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Watch Young Sherlock Season 1 Episode 7 online in HD on Dailymotion (2026).
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00:01Hey son, I'm looking forward
00:05You're aiming backwards
00:07Of course I'm sure
00:09Have you had enough?
00:13Are you feeling rough?
00:15Got your skull hurt
00:17Well if it's war
00:23I'm waiting
00:27Right here now, I'm waiting
00:29For so long
00:32For something
00:34To take me, to take me over
00:38Days
00:41Days I've forgotten
00:45Now it's all over
00:49To be forgotten
00:53How to disappear
01:04It's not your fault Sherlock
01:06It's not your fault Sherlock
01:11It's not your fault
01:16To be forgotten
01:17To be in j responds
01:34You're a grumpy
01:36You're a fool
01:37You're a fool
01:37You're a fool
01:37You're a fool
01:37No
01:38You're a fool
01:40One's for sorrow, two's for joy
01:45Dangerous, can you hear me?
01:47Can you hear what I'm saying?
01:48Three's for a girl and four's for a boy
01:56Five's for silver, six's for gold
02:03Dangerous?
02:04No, no, no, no, don't go!
02:06Wait, I'm not sure.
02:08I'm not sure.
02:11Dangerous!
02:12Dangerous!
02:15Dangerous!
02:15Shut up!
02:17Shut up!
02:23You're all right.
02:26I got you.
02:27Come here now, I'm getting shot, eh?
02:29That was a terribly stupid thing to do.
02:32Here, let's get you up.
02:33No, no, no, Shuan.
02:34I'm sure she tried to shoot my father.
02:37We have to stop her.
02:38I'm not leaving you down here.
02:39Shut up!
02:41Oh, he's bleeding.
02:43So, I think that has something to do with the bullet in his abdomen.
02:45Yes.
02:45I'm sorry to be a burden, brother dear.
02:47No burden, brother dear.
02:48Come on, let's get him off.
02:49Wait, wait, wait.
02:50If she gets to my father, we may never find Beatrice.
02:53Go.
02:53You have a...
02:54Go, James!
02:55Go!
02:56Now, if you listen to me, we are going to get this fixed up.
02:59Are you crying?
03:00No.
03:02Why not?
03:04One, two, three.
03:05Up you!
03:09Shut up!
03:10He's been shot.
03:12Oh, my poor boy.
03:13We have to find a hospital.
03:14Their dash of opium would be greatly appreciated.
03:26This way.
03:28Why?
03:28How do you know?
03:29There's only one hospital still open.
03:31Sadly, it's where the gunfire is coming from.
03:33There's a hole for the gunfire that we have to find him while we are ort descendant.
03:37Behind the gunfire.
03:39Come on!
03:43All right.
03:44Put him down.
03:45Take it down.
03:46Jim.
04:04Hey! Hey! Hey!
04:06What are you doing?
04:07Give me that. I'm stopping you from shooting that man.
04:10Why? Because that's Sherlock's father!
04:14That's his father!
04:16I didn't know. Easy! Easy!
04:21Whoa! I'll be taken there.
04:23Thanking you kindly.
04:28Up we go! Over the top!
04:33Right in the back!
04:34Where are we going?
04:35I'm afraid we're gonna have to go the long way round, Mala.
04:38All aboard! Off we go!
04:41You may be in my way, James.
04:43But I have no wish to see you dead.
04:44Am I the fair for one, huh?
04:47Because you shot Sherlock!
04:49Not intentional.
04:50Oh, right. It wasn't intentional. I suppose that makes it okay, then.
04:53I'll be sure to tell him.
04:56How is he?
04:57He's alive. You'll be glad to hear.
05:01His brother's looking after him.
05:03Is Sherlock looking for his father?
05:05Yes.
05:07Where are you going?
05:08To find Sherlock.
05:09He's looking for Silas. I'm looking for Silas.
05:11And Sherlock has a rather stubborn habit of finding people.
05:14And there's only one hospital still open in Paris.
05:17That's where Mycroft will take him.
05:20Come in.
05:21Come in.
05:22Come in!
05:22Come in!
05:24Come in!
05:25Come in!
05:40Come in!
05:50You had no choice.
05:52There'll be more of them.
05:54We need to go.
06:02James, we need to go.
06:26James, we need to go.
06:41Right hand on the wound.
06:45Monsieur.
06:46Monsieur.
06:48Docteur.
06:48Je vous en prie.
06:49On a tiré sur mon fils.
06:51Regardez autour de vous, madame.
06:53Tout parié est blessé par mal.
06:54Oui, oui, mais je vous en supplie.
06:56Oh, come on.
06:57You're just gonna make my life bloody impossible.
06:59Et moi?
07:02Si vous ne le soignez pas.
07:05Mais oui.
07:06C'est de l'or.
07:07C'est de l'or.
07:08Prenez-les.
07:09Pour la révolution.
07:11Oui.
07:11Mais vous devez vous...
07:13Vous devez vous en couper immédiatement.
07:16Par pitié.
07:17Monsieur, s'il vous plaît.
07:18Vite.
07:18Vite.
07:19Monsieur, ici, ici.
07:20Laissez-moi voir.
07:30Laissez-moi voir.
07:32Mettez-moi voir.
07:33Laissez-moi faire mon travail.
07:34Merci, monsieur.
07:35Laissez-moi voir.
07:36Merci, monsieur.
07:36Laissez-moi voir.
07:39N-メh !
07:40He's...
07:40He's stubborn as a mule.
07:42Yes, he is.
07:43He'll be up and drowning this boat mad in no time.
07:45You watch.
07:47...
08:10I suppose no news is good news.
08:12Absolutely.
08:28How are you going?
08:30Well, I've done my best, but it's good to fight now.
08:35Thank you, sir.
08:37Thank you, sir.
08:41Darling.
08:59Come on.
08:59Come on.
08:59Come on.
08:59Come on.
09:16Come on.
09:17Fight.
09:19Come on.
09:35Mother.
09:40Oh, my darling boy.
09:42Sherlock.
09:44Oh, there he is, my little brother.
09:48Luckiest Englishman alive.
09:51Can I get you some water?
09:53Yes, yes.
09:55Ah, he's too stubborn to die.
09:58James, where on earth have you been?
10:01Are you all right?
10:03Are you all right?
10:09I'm fine.
10:11James.
10:13I'm fine.
10:14I'm fine.
10:16You're still lazing about, I see.
10:19Up you get.
10:20What?
10:21There's work to be done.
10:22Oh, I'm only messing, Mrs Holmes.
10:25It's good to see you.
10:30Did you stop her?
10:34I did.
10:38And I brought her here.
10:40Now, don't piss your bedpan.
10:42She's unarmed.
10:48Hello, Sherlock.
10:49What on earth are you doing here?
10:52I need to speak with you.
10:53An inch to the left, my brother would be dead.
10:56I wasn't aiming at him.
10:57I was aiming at your father.
10:59Ah!
10:59Well, that is understandable.
11:01I've tried to shoot him twice myself and missed both times.
11:05James, why is she here?
11:07Because I think you need to hear what she has to say.
11:14My name is Xiaowei.
11:17I come from the village of Tai'an in Gansu.
11:21High in the hills.
11:26This is the effect of what the scientists in Oxford were working on.
11:31What you saw in that tunnel.
11:33They first tested on my village.
11:38On my parents.
11:42There is a mineral deep beneath my people's lands.
11:45Professor Malik found a way to transform that mineral into a creeping death.
11:50And turn it into a weapon.
11:52The program was paid for by your government and run by Becephalus Hodge.
11:57But Professor Malik betrayed him.
11:59Sold it to the highest bidder.
12:02A private buyer.
12:04My father.
12:07Yes.
12:13I'm so profoundly sorry.
12:17It's not your pity I need, but your help.
12:20To ensure this can never happen again to anyone.
12:23Anywhere.
12:24You want to stop our father.
12:26And you want to find him.
12:28Yes.
12:29I propose we combine our talents.
12:31Double our chances of tracking him down.
12:33Yes.
12:35But on one condition.
12:38We have to find out where Beatrice is from Silas.
12:41So you cannot touch him until we have that information.
12:45And after that?
12:46Well after that you can do whatever you like to him.
12:48And provided my sons don't have any objection of course.
12:52Given the circumstances I do not intend to stand in your way.
12:55I find it difficult to condemn him to death so readily.
13:01But if that's what it takes to find Beatrice.
13:04That's what it takes.
13:06He's still in Paris.
13:08Or at least the man who works for him is.
13:11His name is...
13:12Esad...
13:13Kashkali.
13:14At the demonstration the buyers were told to follow the usual channels at the two corners.
13:19For those of you who wish to place an order it's only fitting that we should meet at the famous
13:23two corners.
13:24Two corners.
13:27An intersection?
13:29Doesn't exactly narrow it down Sherlock.
13:41Matchboxes.
13:43What do you mean darling?
13:45On the table where father was set they were matchboxes.
13:49With a design on the front of two corners.
13:54Is there any dress in it?
13:59I wasn't close enough to get a good look.
14:02I can't be sure.
14:04Well, this is as good a place as I need to start.
14:08I'll get going.
14:11I'll go with him.
14:14Well I'd be delighted to have your company.
14:22Hello.
14:23Hello.
14:23Hello.
14:23Hello.
14:23Hello.
14:23You could make you so rich.
14:29Yes, I'm not ready.
14:36Ah.
14:40It's an old dress.
14:43Excuse me.
14:43What?
14:44Have you found this dress?
14:47No.
14:49Sorry.
14:51It's impossible.
14:52Impossible is a word.
14:54Only found in the dictionary of fools.
14:58That's what Silas said.
15:00Why that quote maybe means something?
15:04Originally, who said it?
15:07Napoleon Bonaparte.
15:10Napoleon?
15:11Napoleon.
15:11Mm-hmm.
15:21It's Napoleon's hat.
15:24Famous bicon.
15:25It has two corners.
15:27Leg l'olive.
15:28What?
15:29The eagle and the olive on the outskirts of Paris.
15:32It's a restaurant where Napoleon supposedly left his hat behind him.
15:35It's only fitting that we should meet at the famous two corners where you can contact Mr. Essa Casca.
15:44You have no idea.
15:49I fear that I may have unwittingly set this all in motion.
15:53Why do you say that?
15:54About a year ago, father asked me what I was working on.
15:58Yes.
15:59Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
16:04I didn't know any details at the time, but I told him that I was working for the government.
16:07It was secret.
16:10He obviously set about making his own inquiries.
16:13The only person who can be blamed for what has happened is your father.
16:18Oh, let's let Mycroft torture himself, mother.
16:22At least for a while.
16:27Righto.
16:29Where are you going?
16:30I need to get a message to London, warn them that father has the weapon.
16:35Another nail in the coffin of what remains of my career.
16:40Try not to die in my absence, would you?
16:43Reasonable request, mother.
16:46Thank you, darling.
16:50No sign of his hat.
17:01You can ask me, you know.
17:03What you've been wanting to ask since you shot that soldier.
17:09You're not nearly as mysterious as you assume.
17:18When you killed for the first time.
17:23How did you feel?
17:25A great weight on my chest, pressing harder every day so I can hardly breathe.
17:32And now I live with it.
17:38Strange.
17:38Just a few minutes.
17:42I don't feel any of that.
18:10I said Kashgali has a regular table
18:13at a brasserie called The Eagle and the Olive.
18:16Where he meets his potential customers.
18:18And tomorrow he is meeting a man called the Duke de Mont.
18:21Still no sign of silence?
18:23No, I'm afraid not, Mrs. Holmes.
18:26So we will need to lure him out of the shadows.
18:29But how, darling?
18:32By posing as customers.
18:37Please don't mind your stitches.
18:39I am all right.
18:45This is what we are going to do.
18:51Bonjour.
19:06Sorry, madame, it's occupied.
19:08I'm expecting so.
19:10Yes.
19:11Oui.
19:12Madame Dormant.
19:13Mother will explain the Duke never attends meetings.
19:16That's his wife's duty.
19:17Enchantée.
19:19What if he recognizes you?
19:20With them we're sunk.
19:25Meanwhile, the actual buyer will be redirected
19:30by The Eagle and the Olive's newest waiter to me.
19:33Excusez-moi, monsieur.
19:34The Duke Dormant.
19:36Cécile Fillimont.
19:37I'll give him the sales pitch,
19:39then the Duke will duly hand over his money,
19:42which James will deliver to my mother,
19:44allowing us to finance stage two of the operation.
19:54What is stage two of the operation?
19:57I'm so glad you asked.
19:59I have something for you.
20:02You will ask to meet the bigwig himself.
20:04Excuse me, madame.
20:08Unable to resist so intriguing an offer,
20:11Silas will then agree to meet with the medan.
20:16Tell me something like talking about my generation.
20:23Keep moving.
20:24Yeah, it's not all that.
20:27I've got my breath.
20:28Bonjour.
20:30And voilà .
20:31He'll tell us where Beatrice is.
20:33Yeah.
20:34That's it.
20:35What could possibly go wrong?
20:38The key to being successful, confidence men...
20:40And women.
20:42The key to being successful, confidence men and women
20:45is confidence.
20:49I love the eyepatch.
20:55Enchanté.
21:01Oui, bien, monsieur.
21:05Excusez-moi, monsieur.
21:07Le Duc de Mont.
21:10Cecil Fillemont.
21:17So, where is Mr. Casgalli?
21:19I do hope you understand, Duke.
21:21The unexpected events of our demonstration
21:24have forced us to change our plans.
21:27My instructions were to hand the money
21:29only to Mr. Casgalli himself.
21:32I don't deal with the monkey.
21:34Only with the grinder of the organ.
21:36Speaking as a monkey,
21:38I concur.
21:39More common sense is what is needed
21:41in this topsy-turvy world of ours.
21:43But,
21:43if that is your instinct,
21:45you will have to come back another day, understood?
21:48Understood.
21:49Then I shall take your advice.
21:53It would be remiss of me
21:54not to inform you
21:55that the incident in the tunnels
21:58has only in fact proven
21:59the potency of our product.
22:02we're selling out fast.
22:06If you delay,
22:07you would risk missing out altogether.
22:15Have a good day, sir.
22:33I'm sorry.
22:36I'm sorry.
22:36I told you I'm sorry.
22:45Permit.
22:49Burgundy, uh, 57.
22:52Some people say they prefer the 62,
22:54but for me,
22:55if I wanted that much oak,
22:56I would eat a tree.
22:59So,
23:01tell me what you think of my proposal.
23:04You introduce me to your boss,
23:07and in return,
23:08I furnish you with a finder's fee.
23:14Voila.
23:19You carry your money in a plant pot.
23:27Mr. Holmes is in the back.
23:30Mr. Holmes is in the back.
23:32Mr. Holmes could come here?
23:33You will be able to talk to him more,
23:35freely,
23:36in private.
23:41If you wish to meet him,
23:43there it is.
23:55Mr. Holmes is in the back.
23:56It's in here.
23:58Merci.
24:02I do not see Monsieur Silas Holmes.
24:07If you please.
24:10Monsieur.
24:12You...
24:18So...
24:21We both know you're not the Duke's wife.
24:25Who are you really, madame?
24:29Do you doubt my monies?
24:33Pardon?
24:34Do you doubt the value of my money?
24:36Do you believe it's real?
24:38It looks real.
24:41You are correct.
24:42I am not Madame Dormand,
24:44and I do apologize for the deception.
24:47But now that I have your attention,
24:49I should like to inform you
24:50that I am working on behalf
24:53of a very prominent British investor
24:56who wishes to make a significant purchase
24:59from Mr. Silas Holmes.
25:01And if you play your part in arranging this,
25:06I can assure you that the money in that pot
25:08is merely the tip of the iceberg.
25:12Purely for your own pockets,
25:14you understand.
25:15So, as I see it,
25:18you have two options.
25:20You can either continue to insult me
25:23and let this golden opportunity
25:25slip through your fingers,
25:27or you can simply introduce me
25:30to Mr. Silas Holmes.
25:33This is taking too long.
25:38The gentleman will give you an email.
25:42The gentleman,
25:44the gentleman,
25:44we have to have a quick meeting.
25:45Esad.
25:49Come back here tomorrow
25:50at the same time
25:52and I will have an answer for you, Madame.
25:54Thank you, sir.
25:56I am much obliged.
26:19He's sending a telegram to Silas.
26:44I'll go ahead, of course a distraction.
26:46No, no, no, no, no distraction.
26:47How about this time we don't do one of your clever little scams or pickpocket dances?
26:54Just let me try something.
27:01Hello, sir.
27:02Hello, sir.
27:02What do I do for you?
27:03This man was here for a few minutes.
27:08I'll see what he sent.
27:11Oh, sir.
27:17For your pain.
27:18No.
27:21For you to make a lot of other words, sir?
27:26Yes, sir.
27:27No?
27:45Mrs. Holmes, your husband's in Constantinople.
27:59I need to see the ambassador. Mycroft Holmes. The point is, Ambassador, I now know who sabotaged our government's secret
28:08weapons program. And indeed, I know who stole the weapon.
28:13Yes, yes. Well, go on.
28:15Regretfully, sir, it was my father, Silas Holmes.
28:24Are you certain of those?
28:25I'm afraid so, sir. And it appears that the government's interests are now aligned with my own. We must find
28:32my father and bring him to justice.
28:35Yes. Well, quite.
28:38Quite. Quite.
28:40I shall wire the Foreign Secretary immediately.
28:42Yes, sir.
28:43Please wait here.
28:44Will do.
28:55Ah.
29:16Apologies for the wait.
29:18Not at all, sir.
29:19I have a reply from the Foreign Secretary.
29:22He informs me that you are in disgrace and, in fact, no longer work for Her Majesty's government.
29:27Yes, well, it's a little more nuanced than that.
29:29There is, however, a path to redemption, if you are prepared to walk it.
29:35Hmm.
29:36Now listen.
29:37Carefully.
29:46Train leaves in an hour.
29:57It's not your injury that makes you weak.
30:00It's your insistence that your body's unchanged.
30:04My body has changed.
30:06It's changed because you shot me in the stomach.
30:10The details are irrelevant.
30:13Not for me.
30:17You think strength is something physical.
30:21It's body mass.
30:23And muscle.
30:26And reach.
30:29All of which you have over me and yet have best to do in every encounter.
30:34Why?
30:37Because the real strength comes from here.
30:43And here.
30:46Aw.
30:50James.
30:51Mother.
30:51You found him.
30:54I did.
30:56But he found his own attire.
31:01Mother.
31:02Were you met with success?
31:03Yes.
31:04I was.
31:05The British government has offered her full support in helping to bring father to justice.
31:11Excellent.
31:13So this is what it's come to.
31:15It would certainly seem that way.
31:17Wonderful.
31:18Right, then.
31:20Constantinople.
31:36Where are we going exactly?
31:38To meet a friend of mine.
31:40Machbat.
31:42Shai.
31:44Marupo.
31:46This is Emine.
31:48She has agreed to help us.
31:50Welcome to my city.
32:01What?
32:02Sherlock.
32:03Show her the photo.
32:14Have you seen this man?
32:16No.
32:17Oh.
32:17No.
32:26Andy.
32:27Good push your rest in the key.
32:29Hold him up now.
32:31What's up?
32:35that small child is going to find our father is he the lowly status of the street urchin
32:39is what makes them the most useful of allies they can go anywhere they are invisible they're
33:13so they are looking for you
33:16so
33:29so
33:30so
34:01They have found your father.
34:04He knows you're here with me.
34:06How?
34:06It seems our street telegraph works both ways.
34:12He wants to see you alone.
34:14Oh, no. Well, darling, I have to come with you.
34:17He was quite specific.
34:20If you want to see your sister, you come alone.
34:24Very well.
34:30Sherlock.
34:32Good luck.
34:48Do you know why magic is so beguiling, Sherlock?
34:57No.
34:58When something seems to defy rational explanation,
35:06wonder.
35:09The impossible.
35:12Made possible.
35:26Is she still alive?
35:28Please, sit.
35:29I'd rather not.
35:30What you did back in England, solving all this,
35:33finding me here, so clever.
35:37I'm proud of you, my son.
35:39Not natural for a father to leave his boy for dead now, is it?
35:42Sherlock, what are you talking about?
35:44In the tunnel.
35:45I was shot.
35:47You ran.
35:49I ran because that crazy woman was trying to kill me.
35:53I was the one under attack, remember?
35:57You really think I'd want any harm to come to you?
36:05Harm.
36:08You've done nothing but harm.
36:11Look at me.
36:13You broke my heart.
36:14You broke my mother's heart.
36:16And only God knows what you've done with my sister.
36:19So I ask you politely, please, tell me,
36:23is my sister still alive?
36:31Beatrice is fine.
36:34I made sure she was looked after.
36:40Where is she?
36:43I still love you, you know.
36:45I'm still the man who raised you.
36:47You're a monster.
36:48Oh, Sherlock.
36:51Don't be so simple.
36:53We're all of us capable of good and evil,
36:56even if it helps to call it that.
36:58You included, whether you realize it or not.
37:01Tea?
37:01No.
37:03I acted
37:06in my best interests.
37:08Of course I did.
37:09But I also acted in yours.
37:13You think you would have become the man you have
37:15had you not been tested in the fire?
37:16I can't listen to this.
37:17And yet you can't leave, can you?
37:20I can't leave because you won't tell me
37:23where my sister is.
37:24Where is she?
37:27She's here.
37:29In Constantinople, with me.
37:32You can see her tomorrow if you like, but...
37:38I request something in return.
37:43So that's his price?
37:45That's his price.
37:47Shu'an.
37:48Shu'an wants me dead, and if she kills me,
37:51well, then you'll never find Beatrice.
37:53Our futures are intertwined.
37:57Bring Shu'an tomorrow, the square, same time,
38:01and I'll give you your sister.
38:03Well then, the choice is not choice at all.
38:05You really find it that easy, condemning someone to death?
38:09You owe Shu'an nothing.
38:11No, I don't find it easy, but if it was my sister,
38:14then I wouldn't have the slightest breath of hesitation.
38:16I don't think you should either.
38:19Am I interrupting?
38:20Not at all.
38:23Now cracks a noble heart.
38:25Good night, sweet prince.
38:29And flights of angels sing thee to thy rest.
38:42I'm pleased for you, that your journey ends well,
38:47that you'll see your sister.
38:53Afterwards, your father is mine to do with, as I see fit.
38:57I realize this is hard for you, but we had an agreement.
39:00I want what's mine.
39:02And you shall have it.
39:04You have my word.
39:11The porter and the princess.
39:20The scout.
39:24Never made it to the illustrious position of porter.
39:26And I was never a princess, only shall we?
39:42How do you feel?
39:43How am I supposed to feel?
39:44How do you want to feel?
39:45However I'm supposed to.
39:51You are a work in progress, Sherlock.
39:56You are a work in progress.
40:25I think just me and mother from here.
40:40Is that?
40:41There he is.
40:45She's not with him.
40:47Let me talk to him.
40:48I don't trust him.
40:49I'll be fine, mother.
40:50You wait with Mycroft.
41:08Silas.
41:09Silas.
41:10Why do you call me Father?
41:13I can't see my sister.
41:17Do you know this city was built
41:19to rival the majesty of Rome?
41:22It had the most sophisticated defense fortifications
41:26in antiquity.
41:28It has survived foreign empires, brutal wars, disease.
41:36Just about anything human history could throw at it.
41:41This city has endured.
41:45A lovely lecture. Is it finished?
41:50She doesn't exactly look ready to surrender, Shirley.
41:53She is.
41:56She just doesn't know it yet.
41:59What are they talking about?
42:05You, I expect.
42:09Now, as you can see, I'm ready to deliver.
42:16So, where's my sister?
42:18Yes!
42:42Bee?
42:43Bee?
42:45Oh, mother!
42:52My darling.
42:57Your move, my boy.
42:58I've missed you.
43:02Silas.
43:04Son.
43:07You know what troubled me the most about killing that soldier, Arnold?
43:12I might have got a dance for her.
43:14Move!
43:24Let me see your face.
43:26Sheila!
43:34I find myself up and lost for words, which wouldn't be a first.
43:41What's the matter, mother?
43:43It's not her.
43:45Mother.
43:49Silas.
43:50Trust me.
43:52It's not Beatrice.
43:55How about him, princess?
43:56Thank you, James.
43:59Help!
44:00Help!
44:01Help!
44:02Ah!
44:04We've got to go!
44:05We've got to go!
44:06You're not my daughter!
44:08Go, go, go!
44:08Go, go, go!
44:14Matt!
44:18Find her!
44:19You!
44:21I knew you'd betray me, Sherlock.
44:25Are you not my son after all?
44:30Hello, mother.
44:34Bee?
44:36Bee?
44:45Sherlock.
44:47Mycroft.
44:50Close your hands.
44:54If you'd be so kind.
44:59You too, brother dear.
45:07Isn't this nice?
45:14All it is.
45:18It's not what you think it's for.
45:22And I can seem to say it all.
45:27And maybe I've been insecure.
45:31The chances all I've left are a light.
45:35Many hiding their tricks on my sleeve.
45:39Used to be the greatest I've seen.
45:47Time is time, it's time, time again.
45:56Time is time, it's time, it's time, and time again.
46:02It's weird.
46:05Cause I can feel my love.
46:09It's done it all around.
46:11And when you fall in love.
46:14People be on the ground.
46:16I guess as you keep on following now.
46:23It's the age you want to come.
46:27And maybe you are.
46:38It's the age you want to come.
46:43And maybe you are.
46:51want to tell you.
46:51Let's go!
46:51Back to the age.
46:51Behind the world,
47:00People are going to be out.
47:00The home of the Best blesses.
47:01Just making sure your hands want to be part of them.
47:01The, the test of your heart.
47:01I say the enlarge the medium.
47:01It's the first time I put back up to what you think.
47:09So I think about it.
47:10We're going to move it now.
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