- 9 hours ago
How To Get To Heaven From Belfast S01E02 [Full Movie] [Full Story]Full EP - Full
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00:28The call from the song, we're at him.
00:37The call from the song, we're at him.
01:00The call from the song, we're at him.
01:07The call from the song, we're at him.
01:17The call from the song, we're at him.
01:35The call from the song, we're at him.
01:58The call from the song, we're at him.
02:23We're at him.
02:33The call from the song, we're at him.
03:01The call from the song, we're at him.
03:13It's a stupid fucking idea.
03:14Our friendship with Greta ended a long time ago, and for good reason.
03:17So let's just get the fuck out of this place.
03:19Hey.
03:21Is that the mechanic?
03:22Yeah.
03:23Last night.
03:24Outside the thing, the hotel.
03:28He told me he was actually all right.
03:30A cop.
03:30Can I look okay?
03:31No.
03:32Great.
03:33Hey.
03:33Hi.
03:34How are you feeling?
03:35You okay?
03:36I'm fine.
03:37Sure.
03:39Yeah.
03:40Good.
03:42We're fine too, by the way.
03:45Myself and Dara here.
03:46Fellow victims of the crash.
03:48Yet yous are very lucky, you know.
03:50I mean, you only have to take one look at the car.
03:52Oh.
03:53Sweet and gentle.
03:54Jesus, my car.
03:56I've barely had it a month.
03:58Jim's going to go absolutely mental.
04:00I can't listen to him.
04:01I cannot listen to him.
04:03Maybe he'll just stay here.
04:04Maybe he'll just live here.
04:05In the mountains.
04:06Alone.
04:07Forever.
04:08When you're back home, you're going to have to get something.
04:10Cosmetic work done.
04:11No shit.
04:12Give us a hand getting her down.
04:14No, I'm heading back to work, Uncle Hughie.
04:16Two minutes.
04:17I'm in the uniform.
04:19Take the uniform off.
04:20Yes, Liam.
04:22Take your uniform off.
04:23He's young enough to be your son.
04:25He's 26.
04:27He's 12 years.
04:28Oh, you've done the maths, have you?
04:29You hate maths.
04:30You're gauged, seriously.
04:31I know my gauged, Jesus.
04:32I was joking.
04:33Hardly going to forget the fact that I'm in gauged.
04:35Forget.
04:36What?
04:36My ring, honest to Christ, where to put it now?
04:44Everything alright?
04:45Oh, yeah.
04:45I lost my ring.
04:47Again.
04:48You're going to need to get one tattooed off.
04:52Hey, what is it?
04:55Nothing.
05:01Harry, yeah.
05:02Sasha, what time do you think you'll arrive?
05:03We're going to meet before the red carpet because it's an absolute cluster.
05:06Is that tonight?
05:07Have you forgotten?
05:07No, I didn't forget.
05:09The thing is, I'm going to need a new flight because the other flight is, well, it's gone now and
05:14I wasn't on it.
05:15You missed your flight.
05:16Well, can someone in the office sort that?
05:18It's the BAFTAs.
05:19It's the fucking BAFTAs, Sasha.
05:22I was in a car crash, actually, Harry.
05:25A car crash?
05:26Jesus Christ.
05:27Jesus Christ, are you okay?
05:28What?
05:29Yeah.
05:30I...
05:31Can you hear me?
05:31I'm fine.
05:32Okay, let's just get you on a plane.
05:33Yeah, well, I have to go straight to the venue, so help you.
05:36Ideally.
05:37Are you sure you're alright?
05:37No, I'm...
05:38I'm fine.
05:39I'm still going to be able to write.
05:41You're still going to get your commission.
05:43Bye-bye, Harry.
05:46Nice.
05:49You're a writer?
05:50I am, yeah.
05:52What do you write?
05:54Um...
05:55I write a TV show.
05:56A cop show, actually.
05:58It's called, um, Murder Code.
06:01Is it not huge?
06:02Yeah, yeah, I suppose it is.
06:03I mean...
06:05I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:30God, I can't wait to get home.
06:32Sat Nav, it's totally fucked.
06:34Here, have the map on my phone.
06:36Say I was right.
06:37I think we're turned off here somewhere.
06:39Stick your arm through so I can see the map.
06:41What if it wasn't her body in the coffin?
06:42Do you know how to arrange your sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw...
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it.
06:57Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal, considering...
07:04The thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react?
07:11Have you no fucking mind of your own?
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry!
07:16I really think something weird is going on here.
07:20Okay, we all know Dara was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27And shit!
07:33Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:39If you are, you might want to raise the attitude.
07:54Right.
07:55Stay here.
07:57Jesus!
07:58Bloody car!
08:02I am so, so sorry.
08:05Are you okay?
08:06I'm usually a really careful driver.
08:09The condition of your car would suggest otherwise.
08:12Right.
08:13Is that a dairy accident I'm detecting?
08:15I'm, I'm from Belfast.
08:17I'm not really feeling the old six-county solidarity at the minute.
08:20Fair enough.
08:21Let's do the thing and get going then.
08:25Well, it's not actually that bad.
08:29I mean, wing mirror side.
08:36It's a nightmare.
08:38She never looks where she's going.
08:41Hi.
08:43Hi.
08:43Are you okay?
08:45Not really.
08:46I should probably kill you all, but I don't have room in my boots.
08:58Here.
08:59Put on your details.
09:00Scheme of yours now.
09:01I'll do the same.
09:01Right.
09:10Right.
09:11There you go.
09:12I'll be in touch.
09:13I look forward to it.
09:17Dairy people are always such weirdos.
09:21Bye.
09:43Good gear.
09:47What the hell are you looking at?
10:10My hair!
10:14I was a one- plugins for you all.
10:15I love it too!
10:16Oh, my God.
10:27I can feel trapped, like, there's nothing right now.
10:31This has been sanctioned scuya to read the figuring it out so that I'm gonna find them
10:39Look, Saoirse, I know Greta Diane, the wake, maybe brought up a lot of stuff.
10:48Yeah.
10:50But I really think we just...
10:55Right.
10:56I've had it with Oz.
10:58Let's get the fuck back to Kansas.
11:07Jesus Christ.
11:08I was in a car crash, Harry.
11:09What were you expecting?
11:10Oh, my God, baby.
11:12I'm fine.
11:13This whole thing is a bloody nightmare.
11:14You were in a car crash.
11:16Gina sent the wrong waistcoat over.
11:17Yeah, that's the same.
11:18Guys.
11:19It's horrific.
11:20Guys, we need to have a red carpet for the photographs.
11:23Right now?
11:23Right now.
11:24Ah, shit.
11:25You'll have to get changed here.
11:26You'll not get changed in the fucking street, Harry.
11:28Oh, grow up.
11:29Oh, over here, over here.
11:30Some fans left these for you at the venue.
11:32So sweet.
11:33Oh, yeah.
11:34Oh, take it.
11:35I mean, they're usually just story-ling ideas which nine times out of ten are fucking psychotic.
11:40It's just such a weird fit.
11:41It feels sort of boxy.
11:43Is it boxy?
11:44I'm just going to talk you through the plan.
11:45That's called sushi.
11:46Sushi?
11:46Absolutely.
11:47Seriously?
11:47Seb, can we have a hand, please?
11:49For God's sake.
11:54Oh, fucking hell!
11:57Hold it nice and high.
11:59So, I've just been with Marnie and we are very sensitive to the fact that there are some creative discussions
12:05going on.
12:06Um, but from a channel perspective, we are super keen that you walk the red carpet together.
12:12How are you feeling about that?
12:14Not brilliant.
12:15Right.
12:16Um, we wouldn't push it if we didn't feel it was super important.
12:21Imp- imports?
12:22Do you mean, do you mean important?
12:23Does she mean important?
12:24I think she means important.
12:25She's a dick.
12:26Right.
12:27She's a dick.
12:27Isn't she a dick?
12:28There was some definite dick-like behavior on set.
12:31Then again.
12:32No, then again.
12:32We will not be needing a then again unless you'd like me to call off her engagement.
12:36She really regrets some of the things that she said.
12:38She told her that?
12:39I very much got that vibe.
12:41Um, isn't apology something that you'd be open to?
12:44She's not going to apologize.
12:46Come on.
12:47No.
12:51Sorry, you want me to apologize?
12:53Get the fuck.
12:54Sisha.
12:55I'm so sorry.
12:56She's Irish.
12:56What can you do?
12:57We're just thinking of the fans.
12:59Are you?
12:59Especially the women.
13:01Because they see you two out there.
13:03The showrunner and the star.
13:05This unstoppable, inspirational, feminist force.
13:10And they feel empowered by it, see she?
13:13Fans like the show because of the murders.
13:16They like to solve a mystery because it makes them feel in control.
13:19It makes them feel like good will prevail.
13:21It makes them feel like this fucked up, messy existence
13:24can somehow be figured out when the truth is.
13:27Of course, they're not in control.
13:28Good won't prevail.
13:29And life is fucking meaningless.
13:30So, you do whatever it is that you need to do
13:34because I am not apologizing to that narcissistic, ungrateful dickhead
13:41and I am not walking the red carpet with her.
13:45End of scene.
13:53You think you're going to win tonight?
13:56Oh, Scott, look, we're just delighted to be nominated
13:59and in such great company.
14:01And also, it's a good excuse for a girly night out, isn't it?
14:05Totally.
14:06Yeah, we've definitely brought our dancing shoes.
14:09And you have a new nemesis this series, I believe.
14:12Yes, indeed, Rosemarie de Cassis.
14:15So, how do you come up with such fabulous character names?
14:18It depends, really.
14:19Sometimes it's just about what things are right
14:21or, like, real, truthful.
14:24But with the villains, I can have a bit of crack,
14:26a bit of fun.
14:27So, what I do is...
14:50So, now you know?
14:53Well, you know who sent that email.
14:58You know it wasn't me in that coffin.
15:01I don't know anything.
15:04Not for certain.
15:06If it wasn't you, who was it?
15:08Are you ever planning on telling Seb you don't want children?
15:10Jesus, where'd that go?
15:11I don't know, I'm a figment of your imaginations here.
15:13So, you're the one calling the shots here.
15:15We are talking about you being in a coffin
15:17or not being in a coffin.
15:18Can we please just stick to it?
15:20Jesus Christ, I can't breathe.
15:22Do you know what?
15:23I'm not doing this, not now.
15:26Not here.
15:26I'm going to close my eyes
15:27and when I open them again,
15:29you're going to be gone, okay?
15:30Whatever you say.
15:37Why don't you do this, Carla?
15:44Guess it didn't work.
15:46Fools!
15:47You have to tell the others about your little epiphany.
15:49They won't listen.
15:50Make them listen.
15:51I'm not sure I can.
15:53Fine, ignore it.
15:54Pretend it didn't happen.
15:55You're good at pretending things didn't happen, aren't you?
15:59Is this connected to...
16:03what we did?
16:09That's what you have to figure out.
16:20Stop this.
16:22Take yourself back there.
16:24No.
16:26Take yourself back there and look at it again.
16:33See it.
16:45And ask yourself.
16:47What should we have done?
17:02Hey, there you are. You must meet Marcus Dalton Foster. He produces...
17:05Oh, my God, we were obsessed with it. I'm so sorry. I just need to steal him for a second,
17:09okay?
17:10What's going on?
17:10I have to go. Can I have the room key? Because they took off my stuff.
17:13What do you mean you have to go?
17:15It's my friend. You know, the dead one. It's an emergency.
17:17What kind of emergency? Has she died again?
17:20It's a whole thing. I can't really get into it right now. Can I just have the key?
17:24It's the BAFTAs. Do you think you might have a concussion?
17:29Oh, no, I'm fine.
17:30Are you sure?
17:31Yeah, yeah, yeah. Oh, yeah. Okay, great.
17:33If we win, you're going to have to do the speech. Do not let Marnie do the speech.
17:39Wow. Thank you so much. What a huge honour.
17:44For he who conceals his transgressions will not prosper, but he who confesses and forsakes them will find compassion.
18:01Take this, all of you, and eat it. For this is my body, which will be given up for you.
18:09Body of Christ.
18:10Body of Christ.
18:16Body of Christ.
18:17Body of Christ.
18:20Body of Christ.
18:23Jason Meadows. He's here.
18:31Stand back, please.
18:37I mean, look, what do you think happened?
18:40You think I woke up...
18:41Hey, son.
18:42Wait!
18:43Mars!
18:44If you make Patrick, I'll never be responsible for my actions!
18:49Well, if anyone's going to make Patrick, I mean...
18:51Do you think I'm decided?
18:52I know.
18:52I got to completely banjax my brand new car.
18:55That'll be class-cracked.
18:56No, of course not.
18:57It's just, well, do you know, like, it was bloody expensive, Robin, and I work hard, though.
19:03I don't work hard?
19:04No.
19:05No, that, that, that, that, that, that, that, that's not what I said.
19:07Well, maybe all this is easy.
19:10Maybe I'm overthinking this whole mothering thing, you know.
19:12Maybe I'll just fire the three of them outside and let nature take care of it.
19:16It'll be like Chicken Boy.
19:17Who's Chicken Boy?
19:19The elephant from Anna.
19:20He was raised by chickens.
19:21Chicken Boy!
19:23What do we know?
19:24Look, who gives a shit about the car?
19:26I could have died, Jim.
19:27Well, obviously, I'm glad you're not dead.
19:30Oh, my God, really?
19:32It's sick.
19:34Oh, Jesus.
19:37Obviously, I'm glad you're not dead.
19:40Fuck.
20:14Oh, Father, I'm so sorry.
20:17Please, don't worry about it.
20:19These things happen.
20:19I'm going to be left to the bingo, Dara.
20:21In a minute, Mammy.
20:22Father, I was wondering.
20:23Yes.
20:23Will you take my confession?
20:25Oh, for a first sight.
20:26Could we do it tomorrow?
20:28Well, I'd rather do it now.
20:29It's just that the confessional closes at nine.
20:31Well, can't you just open it?
20:33Normally, I would.
20:34But Rome's encouraging us all to examine our work-life balance.
20:38Work-life balance?
20:39You're a priest.
20:40And I'm heading to the bingo now myself, so...
20:42But listen, tomorrow I'll be all ears.
20:45Of course.
20:46Oh!
20:49Someone handed that in to the sacristy for you.
20:52And I'll see you at the bingo, Mrs. Freed.
20:54Bye, caller.
20:57Come home.
20:58All right, Mammy Darby.
21:10Come home.
21:10Jesus Christ.
21:11I'd have rung the time I was coming, but, you know, I didn't.
21:15How come you're here and there?
21:18I'm not there.
21:19I'm just here.
21:20What?
21:21We just saw you on the red carpet.
21:23It's edited.
21:23Oh, what do you mean edited?
21:26Do you want me to explain what edited means?
21:28Why?
21:29Look, there's a delay.
21:30It might even be...
21:31Oh, my God, we won.
21:33What?
21:34How the hell could you know that?
21:36Give me a strike.
21:37What are you doing home now?
21:38Listen, do you remember my notebooks, like, from school?
21:41All my old stories and scripts and ideas and things?
21:44You're not on that cocaine stuff, are you, Saoirse?
21:47I kept them in that wooden box of my room.
21:50They're all at that cocaine stuff now.
21:53We turned your room into a gym.
21:54Well, you put a cross-trainer in there, which you now use as a close word.
21:57Well, we don't always get the weather to dry things on the line, Saoirse.
22:01Where's the box?
22:01I fired that stuff up into the attic.
22:03Okay, quick.
22:06You need to clear that alley.
22:07Oh, will you stop, Ily?
22:10Give over, woman.
22:11One, two, three, four, three, four, four, four, four, four, four.
23:07I don't believe it.
23:09Maybe it's just a shark.
23:13Maybe it'll stop soon.
23:20Time for plan B then?
23:22What's plan B?
23:26We bury him?
23:27Come on.
23:27Come on.
23:29Come on.
23:39Come on.
23:43Come on.
23:58Come on.
24:00Come on.
24:02Come on.
24:03Come on.
24:15Come on.
24:20Come on.
24:22Come on.
24:23Come on.
24:24Come on.
24:25Come on.
24:26Come on.
24:27Come on.
24:28Come on.
24:28Come on.
24:38Come on.
24:41Come on.
24:44Come on.
24:45Come on.
25:10Come on.
25:13Come on.
25:26Come on.
25:28Come on.
25:29Come on.
25:57Come on.
25:58Come on.
26:04Come on.
26:33Come on.
27:00Come on.
27:03Come on.
27:33Come on.
28:00Come on.
28:10Come on.
28:13Come on.
28:32She's made sure of that.
28:35She's made sure of that.
28:35She wants us to shine a light on this.
28:37Come on girls.
28:38We put a bad guy in the ground once.
28:40What's become of us?
28:42We grew up.
28:45We grew afraid.
28:50Okay.
28:51Say.
28:53Say we do this.
28:54Right?
28:55Say we prove that the body isn't Greta.
28:58That is it.
28:59That's our bit done.
29:00It has to be.
29:01Okay.
29:02That is it.
29:02Over.
29:03Sure.
29:04You promise?
29:04I promise.
29:13Fuck it.
29:20We do a different theme every month.
29:22The young ones come from Letterkenny and Dunningall town by the busload.
29:26It's mad crack altogether.
29:28How thrilling.
29:28Now you've just missed one unfortunately.
29:30Oh say it isn't so.
29:32But don't you worry.
29:33We'll keep you entertained.
29:34We have a country and western night this evening.
29:37Hmm.
29:38Standard room okay?
29:39Yes.
29:40Just yourself is it?
29:42Why is that relevant?
29:47Now it's not so much an official night as a kind of memorial.
29:51A memorial?
29:52A fellow over in Valley of Union.
29:53A Kenny Rogers impersonator I believe he was.
29:56Didn't he only go and get himself killed on one of them, whatchamacallit, one of them bucking broncos.
30:01Thrown to his death John boots good and boogie.
30:04Some friends of his for having a bit of a do in his honour.
30:08It'll be Gans.
30:10Well at least poor Kenny didn't die in vain.
30:12Every cloud as they say.
30:13You're only back from Donegal.
30:16Yeah but we have business to attend to.
30:18What sort of business?
30:19I can't tell you but you trust me don't you?
30:21Not really no.
30:22And it's Jack's party tomorrow look.
30:23I'll be back in time for the party.
30:24I'm hardly going to miss the son's birthday party.
30:27Well you have so much to do there's nothing in.
30:29Why is that her problem?
30:30For God's sake Saoirse will you stay out of this I'm not going to ask you again.
30:33Don't you speak to her like that.
30:35We can grab the party stuff on right Jim.
30:37There's no trouble.
30:38You can handle it.
30:42And when I do come back you're going to be really glad I didn't die in that car crash.
30:48Let's go girls.
31:10Why do we prove the body isn't Greta though?
31:15We need a plan.
31:17Why don't we have a plan?
31:18Well I called Noctara parochial house.
31:21The funeral's first thing.
31:23So her coffin won't have left home yet.
31:25Well you can't go back there.
31:42We meet again Inspector O'Neil.
31:46Here.
31:47Everything okay with your food?
31:50Everything as much as it was when you last asked.
31:52Not five minutes ago.
31:54The manager makes us say.
31:56I don't actually care.
31:59Too many Dolly Partons if you ask me.
32:02Dolly.
32:02Dolly Parton is one of the greatest artists ever they have graced this planet.
32:06A musical icon.
32:09Storyteller.
32:10A philanthropist.
32:11I didn't mean.
32:14I like Dolly Parton.
32:16Hmm.
32:23Such an interesting case.
32:25Where is she now?
32:27It's better if you don't know.
32:29You brought what I asked for.
32:31Uh huh.
32:34And?
32:42Very good.
32:45It's better work Booker.
32:48Oh I don't think I appreciate your tone.
32:50I'm sorry.
32:52Address me like that again and you will be.
32:54It's just.
32:55Oh I'm very you.
32:57Hmm.
32:57Not for me.
32:59I'm a professional.
33:02Remember.
33:04Unless.
33:05We break in.
33:06Steal the body.
33:06Drive it somewhere.
33:07And then dump it with like an anonymous note.
33:09Drive it where?
33:09I don't know.
33:11Somewhere with a lab.
33:12Somewhere they could do tests.
33:13Like a hospital or university.
33:15Oh.
33:15Dentist.
33:16Yeah.
33:17That sounds like an awful lot of hassle.
33:18Dara.
33:19What is all this shit?
33:20I grabbed some past the parcel prices.
33:22I usually just see cash.
33:24What?
33:24Few fivers.
33:25Few teners.
33:26Couple of twenties.
33:27Sorry.
33:27You wrap up cash for past the parcel.
33:28Kids love it.
33:29Dara.
33:33Oh Chris.
33:34Look.
33:34Just.
33:35Just.
33:35Just try to act normal.
33:37I thought it was you.
33:39Niamh.
33:40Oh God.
33:42You remember Robin and Saoirse?
33:45Of course.
33:46Yeah.
33:48How have you been?
33:50Yeah.
33:50Good.
33:51Yeah.
33:52You?
33:53You're in London now here.
33:54Oh really?
33:55Me too.
33:55You don't live in London?
33:57Wasn't I there today?
33:58And now you're back here?
33:59Not now.
34:00Girls.
34:01Is your mum keeping well?
34:03Yeah.
34:04She's good.
34:04She's got water aerobics tomorrow.
34:08So.
34:09Right.
34:12Congratulations on the whole.
34:14On the wedding.
34:15On the Mars thing.
34:16Thanks.
34:17Is she here?
34:18The wife.
34:19The old ball and shame.
34:22No.
34:23It's just a flying visit really.
34:25Someone had to stay home and mind the baby.
34:29The baby?
34:31Hmm.
34:33Oh.
34:34There's the baby.
34:35That's.
34:36Well done.
34:38Dara.
34:38Dara's just got a big promotion at work.
34:42Really?
34:42That's amazing.
34:43Yeah.
34:44And she's got her eye on a little place in France.
34:47My God.
34:49What an absolute dream.
34:50It certainly is that.
34:51And she's having lots of sex.
34:53Okay.
34:54Well.
34:55It was great to see.
34:59You too Dara.
35:01Take care of yourself.
35:06Christ.
35:07She's always so far off her own home.
35:10Could we not?
35:29Okay.
35:31Let's think.
35:35What if we send a message?
35:37What?
35:37The body.
35:38What if we call someone?
35:40A newspaper.
35:41Tell them it's not Greta.
35:44Too easily dismissed.
35:46No.
35:47We need something that's gonna bring it right right into the open.
35:54I have an idea.
35:55Yeah.
35:59Okay.
36:00You ready?
36:00Are we absolutely sure about the mask thing?
36:02The mask thing is brilliant.
36:03The mask thing is the best of it.
36:05Can I at least be Ariel?
36:06No.
36:07You're Belle.
36:08Yeah Belle.
36:09Belle's a dick.
36:10But she slags off her entire town like she's the only person who's ever read a book.
36:14Who are you again?
36:15Eeyore.
36:16So lucky Eeyore's class.
36:17I know.
36:18Okay.
36:19So we go in there.
36:20We do the thing and then we like it.
36:21We're back in the car before they know what's hit them.
36:22I have to say it doesn't feel foolproof.
36:24Well it was Dara's idea and she's the one who's just found out the love of her life
36:27has had a baby with someone else.
36:30Fair enough.
36:39Do not be alarmed.
36:40We come in peace.
36:41We mean you no harm.
37:07Look are you going to charge us for something or what?
37:09We don't know yet.
37:11You see we're not quite sure at this present juncture if what you did was actually a bona
37:16fide crime or just something like.
37:19Really fucking weird.
37:21Exactly.
37:22Also and furthermore we need to wait for another one of our colleagues to be in situ as it were.
37:29Should I call Liam?
37:30Sir he's at the funeral.
37:31The boss's wife.
37:32They moved it to Donegal town.
37:34His phone will be off.
37:35Whose funeral?
37:36Greta's funeral?
37:37They moved it.
37:38Call the crematorium.
37:39The crematorium?
37:40He crematorium.
37:41He crematorium.
37:42The body.
37:43He knew what I saw.
37:45He knew he had to get rid of the body.
38:30I thought someone from the station should come and pay their respects.
38:34You're very thoughtful.
38:36It was supposed to be a private service.
38:38It's a family only.
38:40You understand?
38:43If I had known I'd never have.
38:44I'm glad you did.
38:53It was for Maria.
38:55She was finding everything so overwhelming.
39:02Of course.
39:04Of course I get it.
39:17I'm so sorry.
39:18Please.
39:27We weren't really sure what to do.
39:28I'm not surprised lads.
39:30We thought it was Greta's funeral.
39:32How does that make it better exactly?
39:34Let's get some statements.
39:35You.
39:36Come with me.
39:42Should I call my solicitor?
39:44It's not funny.
39:45Those people were probably really scared.
39:47They probably thought it was some sort of terrorist attack.
39:49Because we were from Belfast.
39:51I suppose.
39:52Jesus.
39:53Like the good Friday agreement never happened.
39:54Because you burst in on a funeral service wearing clown masks.
39:57There weren't clown masks.
39:59There were Disney princess masks.
40:01Well two of them were.
40:01The other one was from the Winnie the Pooh line.
40:04Is Winnie the Pooh Disney?
40:05I don't know.
40:06Probably.
40:06Most things are Disney.
40:07Was this like a pact or something?
40:09What?
40:09You said you were all friends in school.
40:11Was this like a stupid prank you agreed to do if one of you died?
40:14Not really.
40:15Then what's going on?
40:18If I tell you, you'll think I'm mad.
40:20That ship sailed, Saoirse.
40:22We're quite different in this environment.
40:24Take it all quite seriously, don't you?
40:27This is my job.
40:28I don't take my job seriously.
40:29You don't have a serious job.
40:32Can I ask you something?
40:34What?
40:34What happened to Greta when she died?
40:36Where did she go?
40:38In a spiritual sense.
40:40In a physical sense.
40:42Where did her body go?
40:44First on scene where they brought her here once they realised there was nothing else they could do.
40:47To the station?
40:48To the marg, yeah. Why?
40:49Were you working that night?
40:52Paul was on that night.
40:54One of the guards you just met.
40:55Did Paul know Greta?
40:57I don't think so. No. Why?
40:59Was anyone who knew Greta working that night?
41:01I'm not sure.
41:02Saoirse.
41:04What's all this really about?
41:12You can tell me.
41:25You were right.
41:26What?
41:27What you said about the pact, about the prank, that was it. That was right. So just like fine us
41:31or whatever.
41:32Saoirse.
41:35Can I go now?
41:40Of course you can.
41:58All right, Greta. I just need a quick look at the lock there.
42:00Don't step on me floor.
42:02Right.
42:06I have to do this next.
42:08There's nobody in there. Sure there's not?
42:11No. All clear.
42:15My sister-in-law, she cleans for the medical institute in Limerick. She opened one of these things once and
42:20wasn't the fellow inside, only still alive.
42:22Is that right?
42:25Here, let me give you a hand.
42:30I think there's something jamming it.
42:32I think there's something jamming it.
42:47I noticed that.
42:49There's no trace of her at all.
42:51It's starting to feel like we imagined her or something.
42:56We didn't.
42:57What the hell is going on?
42:59I have no idea.
43:02But I haven't yet your old's birthday party to organize, so...
43:06Excuse me. Can we get the bill, please?
43:18The multi-coloured moods of love are like its satin wings.
43:25The flame starts with satisfy,
43:38I feel it when you're with me
43:41It happens when you kiss me
43:44That rare and gentle feeling
43:47That I feel sad
43:50Hey, the night Greta O'Neill died
43:53That was supposed to be my shift, wasn't it?
43:56Before they were swapped around
43:58Yeah, what happened?
44:00The boss said you'd done three nights the previous week
44:02So was Owen's idea
44:10The multicolored moods of love are like it's sat in me
44:16Love makes your heart feel strange inside
44:19It flutters like soft wings and bland
44:22Now everyone's talking about what you did
44:25Right, now everyone thinks it was fucking mental
44:28Okay, thank you for your feedback
44:31Can we just get the bill?
44:33Someone's already settled it
44:35What?
44:36Who?
44:38Oh, they were here a second ago
44:40Oh, wait
44:43So...
44:44Oh, him
44:45Over there
44:46I'll see you later
44:46I'll see you later
44:48I'll see you later
44:49I'll see you later
45:01I'll see you later
45:06Love makes your heart feel strange inside
45:09It flutters like soft wings and flies
45:12Love is like a butterfly
45:14A rare and gentle thing
45:18Love is like a butterfly
45:21A rare and gentle thing
45:52Meat croaks
45:55Hot and gentle thing
46:37Transcription by CastingWords
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