clear,
13:21and Lisbeth had just fallen,
13:22then everyone had thought over me.
13:24Right? For it's always a man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Don't let him, don't let him, don't let him.
13:37Don't let him!
13:37Don't let him!
13:39Set him down.
13:41Set him down!
13:44Set him down!
14:09or is it your daughter who can never be able to love you again?
14:25Where is she?
14:27She is here.
14:31She is always here.
14:33And this is what you don't understand,
14:34because I have put up a place that I just know about.
14:37It's just for me, and for her,
14:42and I want to have her here for all time.
14:46I have put up a spot here, Harry.
14:49My problem is that I just tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay, I'm coming up.
14:59What are you talking about?
14:59I'm coming up!
15:03I'm coming up!
15:12I'm coming up.
15:14The new Lisbeth.
15:18I'm coming up.
15:21Come.
15:22The new partner.
15:24I think I'm calling.
15:39I'm coming up.
15:41I'm coming up?
15:42Oh!
15:44I'm getting into it.
15:48Oh!
15:49I'm coming up.
15:51I'm coming up.
15:53I need a happy ending.
15:56If I don't have a happy ending, I'll make a happy ending.
16:01That's my life motor.
16:05In this case,
16:08a death motor.
16:10The gas goes down from...
16:13five.
16:19You're so dead.
16:24Four.
16:29What the hell are you doing?
16:32It's not your problem.
16:35What did I do?
16:36Three.
16:39You never know.
16:42Two, Helge!
16:43Two.
16:47It's me.
16:53One.
16:55One.
16:56I don't know.
17:42I don't know.
18:06I don't know.
18:08I don't know what he's doing.
18:13I don't know.
18:14I don't know.
18:40I don't know.
18:44I don't know.
18:54I don't know.
19:15I don't know.
19:26I don't know.
20:06I don't know.
20:09I don't know.
20:10I don't know.
20:17I don't know.
20:26I don't know.
20:30I don't know.
20:31I don't know.
20:33I don't know.
20:36I don't know.
20:48I don't know.
21:14I don't know.
21:17I don't know.
21:37I don't know.
21:38I don't know.
21:44I don't know.
21:45I don't know.
21:49I don't know.
22:01I don't know.
22:03I don't know.
22:16I don't know.
22:18I don't know.
22:22I don't know.
22:35I don't know.
22:38I don't know.
22:41I don't know.
22:46I don't know what you're doing.
22:53We work.
22:54I don't know.
22:55Come on mom.
23:03This song, Michael.
23:07I hope it's up.
23:09Works.
23:16Um, cold metal.
23:36Are you okay?
23:38My truck, are they okay?
23:41Are you okay?
23:43I'm sorry.
23:44No, no, no.
23:45Stop there.
23:45What the fuck is this?
23:47I said you should sit in the room.
23:51I'd like to go to the room.
23:55Got you!
23:56Spot him!
24:03I'll do it on your plan.
24:05Your plan?
24:08I think that you'd like to have a life to have with me there.
24:11I didn't see it as if I had to have a son of me.
24:14It's not what you knew.
24:15It's not what you knew.
24:18I'm sorry.
24:19Well, I didn't see the woman who had just dumped you.
24:21I was wrong.
24:36I was wrong.
24:38I was wrong.
24:38I think you were wrong.
24:41I thought you were wrong.
24:48What are you talking about?
24:52Everything was taken out. For example, I would like to ring him in the camera overlooking.
24:57If I ringed Otto, I would like to ring him in the camera.
25:01Or...
25:02You are done.
25:08What are you doing?
25:08What are you doing?
25:11The camera shows me that I have grabbed a colleague who has completely beaten you...
25:15...and has kidnapped a hectare.
25:17I always catch everything up front of the camera...
25:19...and take my hands off the table.
25:21What are you talking about? There are no sound effects.
25:31Take your hands off the table.
25:34Try on the button.
25:42I have no chance to show everything that is filmed.
25:46The camera showed me that everything will work.
25:50The camera were ponytailed.
25:50In there!
25:54In there!
25:56In there!
25:59It's your!
25:59I've been with your pistol.
26:01I stole the ìŹì§.
26:02I'm putting it to the cost.
26:11I'm going to kill you.
26:16Come, come, come!
26:24What a hell of a man.
26:26What a hell of a man.
26:42Don't be scared.
26:44Don't be scared.
26:58They're in trouble.
27:00You're in trouble.
27:01I'm going to kill you, Harry.
27:02Come on, Harry.
27:03I'll send you to the police and send you to the police.
27:33Come on, come on.
27:36Come on.
27:37Come on.
27:40Come on.
27:43What's going on?
27:44No.
27:47Did you get it?
27:49I don't want to get it.
27:51I don't want to get it.
27:55I don't want to get it.
28:05Okay, let's go.
28:06I'm going to stop it.
28:06I think I'm going to get it.
28:08I'm going to get it.
28:09I'm going to get it.
28:33I don'tace.
28:49I'm going to get it.
29:00I was never home.
29:00He's living in love.
29:01I'm in love with that big cow.
29:01Ryan fury is two miles to become more t Duchy.
29:01My dad was city.
29:01I had love when your my life is so much Santa.
29:08I don't know.
29:33I don't know.
30:16I don't know.
30:53I don't know.
31:09I don't know.
31:42I don't know.
31:46I don't know.
32:21I don't know.
32:22I don't know.
32:22I don't know.
32:49I don't know.
32:57I don't know.
33:16I don't know.
33:40I don't know.
34:07I don't know.
34:11I don't know.
34:13I don't know.
34:13I don't know.
34:13I don't know.
34:14I don't know.
34:19I don't know.
34:20I don't know.
34:32I don't know.
34:39I don't know.
34:46I don't know.
35:01I don't know.
35:03I don't know.
35:05I don't know.
35:08I don't know.
35:09I don't know.
35:10I don't know.
35:38I don't know.
35:44I don't know.
35:44I don't know.
35:44I don't know.
35:45I don't know.
35:45I don't know.
35:47I don't know.
35:49I don't know.
35:50I don't know.
35:53I don't know.
35:54Of course.
36:02I don't know.
36:07I don't know.
36:09You know what I mean, I'm not sure how to break my own.
36:11No, no, no, no, no.
36:13No, no, no, no, no, no.
36:17More, eh...
36:18Ideen.
36:19How did you come to that it wasn't a classic movie?
36:24No, yeah.
36:29I don't think about the proof.
36:31I don't think about the same...
36:34...ideen.
36:38Visste du at Duke Ellington, han...
36:40...pleide Ă„ be pianostemmerne sin om Ă„...
36:44...om Ă„ ikke stemme piano helt reint?
36:47Nei.
36:52Sykkelbudmorderen...
36:54...var for godt stemt.
36:57Det fĂžltes riktig, men ikke ekte.
37:05Jeg tok feil, Harry.
37:08Det beklager jeg.
37:11Det jeg egentlig ville si var at...
37:14... jeg kommer ikke til Ă„ undertegne de oppsikkelsespapirene dine.
37:18Nei vel?
37:20Blad, du virker jo ikke overbegeistret.
37:23Har du fÄtt noen andre tilbud?
37:26Nei, to.
37:28PrĂžv hvem da?
37:30Ăystein Eikland.
37:32Han vil at vi skal...
37:33...dele pÄ kjÞredrosja, altsÄ.
37:36Og det andre?
37:41Det falt fra.
37:47Sannheten er at vi trenger det.
37:50Jeg trenger det.
37:52Hva er det?
37:53Jeg vil vĂŠre helt naivt og tro at...
37:56...VĂ„ler er den eneste innen politiet som er involvert i de kreiene her.
38:01Jeg vil veldig gjerne at du fortsetter Ä hjelpe oss Ä finne ut hvem som stÄr bak.
38:04Jeg vet ikke helt om jeg...
38:06Det er ingen som har lyst til Ă„...
38:09...tyste pÄ folk i egne rekker, skjÞnner du?
38:12Men du kommer til Ă„ rapportere bare til meg.
38:15Det lover jeg.
38:17Ok?
38:18Men det vil jo ogsÄ bety at nÄr du skriver rapporten...
38:21...og nÄr du snakker med pressen, sÄ...
38:23...sÄ mÄ vi legge lokk pÄ det med...
38:24...med VÄler sin vÄpen-smÞkling.
38:28Jeg forstÄr at det er mye Ä be om.
38:30SĂ„ det er selvfĂžlgelig helt opp til det.
38:34SkjĂžnner du.
38:37Hvis du nÄ likevel velger Ä...
38:39...kjĂžre taxi...
38:41...kan du si noe om...
38:43...VĂ„ler sa noe...
38:45...om hvem som eventuelt kunne vĂŠre innblandet.
38:48Nevnt han noen navn.
38:51Noe som vi kan gÄ pÄ.
39:00Godt jobber med Barley.
39:02Det er alltid ektemannen.
39:28Hvis denne saken ikke hadde blitt oklart...
39:32...for Lisbeth, i hvert fall, sÄ hadde alle trodd noe om.
39:35For meg ser det som om han forteller...
39:38...at han skal skyde han.
39:40Det er meg.
39:43Samt for det er jo alltid ektemannen.
39:58Hei.
39:59Hei.
40:00Hei.
40:01Det er meg.
40:01Du...
40:03Det er nÄ hjemme Ä gjÞre noe.
40:04Kan vi si middag i stedet for?
40:06Ja, ja.
40:07Det er null stress.
40:09Jeg elsker deg.
40:11Og du elsker meg.
40:13Ja, ja.
40:14Jeg gjĂžr det.
40:23Beate og LĂžnn er helt sikker.
40:26Mannen var aldri pÄ lista av de mistenkte.
40:28Og det her er fÞrste gang Beate ser han nÄ.
40:30Hun er sikker.
40:32Ja?
40:34Hva gjelder det?
40:39Du drepte kona mi.
40:43Fem Är siden gikk du inn i banken der jeg jobba, sÄ skjÞt du av hÞyde.
40:51Han ranet en bank for Ă„ skyte kona si.
40:54I scene sa det hele greia som en...
40:55Farse.
40:56Ja.
40:57Akkurat som Willy Barley.
40:59SÄ de arrangerste drapene sÄ at vi ville leite etter noe annet.
41:02En serimorde eller en banker, Anne.
41:22Nummeret du ringer er ikke lenger i bruk.
41:43Teksting av Nicolai Winther
41:45Takk skal du ikke lenger i dag.
41:56Takk skal du ikke lenger i dag.
42:45Hva gjÞr vi nÄ?
42:50Det vi gjÞr nÄ er Ä ligge helt lavt.
42:56Og sÄ kommer vi tilbake.
43:28Teksting av Nicolai Winther
43:48Teksting av Nicolai Winther
44:05Teksting av Nicolai Winther
44:10Teksting av Nicolai Winther
44:11Han lyckte opp pÄ gatorna bort.
44:15Hvordan kÀnde du han?
44:17Jeg minns at det var synd om killen.
44:19Han fikk mye stryk av sin farse der hemma.
44:23Det gikk i rykten om at det var mycket mer Àn sÄ.
44:28Farsan var arbetslÞs, murare tror jeg, sÞp ganske hÄrdt.
44:37Det var mye mer Àn sÄ kommer jeg ikke ihÄg.
44:40Han kallte det jeg sÄg da?
44:42Han sa aldrig at jeg var kompiser.
44:45Ja, det stÊmmer jo at jeg kallet Sola efter vÄr butik her, men jeg og Tom Bali var ikke kompiser.
44:51Det var det vel egentlig ingen som var.
44:54Ingen?
44:58Jeg vet ikke riktig hvorfor.
45:00Jeg minns at han var ganske snÊll, men jeg vet en sÄn her som hjÊlper gamla tanter over gata.
45:05En litt scoutaktig typ sÄdÊr.
45:09Han var ensam.
45:10En litt konstig, ja.
45:15Sen var det nÄt skumt med hans pappas dÞd.
45:19Det er jo en jÊvlig mÊrklig olycka Ä rÄke ut for hemma.
45:23Amen.
45:26Ja, assÄ det var...
45:27Det var en sak Ä ramla pÄ fyllan, men...
45:30Rakt pÄ en kniv som man hÄller i.
45:35Ja.
45:38Tak skal jeg.
45:42Tak skal jeg.
46:11Tak skal jeg.
46:40Tak skal jeg.
46:40Tak skal jeg.
46:43Tak skal jeg.
46:44Tak skal jeg.
46:46Tak skal jeg.
46:47Tak skal jeg.
46:49Tak skal jeg.
46:51Tak skal jeg.
46:53Tak skal jeg.
46:53Tak skal jeg.
46:55Tak skal jeg.
46:57Tak skal jeg.
46:58Tak skal jeg.
46:58Tak skal jeg.
46:59Tak skal jeg.
47:00Tak skal jeg.
47:00Tak skal jeg.
47:00Tak skal jeg.
47:01Tak skal jeg.
47:02Tak skal jeg.
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