- 5 hours ago
Full Episode of In Other Words, I Love You
Category
🎥
Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. We're talking about the king of Ashford.
00:00:15He's cool.
00:00:16I don't find Bowie's attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:30I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:44it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:14Self-made, stubborn, and never wrong.
00:01:18Almost there.
00:01:19You excited for your first day?
00:01:20She calls this a fresh start.
00:01:22I call it terrifying.
00:01:30You've got this.
00:01:32Just be yourself.
00:01:34That's kind of the problem.
00:01:44the children.
00:01:47You man makin' .
00:01:54Oh.
00:01:55Actually, I remember what I said.
00:01:56What's this thing absolutely?
00:02:01What's this feeling?
00:02:05morning class
00:02:08and you're not seated because i don't have a seat ah a new transfer alice keaton right
00:02:17let's see
00:02:21now there's a spot next to charles charles case sherry seriously a charity case sitting
00:02:28next to charles god why is she quiet charles i've always had words for everything but in
00:02:40that moment i forgot them all
00:02:53charles move your things i'd rather not she'll be a distraction from what sleeping from everything
00:03:03if anything charles miss keaton will be a positive influence on you she was top of her class at a
00:03:08previous school with all due respect sir her previous school was american i highly doubt
00:03:16that that's enough she can sit here it's fine
00:03:24back to goldie thank you you got it i'm sherry born alice keaton it's very important that we look at
00:03:32what he's talking about their experience of the time
00:03:39wait you sat next to charles she didn't you totally shut her down oh knew it don't take it
00:03:46personally he's impossible can everyone stop acting like the goal was getting into his pants
00:03:51what he's hot everyone kind of is i i've seen hotter he's not my type you're joking i don't find
00:04:01bullies attractive hey be careful we're talking about the king of ashford the what his family
00:04:08basically own the school and the town maybe even the country yeah everyone's tried to get close
00:04:14no one can get past his ego you're not the first to get iced okay first of all i wasn't
00:04:20iced it's more
00:04:21like a mutual decision and second i think he's arrogant cold thinks he's untouchable but if you
00:04:29really look at charles he just seems isolated like he's faking out honestly i just think he's lonely
00:04:35and kind of pathetic what no go on
00:04:48you were saying i'm lonely and pathetic
00:04:55next time read the room before opening your mouth american
00:05:03we're not in kansas anymore alice
00:05:21hey how was your first day uh good anything exciting happen not really super uneventful
00:05:30really how's your new job yeah all right get this they said we can stay in the servant's wing
00:05:36seriously apparently the young master won't mind the company the young master
00:05:44this is your boss's house yeah that's not incredible i mean i wouldn't call it a house it's
00:05:51a museum with better landscaping
00:05:59wait here i'll talk to the butler
00:06:06wow rich people you've topped yourselves again
00:06:13steven king first edition
00:06:26breaking and entering now how american of you
00:06:40you've been paying rent here in my head
00:06:44tried to fight it hard
00:06:52you can get up now i i'm trying
00:06:55wait
00:06:58are you serious well you said you were trying
00:07:03what is wrong with you funny i was about to ask you the same thing
00:07:07what are you doing in my house you wait your house my house my library and now apparently my
00:07:19unwanted guest
00:07:21ah master charles must be miss alice anne's daughter she said you'd be moving in today
00:07:27she what there there's been some kind of misunderstanding you see i'm not actually moving in
00:07:34that's so yeah i'm not staying here like at all that's a shame you might seem quite pleased with the
00:07:40arrangement well i just don't think it's appropriate well if you're sure then absolutely not
00:07:46come on alice you must stay it'll be fun my dear classmate i'm dead like mentally socially and actually dead
00:08:12just trying to figure out how exactly my life went off the rails
00:08:16get it together alice keaton you've been through hell
00:08:20i'd never find someone to make my head spin around no one's ever gonna be the thing i need
00:08:26they all just let me go this is hell
00:08:27baby you saved me uh good morning
00:08:38wow
00:08:46sir is that miss keaton well doesn't know that's often closed for months she's going to be late
00:08:59okay how long is this thing gonna take maybe i'll just walk five miles to school
00:09:07okay if i sprint maybe i'll make it before first period or die of exhaustion on the way
00:09:20what what are you doing here didn't you already leave
00:09:26wait did you come back for me relax i forgot my textbook don't flatter yourself wait
00:09:39since you're already here maybe you could be a decent person and give me a ride
00:09:48no seriously your car is huge yeah and i'm not a fan of sharing says the guy who forced me
00:09:58to live in
00:09:58this house
00:10:13ashford institute please thank you
00:10:19cluny is that entitled brat anyway sir you called the cab why not just give miss keaton a lift
00:10:31why not just give miss keaton a lift and have the whole school go crazy she's new everybody's
00:10:37already talking so you're worried about her you're overthinking i just don't like drama
00:10:50asshole who morning class
00:10:55what else back to golding remind me what he's saying through lord of the flies
00:11:04mr kenwood care to share what you found so amusing not particularly oh i insist you seem very
00:11:12entertained by golding i'm not entertained by golding sir on the contrary i think his ending is
00:11:22weak wait wait you wish you read it quiet that's an interesting take explain
00:11:32he had to set up for something brutal something honest in the end he backed out he could have left
00:11:39the boys on the island forced them to confront the collapse of all morality let them choose survival
00:11:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:11:55it's a waste don't you think i'm delightfully surprised charles didn't think you had such
00:12:00strong literary opinions i'm always a model student sir let's not get ahead of ourselves
00:12:08so a critique of golding's mercy anyone disagree
00:12:27i think golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:12:34how so
00:12:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:12:43golding didn't save them he left us with the discomfort of pretending they could be saved
00:12:48that's an interesting tape misqueter you still think it's a harsh critique in some ways but not harsh
00:12:55enough yes it's a critique of toxic masculinity but still golding sympathize with them and the civilized
00:13:03world toxic violent he didn't call that out nearly as much so yeah i don't think golding pushed far
00:13:09enough but i think it's unfair to call it a happy ending
00:13:15thank you miss keaton well said anyone else
00:13:22both opinions are valid okay that's kind of epic golding faced major backlash when
00:13:28first published the book good literature will always divide opinion what's happening to me
00:13:42okay what is going on why is everyone staring at me
00:13:46well you're new and apparently had a thing with charles a what now you two are in the middle of
00:13:52the
00:13:53most epic feud as you've seen in years we're not even fighting well according to everyone you confessed
00:13:58your love on day one got rejected begged to sit next to him got rejected again and today in class
00:14:05you
00:14:06broke down crying about not believing in happy endings and stormed out in tears
00:14:12you were there sherry that is not what happened doesn't matter people believe what they want to
00:14:18believe and they want charles to be flawless untouchable wow is massaging like a rich kid thing or
00:14:26just a british specialty honestly both but seriously alice some people already see you as a threat
00:14:41okay noted looks like the new girl's in for a rough first semester
00:15:03hello hello is somebody out there oh come on
00:15:10hello
00:15:22fine
00:15:38seriously
00:15:41oh
00:15:41shit
00:15:47what the hell
00:15:50anne i thought you were having dinner with alice
00:15:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:59yikes looks like the new girl's in for a rough first semester
00:16:07she's coming back
00:16:11just
00:16:13i don't know
00:16:23wow
00:16:23still
00:16:29it's
00:16:43Come on Alice
00:16:46Close your eyes and jump
00:16:48It's fine
00:16:50You're fine
00:17:14Hey Mr. Nonchalant
00:17:19Are you happy with how we end?
00:17:24What are you doing here?
00:17:29Can you get off me first?
00:17:40You're welcome
00:17:42I didn't say thank you
00:17:43I figured saving your life might earn me basic manners
00:17:46Someone just dumped swamp water on me
00:17:49Excuse me if I'm not feeling very polite
00:17:51You smell like a biology experiment
00:17:53Wow
00:17:55You should try falling out of a window into someone's arms
00:17:58And getting insulted for it
00:17:59Wouldn't recommend it
00:18:00You're heavier than you look
00:18:03I hope you pull your shoulder
00:18:10Are you okay?
00:18:12No
00:18:13But I will be
00:18:15Someone did this on purpose
00:18:17What do you think golden boy?
00:18:20Don't worry I can handle it
00:18:21You shouldn't have to
00:18:25I'm
00:18:27Sorry
00:18:34Sorry
00:18:39Did you just
00:18:41Apologize to me?
00:18:42Don't get used to it
00:18:43I wouldn't dream of it
00:18:46Alice?
00:18:48Over here
00:18:49Oh my god
00:18:52You okay?
00:18:54Why are you drenched?
00:18:56Yeah
00:18:57I just
00:18:57Took a weird shower
00:18:59Tap exploded
00:19:02Come on
00:19:03Let's go you home
00:19:14Alice Keaton right?
00:19:17I heard you staged the whole thing for attention
00:19:43I know how this place works
00:19:45If you don't do anything about it
00:19:47It's only going to get worse
00:19:49I'll look into it
00:19:52Charles
00:19:54Good on you
00:19:56How many here would speak up?
00:20:01I can't believe someone actually locked you in
00:20:03That's insane
00:20:05And where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds
00:20:10Well for what it's worth
00:20:11I heard Charles looked pretty freaked out when he ran out last night
00:20:16Please he just didn't want a lawsuit
00:20:35Being a scholarship student has its perks
00:20:38Like saving a fortune on tuition
00:20:41And getting into schools that normally wouldn't even let you pass the gates
00:20:46Hey we miss you in Paris
00:20:48Though there are enough Americans to remind us of you
00:20:51But sometimes
00:20:52Being here means standing behind
00:20:55And watching Ashford elites go on a two week enrichment program
00:20:58You can never afford
00:21:02Have fun
00:21:03Bring me something overpriced
00:21:06And unnecessary
00:21:10The trip cost 20 grand in pounds
00:21:12Which translates to
00:21:14Mom's salary for half a year
00:21:16So yeah
00:21:17I didn't go
00:21:40What are you doing here?
00:21:41Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable
00:21:46You look like a rejected Ewok
00:21:48This is not even your kitchen
00:21:50And this is not even your house
00:21:52And yet you're here
00:21:53Dressed like this
00:21:55Just don't look
00:21:56Go away
00:21:57Hard not to
00:21:58When you're walking around dressed like that
00:22:00What do you guys call it?
00:22:02Um
00:22:03Buzzkill?
00:22:05Cockblock
00:22:06You're insufferable
00:22:07You're the one cosplaying at breakfast
00:22:09You know what?
00:22:10I don't get it
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing
00:22:14Why do you think?
00:22:21How would I go?
00:22:22I could practically recite the itinerary in my sleep
00:22:26Florence
00:22:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian
00:22:32Or Titian
00:22:33If you want to sound extra pretentious
00:22:36Then Venice
00:22:37Because everybody loves a good canal
00:22:39And getting lost in the most confusing city on earth
00:22:42Next stop
00:22:43Napoli
00:22:44Marvel at Pompeii
00:22:45Pretend you're shocked
00:22:47Ancient people had plumbing
00:22:48The final stop
00:22:49Paris
00:22:50The ultimate city of romance
00:22:54And naturally
00:22:55Woody Allen's
00:22:57Favourite city
00:22:58Outside of New York
00:23:01That's
00:23:02Word for word
00:23:03I told you
00:23:04I've done this tour so many times
00:23:06I could run it
00:23:07Okay
00:23:08But still
00:23:08It's Europe
00:23:09Most people would kill for that chance
00:23:11Most people haven't had their phones stolen in Paris
00:23:13Twice
00:23:16Also I hate the accommodations
00:23:17Aren't they all five star hotels?
00:23:20Standard rooms
00:23:21In five star hotels
00:23:22And no thank you
00:23:25Wow
00:23:26Some were born in Rome, huh?
00:23:27That's unfortunate
00:23:28It's a very chaotic city
00:23:30One word of advice?
00:23:31Shut up
00:23:32It's two words
00:23:35You're weird
00:23:36You're loud
00:23:37You're annoying
00:23:37You're in my kitchen
00:23:38You have three other kitchens
00:23:40And I prefer this one
00:23:42Just for today
00:23:43Come back when you've got a shirt on
00:23:44Come back with normal clothes on
00:23:46You didn't have to come
00:23:47Don't tell me what I have to do
00:23:57Master Charles
00:23:58Roads are flooded
00:23:59Staff won't make it tonight
00:24:00Will you be alright sorting dinner?
00:24:05I've got it sorted
00:24:18Jesus, what are you doing?
00:24:20Relax
00:24:23I'm here to make a deal
00:24:24What deal?
00:24:26You nearly gave me a heart attack
00:24:31You'll survive
00:24:32I'm not selling my body
00:24:39I'm not selling my body
00:24:44Wow
00:24:45I am deeply offended
00:24:48That thought disgusts me
00:24:50Then what are you doing?
00:24:52The staff's off tonight
00:24:53I'm buying dinner
00:24:57Did you seriously think
00:24:59I'd spend £100 on
00:25:00No, I'm
00:25:01Jesus
00:25:03Wait
00:25:04You think I'm not worth £100?
00:25:08I'm not spending £100 to snort you back up
00:25:11You know what?
00:25:12Dinner's cancelled
00:25:15Are you sure about that?
00:25:19I present to you
00:25:20Meatball spaghetti
00:25:21Stir-fried veggies
00:25:22And french fries
00:25:23You're welcome
00:25:25Interesting combo
00:25:26Well, I know we're not in Italy or France
00:25:28But this will do
00:25:30It's
00:25:32Good
00:25:39Was that a compliment?
00:25:40Although
00:25:42I am obliged to inform you
00:25:44Meatball spaghetti isn't Italian
00:25:46It's American
00:25:47And french fries
00:25:48Likely born in South America
00:25:50You should read more
00:25:53Put it down
00:25:55I paid for it
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair
00:25:59You make it very easy
00:26:02It's only easy
00:26:03Because it costs £200
00:26:06You know
00:26:06If you'd ask for more
00:26:07I probably would have given it to you
00:26:08I'll make sure
00:26:23You're right
00:26:24Hey Alice
00:26:24It's fine
00:26:26You're fine
00:26:349-1-1
00:26:34What's with your emergency?
00:26:409-1-1
00:26:41What's with your emergency?
00:26:42It's my dad
00:26:43He needs help
00:26:44He just had a stroke
00:26:45Okay, miss
00:26:46Hurricane constant traffic
00:26:47Shut down
00:26:48We'll get to you
00:26:48As soon as we can
00:26:49Please
00:26:49He's not well
00:26:50I understand
00:26:52Can you confirm
00:26:53Your address?
00:26:55Dad
00:26:56Yes, I'm right here
00:26:57Alright
00:26:59My daughter
00:27:00Please stay with me
00:27:01Dad
00:27:02Please
00:27:06No
00:27:08Please wake up
00:27:14Dad, please
00:27:15Please don't leave me
00:27:17I'll leave me
00:27:26I'll leave me
00:27:28Because I'll leave you
00:27:29I'll leave you
00:27:33I'll leave you
00:27:34I'll leave you
00:27:41Bye
00:27:46To be
00:27:49you what are you doing here you were crying loudly kind of hard to ignore
00:28:01right sorry for the night wait no snarky come back not tonight i'm too tired
00:28:09if you're here to argue knock yourself out
00:28:14you were calling for your dad right hurricane hit new york power went down traffic froze
00:28:23dad had a stroke but he couldn't get help in time
00:28:29i sat there with a candle while he laid there peaceful like he was asleep
00:28:40but he wasn't
00:28:45so that's why you and your mom moved here this used to be our hometown after dad left
00:28:54we had nowhere else to go
00:29:00what are you doing
00:29:05come on
00:29:22wait i thought the peril was out it is we have our own generator wow rich people houses
00:29:30just for tonight i'll allow it
00:29:34allow what
00:29:35you can call this place your house so enjoy it stephen king's first edition alan gisberg's
00:29:42handwritten letters jane austen's notes all yours
00:29:50this is your home alice keaton
00:29:59careful almost sounded sweet don't push it okay then i have one request
00:30:20are you ever going to make a move wait give me a second i'm thinking you had one wish
00:30:28anything in the world and in the middle of a thunderstorm inside a literal mansion you chose chess
00:30:35yeah got a problem it's just so cool like spies or genius villains in movies
00:30:42it's literally a board game says the guy who owns a custom set
00:30:47wait does the night go diagonally
00:30:50for the 10th time it moves in an l shape
00:30:54one two then turn
00:30:59there happy
00:31:00ecstatic
00:31:03you know that's suicide
00:31:05or a brilliant long-term sacrifice
00:31:07you are playing checkers at a chess board
00:31:09still beating you in sarcasm
00:31:10you literally haven't won any past arguments
00:31:12golding disagrees
00:31:14it's going to be a long night
00:31:16oh my
00:31:17no
00:31:17i wasn't gonna do that
00:31:18you can't do that
00:31:20i wasn't gonna do that
00:31:20can i do that as well
00:31:21can i not do that
00:31:42maybe he's not so awful after all
00:31:52um who are you
00:31:59what are you doing here
00:32:00well your parents said you were still at home
00:32:02thank god you skipped that boring grand tour
00:32:05who needs italy and france again right
00:32:07when did you get back
00:32:09last night
00:32:10from zurich
00:32:11you didn't answer my messages
00:32:14i missed you
00:32:15anyway
00:32:16thought i'd come surprise you
00:32:18apparently
00:32:19i'm transferring to ashford
00:32:21your parents are so thrilled
00:32:23they didn't tell me about this
00:32:24i wanted to deliver the happy news myself
00:32:26they said it'd be lovely for us to
00:32:28reconnect
00:32:29you know
00:32:30considering the engagement
00:32:32and all
00:32:33engagement
00:32:35oh
00:32:36did no one tell you
00:32:38he's promised
00:32:39old money stuff
00:32:41very retro
00:32:42i didn't agree to that
00:32:43you didn't have to
00:32:44it's never up to us
00:32:47where did you find this little toy
00:32:49serena
00:32:50i can hear you you know
00:32:52oh
00:32:52an american
00:32:54how
00:32:56refreshing
00:33:00goodbye
00:33:01wait
00:33:18where are you going
00:33:19you still owe me breakfast
00:33:21you only pay for dinner
00:33:23i have homework
00:33:24goodbye
00:33:28your little toy
00:33:29your little toy has quite the temper
00:33:30serena
00:33:30can you please just stop
00:33:32what
00:33:32teasing the help
00:33:40that's her
00:33:41that's the one from kenwood's house
00:33:43was she like the maid or something
00:33:45you
00:34:00oh
00:34:01my god what's wrong with people
00:34:03they're saying you live with charles
00:34:06oh and serena
00:34:07what about her
00:34:08apparently she told everyone you were caught sneaking into his room
00:34:12of course she did
00:34:26careful alice you're starting to look desperate
00:34:29you're not a bad
00:34:29no
00:34:43sse
00:34:45oh
00:34:50i don't know
00:34:58yeah
00:34:58can you help me write one day
00:34:58i know it's
00:34:58No! Seriously! This is getting old!
00:35:13Wait. Music room, what?
00:35:18James?
00:35:19Was anybody in here earlier?
00:35:21Just Miss Serena. Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:39Come on, Alice. You're fine.
00:35:43You're not that girl again.
00:35:51Wait, can you remind me one more time?
00:35:53Okay. Rooks move in straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally.
00:36:00And knights...
00:36:00The knight's the weird one.
00:36:07Rooks.
00:36:09Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:14Hello?
00:36:34The text.
00:36:36Are you okay?
00:36:38Are you... are you hurt?
00:36:39I... I'm okay. I...
00:36:41I saw the text and I thought...
00:36:43I... I didn't see the message.
00:36:45Serena took my phone. I... I didn't know.
00:36:47I'm sorry.
00:36:48I'm... okay.
00:36:51You're gonna catch a cold.
00:36:52You're freezing.
00:36:53You didn't have to come.
00:36:56Don't tell me what I have to do.
00:36:59Give me hope.
00:37:02That feels like hope...
00:37:11Oh...
00:37:15Oh...
00:37:17Oh...
00:37:18Oh...
00:37:20Oh...
00:37:20Oh...
00:37:21Oh...
00:37:21Oh...
00:37:22That wasn't a mistake.
00:37:23Like, if that's what you're about to say.
00:37:27I wasn't going to.
00:37:40I'm really bad at this, you know.
00:37:43What? Kissing?
00:37:45Hiding feelings.
00:37:46What?
00:37:53I don't know. Tell me what you said. Tell me where you're going to go.
00:37:58You keep me happy.
00:38:08Dump those Ewok pyjamas.
00:38:10Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:16You kissed me.
00:38:18That's basically consent to everything.
00:38:27Dangerous words, Keaton.
00:38:28I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:46One, two, three, four.
00:38:51Are you okay?
00:38:53To outer space
00:38:56That's where I'll see your face
00:39:01And have you with me
00:39:06It may seem dark
00:39:10But you always like my spark
00:39:21You're welcome.
00:39:26They're either enemies we secretly married.
00:39:30Honestly,
00:39:31Right?
00:39:34I was sure I'd never find someone to make my head spin around
00:39:38No one's ever gonna be the thing I need
00:39:40They all just let me down
00:39:42But baby, you saved me
00:39:51So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird
00:39:59And I like weird
00:40:09Check
00:40:09Check
00:40:15You're cheating
00:40:16I'm winning
00:40:17There's a difference
00:40:19You are very distracting
00:40:21And you like it
00:40:23I will be the fine young day
00:40:26I'll be the little darkened stairs
00:40:31I'll hold you in my arms
00:40:33Charles!
00:40:34We need to talk
00:40:44I expected poor judgment
00:40:45But this in my house?
00:40:48It isn't what it looks like
00:40:49No
00:40:51Kissing a servant's daughter in the family library
00:40:54Enlighten me then, Charles
00:40:56We came back tonight
00:40:57After speaking with Serena
00:40:59Imagine our surprise walking in on this
00:41:02She isn't just
00:41:03You have no right to barge in
00:41:06On my property
00:41:10I care about her
00:41:12I'm not ashamed
00:41:13That's enough
00:41:17Why do you care?
00:41:18We're protecting our son's future
00:41:20And our name
00:41:23You think this protects me?
00:41:25We think
00:41:25She does not belong
00:41:27In your world
00:41:31Then maybe I don't either
00:41:35You're ready to give up everything
00:41:36For a girl you barely know
00:41:41Yes
00:41:42Then
00:41:43Are you sure
00:41:45She's ready?
00:41:52I'm asking you
00:41:53Do you think she's ready?
00:41:55To lose everything
00:41:56Regardless of how little
00:41:57That is
00:41:58Just to be with you
00:42:00What are you talking about?
00:42:02You left us no choice, son
00:42:03You shouldn't disobey your father
00:42:07Pelton
00:42:08It's Frederick Kenwood
00:42:10Ah, Mr. Kenwood
00:42:12How can I help?
00:42:13If a scholarship student
00:42:15Were to violate our behavioural code
00:42:17In a public setting
00:42:19With photographic evidence
00:42:21Would that warrant a review?
00:42:23Yes, sir
00:42:27So
00:42:28Answer me again
00:42:30Do you think she's ready to lose everything
00:42:33Do you think she's ready to lose everything just to be with you?
00:42:45Charles
00:42:46What happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things
00:42:53You can't stay here anymore
00:42:55What?
00:42:57My parents fired your mother
00:42:59She's leaving
00:43:00So are you
00:43:01Wait, what?
00:43:02Why?
00:43:02Is it because of us?
00:43:04We can fix this
00:43:05I'll get a job
00:43:06Stop, stop it
00:43:06You don't get it
00:43:08If I don't walk away from this
00:43:10They'll cut me off
00:43:12Okay?
00:43:13No card
00:43:14No trust
00:43:15No support
00:43:16Nothing
00:43:17Then
00:43:19Then we'll figure it out
00:43:20We don't need all that
00:43:21Do you really think I'm going to live like that?
00:43:28So that's what this was
00:43:30Just fun until it got inconvenient
00:43:34What did they promise you?
00:43:38Nothing
00:43:41They just reminded me of what's real
00:43:47Charles, I'm not stupid
00:43:49You don't just turn into a cold stranger because of one conversation
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference between me and you
00:44:04What?
00:44:04You think you know me
00:44:06Or what I have
00:44:08You don't
00:44:09Alice
00:44:10You're still lying
00:44:12I'm not
00:44:12Alice
00:44:13Look around you
00:44:14This mansion you thought was a museum
00:44:17It's my house
00:44:19My world
00:44:21I was bored
00:44:23I was bored into this
00:44:23I am not choosing between this
00:44:28And something I picked up for a moment of fun
00:44:34Don't do this
00:44:35Don't do this Charles
00:44:35You don't mean it
00:44:37It was fine
00:44:38But with you
00:44:41You don't compare to what I own
00:44:44I'll survive the loss
00:44:48Right
00:44:51I should have known
00:44:54Guys like you don't end up with girls like me
00:44:59You play with them then you throw them away
00:45:03Go to sleep Alice
00:45:15This fall is a little more than I expected
00:45:21In so deep I can barely see myself
00:45:27Yeah around me feels so heavy but depleted
00:45:34But I find this the place to test myself
00:45:45Oops
00:46:03Oh sorry
00:46:05Didn't see you there
00:46:06Then again
00:46:07Nobody does
00:46:08Move please
00:46:10Try begging
00:46:18You know what keep it
00:46:24Poor thing
00:46:26So dramatic
00:46:28Don't
00:46:29Excuse me
00:46:31I warned you
00:46:32Walk away Serena
00:46:54Last week's group assignments were mostly forgettable
00:46:58But one pair surprised me
00:47:00In a good way
00:47:02Charles Kenwood
00:47:03And Alice Keaton
00:47:05Would you mind giving us a short summary?
00:47:08She loves the sound of her own voice
00:47:09Better have it
00:47:18Our essay explored what happens when two fundamentally different voices meet
00:47:23Like logic and chaos or silence and noise
00:47:27Different worlds, different rules
00:47:32At first glance
00:47:33At first glance they clash
00:47:34But what makes the story interesting is what happens next
00:47:38Confusion
00:47:39Curiosity
00:47:40But in the end some stories aren't about staying
00:47:44And yes there is no such thing as a happy ending
00:47:56And yes there is no such thing as a happy ending
00:48:01Is she still talking about the essay?
00:48:05Miss Keaton
00:48:08Dramatic as always
00:48:09All right
00:48:10Thank you Alice
00:48:11That was
00:48:13Later
00:48:15Are you okay?
00:48:16A reminder
00:48:17That good literature
00:48:19Always stirs something
00:48:23Hello
00:48:24Hi
00:48:25Here's Alice Keaton
00:48:26This is Whitmore Press
00:48:27We've been following your work
00:48:28We'd like to offer you a long term publishing contract
00:48:30Name your price
00:48:31We'll make it work
00:48:33Sorry what?
00:48:44That's
00:48:44Kind of
00:48:45Insane
00:48:46Who's behind this?
00:48:48Your sponsor wishes to remain anonymous
00:48:50Can
00:48:52Can I meet them?
00:48:54I want to
00:48:55Please
00:48:57Or at least tell me a name
00:49:03Sorry
00:49:03They wish to stay in office
00:49:05So they're only interested in words
00:49:06Not the person
00:49:07I'd really like to meet them
00:49:08I'm sorry
00:49:09Just keep them
00:49:09They were very good
00:49:10I think the most generous offer
00:49:11We've ever given a Disney rights
00:49:13I see
00:49:15Congratulations again
00:49:20You got the interview
00:49:22It's just an interview
00:49:23I haven't gotten it yet
00:49:24Still
00:49:24Alice Keaton at Oxford
00:49:26That's iconic
00:49:35You okay?
00:49:38Yeah
00:49:38I'm so excited
00:49:54It's done
00:49:54It's done Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:58Good
00:49:59It's a generous deal
00:50:00You sure you don't want it to know?
00:50:03No
00:50:05No
00:50:05It's better if I stay out of her life
00:50:07I will be the one you'll be
00:50:12I'll be there in your darkened states
00:50:16Congratulations
00:50:17Alice Keaton
00:50:19Go live the life
00:50:20You were always meant to
00:50:27Your engagement announcement
00:50:29Should align perfectly
00:50:31With the Foundation Gala
00:50:32And the Browns already offered
00:50:35To host the London reception
00:50:38It's all coming together
00:50:39Beautifully
00:50:43I've lost my appetite
00:50:48I'll go check on him
00:50:54What's your problem, Charles?
00:51:00Disengagement
00:51:01Is not happening
00:51:02It's not up to you
00:51:03You know that
00:51:04Serena, we're not doing this
00:51:07You've changed
00:51:11Or maybe I finally just stopped pretending
00:51:43You're the sponsor
00:51:44You've been funding Alice Keaton
00:51:46This whole time
00:51:49So?
00:51:51You lied to everyone
00:51:52Including her
00:51:53I protected her
00:51:57You loved her
00:51:59Still do
00:52:02Let it go, Serena
00:52:05There's no point
00:52:14I need a favour
00:52:16Find out when the Oxford interview is
00:52:20And make sure Alice Keaton
00:52:21Won't show up
00:52:27Anything?
00:52:28No?
00:52:30She's not answering
00:52:31The interview's almost over
00:52:32Well, she won't just not show up
00:52:34Something's wrong
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night
00:52:41She said she was prepping all evening
00:52:47James
00:52:48Track someone for me
00:52:51Wait
00:52:51Where are you going?
00:53:00Chill, okay?
00:53:01We won't hurt you
00:53:02Yeah
00:53:03We're just supposed to
00:53:05Keep you away from the interview
00:53:06That's it
00:53:13Shit
00:53:15Come back
00:53:16Shit
00:53:17Come back
00:53:43I remember how it meant
00:53:47Didn't need a second guess
00:53:54Hey, hey, hey
00:53:55Alice
00:53:56Alice
00:53:57Alice, hey, hey
00:53:58Stay with me
00:53:58Stay with me
00:53:59Stay with me, Alice
00:54:00Alice
00:54:07You're awake
00:54:09Where
00:54:09Where am I?
00:54:11Local clinic
00:54:12Passerby brought you in
00:54:15Passerby
00:54:16He found you on the side of the road
00:54:18He had to leave
00:54:19He didn't leave a name
00:54:21Oh
00:54:24The interview
00:54:25What time is it?
00:54:26Easy
00:54:26It's okay
00:54:27Someone already contacted the university
00:54:29And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what?
00:54:34Who?
00:54:36No idea
00:54:36But it's all taken care of
00:54:41What did you say?
00:54:42Nothing
00:54:44I just
00:54:46Had a dream
00:54:58I got him
00:54:59Oh, I knew it
00:55:04Too bad Charles isn't here to watch you crush it
00:55:07He's not here
00:55:09Oh, you didn't know
00:55:12Know what?
00:55:14He left
00:55:14A few days ago
00:55:16Yeah, everyone doesn't really know where he went
00:55:18Honestly, Ashford's been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:28Alice
00:55:32The summer I met Charles Kenwood was loud
00:55:37Chaotic
00:55:38Unexpected
00:55:41And with his absence
00:55:43Come on
00:55:44It ended quietly
00:55:48Like summers always do
00:55:52Did you feel it from across the room?
00:55:56Did you feel a little enchanted?
00:56:03And joining us today
00:56:05The decade's most unexpected literary phenomenon
00:56:09Alice Keaton
00:56:10Thank you for having me
00:56:11Now, your words moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:19Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:24No comment
00:56:25A little bird told me that the past four years has been just writing and working
00:56:31Not even a single date
00:56:32Let me guess a bird named Sherry
00:56:34She caught me
00:56:35Still no comment
00:56:36All right, all right
00:56:37No matter what you say
00:56:39You write love like someone who's lived it
00:56:43If you're so real
00:56:44Because once
00:56:45I did
00:56:46With someone who felt like chaos and clarity
00:56:50And no one ever quite matched the light after that
00:56:53And let's give it up for Alice Keaton one more time
00:57:07Congratulations Alice
00:57:08The numbers just came in
00:57:09You broke your own record
00:57:13That's incredible
00:57:14We're thinking celebration
00:57:15Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:19There's something I'd rather do
00:57:22I'd like to meet with the person who
00:57:24Believed in me first
00:57:25My sponsor
00:57:27You're sure?
00:57:29Yeah
00:57:29Just once
00:57:31Tonight
00:57:327pm
00:57:43Good evening
00:57:48Good evening
00:57:52May I sit?
00:57:58Hey Mr. Nonchalant
00:58:03Hi
00:58:04Hi
00:58:07You look well
00:58:10And you look like you just stepped out of a GQ cover
00:58:14You always did
00:58:16You were expecting someone else
00:58:19I was
00:58:21Hoping
00:58:23But I guess I always knew
00:58:24But I guess I always knew
00:58:26I didn't come here to confuse you
00:58:28Or to reopen anything
00:58:31I just wanted to say congratulations
00:58:35Oh, thank you
00:58:37Oh, thank you
00:58:37Thanks for keeping us
00:58:39Didn't know you're still reading
00:58:40You were rich enough not to do so
00:58:44Always
00:58:45Either way
00:58:46Your sponsorship started my career
00:58:49So
00:58:50No
00:58:50No
00:58:51No
00:58:51No, you weren't everything
00:58:56Every word
00:58:57Every page
00:59:00Every reader
00:59:02That's what I came to say
00:59:07It was good to see you again
00:59:09I hope
00:59:09Charles
00:59:12Can you just
00:59:14Wait a little longer
00:59:22I think I knew it was you
00:59:25There was one email
00:59:28You said something
00:59:29It felt familiar
00:59:31Really?
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:35Very on brand
00:59:38I should have anonymized my grammar
00:59:40Too late
00:59:40Your semicolon usage gave you away
00:59:43Still the only girl I know
00:59:45Who flirts through punctuation
00:59:46Still the only guy I know
00:59:48Who uses wiles unironically
00:59:52You've changed
00:59:54But
00:59:56Not really
00:59:58You haven't changed
01:00:01But
01:00:01Maybe you've grown into who you really were
01:00:06Anyway
01:00:07I wanted to say
01:00:09Thank you
01:00:11And
01:00:13Thanks for being here tonight
01:00:15You didn't have to come
01:00:17Don't tell me what I have to do
01:00:19You didn't have to come
01:00:24Don't tell me
01:00:25What I have to do
01:00:46If you could go back
01:00:48If you had the chance to do it all again
01:00:50Would you do anything differently?
01:00:57No
01:01:02No
01:01:03No
01:01:03No
01:01:07I see
01:01:11I know my answer now
01:01:13I didn't have the power back then
01:01:15Not enough to protect you
01:01:17Not enough to protect you
01:01:18I couldn't watch you get crushed because of me
01:01:20Because of my name
01:01:22My family
01:01:25I didn't want to be the reason you lost everything
01:01:28So you just disappeared
01:01:29Without a word
01:01:34If you had the chance to see the world
01:01:36Without me weighing you down
01:01:38If you still chose me after that
01:01:44You keep saying you wanted to give me a choice
01:01:47But you made a choice for me
01:01:51Did it ever cross your mind that maybe
01:01:56I would have chosen you anyway
01:02:03I didn't think I was the smart choice
01:02:06You weren't
01:02:09But I never claimed to be that smart
01:02:20This is me
01:02:21Right
01:02:30I'm still mad at you
01:02:31You know
01:02:34I'm still in love with you
01:02:35You know
01:02:43Do you want to come in for a bit
01:02:48You're asking your ex
01:02:50Who you haven't seen in four years
01:02:51To come into your hotel
01:02:53At approximately 11pm
01:02:57You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02You don't have to come
01:03:02Don't tell me what I have to do
01:03:05It's almost like you say
01:03:19Stop quoting yourself
01:03:20I recycle
01:03:21It saves energy
01:03:23This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants to call romance a distraction
01:03:30I said that
01:03:31Yeah
01:03:31Before calling Wuthering Heights overrated
01:03:34Still is
01:03:36You're lucky you're a good kisser
01:03:41That is cute to me
01:03:42Don't you dare quote poetry
01:03:44I wasn't going to
01:03:46I forgot all of it the day you left
01:03:48Then shut up
01:03:50And prove it
01:03:58I still can't believe this is happening
01:03:59I told you
01:04:00They're either worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:31I vow to always tell you the truth
01:04:34Except for when you ask how your cooking was
01:04:37Then I lie
01:04:39Respectfully
01:04:41I vow to keep choosing you
01:04:44Loudly
01:04:46Quietly
01:04:47Always
01:04:49Even when you forget to do the laundry
01:04:53Is he actually good at this?
01:04:55I mean
01:04:56He did beat her at soccer though
01:05:01I vow to argue with you at least twice a week
01:05:03Especially our Shakespeare
01:05:06I vow to write you in your every story
01:05:09Even when I say I didn't
01:05:11You will always be part of my life
01:05:14If she quotes Austen in this toast
01:05:16I'm out
01:05:16No you're not
01:05:17You're going to cry harder
01:05:18For the rest of my life
01:05:23For the rest of my life
01:05:36I can't believe you picked Paris
01:05:44Such a cliche honeymoon destination
01:05:48Guard your phone
01:05:49Relax
01:05:50Just don't dress like a walking inheritance
01:05:52And you'll be fine
01:05:56You are not wearing that on our honeymoon
01:05:59Please Alice go change
01:06:02Don't tell me what I have to do
01:06:07No
01:06:08No
01:06:09No
01:06:09No no no
01:06:10That is not an invitation
01:06:11Do not take off these clothes
01:06:13I'm overroared
01:06:13You look much better without them
01:06:21To the ones who loved in silence
01:06:23In chaos
01:06:24In chapters
01:06:26You will find your way home
01:06:31Sometimes
01:06:32You are not in charge
01:06:35But I don't want to die alone
01:06:37God
01:06:38I don't want to die alone
01:06:41God
01:06:41Jesus
01:06:41Do not want to die alone
01:06:44Come on
01:06:45Stop
01:06:49What's eat?
01:06:51Dung
01:06:52My king
01:07:02it's up to us to make sure that we can gain what's been passed through these books
01:07:08help us develop learn and grow
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