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How To Get To Heaven From Belfast S01E05 [Full Movie] [Hot 2026]Full EP - Full
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00:28Transcription by CastingWords
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01:18She's done it.
01:21My name's Margo.
01:22You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now.
01:34He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a fake intern.
01:46I said I knew you were watching.
01:51I'd like to keep working with this one.
01:53The other child?
01:54Nothing I can do for the other child.
01:56I'll be right back.
02:19Oh, my God.
02:33Oh, my God.
02:58I could be the love of your life.
03:02I could be the love of your life when you tell the lies.
03:06I could be the love of your life of your life.
03:10Oh, I could make you confused.
03:13I could give you something to lose.
03:15I'm going to wake you up in the morning in the bathroom singing the blues.
03:19I won't clean up your place.
03:21Got my help in your face.
03:23did you break that they do like an inventory babes i'm never gonna hear the end of this
03:30my last woman she threw a fridge out of window and we were like seven stories up it was a
03:35whole
03:35thing you're scared i get it this is a really really stressful time for you
03:42but things don't have to get all you know like greek who the are you
03:52i'm feeny i'm your new best friend you drug me you undressed me you're making it sound creepy
04:03it is freaking creepy where are the clothes you had on gotta burn them i'm afraid mostly because
04:10it's like procedure but also well they're kind of horrific babes oh coffee's ready
04:18i want to talk to booker booker's gone babes when will she be back he won't see booker again
04:24i take things from here what look how cute these wee cups are i don't understand if you have questions
04:37when i land on the scene everyone's full of this i couldn't be doing with that last night
04:42so you stuck a syringe in my neck i'm gonna move on from the syringe thing babes it was late
04:48you
04:49needed some sleep i had 52 i made an executive decision now will you please just sit down and
04:57have some coffee and a wee tiny gold cup why should i trust you
05:09because there's no one else here
05:14yeah we are 100 percent not making it off this flight of life what exactly is she gonna do to
05:19us and i can find space for loads of witnesses she seems to really want that box so as long
05:23as
05:23we have hang on where is that box i'm sorry ladies your overhead locker is a little stuffed
05:35the box is in that bag isn't it it is yeah for fuck's sake
05:41linda what are you doing lovely the uh locker was over capacity did it close yes then it's fine
05:49drinks trolley now sorry about that these agency stand-ins are always messing with procedure
05:57actually can i just grab something out of that really quick it's uh it it's our mother's ashes
06:06yeah of course lovely
06:15right let's get used to your drink linda
06:43uh
06:50uh
06:51yeah
07:09Hey, Saoirse, it's me, yeah, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working at me.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it, or so she says, but she did tell me something, which was
07:37a bit...
07:38I don't believe this.
07:39Megan, anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:46The author was a psychiatrist she admired, Greta Gancala.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:14We'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:36Why would we scatter her in the sea?
08:39Sure she hated getting her hair wet.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
08:59You always give her bad advice, seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself
09:12out there and live your own life for fear of rejection.
09:17So, so, so skin nervous.
09:22Woo!
09:25You know you want to come with her.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should
09:37say I've had a few percent goals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew the big boat off.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47I'm impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags?
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:41Come on.
10:48Hello.
10:50All right, lads.
10:53Thank you, Draper.
11:20This person who called this woman,
11:23she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No.
11:32And that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41Did they, Greta died?
11:43I've since learned as much, yes.
11:46That's strange.
11:50So, did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You need my daughter out of this.
12:17Sorry?
12:17I mean, whatever this is, you leave my daughter out.
12:20No, I didn't even speak to her.
12:21Her mother has just died.
12:22My wife has just died.
12:24I didn't...
12:24I didn't mean to...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48I don't have time for this.
12:55I understand.
12:57I apologize, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah.
13:20Anything I can help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:29Yeah.
13:47Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminally type bit.
13:56Oh, that name, Daddy, he might help.
13:58But my phone's fucked.
13:59Oh, shit, my tea.
14:01Robin's works.
14:02For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:15Ryan's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly.
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls.
14:28Okay, what do we actually know?
14:30What are the facts?
14:31Okay, so we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban.
14:44It's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a fucking narcissist.
14:52I've got to go, love.
14:53Okay?
14:54Right, bye.
14:54Bye-bye-bye.
14:55Yeah, love you.
14:55Bye.
14:57Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:09Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:38The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:45A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you or you have to sign something,
15:56it's less of a leap, like, psychologically.
15:59So I'm thinking...
16:01Gráinne!
16:02Gráinne?
16:03I think it's suchy, babes.
16:04I honestly do.
16:06Gráinne.
16:07It's like an echo of the person you once wear.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname we have, Les, Freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Gotta take the hardware with me.
16:30I'm afraid, babes.
16:31It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:36And I've been stung before.
16:39People are like, I just want to talk to my mother or sister or son or springer fucking spaniel.
16:46Just once.
16:48Just to hear their voice.
16:50You know, like, I get it, babes.
16:52But now you've thrown the whole operation.
16:53And I'm starting to decide.
16:55With whoever it is, the one she did.
17:00You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:11But I was so young.
17:12How young?
17:15Thirteen.
17:18Yeah, my parents.
17:20They were both.
17:22God, I still haven't found a better way of putting this.
17:28Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:52I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that miracle woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother?
18:19We know everything, babes.
18:28Be right.
18:35Bye.
18:36Bye.
18:42Bye.
18:46La ba dee, la ba da, la ba dee, la ba da
18:49La ba dee, la ba da, la ba dee, la ba da
18:53La ba dee, la ba da, la ba dee, la ba da
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway backers!
19:03Yeah!
19:09It's all St. Patrick's Days, looks...
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
19:40Run!
20:28She's here.
20:36Why does she do that?
20:39Go, go, go!
20:42Go!
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:17Jim, that's too faint.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He's went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:37So why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:55I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reach the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01But anyway.
23:04I went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59It's okay.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:03Yeah.
24:27If this is how it ends, if I die today, then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay, at some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do to that male bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04I'll just drop to the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit.
25:18She's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin.
25:43Stay beside that door.
25:44I don't want a priest walking in here and seeing my fandango.
25:47What's your fandango doing out?
25:48Can everybody just keep their fandangos under wraps, please?
25:51I don't want a priest.
25:55Shh.
25:56What's that?
26:13Grab a weapon, quick.
26:28We're ready for a fucking exorcism, maybe?
26:34Hey.
26:35She, girls.
26:36Is she playing at night?
26:46Moving on to seat 32A.
26:49Let's have cars on set in five minutes, please.
27:05Excuse me.
27:06I love the brain.
27:08I feel like an eating mess.
27:11Terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, crew show.
27:18And two people, crew show.
27:20Sir, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved?
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five, and you're helping with research.
28:05Oh.
28:07No.
28:07Oh, pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This agent's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21No, and actors aren't real people.
28:22He's an actual guard, okay?
28:24He's helping Saoirse's storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:57She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello?
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38You tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that, and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:45Let me do it.
30:50What?
30:52What?
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:42Well,
31:46we don't make deals with the devil.
32:00It's so cute.
32:02We chart a shop number.
32:04You've got to get the balance right with this stuff.
32:07It's more time consuming,
32:09but every stitch young can't be brand new.
32:12I'll sort the basics,
32:13because they haven't told me where you're going yet.
32:15So,
32:16I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:28Too soon.
32:29It was my understanding that when I'm settled to my daughter,
32:32she could join me.
32:33Oh,
32:34come on,
32:34babes.
32:35I get that there's a lot to do.
32:37Well,
32:37that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here,
32:42babes.
32:42You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees.
32:55Yes.
32:57She's my daughter.
32:59And she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are about to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:28She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:41There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wound for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:32You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:46She shouldn't have called us at that.
34:48All right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37Why the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48Or what?
35:49The Late Late Show.
35:50Oh, my God, The Late Late Show.
35:53I love Patrick Hilton.
35:55I love Patrick Hilton.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine.
36:05I love Patrick Hilton.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move a side, please?
36:16Uh, we don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21Should be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least held some high seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30-well.
36:43You've yet to watch one episode of my show.
36:45Your show's not funny.
36:47How would you know?
36:49We're just on the end there.
36:50Sorry.
36:50Thanks.
36:52We're just on the end there.
36:56We'll be back.
36:58We should be okay. We'll be back.
37:40Hello, ladies. Welcome to the Late Late Show.
37:46Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
38:00Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16What a strange show.
38:20She plays Detective Emma Fierce
38:22in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:34You're shitting me.
38:36Isn't that those three Belfast ages we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're one anywhere.
38:45This thing's to life, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment
39:10to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17That would make her relatable,
39:19and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it,
39:32something like 10 million viewers tuned in
39:35to see you catch the elusive career killer
39:39in your own home?
39:41Actually, actually,
39:43a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise.
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here.
40:17Look, look, Mommy's on TV.
40:20She really is.
40:21All right, lads, will you stop?
40:22Your mom's in Portugal.
40:30So, Saoirse.
40:31Patrick Kielty.
40:32Patty.
40:33Patrick.
40:33Patty Kielty.
40:34PK.
40:34Patty.
40:35Mr. Patty.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots,
40:46and twists and turns?
40:48I guess, uh, I...
40:49Lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:00Films.
41:01News stories.
41:03Uh, history, uh...
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of a little thing,
41:15and the things that happen in real life.
41:17Even...
41:18Let's...
41:19talk about that.
41:20Talk about...
41:20Give us an example.
41:23Well...
41:24Oh...
41:25Maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:28Oh!
41:31When we were young,
41:32my friends and I,
41:33we did this pretty terrible thing.
41:37But only because we were...
41:39We were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah!
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:55Tell us!
41:57Tell us!
41:59Tell us!
42:00Tell us!
42:01Tell us!
42:02Tell us!
42:03Tell us!
42:03Tell us!
42:04Tell us!
42:05Tell us!
42:06Well, turns out the person we were trying to protect,
42:09she was...
42:10lying.
42:13So now we've done this terrible thing,
42:15but we don't even...
42:16We don't even know why.
42:18If this were murder code,
42:19and you were Emma,
42:21I mean,
42:22what would you do?
42:25Well, I suppose...
42:27Well, I suppose Emma would realize
42:30that she's overlooked something small,
42:34something that she initially thought
42:37was insignificant.
42:40But it turns out...
42:43That it was the key
42:44to unlocking the case.
42:48The key to unlocking the blocks.
42:50The blocks.
42:52She had it all along.
42:55I had it all.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:16Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20What's your love at the end?
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone...
43:35I really must have had some media training.
43:37Back at five. Don't go anywhere now. Roll it there.
43:44Oh, please.
43:45Big panic at work.
43:47Right, hello. Let's go. We gotta get you. Let's go.
43:49I saw Patrick Keating movie, also Patrick Keating.
43:52But keep going, keep going.
43:53What is he like? What is he like?
43:55Jesus, let's go. Come on.
43:57Come on.
43:58Jesus, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick Keating.
44:09I love Patrick Keating.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:34Um...
44:36Was there a number on it?
44:38Yes. Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um...
44:43Two-five...
44:44Zero-one...
44:46Nine-seven.
45:04Oh, my God.
45:20What happened to her?
45:22Baby, when you left me like this.
45:25And when you hold me like that.
45:28You was gone with the wind, but it's not coming back to me.
45:34When you see me like this.
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
45:55I'm right!
46:23What do you want?
46:36Hey, Drake.
46:41Mate!
46:57You keep going, Dad tell you to stop.
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