05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51I was wondering when you're going to tell me about that.
05:53I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Oh.
06:05I see you just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:24So, come on, you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15I'm going to have an apartment, you know, place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32Well, mm-hmm.
07:33I know, um...
07:33No, no, no.
07:33No, no, no, no.
07:34That, that, that, that is, uh...
07:39Big.
07:41Um...
07:41big no um well for a man with an english literature degree you really have a way with words
07:46no i know it's it's it's a skill we've talked about this before we have listen i love that
07:52we get to meet up in hotels all over the world and that we actually want to have sex with
07:58each
07:58other all the time but i want this job you know i want to build a life that's mine
08:09not just uncovering other people's we have to make a decision you and me like tom i i love you
08:19so much and i want to keep loving you and i'd like to do it while i'm actually looking at
08:25you
08:30and i love you alice monroe and
08:39i want to be with you
08:44even in new jersey especially in new jersey
09:04i hear what time is it
09:11tom
09:16tom
09:20hey hey uncle brian he's in london why don't you go downstairs order some breakfast okay trains at
09:33me
10:06Hi.
10:08Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project, and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:47Yes.
10:58Don't.
10:58Just stay there.
11:00Almost over.
11:11That's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you.
11:30Oh.
11:44Hi.
11:44Hello.
11:46Uh.
11:48Sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51I don't have any phone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Yeah.
12:07Yeah.
12:07In the salon, Arl.
12:09Oh, yeah.
12:10And, uh, he's not my husband.
12:12He's my boyfriend.
12:17Okay.
12:23Okay.
12:40Oh, my God.
12:41And it's like...
12:45Yeah, it's a nice day.
12:47Yeah, a nice day.
12:48Yeah, it's cool.
12:50Do you want me to go?
12:52It's fine, we're going to go.
12:55I don't know.
12:56I don't know.
12:58I don't know.
13:02Oh, yeah.
13:09You're right.
13:10I don't know.
13:11You're right.
13:11The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
13:16Avignon, 5 minutes left.
14:03Did my boyfriend return?
14:07Marami?
14:13So weird.
14:15Where are you?
14:22Hi, this is Tom Parker.
14:25Watching an unavailable, leave a message after the time.
14:38Tom?
14:55The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
14:58Come make sure to recover all your baggage.
15:06The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in Gare d'Avignon in Gare d
15:09'Avignon in Gare d'Avignon in Gare d'Avignon in Gare d'Avignon.
15:31The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in Gare d'Avignon in Gare d
15:34'Avignon in Gare d'Avignon.
15:39The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in Gare d'Avignon in Gare d
15:46'Avignon in Gare d'Avignon in Gare d'Avignon.
16:05The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in Gare d'Avignon in Gare d
16:08'Avignon.
16:11The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in Gare d'Avignon in Gare d
16:12'Avignon.
16:15Tom!
16:17Hey!
16:18Very funny!
16:20I have been looking all over this trip.
16:21Oh, my God.
16:23I'm sorry.
16:24No, Désolée.
16:24I didn't...
16:25I thought you were so...
16:27Yeah.
16:30Just...
16:30Hey!
16:34Hey!
16:34Hey!
16:35Hey!
16:36Hey!
16:38Hey!
16:39Hey!
16:40Hey!
16:41Hey!
16:42Hey!
16:47Hey!
16:50Hey!
16:50Hey!
16:52Um.
16:52Excuse me.
16:54There's a problem, ma'am?
16:55Uh.
16:55My...
16:56We...
16:56My...
16:56My...
16:56My...
16:56My is...
16:57He's gone. I can't find him. He's kind of desperate.
17:03He's maybe down to Avignon.
17:05No, we're supposed to go to Arl.
17:06Have you tried to call him?
17:09May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called. He's not answering.
17:18Could there have been an accident?
17:20But if he was leaning against the door and maybe fell under the track, is that possible?
17:24In fact, he's inquiet de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur les
17:29voies.
17:29Non, ça, c'est impossible, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there. We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare. D'accord?
17:43OK, they only open at this point.
17:45OK, I just want to... I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler. Je suis sûr qu'il va finir par vous répondre.
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non.
18:12Les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire? Elle a déjà du stand-up, c'est la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout. Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26I...
18:26Non.
18:26It's important, I...
18:28C'est contre l'âge de moi, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over from you.
18:39Where...
18:41Tom, are you there?
18:52John...
18:54Pat...
19:29Do you know Marseille?
19:31No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Arles, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:53Ah. It... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:27So... Good luck, Alice. And don't worry. It's going to be okay.
20:33Hmm? Bye.
20:35Bye.
20:35Bye.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:26Do you know how many people are reported missing each day in France?
21:31600 on the good day.
21:33Okay. Well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Do you know how you fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5648 hours.
25:35Hey.
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare I'm afraid.
25:48Sorry.
25:49Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:56Yeah.
25:56Without refrigeration they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um, that way.
26:16Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then I guess you better hop in.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:11It's shoes off at your house then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Good.
27:33It's just that sometimes, well, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55I know how to get dirty.
27:57I know how to get dirty.
28:03It's really easy.
28:03We'll cut right now.
28:03I need a pen.
28:03You can't open it.
28:04You can't open it.
28:04Nope.
28:12You're a kitchen.
28:12I need a pen.
28:13No.
28:13Don't let me open it.
28:15There's a house right there.
28:16I can't copy it.
28:19I need you to go here.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:53Let's see if I play.
29:27Let's see if I play.
30:16Let's see if I play.
30:31Let's see if I play.
30:54Let's see if I play.
31:19Let's see if I play.
31:43Oh, my God.
31:43Let's see if I play.
31:44Let's see if I play.
31:46Let's see if I play.
32:01Let's see if I play.
32:12Let's see if I play.
32:14Let's see if I play.
32:22Let's see if I play.
32:28Let's see if I play.
32:29Let's see if I play.
32:37Let's see if I play.
32:45Let's see if I play.
32:45Let's see if I play.
33:02Let's see if I play.
33:25Let's see if I play.
33:31Let's see if I play.
33:33Fort Himley Singh tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped, and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
34:00And the ejected seat on the train, where was that from?
34:03She'd really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic.
34:13His name is Marie Giroux. He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema. Samurai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house. I chose well.
34:33Better than I knew, it seems.
34:36Tread carefully, Miss Monroe.
34:42Tread carefully, Miss Monroe.
40:45We're right back.
41:21We're right back.
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