- 9 hours ago
How To Get To Heaven From Belfast S01E07 [Full Movie] [High Quality]Full EP - Full
Category
🎥
Short filmTranscript
00:00I don't know.
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50They told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother is what I actually said.
00:58Time to get in there?
00:59Mum, yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:18See ya.
01:44You should always keep your front door closed.
01:48You never know what might get in.
01:56I wanted to have this conversation in Portugal.
02:00But you left in such a hurry.
02:03My family, my husband and my daughter, they don't know.
02:11You mentioned that in your letter.
02:13And what did you tell them about why you were cutting your holidays short?
02:17I lied.
02:19I've got very good at that.
02:21I expect you have too.
02:24Hmm.
02:26Hasn't been easy.
02:28Tracking you down.
02:32I even found myself back there.
02:37Heavensvale.
02:39It's a ghost town now.
02:43No.
02:44Afterwards, everyone left.
02:46Well, not everyone.
02:50Your mother's still there.
02:52What?
02:54Well, thereabouts.
02:56She's very ill now.
02:58There's this place on the outskirts.
03:01I thought you might...
03:02What?
03:03Visit her?
03:04Yeah.
03:06Maybe not.
03:10We were just two little broken dolls, weren't we?
03:20I want you to have something.
03:23I've got one, too.
03:25It's a...
03:26It's a friendship bracelet.
03:30We were friends once.
03:34You didn't come all this way to give me a friendship bracelet.
03:40I have the most wonderful news.
03:45When I saw you in Portugal after all this time, I knew it was a message.
03:50I knew it was him.
03:52I knew he'd brought you back to me.
03:56Who?
03:57Please tell me you're not talking about God.
03:59After everything that happened.
04:02The signs, they were strange at first.
04:07Especially the photographs.
04:08And not just photographs.
04:11He comes to me in my dreams, appears in the faces of strangers.
04:14Who?
04:16Charles Sampson.
04:21You look frightened.
04:24This is fucking terrifying.
04:25It's beautiful.
04:27It's God's will.
04:28What is...
04:29What does he want?
04:31For Charles to be at peace.
04:33For us to seek redemption.
04:36And for his son to have the answers he deserves.
04:39He had a son.
04:41Did you know that?
04:44I shut it out completely.
04:46The idea that Charles was a person with a past.
04:50And when the vision started, I got curious.
04:53He's studying journalism.
04:56The son, Andrew.
04:59His name's Andrea.
05:03We need to tell him what happened.
05:13I'd like you to leave.
05:29We're being given an opportunity here.
05:32A gift.
05:33Great.
05:34You take it.
05:35Keep me out of it.
05:37But I don't know what happened to him afterwards.
05:39His body, I mean.
05:41Because I dealt with it.
05:43For you.
05:44Yeah?
05:45To protect you.
05:46You felt guilty.
05:49Because you were clever.
05:51And interesting.
05:52You were worth saving.
05:54And I wasn't.
05:56But it's okay.
05:58It's all okay.
05:59Now.
05:59Get out.
06:02I'm not going anywhere.
06:06I'm calling my husband.
06:09It's too late.
06:11I rang his son.
06:12I told him to come here.
06:16I'll deny it.
06:19I'll deny everything.
06:20I still have the tape.
06:24What?
06:25I kept it.
06:27Locked it away in a little box.
06:29Are you blackmailing me?
06:30I'm guiding you.
06:32Guiding you into the light as God wants me to.
06:36You need help.
06:37For everyone practicing evil hates the light.
06:39Lest his deeds should be exposed.
06:41But he becomes into the light.
06:44His deeds may be clearly seen.
06:46And may have been done.
06:48In God's name.
06:49Fuck.
06:51I'm on the phone.
06:52I'm not there.
06:54I'm not there.
06:55I'm somebody else.
06:56No.
06:58Oh.
07:02Oh.
07:04Oh.
07:05Oh.
07:06Oh.
07:07Oh.
07:11Oh.
07:19Oh.
07:22Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:33Oh.
07:33Oh.
07:34Oh.
07:34Oh.
07:35Oh.
07:35Oh.
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:36Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong. Anything that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal. Donegal is weird.
08:52No offence.
08:55We need to get to Belfast.
08:57But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00For some Duggar cards or phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver.
09:06Not a thick and highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta.
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact.
09:33Whatever it was, it was big enough, insane enough, to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55It feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03No, fuck it.
10:08Welcome to South Belfast.
10:10Very important police station.
10:12No more inquiries, please report to the front desk.
10:28Christ.
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:40We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck!
10:45In Derry?
10:46In Derry?
10:47It's very much a headquarters situation, I'm afraid, babes.
10:50Fuck!
10:51Fuck!
10:54There's PhDs that are more straightforward.
10:56That's the same with any cross-border request.
10:58They make it so complicated.
11:00Yeah, but you're happy to use our lads.
11:02That makes it easier.
11:04Guards poking around up here at, um...
11:06They can get some people's backs up.
11:07I bet.
11:08And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:13Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:25Oh, my God.
11:31Hey.
11:34You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:40I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because that mad bitch locked us in a tower.
11:54Like Rapunzel.
11:56Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital.
12:19It was being treated.
12:20Did you listen to it?
12:23No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Pryor's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognize this woman?
13:09Nora O'Hara.
13:13You're sure?
13:15That book there.
13:16Where'd you get that book?
13:18I left you a message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you'd been killed.
13:25It feels sort of redundant now.
13:27So, are we free to go or what's the crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:35Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:49Fuck, you know, sack this.
13:50Sit down.
13:51Ain't the will not, you fucking fetus.
13:53Let's go.
13:54Please don't.
13:55Please.
13:56I'm just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:03You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:34Why don't you lose the car?
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:05I didn't know what it was, though.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:10Christ, you get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:15It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards, and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:30But she won't use them.
15:38The window's closing, and Rossa decides to call us to dairy.
15:42Well, there's no precedent.
15:44Yeah, this is the first, babe.
15:45It's not an achievement.
15:46Rossa's priority should be getting that gear back and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:51Christ, just such bad timing on the back of that hole while they're hollow blue.
15:59What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:03Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like, told someone that, babes.
16:11He back-chatted me.
16:12You blew him up because he back-chatted you.
16:14I blew him up because I didn't trust him.
16:16The back-chatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Money.
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember?
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:53What?
16:54Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are...
17:02like, drawing attention to themselves.
17:05I can't think who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:30Hello?
17:32Where is this?
17:34Hello?
17:36Hello?
17:37Where is this?
17:43Mom?
17:46I love you.
17:51Mommy?
18:10Cold?
18:12No.
18:12I'm fine.
18:14Oh, no, please.
18:15Don't do that.
18:16It's fine.
18:17It's fine.
18:17Fine.
18:18It's fine.
18:25Why didn't you tell me about Andrew?
18:30I don't know.
18:31I didn't give it much thought, or it didn't seem relevant.
18:34Which?
18:35Don't know.
18:37Before I found you in Dublin, I went to the set of your show.
18:41Spoke to Seb.
18:42You spoke to Seb?
18:43Such a big machine.
18:46But it all starts in your head, doesn't it?
18:49Suppose.
18:50I was thinking about what you told me the first time I was there.
18:53About how you take bits and pieces from real life.
18:57Well, shaders do.
18:58You never worry.
18:58The lines might get blurred.
19:00The lines?
19:00Between reality and story.
19:04Not really, no.
19:07If there's anything else you haven't told me, I'd do it now, Saoirse.
19:20I see it in there.
19:36Hello, Gorda.
19:37Sorry?
19:38Oh, no, I'm not actually...
19:40Is Inspector O'Neil about?
19:42He borrowed the lighter and we need it back.
19:44Mervyn's birthday.
19:46How you made Inspector so young with own memory?
19:48Inspector O'Neil, did you say?
19:50Owen, tell him the proposals with the superintendent now.
19:54What?
19:55The excavation proposal for the school grounds.
19:57It's with the boss now.
19:59It'll take him a while to go through it though, so we shouldn't hang about.
20:02Try and give him a call.
20:10What's keeping them?
20:14Dunno.
20:37What the fuck?
20:40Why would he pretend to be Owen?
20:43It's the only way you get permission to do it.
20:44Did he what?
20:46Excavate the school grounds.
20:47What the fuck?
20:48Keep moving.
20:49How does he know?
20:51Maybe the old notebooks Andrew had.
20:54His father's notebooks.
20:55Maybe there was something in there.
20:56They could have found the body.
20:57Yes, that is now quite a real possibility.
20:59We're fucked.
20:59We didn't kill him.
21:00It doesn't matter.
21:01We were there.
21:02We moved him.
21:03We buried him.
21:03Our DNA's probably all fucking over him.
21:06Oh, but it's been so long.
21:07It's been 20 years.
21:08Well, DNA doesn't wash off.
21:10It's like Catholicism.
21:11Yeah, but we didn't do it granted it.
21:13They're not going to believe us.
21:14They're going to think we're trying to blame it on a dead woman.
21:17She's not dead though.
21:18I was just about to tell them that.
21:19We can't tell them that.
21:20Not now.
21:21Don't you see?
21:21If we tell them that now, it's going to make us sound cornered and desperate and...
21:24Taxi!
21:25We can't tell them we didn't do it.
21:27We have to prove it.
21:29I'll be back soon.
21:30Meet you by the bridge in an hour.
21:31Jesus Christ!
21:54Oh, sweetheart.
21:59Mom's alive.
22:04What happened, Dad?
22:07Who died?
22:08What did you do?
22:10Your mother has secrets.
22:20I didn't want this person I was to infect the people I love.
22:25What do we do now, Margot?
22:26I know someone who can help us.
22:29I represent an organization that helps women that have nowhere else to turn.
22:37Allow me to explain the process.
22:43I was just trying to protect you.
22:45You think I didn't know something was wrong?
22:49I was going insane.
22:52I knew you were all lying to me.
22:56I thought you did something to her, Daddy.
23:00I didn't know who I could trust.
23:05That's why I traced those friends first.
23:10That's why I sent that message.
23:16You sent an email.
23:20I'm sorry.
23:22Hey.
23:25It's okay.
23:37You wait here.
23:39I need the top step.
23:44Me too.
23:45Cal won't play ball at all.
23:46It's been a fucking asshole.
23:47Excellent.
23:54Hello.
23:55You're back.
23:57Where the hell have you been?
24:00Hello.
24:07What are you two doing here?
24:08We're looking for you.
24:10We were worried sick.
24:11Yeah.
24:11You seem beside yourself.
24:12Nobody could get a hold of you.
24:14We lost our phones.
24:15You lost your phones?
24:16How?
24:16What's going on, girls?
24:17Nothing's going on.
24:18Something's going on.
24:19The disappearing acts.
24:20The secrecy.
24:21I'm going to ask you a question, girls.
24:23And I want an honest answer.
24:25Yeah?
24:26Have you joined the IRA?
24:28Nobody joins the IRA anymore, Mammy.
24:29Your cousin Mary did only last month.
24:32Mary joined Isis, Mammy.
24:33What?
24:34Oh, no, sorry.
24:35Not Isis.
24:36Bubba.
24:36How can Mary afford that?
24:38Look, I had Saoirse's parents on the phone.
24:40They're going to ring the police.
24:41Look, Saoirse is fine.
24:42We'll call them.
24:42We'll tell them she's fine.
24:44And we will make some tea.
24:45We have tea.
24:46We'll make more.
24:49What is going on, Robin?
24:50What is the plan, exactly?
24:52Saoirse gave her that number.
24:53The number from the lighthouse, didn't she?
24:55Show me it.
24:57I'm going to find out who Greta was calling.
25:02Lockshire nursing home.
25:03Oh, hello.
25:05It's a nursing home.
25:06I'm a nursing home.
25:07Hello, are you still there?
25:08What should I ask?
25:10I think there's a problem.
25:11The mother's name.
25:12Who was it?
25:14Nora O'Hara.
25:15Asked for Nora O'Hara.
25:17Hello?
25:17I'm very sorry.
25:19I don't know what happened there.
25:20Could you put me through to Nora O'Hara, please?
25:23Oh, I'm afraid Mrs. O'Hara's done terribly well at the moment.
25:26Can I help with anything?
25:27I'm just trying to get in touch with her daughter.
25:30Oh, I see.
25:31Well, I can pass on a message when she arrives if you like.
25:36Could a fox have dug up the body?
25:38Couldn't they do that?
25:39Is that asking too much?
25:41Oh, God, baby.
25:42Where have you been?
25:43Have you got a...
25:44I don't want to talk about the fucking cow.
25:46Who are these guys?
25:47They're the writers.
25:48What?
25:49I'm the writers.
25:50The writer.
25:50I'm the writer.
25:51He asked us to hire them.
25:52Who didn't?
25:53He sent us an email.
25:54When?
25:58Hi there.
25:59This series is so fucking annoying.
26:01I just almost fucked my laptop out a window.
26:03I can't do it on my own anymore.
26:05Hire some fucking writers.
26:06Not shit ones.
26:07Saisha.
26:08Kiss.
26:09Yes.
26:11Yes, I see.
26:12Well, I was obviously a few margaritas down at that point.
26:15It is such a pleasure to meet you.
26:18I have been...
26:19You don't have to do this thing.
26:20Yep.
26:21Okay.
26:21That's just like Jesse.
26:22He can't handle praise either.
26:24Eba's just been on Jesse Armstrong's new show.
26:26Has she?
26:27He's such a genius.
26:28Yeah, so I hear.
26:29Anyway, we need to change the story strand.
26:31Like, quickly.
26:32Like, immediately.
26:33What?
26:33Which one?
26:34Yes, this here.
26:36When the kids bury a body in the school grounds.
26:39We're filming this soon.
26:41We should have filmed it already, but we had to push it down the shoulder.
26:43I know, it's getting pushed all the way out of the shoulder.
26:45That will have a huge knock on.
26:47The entire second half of the series will need to be replotted.
26:50We put our lunch order in 45 minutes ago, but there's still no sign.
26:54What's that got to do with anything?
26:55Sorry, I thought we were talking about things that were worrying us.
26:58This is why Jesse maps everything out in such intricate detail.
27:01I hear his catering's amazing.
27:03Oh, he curates the menus himself.
27:04He's across everything.
27:05It's actually really tough to be that much of a perfectionist.
27:08Yeah, poor old Jesse fucking Armstrong.
27:10Look, we need a new idea.
27:12Any new idea.
27:13We need to make this work.
27:16Otherwise...
27:18Oh, what is it?
27:23Otherwise, it's never going to go away.
27:27Session.
27:29What are you doing?
27:30Borrowing the card.
27:31You're leaving?
27:32Just come up with a new idea.
27:34Me?
27:35It'll be great.
27:36I trust you.
27:42Jesse would have stayed.
27:44This isn't really my vibe.
27:46Well, obviously, it's like, fashionable.
27:48All right, then.
27:49Look, you'd do well to dress a bit more like me, Dara.
27:52Lesbians love me.
27:53Hey, I'm going to have to object to that statement on behalf of my people.
27:56Remember that big gay street party thing we went to?
27:59Pride.
28:00That woman, that barrister, she proposed to me.
28:02She was quite drunk, Robin.
28:03She didn't propose to you.
28:04I am not wearing this.
28:06Fine.
28:06I'll get you something of gems.
28:15Dear Jodie,
28:17I am truly sorry for how things turned out.
28:20Don't look for me again.
28:21Don't contact me again.
28:23I want to move on.
28:25Please, let me.
28:26This might explain things better.
28:29Greta.
28:30Of course.
28:34Stop here.
28:35Pull over.
28:38Cheers.
28:41Oh!
28:42Girls, stop!
28:45No!
28:45Come on, get in, get in, get in, get in!
28:47Quick sticks!
28:49Let's go, let's go, let's go!
28:51She's headed there now.
28:53Are you sure?
28:53That's what the woman in the nursing home said.
28:55We finally smoked the bitch out.
28:57She'll not know what's hit her.
28:58I'm not taking the fall for something she did.
29:00No, sir fucking Ray.
29:01I'm not going down for no one.
29:03Time to face the music.
29:04Asshole.
29:04She's had about 17 coffees.
29:07I remember worse off this book.
29:08In Jodie's apartment.
29:11And that letter we find with the box, the one Greta sent Jodie, it says this might explain things better.
29:16Okay, so you think Greta sent it?
29:18Shit, Jim.
29:20Where the hell have you gone now?
29:22Calm down, Jim.
29:23You took my iPhone.
29:25How do you know that?
29:26Because I'm calling you on it.
29:28Oh, and thanks for ringing Saoirse's parents.
29:29Oh, no, wait.
29:30You didn't.
29:33Because they're here.
29:35My parents are there.
29:37Ah, it's the woman herself.
29:38Hi, Saoirse, love.
29:39I hear you and the girls have joined the IRA.
29:42So we didn't even know they were still in action.
29:45Listen, Robin.
29:46I don't know if you're having some sort of breakdown.
29:48I'm not having a fucking breakdown.
29:50Jesus, I take a few days away at my France.
29:52Aren't you always sailing off to London?
29:54To make the money, we need to keep our family.
29:57She's looked after the kids for the best part of a decade.
29:59Nice in the world, Robin.
30:00I keep her fucking family.
30:02Run, run, run.
30:03Look, I know that, love.
30:06And I appreciate that.
30:07All I'm asking is for one more day.
30:09The nursing home's near Cork.
30:11Two more days?
30:12Do you think you could mind your own children for two days, James?
30:15Of course.
30:16All I'm asking.
30:17I will be taking no further questions at this time.
30:20Ball bag.
30:26The excavation request is being processed, but
30:28even if we do get permission and nobody up here found out, I'm...
30:32What, you're not actually Inspector O'Neill?
30:34Right.
30:34The area we're looking at, well, it's vast.
30:37The skill grounds.
30:37Well, we're thinking the caretaker's cottage, though.
30:39It's surrounded by woodland, Andrew.
30:42We might...
30:43Might get one shot at doing this.
30:45We need to be more specific.
30:49I've so little, Liam.
30:53I spent my whole life trying to shape what little I have.
30:59Trying to understand who he was.
31:00I mean, that's the only reason I'm studying journalism, for Christ's sake.
31:04I don't even know if I'm any good at it.
31:07It feels like he's a character in a story.
31:10Everything about him is just so vague and fragile.
31:15I always thought that if I could just find him...
31:21I don't know, then I could make him real.
31:27But that sounds so mad, right?
31:29We're all trying to make sense of something.
31:32To find light in the dark.
31:38Hoping to write my balance out of wrong.
31:42just that way you're helping me Liam
31:45or just a good
31:46deed that might undo
31:48a bad one
31:52what made you move to knock Dora
31:55something happened
31:56when you were working in Dublin
32:00you know what Andrew
32:01I think you'll make an excellent journalist
32:11I've got a cousin called Kevin
32:14sure to go to heaven
32:17all we've got is clean and neat
32:20the truth is you'll get him
32:22he's got a phone
32:25welcome to Madame Morphosis
32:28if you need any assistance
32:30just ring the wee princess bell
32:31no we won't be doing that
32:33we have an appointment
32:36at names please
32:38no sorry we're in the other book
32:40the other book
32:41the other book
32:43of course
32:44right
32:47I am so so sorry
32:49I'll sign this out
32:50of course
32:54it's such an honor to meet you
33:04come on
33:05we've been driving for ages
33:06I'm starving
33:07this story is fascinating
33:09so it's this young girl
33:10and she's trying to move on
33:12from this very traumatic event
33:13that's well it's just referred to
33:15as the big bad
33:17where the hell are we
33:19the big bad
33:19no signal
33:20no road signs
33:21are we lost?
33:22I'm not even sure what kind
33:23you were in anymore
33:24perfect
33:26let's ask you
33:41excuse me
33:42you were wondering if there was a hotel
33:45or a b&b nearby that you might recommend
33:47do I look like the tourist board?
33:50sorry?
33:51do I look like a fucking tourist board?
33:53well
33:55no
33:56you buy something
33:58and then
34:00we talk
34:01we were gonna buy something
34:06cheeky wee shit
34:07yeah
34:07anyway
34:08she
34:09the
34:10the writer
34:11she doesn't ever reveal what happened
34:13what the big bad actually was
34:19the argument that she seems to be making is
34:22it's not relevant
34:24which is sort of the opposite of what you'd expect
34:26the thinking around trauma to be
34:27and this seems to be about making it
34:29distant
34:31dreamlike
34:33disassociating from it
34:46look at a motel
34:48down the road from here
34:49I didn't even know we had motels
34:51cars
34:52or card
34:53oh card
34:54please
34:59ah no shit
35:00wrong one
35:18hey it's us
35:22miss
35:23the
35:23times
35:23100
35:23100
35:23100
35:24100
35:47100
35:49100
35:50100
35:54Ladies. Ladies. I think that's all of us. So, as some of you probably already know, we've
36:09had an incident with one of our clients. They left before we'd completed the operation.
36:18There's a first for everything, I suppose. Rosa, before we get into that, there's another
36:23issue I'd like to discuss. But I'm sure it couldn't be quite as present. Oh, it is.
36:37Jackson? Yeah, Jackson. Jackson's left the building, I'm afraid. Apologies to anyone who
36:43was searching for him. I didn't mean to waste your time. I had a lot going on. Didn't get
36:49the chance to circle back, as they say. Why? He'd been exchanging confidential information
36:59for money. Putting clients at risk. Are you sure? I'm sure. She has receipts, babes.
37:06I see. We just need to make sure that he was the only one. Well, of course. We consider
37:12it a priority. And look, our AWOL client, I just want to reassure everyone that we will
37:19find her quickly and pull her into line. Totes, babes. No, it's not a matter of pulling her
37:25into line, Booker. Oh, good evening. My name is Norman. Can I help you? Norman? You own a motel,
37:51and your name is Norman. I don't own it. My father owns that. What's his name? Norman.
37:58Do either of you practice taxidermy? We just need a couple of rooms for the night.
38:08Do you know Heavensville? Kyle and Yao. I mean, that's a good bit further west. You made
38:14direct calls stopping here. I'm starting to question that. So you've heard the story then?
38:19What story? Beautiful place, by all accounts. But sure, no one's lived there for decades.
38:25It's a ghost town. Why's that? Because they all got spooked. Spooked? A group of kids gathered
38:32in a little church one night. Then there was fire. Most of them died. Eight of the poor little
38:40souls. Just doesn't bear thinking about. I mean, it destroyed that community. It wasn't deliberate.
38:47Oh, it was deliberate, all right, yeah. Who started it? They say it was the devil himself.
39:01Here we are. Now, will you be wanting the minibar stocked? I think we're okay. We're very tired.
39:16Oh, I think the fuck's not. On Second Thoughts, we absolutely will be needing all the alcohol.
39:25She is out in the wild with sensitive information. What kind of message does that send to our other
39:33clients? Our more lucrative clients? This is a business. Rossa, when we started, it wasn't.
39:40It was a calling. We wanted to help vulnerable women. We wanted to help them escape from horrific
39:48circumstances. Now, we'll help anybody escape if they've enough money. Help abusive men escape
39:58justice if they have enough fucking money. Christ. The erosion. The erosion.
40:09You are so obsessed with the past. Times have changed.
40:20What fella's a fucking weirdo? I can't see anything about a fire in Heaven's Vale. No,
40:25you have to search the Irish name. What is it? Call you now. She's done that. Have you spelled
40:29it right? C-A-I. I've got the right place. It says a small Irish-speaking community lived
40:36there to the late 90s. Jesus Christ. What is it? The book. Do you want to tell us what
40:43the fuck you're talking about? May I look at this? Okay, right. So, the first one, Heaven's
40:56Vale. Look at the second half of the author's name. Can Calier. Calier, that's so similar.
41:03Calier means Vale. What does gone Calier mean? Unveiled. Greta, Unveiled. This book's by Greta,
41:16girls? I made a contract with this woman. I promised to help her. Now, you're telling me that I have
41:27to
41:27kill her. It has been harsh, babe. Who brought the case to you? No, Rossa. I can't. You can't. This
41:40person
41:41helped me in the past in a professional capacity. Are they, uh, are they one of us? Well,
41:50no. Oh, I see. Uh, the adoptive mother. It's complicated. Yeah, it always is. Was she the only family
42:01member who saw you? No. Oh, dear. Oh, oh, dear. There must be another way. Okay. We need to erase
42:21the line
42:22completely. Anyone who knew about the case. Anyone who can identify you. Anyone who knows we exist. I have to
42:34protect the society. You cannot leave the process. So, is there anyone else we need to manage?
42:49So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney? Mm-hmm. Yeah,
42:54I think so. And, uh, and I think that is what Liam is circling as well. Oh, that means, uh,
42:59Greta was
43:00Margot's patient. Well, she adopted a patient. Sure, isn't that lovely and healthy? Well, it's in the big
43:04bad. It happened to Greta. Well, could it be connected to the fire in the church? So, we know that
43:10Jodie and
43:11Greta grew up in Heavensville. Jodie's body had burn marks. Did they both survive the fire? Did they know
43:18what happened? Or, or who caused it? Still thinking. Probably not the devil. Okay. We need to try and lay
43:26this
43:26out chronologically. This is such a good idea. It's a screenwriting trick. It's how we plan everything
43:32out. And all writers do this, even the big ones. Big ones? You know, like, uh, like your ma'am.
43:37Ugh,
43:37Jesse Armstrong. Why are you so class? Okay. You can pass me some more paper.
43:46Heavensville is our inciting incident. The fuck is this?
43:51Oh God. Okay. You wrote about it? What?
43:55I was burying the body in the school grounds. She used it in her stupid show.
43:58I wrote it ages ago, before any of this started. I, it's not even what happened. It's inspired by...
44:05Oh my God. I've asked for it to be taken out. This is why they want to take up the
44:08grounds.
44:11Liam saw this. Seb sent those messages about the scripts.
44:28What are you doing? Leaving?
44:30I can't. You can't leave.
44:34You stupid, selfish bitch.
44:38This is what you do.
44:39You like chaos. You surround yourself with it, but...
44:45I'm done. We're done.
44:54Darvon. Darvon. What did you expect, Saoirse?
45:03Darvon.
45:13First the envelopes. Those letters and now this.
45:16Fuck knows what else she's done. She's been manipulating this whole thing all along.
45:20She's like a puppet on a string.
45:22Well, I think that would be us, the puppets on strings. I think she's more the puppet master.
45:30Hello?
45:33Robin?
45:36Who's there?
45:44Can I come in?
45:47Sure.
45:58The guy at the garage saw my ID, called the local station.
46:02Look, I know what you think.
46:03I don't even know what I think.
46:05You think we killed Charles Sampson?
46:08We didn't.
46:09Innocent people don't run.
46:11It's complicated.
46:11It'd be less complicated when we find his body.
46:15And I'm not going to rest until we find his body.
46:20Maybe slow down a wee bit.
46:22She's a fucking insane to her.
46:24You know, we need to start protecting ourselves here. Me and you.
46:28We need to start distancing ourselves.
46:34Oh, my God.
46:37What was that?
46:39I don't know.
46:44He was dead when we got there that night.
46:46At the caretaker's cottage?
46:48Greta told us he attacked her.
46:50He'd been hanging around for weeks.
46:52She said he was an ex.
46:55She said his name was Jason Meadows.
46:57It was all lies.
47:00Everything she told us was a lie.
47:03And I think I sort of knew that.
47:06Wait, come here.
47:10Come here.
47:16Turn around.
47:29I knew I'd seen it before.
47:32Charles Sampson drew that in his notebook yet.
47:34You'd never even spoken to him.
47:36We were kids when we got them.
47:38Greta convinced us to.
47:41Greta again?
47:42Yes.
47:43She's taken a lot of responsibility for a woman who was in here to defend herself.
47:49Greta's alive.
47:54What did you say?
47:55I know what it sounds like.
47:56Her body was in the morgue.
47:57Judy Pryor's body was.
48:03I can't see anything.
48:04We hit something, Robin.
48:05Well, then where is it?
48:13We're trying to find her.
48:15Greta.
48:18Trying to find out who the hell she actually was.
48:20And what exactly we are caught up in here.
48:25I'm so sorry I've dragged you into all this.
48:27I really am.
48:30But all I was doing was trying to find out the truth.
48:37What do I do with this?
48:49What should I do now?
49:00Do whatever you want.
49:19What'sUpdate brings home.
49:19Do whatever the earth issky empty.
49:20The law of His death is protecting themselves.
49:20Fear.
49:22Fear.
49:23Fear.
49:24Fear.
49:26Fear.
49:26Fear.
Comments