- 25 minutes ago
When Calls the Heart S13E08 2026
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00:02Previously on...
00:03Doesn't have something to do with that missed opportunity you had with that film producer a few years ago.
00:07What was his name again?
00:08This has nothing to do with the past. This is about now, Lee.
00:13I want to feel alive.
00:16You. You have your construction company building with bricks and mortar.
00:22I also want to build something. A dream.
00:28Oh, Lee. The silver screen calls. And I am helpless to resist.
00:36Hmm. There she is. There's my Rosie. Welcome back, sweetheart.
00:47In typical Rosemary fashion, she's enlisting the entire town to help.
00:53But first, she needs a story. And that's where I come in.
01:00But inspiration has a fickle twin.
01:10Oh my goodness, Mary says. Third time this week, all the morning's baking has disappeared.
01:17A pie caper?
01:20When pies fly, secrets crumble.
01:24I'm just not hearing a lot of daring do in stolen pastries.
01:29Yeah.
01:30Yeah.
01:30What else you got?
01:33Well, um...
01:33Ah.
01:34Sorry I'm late.
01:35Oh, hi, Opal. You know I can come find you later.
01:37Took me forever to find my dad's comptometer.
01:40Hmm. What on earth are you eating that for?
01:41We have brought Opal here on as a fellow producer.
01:43Because we've all heard horror stories about moving pictures blowing through their coffers.
01:48Well, you do have impressive math scores.
01:50So, she is here to keep us on time, but more importantly...
01:53On budget.
01:55Mm-hmm.
01:56What a wonderful opportunity, Opal.
01:58Did I miss anything?
01:59No.
01:59You haven't missed anything.
02:01Come, come.
02:01Elizabeth was just getting to the good stuff.
02:03Yes.
02:03Proceed.
02:04Ahem.
02:06Um...
02:07Well, when the great Tony McAllister mountain climber extraordinaire ascends his highest...
02:13No mountains.
02:14What?
02:15Too expensive to get the crew and equipment that far.
02:19And that, uh...
02:21That's my girl.
02:24Okay.
02:25Mm-hmm.
02:27Ah.
02:28Sybil Featherstone is the world's greatest gem thief.
02:32Ooh, gems on screen.
02:34Can't see the colors won't pop.
02:35Mm-hmm.
02:36Elizabeth.
02:42For your creativity.
02:43Mm-hmm.
02:44But we need a story with romance and passion and adventure.
02:49All with a bubbling core of humanity's most primal need.
02:53The search for meaning.
02:56Ooh, and some swashbuckling too, perhaps.
02:58Oh, I have one with a pirate and a bear.
03:01Mm-mm.
03:03Budget.
03:04And no bears.
03:06Talking dog, on the other hand.
03:08That sells.
03:09What happened to humanity's most primal need?
03:11Commercial success is also right there at the top of the list.
03:14And make it funny.
03:15Not that funny, Lee.
03:16No, no, no.
03:17Not that funny.
03:17We're not making slaps.
03:18Elizabeth.
03:19Remember.
03:20Write what you know.
03:22Pour your soul into it.
03:25And we're gonna need you to turn it in by tomorrow.
03:28Tomorrow?
03:28It's a tight schedule.
03:29Time is money.
03:31We believe in you.
03:32Now off you go.
03:38That went well.
04:06I'm in.
04:10Hey, you're up late.
04:13I thought you might have been Rosemary here to breathe down my neck.
04:16Directors, right? You have no idea.
04:19I think I actually may have stumbled upon a story that meets all of the requirements.
04:25Hey, how's your wound healing? Good.
04:28Yeah, Faye said there's no infection. Oh, thank goodness.
04:31So, are you able to tell me what this is about yet?
04:35Well, until I'm told otherwise, it is about a dashing Mountie
04:38and his Belle, the schoolteacher. That would never happen.
04:43They told me to write what I know. What's the plot?
04:47Well, Millie,
04:50the schoolteacher, gets kidnapped by a notorious bandit, and Apollo,
04:54the Mountie. Apollo? Yes, Apollo. He's very handsome. He risks it all
04:58to save his true love before it's too late. And does Apollo
05:02get the bad guy and save the girl? Look, I'll spoil the ending.
05:08But do you think you could help me with the Mountie investigation part?
05:11I need insight into your incredible investigative prowess.
05:16I don't know if I'm really the right man for the job.
05:18What? Real-life investigations are painstaking
05:22and complicated. Really, they rely more on luck than prowess.
05:28Well, maybe you could help me with the painstaking and complicated parts.
05:33I'll come by in the morning. We can read the script together over a fresh bottle of coffee.
05:37They need it by tomorrow. Well, then I'd better leave you to it.
05:42Happy writing, beautiful.
05:45Thanks for stopping by, handsome.
05:51And with that added complicated layer,
05:55Apollo went from being just handsome to also brilliant and courageous.
06:10I've checked all the hotels at Cape Fullerton,
06:12and yet there's still no sign of it.
06:14What about his fiancée and her parents? Could Christopher be with them?
06:17No. I've spoken with Rachel almost every day, and she's just as worried as I am.
06:22Well, it's been a week since we called him that alert.
06:25He could be anywhere by now.
06:26That's why I'm concerned for his safety.
06:29Well, we're doing our best to find him, Henry. That's a promise.
06:33I'll let you know if I hear anything.
06:36Thanks, Henry.
06:41You know, I feel for him.
06:43They were just starting to get on solid ground with each other.
06:46Then there's our case.
06:47No star witness. No evidence.
06:49Just slipped right through our fingers.
06:51I was thinking of asking Georgie to look through our files with us.
06:56And that Pioneer Electric trial's right around the corner.
06:59Fresh set of eyes might catch something we missed.
07:02Do it.
07:03I'm gonna call it an alert. Highest priority.
07:06We gotta find Christopher.
07:13This is going to be a hit, Elizabeth.
07:17You really like it?
07:18The way Apollo comes out of nowhere and springs that trap that we'd all forgotten about.
07:23Yes.
07:24I love it.
07:25Nathan gave me so many expert details.
07:27Wonderful.
07:28Now, I have a few suggestions. We'll get into that later.
07:31But, clearly, you must play Millie the school teacher.
07:34Oh, no. No. No. I am not an actress.
07:37Who better? You practically wrote yourself.
07:40And Constable Grant has to play the Mountie.
07:42Mm. Yes.
07:43Apollo, our daring hero.
07:45Think about the built-in chemistry.
07:47Mm-hmm.
07:48I definitely don't think Nathan will be interested.
07:50His uniform won't fit anyone else.
07:53He's doing it.
07:55I'll go see Ally Boat casting the scout as Terry the Talking Terrier.
08:00Is she not intimidating in class?
08:02I don't think it's that noticeable when she's in a herd.
08:04Mm-hmm.
08:06Anyway, can I get back to you about playing Millie?
08:09Yes.
08:09Of course you can.
08:13But I won't take no for an answer.
08:15Of course.
08:15I would play the role myself, naturally.
08:18But I have to focus all of my powers on the director's chair.
08:23Well.
08:23And my days of kissing co-stars are long gone.
08:27Well, I mean, not that long, but gone, nonetheless.
08:31Right.
08:31The kiss.
08:33Mm.
08:34The most important plot point in a romance.
08:36I don't want to kiss a random co-star.
08:39Thus I leave casting Nathan to you.
08:42Now, about these story changes.
08:45Uh-uh.
08:46You said suggestions.
08:48Of course.
08:49All changes start with suggestions.
08:53A dog wouldn't say that.
08:58You know, part of me wants to just file a class action lawsuit
09:01and get all the claimants paid out that way.
09:03Well, I get it.
09:04But you'd only be letting national insurance off the hook
09:06if they claim bankruptcy.
09:08Well, now you sound like the other part of me.
09:10But it's all just so frustrating.
09:12Yes.
09:13And not surprising.
09:14It is a nascent industry rife with greed.
09:17Let's sell as many policies as possible without any thought
09:19of how we might pay them out in the future.
09:21I like your fire, counselor.
09:23You are going places.
09:24In fact.
09:27What's this?
09:28When all of this hubbub is over, you should give them a call.
09:31I already put in a word.
09:33The Franklin and Sons Foundation?
09:35The big philanthropic organization in Union City.
09:38Nestor Franklin, an old pal and one of the Sons,
09:40would like to talk to you about their work with legal aid societies.
09:44Wow.
09:45Um, thank you, Georgie.
09:47But I'm happy with my life in Hope Valley.
09:51With the work I already have.
09:53Suit yourself.
09:54I admire a woman who goes it alone.
10:04Well, how'd they like it?
10:06They loved it.
10:07I think.
10:09Rosemary had some strongly worded suggestions.
10:12Oh.
10:13But most importantly, they want you to play Apollo.
10:19What?
10:20Rosemary convinced me to play Millie,
10:22and there's a certain plot point that I'd rather you were a part of.
10:25Well, I'm curious about that,
10:27but you know I'm in the middle of a pretty important investigation right now.
10:30I know. I know.
10:30It's only if you have time.
10:32But maybe a break would do you good.
10:34And it's like you said,
10:36sometimes the best ideas come from doing something else.
10:40I don't know if I'm an actor.
10:43Danny DeMarco would like a word.
10:46Come on.
10:47It'll be fun.
10:48Let's do it together so I don't have to kiss anyone else.
10:55Well, why didn't you lead with that?
10:57Yes, of course I'll do it.
11:00Who knows, maybe I'll give Buster Keaton a run for his money.
11:02Oh.
11:03I like your confidence, Apollo.
11:05How hard can this acting thing be?
11:18I appreciate your persistence on this, Constable.
11:22A bartender in Union City said that he is certain he saw Christopher at the Highland Pub last night.
11:27It's almost like he wants you to find him.
11:30Well, if it was Christopher, and even if it was him, there's no guarantee we can catch up to him
11:35before the trial.
11:36Well, without him, all we have is a bunch of burnt concrete and this map from Pioneer Electric,
11:41which we know is fraudulent, but good luck proving that in court.
11:44There's no cartouche.
11:47Why is that unusual?
11:48Well, most map makers like to take credit for their work, pride of craft.
11:53It's a fraudulent map. Probably didn't want to put a signature on it.
11:56And yet, I know who made this map.
11:59Amy Martell and I have been poring over coverage maps from National Insurance.
12:07Look at the compass roses. They are identical. The same man made both of these maps.
12:12Clement Scoggins.
12:15I told you she was good.
12:18So, National Insurance and Pioneer Electric use the same map maker.
12:23Coincidence? Sure. But, suspect? Really?
12:26Well, there are plenty of map makers that Pioneer Electric could have hired.
12:30But, it's not just that.
12:32If the cause of the fire turns out to be arson instead of corporate negligence,
12:36National Insurance doesn't have to pay out nearly as much to its clients.
12:42That's why they've been slow rolling the claims.
12:46National Insurance wanted Toby and Cooper to take the fall.
12:50And then for us to make it official.
12:51Because then Pioneer Electric gets off the hook.
12:54And National Insurance saves a bundle.
12:56If these two companies are colluding, then our investigation goes from a simple corporate cover-up
13:01to a conspiracy to defraud thousands of people.
13:05The map maker. The map maker's the key. We've got to find this map.
13:09I think we should get some tangible evidence in first.
13:12Bank records? Yeah, but that could take a while to get a warrant.
13:15Well, leave it to me. I'm a forensic investigator. I have friends who owe me.
13:20And some who might even be a little bit afraid of me.
13:27How hard can it be to find some decent costumes around here?
13:32We didn't have much time to prepare other options.
13:35Rosemary, are you sure that Ned's character needs to be such a character?
13:40I have a vision, Faith. And Ned is not just any character.
13:45He is Neil Fearnley. He is the heart of this entire story.
13:51I found some more from last year's Halloween party.
13:53Oh, yes. Yes. This is perfect.
13:58I need to try this on Ned right now. Let's go.
14:04Edie, I'm so sorry. We're interrupting.
14:05You're obviously busy.
14:07Actually, I could use some-
14:11More tea? A biscuit, perhaps?
14:13Those both sound lovely, but I was thinking more, um, wise counsel.
14:18Oh.
14:21Lucas has been all out of sorts ever since Fernando showed up.
14:26Oh, oh, oh, oh. Speaking of the devil.
14:28Hello.
14:31Hello.
14:33Buenos dias, señoritas.
14:35Good morning.
14:36Good morning.
14:38Mrs. Sue Hickam.
14:42Doctora Carter.
14:43Thank you. Only in town a week, and already he knows everybody's name.
14:48Yeah.
14:52So, Fernando, will you be working on the film?
14:55Ah, yes. May I?
14:57Please.
14:59Mr. Coulter and an angry little señorita put me in charge of the lighting.
15:04Moving pictures are but flickers of light.
15:08Dancing on a screen.
15:10I will be the maestro leading this dance.
15:13Wow.
15:14I've never heard it put quite that way.
15:18And you, Edith?
15:20Will you join the dance?
15:22Oh, no. I'm not really one for make-believe.
15:25Hmm.
15:27But fun.
15:28Now that's a different story.
15:31Ooh.
15:32Ooh.
15:35Oh.
15:43Bravo, Fernando.
15:45Very good.
15:48You must all visit me on set.
15:56Ladies.
16:01Are you sure Lucas has nothing to worry about?
16:04That's just Fernando.
16:06He isn't happy until he's cast his little spell on everyone.
16:10It doesn't work on me anymore.
16:13Huh?
16:14Does Fernando know that?
16:23Oh.
16:24I was just about to read you.
16:28Third letter this month.
16:30Very observant of you.
16:32And hopefully not the last.
16:33No stamp.
16:34No return address.
16:37Very clandestine.
16:38It's just a letter.
16:39Behold.
16:40You are looking at the newest addition to The Scarlet Heart.
16:45Oh.
16:46Rosemary's movie.
16:47She cast me.
16:48I heard.
16:49Congratulations.
16:53I...
16:54I...
16:54I thought you'd be more excited.
16:56Oh.
16:56I am.
16:57Of course, dear.
16:58You'll be marvelous.
17:00It's Molly.
17:01Hmm?
17:01She's keeping something from me.
17:04We've never had secrets.
17:05Oh, we...
17:06We don't get to know everything, my love.
17:09Hmm.
17:10Now then.
17:12Which part is it?
17:13It is the main villain.
17:15Oh!
17:16Yes.
17:19Ask and ye shall receive
17:22the bank statement of Clement P. Scoggins.
17:26Quick work, Inspector.
17:28You're more feared than you even knew.
17:30You'll note Scoggins received a $500 payment
17:33from Pioneer Electric.
17:34That's a lot of money for a map.
17:36About 20 times the going rate.
17:38Well, it certainly looks like he's been paid off, but...
17:40Hmm.
17:41Not enough to bring him in.
17:43Huh.
17:43Maybe, if...
17:44Somebody might need his services.
17:52Intrigue and espionage.
17:54My favorites.
18:14Mr. Scoggins.
18:16The same.
18:17Miss Wagonmeister, I presume.
18:19Indeed.
18:19Thank you for coming on such short notice.
18:21Please.
18:24No need to thank me.
18:26Short notice is just another way of saying I get paid faster.
18:30Well, then let's get right to it.
18:32I need some maps made for a financial client.
18:35They are willing to pay handsomely.
18:38My normal rate is more than adequate.
18:40And what might that be?
18:42$25 for the initial design and $5 for each duplication.
18:47Well then, somebody better tell Pioneer Electric they got a bug deal.
18:51What's this?
18:53Because they paid you $500 for the same service.
18:56Did they not?
18:58Um...
18:59Where did you get this?
19:01I...
19:01Let me tell you what this looks like, Clement.
19:04Looks like you were paid handsomely to create a fraudulent map.
19:07A map that you backdated to help Pioneer Electric hide the location of a burnt out transformer
19:11that caused a fire and burnt down a town.
19:14Which means that you can be charged with participating in a conspiracy to obstruct justice.
19:18And do you want to add lying to an RCMP officer to that charge?
19:22I...
19:22I'm just an artist.
19:24A draftsman.
19:26I...
19:26I help people find their way.
19:28Well then, help yourself.
19:30If you cooperate, this will go much easier for you.
19:34Am I under arrest?
19:37Not yet, no.
19:39Then we're done here.
19:46Oh.
19:47That could have gone better.
19:49Maybe.
19:51He seems spooked enough.
19:53Enough to make a call?
19:55I will see.
19:57If anything comes through, you know where to find me?
20:00Oh, uh...
20:02Breck a League Apollo.
20:17Looking good, Ned.
20:18Oh, that's Neil Fearnley to you, Apollo.
20:21You'll never take me alive!
20:22May?
20:23This looks wonderful.
20:25And yes, the jacket, very good.
20:27Now, Ned, listen.
20:29Neil Fearnley is the linchpin.
20:32Without his quiet acts of self-sacrifice, Apollo would never have his chance to shine.
20:37Mwah!
20:38Go!
20:40There they are.
20:41My stars.
20:46Such chemistry.
20:47Such charisma.
20:49Oh.
20:52There you are.
20:53What is this?
20:55They're new story pages.
20:56I fixed a few things.
20:57I wasn't aware anything was broken.
20:59Well, they're still mostly your words.
21:01I just helped it sing a little.
21:04Wait a minute.
21:05Where is Millie?
21:06Who is Octavia?
21:07You are, my dear.
21:10You are.
21:15Lee!
21:16Yes?
21:16What is this traffic light still doing here?
21:18I asked for it to be removed hours ago.
21:20Who's in charge here?
21:22Well, clearly I am.
21:23Yes, you are.
21:24Which is why I asked for it to be removed.
21:33Showbiz.
21:42He may not make the call for a while.
21:45If he calls.
21:46Oh, he'll make the call.
21:50Do you miss it?
21:51The thrill of the hunt.
21:53You set him up.
21:54I take him down.
21:55Oh, is that how it worked?
21:57I thought I was the one who took him down.
22:00They never really see you coming, do they?
22:04Operator, how may I direct your call?
22:07Pioneer Electric, Mr. Shelby Whittaker.
22:09Little.
22:11Whittaker speaking.
22:13They're all to us.
22:14And I'm not taking the fall for this.
22:15Pipe down.
22:16Who is this?
22:17It's me, Scoggins.
22:18Some sneaky prod said she needed a map and then the coppers were all over me.
22:22Keep your mouth shut.
22:23Someone could be listening.
22:27Is that enough to work with?
22:31There's nothing about collusion or bribery or starting a fire, but yeah, it's something.
22:37Whittaker seems to know what he's doing.
22:39Maybe.
22:40But that mapmaker's a chump.
22:43And who's he calling a sneaky broad?
22:46He's not wrong.
22:47I wear it with pride.
22:51I realize how much I've missed this.
22:55What?
22:55The thrill of the hunt?
22:58Now I've...
23:00I've hunted enough for one life.
23:05You know I didn't ask you here just to help Edie settle insurance claims.
23:09And you know that's not why I came.
23:22It's a magical town.
23:24I can see why you're here.
23:27What are you doing here?
23:30I'm in charge of the lighting, remember?
23:32No, I know.
23:32I mean here.
23:34In Hope Valley.
23:37Well, I'm a builder.
23:39I have business.
23:40Ah, so you just happened to show up where I am living and...
23:44I can't speak for fate, Edith.
23:46It brought us together once, maybe it has again.
23:50No.
23:51Not this time.
23:54Fernando, I...
23:56I'm sorry that I left.
23:58But I know now that it wasn't how it was supposed to be.
24:02It wasn't a true marriage of minds where both people grow because they inspire each other.
24:08Uh-huh.
24:11Well...
24:12The governor's a lucky man.
24:14I don't know about that.
24:15I do.
24:16And he should too.
24:20Good luck, Nando.
24:33Snacks are for the crew.
24:37Okay.
24:43Okay.
24:44Oh.
24:45Uh, May.
24:46Are we almost ready?
24:48Nearly.
24:49Okay.
24:50Times, money people.
24:51Places, places.
24:53Okay, May.
24:57All right.
24:59All right.
24:59Take one.
25:01Roll camera.
25:03Rolling.
25:05And...
25:06Action.
25:39Oh!
25:40Cut!
25:42I'm so sorry, Rosemary.
25:44No, no, no.
25:44I think I came in a little hot.
25:46It's all right.
25:47It's all right.
25:48It's your first time jitters.
25:50Let's just shake it off and we'll try again.
25:52All right?
25:54Places, everyone.
25:56Take two.
25:57Roll camera.
26:00Rolling.
26:00And action.
26:09Cut!
26:14It's wonderful.
26:16Oh.
26:16Okay.
26:16I love it.
26:17Yeah.
26:18Uh, just let's try to forget that the camera is even here at all.
26:23Uh-huh.
26:24It's just Octavia and Apollo against the world.
26:29You got it.
26:30Uh-huh.
26:31You are a cunning and heroic Mountie.
26:35Animated by justice.
26:37Just channel you.
26:39Rosemary.
26:43How am I doing?
26:45Marvelous.
26:45Just...
26:47Find your center.
26:49Find my center?
26:51Right-o.
26:52Take three.
26:54Roll camera.
26:56Rolling.
26:58And...
26:58Action!
27:01Why is she walking like that?
27:05Why does he look like a mummy?
27:07I can hear you.
27:08Am I supposed to...
27:09Okay, shh!
27:09Pretend we're not here.
27:11Uh, just...
27:11Let's go in for the kiss.
27:19Okay, let's cut!
27:22Uh...
27:22Let's take ten.
27:25I thought...
27:26On that side.
27:28There's something, uh, wrong with the camera.
27:31There's nothing wrong with the camera.
27:33I mean, there's something very wrong with the camera.
27:37Oh.
27:40Rosemary, I know we got off to a rocky start, but I actually think we're getting the hang of things
27:45now.
27:45Oh, absolutely.
27:47Uh, but you know, one thing I didn't foresee when I cast both of you is, uh, you two are
27:53actually too real.
27:56You know, all of this is kind of nonsense compared to what you two actually...
28:00Rosemary?
28:01Mm-hmm.
28:01Are you firing me?
28:04You're still the writer.
28:06I didn't even want to do this!
28:08Hold on a minute.
28:09I only agreed to this because of Elizabeth.
28:12I'm not kissing anyone else.
28:13No, of course not.
28:14I think that's for the best.
28:17Absurd.
28:18Hey, hey, hey, hey, hey!
28:19Did you just fire our two leads?
28:21What now?
28:22We have a schedule.
28:23This is not a crisis.
28:24Mm-hmm.
28:25It's an opportunity.
28:27We just need to find someone undeniable.
28:33You know, I could offer my services...
28:36May I have assistance with my light, por favor?
28:39Thank you, caballero.
28:40Beautiful.
28:41Now, gently.
28:43Easy.
28:45Tilt her down.
28:48Yes.
29:09Here we go!
29:10Very good friends!
29:10I love,활ine!
29:12I love, ???
29:35unglaubling.
29:35There's a low call now!
29:35And there's a big package
29:36You live on stage.
29:36And there's a good guy here...
30:03Cut!
30:05Brilliant!
30:11I suppose that's what you call chemistry.
30:16Sweetheart?
30:16Yes.
30:17Brilliant.
30:18Absolutely brilliant.
30:19Feels good to be back.
30:22Moving on!
30:24I would like to formally rescind my offer.
30:27Obviously.
30:28Si se hace, senor!
30:30Let's get you two ready for your next scene.
30:35Elizabeth?
30:37Thank you for taking this all in stride.
30:41It's as I always say, limitations breed creativity.
30:46About that.
30:47Yes?
30:48We need some rewrites.
30:49A location fell through.
30:50Oh.
30:51And Scout's part went to Gwen in a bear suit.
30:53I thought you said no bears.
30:55I got a deal in the suit.
30:56Well?
30:58Next setup!
31:01Fine.
31:01I will make the changes.
31:03Is there a chair for me?
31:06Can we get an apple box for the writer?
31:08I'm still Mrs. Thornton to you.
31:14There you are.
31:15I came by earlier, but you were out.
31:18I had some business.
31:20Well, I was hoping that I could lure you away for some gin.
31:25The card game, of course.
31:29I saw you and Fernando.
31:31I thought I made clear.
31:33You don't owe me any explanations, Edie.
31:35Clearly I do.
31:37There is nothing between Fernando and me.
31:40And if that wasn't clear to him before, well, it certainly is now.
31:46I see.
31:49So, what do you say?
31:57It is not that I don't believe you.
32:01But I've been here before.
32:04And people don't always know their hearts.
32:09You may have been here before, Lucas, but we haven't.
32:16Yes, I just...
32:18I don't want to be questioning and wondering, doubting you.
32:24It's not what you deserve.
32:27Okay, well, what can I do?
32:36I think I just need time.
32:39How much time?
32:43I don't know.
32:45I don't want to make you a promise that I cannot honor.
32:51I'm very sorry.
32:56I understand.
32:56I am.
33:15The detachment clerk recorded the transcript, so it'll be admissible in court.
33:20How much do you think this is really going to help our case?
33:22Innocent people don't say they're on to us, so trust me.
33:26That will get the jury's attention.
33:27Yeah, I just, I wish that we had...
33:29I know.
33:30But short of finding Christopher in that blown transformer, we just have to keep digging in every lead we've got.
33:43I don't know.
33:44I don't know.
33:48I don't know.
33:49I don't know.
33:49I don't know.
33:50What do you think, Molly?
33:52I don't know.
33:52How much do you think, Molly?
33:58Do I have something on my face?
34:00No, there's something on your head, dear.
34:01Need I remind you.
34:02Right, right, right.
34:03What do you think, Molly?
34:04I could get used to this.
34:07i thought florence was messing about with some floppy-haired nitwit i would never do such a
34:13thing is it floppy oh and to think you thought i was traipsing around in secret when it's you
34:20who've been holding out on me what are you implying those letters i had to learn from
34:26elizabeth that you've been taking a nursing correspondence course why didn't you tell me
34:33your opinion means so much to me i just couldn't bear to tell you and then fail well molly i'm
34:39so
34:39sorry for that and for thinking you were being unfaithful how could you think you couldn't tell
34:47me i know you're not going to fail well it seems you're right i passed i'm officially a nurse
34:55you see oh it was all i could do not to be get them not that i ever have no
35:00it's a federal crime
35:01i hate not telling you you know you can always be yourself with me
35:07and that goes for you too ned i am begging you
35:12wait
35:18fine fine
35:19oh thank you dear of course
35:48evening governor oh mike i didn't order a drink
35:53you look like you could use one
35:54uh-huh thank you
35:59i recognize that watch it was a gift
36:02from elizabeth yes
36:06our time has come
36:10and yet it never came
36:13that's in the past elizabeth changed her mind
36:17she followed her heart
36:19i don't resent her for that
36:22but it changed something in me
36:26you know it wasn't so long ago i was standing at this bar
36:30hesitating to ask may on a date because of some past heartbreak
36:35i was scared it was going to happen again
36:38but then someone told me not to miss my chance when the right person came along
36:44that sounds like good advice
36:46given by a good friend
36:49it was you
36:50you were the one who said that
36:51yeah i got that like thank you
36:54don't let your past steal your future
37:03have you seen ms martell
37:15i have to give it to them
37:17the way faith and fernando stepped in
37:20was impressive
37:21and their chemistry
37:22by convincing
37:24sorry i missed it
37:28you don't think
37:29no i don't do you
37:31not at all
37:34we're talking about the same thing here right
37:35of course
37:37that we have chemistry
37:39oh tons
37:39and the real kind too
37:41mm-hmm
37:42who cares if we can't fake it
37:43yeah
37:43what does that matter anyhow
37:50there's something still nagging at you
37:56well this story that you wrote
37:59about a mountie who returns a hero
38:03no wonder i couldn't pull it off
38:06what do you mean
38:09i had him
38:11i had him
38:12christopher
38:12the evidence
38:13everything
38:13everything we needed
38:15and
38:17i just let it
38:19slip through my fingers
38:23i mean that's why i feel like such a fraud in front of the camera
38:27i feel like i'm failing
38:28i feel like i'm failing you
38:29i feel like i'm failing benson hills
38:31and i've seen firsthand how relentless you've been
38:35you can't compare yourself to
38:39a fairy tale story or a fictional character
38:43one who can't even talk
38:47the story isn't over
38:50maybe it is for our acting careers
38:53but not for this investigation and
38:56and certainly not for us
39:00i for one can't wait to see what the next act has in store
39:04you know
39:05i might have frozen in front of all those people
39:09but out here
39:11where it matters
39:14i think the mountie gets the girl
39:19definitely
39:20you
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