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How To Get To Heaven From Belfast S01E05 [Full Movie] [Must See]Full EP - Full
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01:29stupid. That's not true. He won't come now. He's never coming now. Who won't come? Tia!
01:39God. You don't think you're clever? He is a gangarev to a fake intern. I said I knew
01:47you were watching. I'd like to keep working with this one. The other child? Nothing I
01:55can do for the other child.
02:00The other child?
02:54The other child?
02:55The other child?
02:56The other child?
02:57The other child?
03:22The other child?
03:25The other child?
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one door
03:32and we were like seven stories up.
03:35It was a whole thing.
03:37You're scared. I get it.
03:39This is a really shit, really stressful time for you,
03:42but things don't have to get all, you know, like Greek.
03:48Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You drugged me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Gotta burn them, I'm afraid.
04:09Mostly because it's like procedure,
04:12but also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cubs are.
04:34I don't understand.
04:35If you have questions,
04:37when I land on the scene,
04:39everyone's full of this.
04:41I couldn't be doing with that last night.
04:42So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had 52.
04:51I made an executive decision.
04:54Now, will you please just sit down
04:56and have some coffee
04:57and a wee tiny gold cup?
05:02Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks, Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something?
05:59I'm going to do that really quick.
06:01It's...
06:02Er...
06:03It...
06:03It's our mother's ashes.
06:07Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:29...
06:32...
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta
08:03was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:14We'll shortly be starting our descent into Dublin airport.
08:18Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:29No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39She hated getting her her back.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always gave her bad advice to seatbelt now.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:04Well, occurring for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself
09:12out there and live your own life for fear of rejection.
09:18So, so, so skinless.
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should
09:37say I've had a few proseccoes.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat.
09:44Oh, glad.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of Cabin-Groestaff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look.
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:20Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:48Hello.
10:49Good night, Perk tempos.
10:52Thank you, Trevor.
10:54Thank you, Trevor.
10:55Lord, thank you.
11:19This person who called this woman,
11:23she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41Did they, Greta died?
11:43I've since learned as much, yes.
11:46That was strange.
11:50So did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out of it.
12:20No, I didn't even speak to her.
12:21Her mother has just died.
12:22My wife has just died.
12:24I didn't mean...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:47I don't have time for this.
12:55I understand.
12:58I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:47Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminally-type bit.
13:56Oh, that Liam guy, he might help.
13:58But my phone's fucked.
13:59Oh, shit, my tea.
14:01Robin's works!
14:02For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:15Ryan's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly!
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31We know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Er...
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban, it's from the Chronicle of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a fucking nurse.
14:51I, I, I, I've got to go, love, okay?
14:54Right, bye.
14:54Bye-bye-bye.
14:55Yeah, love you.
14:55Bye.
14:57Fuck.
15:00Jesus Christ.
15:01What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lion?
15:44A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something,
15:56it's less of a leap, like, psychologically.
15:59So I'm thinking...
16:01GrƔinne!
16:02GrƔinne?
16:03I think it's such a babes.
16:04I honestly do.
16:06GrƔinne.
16:07It's like an echo of the person you once were.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname, we have less, freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Gotta take the hardware with me, I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:36And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking
16:45spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've thrown the whole operation, and I'm starting to decide with whoever it is
16:56that wants you dead.
16:59You're on the other side of things now, I guess.
17:02What's up?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:11But I was so young.
17:12How young?
17:15Thirteen.
17:18Yeah, my parents, they were both so good.
17:23I still haven't found a better way of putting this.
17:28Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:52I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that miracle woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother?
18:19We know everything, babes.
18:29You know what happened with my mother?
18:31You know what happened with my mother?
18:31You know what happened with my mother?
18:32You know what happened with my mother?
18:34You know what happened with my mother?
18:35You know what happened with my mother?
18:39You know what happened with my mother?
18:39You know what happened with my mother?
18:40You know what happened with my mother?
18:40You know what happened with my mother?
18:41You know what happened with my mother?
18:41You know what happened with my mother?
18:42You know what happened with my mother?
18:43You know what happened with my mother?
18:45You know what happened with my mother?
18:46You know what happened with my mother?
18:47You know what happened with my mother?
18:50You know what happened with my mother?
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:02We'll be here for you tonight!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:39Run!
19:51Help!
19:55LaunchingBoards on a ticket.
19:58But boom!
20:04Stop!
20:10I need to be the new round!
20:14On yourogether what's
20:27She's grand!
20:29She's grand!
20:34She's here.
20:36Why does she do that?
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:11Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:18Wait you now, Donald.
21:19You're quite upbeat for a fellow with a missing da.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:36So why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh, I saw him lead you out.
21:58I saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:20In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00That's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew? English lad.
23:46He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it. I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends, if I die today, then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay. At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going? You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27Her?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:54Shh.
25:56What's up?
26:12What's up?
26:14What's up?
26:19What's up?
26:20What's up?
26:21What's up?
26:22What's up?
26:23Come on.
26:24Come on.
26:24Come on.
26:25Come on.
26:28We're ready?
26:29For a fucking exorcism, maybe?
26:34Where is she, Grace?
26:36Where is she, Grace?
26:37Is she playing at night?
26:46Moving on to seat 32A.
26:49Let's have cast on set in five minutes, please.
27:09Why does it look like an eating mess?
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm gonna have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crew show, people.
27:19Crew show.
27:20Sir, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32Aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:11Listen, boss.
28:13Why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:22He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:31Seb, darling, my car's here taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:50No.
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed, what'll it be?
30:45Let me do it.
30:59I'm gonna go in the first.
31:00If I ever ŃŠ»ŃŃ with a SĆndrome of the Bimainga.
31:02Okay.
31:02Take care.
31:03Take care.
31:06Take care.
31:07Take care.
31:07Take care.
31:08Take care.
31:13Take care.
31:14Take care.
31:16Take care.
31:28why didn't you come inside I don't do business in God's house I don't trust him I see
31:45well we don't make deals with the devil
32:00that's so cute we chart a shop number you gotta get the balance right with this stuff
32:07it's more time consuming but every stitch young can't be brand new I'll sort the basics
32:13because they haven't told me where you're going yet so I don't know what conditions we're dealing
32:18with will you travel with me they'll send the midwife the what she delivers you to your new life
32:27when soon too soon it was my understanding that when I'm settled to my daughter she could join me
32:33oh come on babes I get that there's a lot to do well that's one way to put it thought
32:38if I could get
32:38a sense of you're giving me cause for concern here babes you're concerning me and can you don't need
32:45to be a time frame just roughly this is a very delicate procedure I get that no guarantees but
32:53if everything goes to plan with no guarantees she's my daughter and she thinks I'm dead
33:03what is in her best interests
33:13you'll be okay will I some people are built to survive
33:22that's what bicker told me when my parents tried
33:26she said she knew I was deafening because I cleaned it all up
33:32most adults couldn't have managed that she said
33:37cleaned what up
33:38the mess babes
33:40there was such a terrible mess
33:43they were stabbed you see
33:47thirteen times between them
33:50oh my god
33:52it's fine honestly
33:56they wouldn't have known anything about it
34:00what do you mean
34:02they were fast asleep
34:09thirteen times
34:11a wound for every miserable year
34:16oh don't look so shocked
34:18you recognize that in me
34:20I saw it in you two
34:23before I'd read a word
34:25it takes one to know one doesn't it babes
34:33you'll be okay
34:36you'll survive
34:38people like us always do
34:46she should recall somebody
34:47all right love
34:49you okay
34:58exactly what part of the plan were you unclear on Dara
35:00I'm telling you it was chilling
35:02I was standing there
35:03looking her right in the eyes
35:05and it was like she had no soul
35:07it was like you're in the presence of evil
35:10actual evil
35:10how might someone like that react to you bashing her face in I wonder
35:14she was never going to let us walk away Robin
35:16she was lying
35:18what's this cue for exactly
35:20no idea
35:21but I'm thinking
35:22if we're hiding behind lots of people
35:23she'll have to kill them first
35:25Jesus Robin
35:26even I think that's dark Robin
35:28and I'm morally quite sketchy
35:29like I work on television
35:30oh speaking of which
35:32Seb's been trying to get you
35:33he wants to know how many scripts to give Liam
35:36now that he's a consultant
35:37what the fuck is he asking for scripts
35:39I'll need them if he's a consultant
35:40he's not a consultant
35:41Dara
35:43what is going on here
35:45I'll go easy on those
35:46tickets
35:47for what
35:48the late late show
35:50oh my god
35:52the late late show
35:53I love Patrick Hilty
35:55I love Patrick Hilty
35:58oh yeah
36:00I mean I suppose he's good at what he does
36:02I just don't get what all the fuss is
36:05fine I love Patrick Hilty
36:06Jesus
36:08she can't kill us on live TV
36:13okay can you guys move us out
36:14please
36:16uh we don't have tickets
36:17because these are the competition numbers
36:19what are you talking about
36:21should be on your list
36:22Jesus I emailed about this yesterday
36:24what list are you working from
36:27who put you in the door
36:28Cara
36:29ah typical
36:30aye
36:30well tell me that you at least
36:32have some high seats back
36:33yeah of course always
36:35right
36:35so
36:36shall we
36:37mmm
36:39tickets
36:40seen a lot of 30 rocks
36:42but you've yet to watch
36:44one episode of my show
36:45show's not funny
36:46hey Regina
36:48thank you
36:49we're just down the end there
36:50sorry
36:50thank you
36:51thank you
36:52we're just down
36:52we're just out there
36:53thank you
36:54thank you
36:55thank you
36:55thank you
36:56we'll be back
37:01ooh
37:03Three, two, one.
37:54Three, two, one.
38:21Three, two, one.
38:23multi-award-winning television series Murder Code,
38:26let's have a huge welcome for the one and only Marnie Mullins!
38:34You're shitting me.
38:36Isn't that those three Belfast ages we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're one anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50No, the show has such a huge following.
38:52Shall we all love a bit of Murder Code?
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment
39:10to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions...
39:17The tag words.
39:17...to make her relatable,
39:19and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in
39:35to see you catch the elusive carrier killer
39:39in your own home?
39:41Actually, actually,
39:43a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer,
39:58Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw,
40:03writer of Murder Code.
40:05Ladies and gentlemen,
40:05let's get her down here!
40:08Hmm?
40:17Look!
40:18Look!
40:19Look, Mummy's on TV!
40:20She really is!
40:21Ah, lads, will you stop?
40:22Your mum's in Portugal.
40:30So, Saoirse.
40:31Patrick Kielty.
40:32Patty.
40:33Patrick.
40:33Patty Kielty.
40:34PK.
40:34Patty.
40:35Mr. Patty.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots
40:46and twists and turns?
40:48I-I guess, uh, I...
40:49Lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:00Films.
41:01News stories.
41:04Uh, history, uh...
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about?
41:20Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:28Oh.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were...
41:39We were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Kinkley.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:59Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:14Tell us.
42:16Tell us.
42:17We don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:25Well, I suppose...
42:27Well, I suppose Emma would realize that she's overlooked something small.
42:35Something that she initially thought was insignificant.
42:38seconds but it turns out that it was the key to unlocking the case the key to unlocking the box
42:52she had it all along i had it all she already knew the answer i already know
42:59of course you do you've seen it where have you seen it i don't know think
43:13i don't remember my picture picture a painting a painting picture of a painting
43:28i've got it paddy it was actually a pretty challenging shoot i assume i had these sort
43:33of panic attacks but i had someone i really must get her some media training back at five don't go
43:39anywhere now roll it there big panic at work right hello let's go we gotta get you let's go
43:52keep going keep going what's your life what's your life let's go come on jesus those things could kill
44:00a horse you're such a liability i think i solved it we solved it me and patrick keithy i love
44:10patrick
44:11guilty oh we already saw the answer we had it right in front of us
44:23what the symbol in portugal did you take a picture wait
44:36um was there a number on it yes yes there was a number it's a date i'll call it out
44:42um 250197
45:04oh
45:05my god
45:20what happened to her
45:21what happened to her
45:35what the hell is going on here girls it's actually quite difficult to know where to start
45:40charles samson start there what do you know about charles samson
45:45what's going on here
45:52holy shit step out of the car
46:11what do you want
46:11what do you want
46:11what do you want
46:24what do you want
46:51okay
46:53try
46:58You keep going there telling me to stop.
47:25You keep going there.
47:55You keep going there.
48:25You keep going there.
48:55You keep going there.
49:24You keep going there.
49:24You keep going there.
49:25You keep going there.
49:25You keep going there.
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