00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49I'm in half
02:50I expect you to see the sky
02:56Every day
03:03The island
03:04Of the skyeste
04:28Excuse me. Hi. My name is Alice Munro and I need help. My boyfriend, Tom Parker, he works for this
04:35charity and he's missing.
04:37Can someone help me? Can I speak to someone in charge? Tom Parker?
04:41Yes, Tom Parker. One minute, please.
04:49Hi, this is Tom Parker.
04:58Alice?
05:00Yeah. Hi.
05:02I'm Alex Durant. I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course. We used to work together in the field before I became a student.
05:11But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:56Um, how's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night, she was very sick, had no one to
06:49help her, so Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and Tom saw what was happening, and Tom being Tom, he promised
07:20Malik that if he went back to school, he would make sure his family was taken care of.
07:26But unfortunately, bandits were ready to camp.
07:35They took women and children, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in, we got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:41Sorry, I...
08:42I...
08:43You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up, if it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:23Alice will find him.
10:18Thanks, friend.
10:24I'll see you soon.
10:26Bye.
10:29Bye.
10:32Bye.
10:36Bye.
10:47Hello?
10:48Hey, Helen, it's Alice.
10:50Hello, Alice. Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:04I was looking in Tom's notebook, and it's... it was in there.
11:08Oh, really?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:52Oh, I don't. It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats
12:07to pretend those women are central to their lives.
12:11And men...
12:12they run away to the sea with their buddies.
12:17And here's...
12:18And here's...
12:20Orly.
12:29Anyone here?
12:31Bonjour.
12:32Hello.
12:34There's someone?
12:35There's someone?
12:35Well, what are we gonna do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
13:15Oh.
13:17Those two men have just found out.
13:18Oh.
13:28Oh.
13:29Oh.
13:32Oh.
13:34Oh.
13:53Oh, my God.
13:58Is it his?
14:06Alice? Alice? Alice? Alice?
14:15Tati?
14:33It's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a mitra.
14:51A dog of a dog.
15:10Yeah, I came as soon as I could.
15:12Hey.
15:15Yeah, I spoke to Jordan. You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:32Alice, there's no easy way to say this.
15:35No, um, I met her, actually.
15:40That... that woman that you're... were... were they... are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:06So?
16:08What happens now?
16:12My God is he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my safe.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, um, uh, I wish I had better news. I'm sorry.
16:41No, it's okay. You've been very kind to me. Thank you.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
17:11No, no, it's so good.
17:27No, what should I do, as in Me?
18:41Hi.
18:41Hi.
18:43Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:31Oh, yeah.
19:32Oh, yeah.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57Whoa.
19:59What?
19:59Really?
20:00Hmm.
20:01Come here.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:15What's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.?
20:20Cool.
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I want to hear.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and, of course, its gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:34He's coming back.
21:36He's coming back.
21:43He's coming back.
23:51Excuse me.
24:00Excusez-moi.
24:02Excusez-moi.
24:03I need help, please.
24:07Hello.
24:08Hi, I'm looking for Maurice Giroux. Is he around here?
24:16Maurice? Oh, I'm sorry. He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:25It's personal. Do you have an address or a number or something?
24:29I'm afraid I can't give his address to a stranger, but how do you know Maurice Giroux?
24:33I don't. He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay. I'm sorry, when was it? I... I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay. Sorry.
24:54I think she slept together about a month ago. It wasn't a big deal, kind of casual, but
24:58now it is a big deal because I'm pregnant with Maurice's child. I need to speak to him right
25:01now.
25:17I'm sorry about my colleagues, sorry. Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:25Yeah.
25:35Good.
25:49Good.
25:51Good.
25:54Good.
25:56Good.
26:05Stop, stop, stop.
26:54Get out of my way.
27:22Get out of my way.
27:27Get out of my way.
27:29Get out of my way.
27:31Cassez-vous, j'appelle la police.
27:32Oh la la.
27:33Oh, vous m'entendez ? Vous êtes sourds ? Allez, on me dégage.
27:37Oh, t'es une pite à la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais pas aller encore une fois comme ça ? J'étais en collune.
27:43Bien encore.
27:44J'appelle ta mère.
27:51Cassez-vous.
27:56Cassez-vous.
28:00Cassez-vous.
28:01Cassez-vous.
28:03Cassez-vous.
28:13Cassez-vous.
28:14Cassez-vous.
28:15Cassez-vous.
28:25Cassez-vous.
28:25Cassez-vous.
28:52Ah, bonjour.
29:12Oh my god, oh my god, I'm here, oh shit, oh my god, no, no, no, no, no, no, no,
29:19no,
29:26what the fuck, madame, madame, hold on, wait, wait, wait, hold on, it's okay, I know, what, did you,
29:42oh my god, sorry, I don't get that up, I just got hit, elef, elef, elef, elef, elef, elef,
29:54I don't know.
30:26I'm going to take it.
30:30You're going to take it.
30:39You're going to take it.
30:40This is a crazy crazy thing.
30:44Go on, sir.
30:45Go on, I'm going to take care of you.
30:54I know each other and each other.
31:00Matt, Matt, you're going to get rid of it.
31:02Come on, we're going to the street.
31:51I don't know.
32:04It's not a matter of policies, it's a matter of marketing.
32:07When did you get so cynical?
32:10Here's your mom.
32:15Something has happened, I need to see you right away.
32:18Alyssa, is everything okay? I thought you'd left.
32:21Um, no, no, it's not, I just went to, I went to see the conductor, the one from Tom's train,
32:25and when I got there, he was dead, he was dead, he was dead, he was dead.
32:29Wait, wait, wait, slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go to her now.
33:45The Hotel Peron, room 218.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:45so
34:58so
35:14I have a delivery for Alice Monroe.
35:51I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33I have a delivery for Alice.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze, slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:04Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:10You have nowhere to go.
41:12The controller Mori Gero, we're actively looking for the suspect number one.
41:16An American named Alice Monroe, the 30N.
41:20You have no information concerning this person.
41:22You have no information.
41:24Contact us.
41:26The police.
41:27The police.
41:28The police.
41:28The police.
41:29The police.
41:31The police.
41:33The police.
41:33The police.
41:35The police.
41:38The police.
41:41The police.
41:42The police.
41:55The police.
41:57The police.
41:57The police.
41:59The police.
42:00The police.
42:00The police.
42:02The police.
42:02The police.
42:02The police.
42:04The police.
42:04The police.
42:05The police.
42:06The police.
42:06The police.
42:07The police.
42:07The police.
42:08The police.
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