- 14 hours ago
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00:00Previously on Devious Maids
00:01If you don't stop screwing my husband, I'm going to have you deported.
00:07It's the police.
00:08They said they need to talk to you about your son.
00:10The girl was stabbed, and Eddie had the knife.
00:12I'm the new maid.
00:13This kid is being framed, according to the article.
00:17As you know, I'm a singer.
00:19I like you.
00:20And you like me too, right?
00:22Not in the way you mean.
00:24He is your employer, not your friend.
00:26If you cannot remember that, I will take you out of this house.
00:29I'll help you.
00:30You'd do that?
00:30I'd be thrilled to have my son be with you.
00:33The girl, Mama.
00:35I was just talking to my son.
00:36He doesn't understand why you haven't brought him here.
00:39Can't his dad explain it to him?
00:41Miguel's father died.
00:43Is this my underwear?
00:44What?
00:45I found him under our bed, and it's not my brand.
00:47What the hell?
00:48Who is that?
00:49My maid.
00:50Olivia Rice.
00:51The first Mrs. Stafford.
00:52And a world-class psycho.
00:53What's going on, Olivia?
00:55I gave you my heart once before, and you broke it.
00:59That's you!
01:00Okay.
01:01That's it.
01:01You're done.
01:02Get off of me!
01:03Do not screw with me, bitch, or you will live to regret it.
01:12What the heck is kohlrabi?
01:14It's a German turnip.
01:16Does it taste good?
01:17It's a German turnip.
01:21Bye, con.
01:23Koumatsuma.
01:24This is why I miss Iowa.
01:25People eat normal things, like potatoes and corn and lard.
01:29Again, just a dinner party.
01:31You're not required to serve gourmet food.
01:33These are our friends from the country club.
01:35I want to impress them.
01:36I want to impress Michael.
01:38Oh, you don't have to worry about that.
01:39He's crazy about you.
01:41He is, isn't he?
01:42Okay, let's go with the jicama.
01:44I think I've heard of that one.
01:48So, for dessert, what are you doing?
01:53Is that Olivia?
01:54What am I going to do?
01:55Relax, she hasn't seen us yet.
01:57Okay.
02:02And now she has.
02:07Why are you going to be over here?
02:08It's okay, I've got your back.
02:11Marisol, I thought that was you.
02:14Hello, Olivia.
02:15I don't mean to interrupt, but I've been wanting to talk to you.
02:18I feel I owe you an apology.
02:20An apology?
02:21I was so rude the other day.
02:23I don't blame you for throwing me out of Michael's house.
02:26I deserved it.
02:28Wow.
02:29I'm really not a bad person, Marisol.
02:32I wish you could have known me before the divorce,
02:34back when I was happy.
02:37Anyway, I hope you can forgive me.
02:40Sure, Hannah.
02:41But it was Taylor's party that you ruined.
02:44You should apologize to her.
02:49See, here's the problem.
02:52I don't apologize to whores.
02:54And I'm not speaking metaphorically when I use that word.
02:57She's an actual whore.
02:58Men used to pay her for sex.
03:00In fact, that's how she met Michael.
03:02Oh, is that a secret?
03:05Oops.
03:10Oops.
03:12Oops.
03:27Oops.
03:49Adrian!
03:52Adrian!
03:57He's here.
04:08Maxwell!
04:10So good to see you.
04:11My dear friends, how many years has it been?
04:14Too many.
04:16How was your flight from Savannah?
04:17Bumpy, but I survived.
04:19So sorry to hear about you and Sheila getting a divorce.
04:22I was so sorry to read about your maid getting murdered.
04:25Yes.
04:26Now, we've both had a run of bad luck.
04:33What are you doing?
04:35I'm going to Remy's fraternity to get the rest of the stuff, remember?
04:38Yes, well, something's come up.
04:41The spa is out of my face cream,
04:43so I need you to run to the valley to pick up a jar.
04:47Can't you have it delivered?
04:48Well, that would take all day, and I need it now.
04:51When I looked in the mirror this morning, I found a new wrinkle.
04:55Really?
04:56Just the one?
04:59I will ignore that vicious attack,
05:01because you are about to do me the sweetest of favors.
05:03Fine.
05:04I will go all the way to the valley for a single jar of face cream.
05:08You know what?
05:09Get yourself one, too.
05:11I've seen tighter skin on elbows.
05:14I love the way we tease each other.
05:16Who has a better time than we do?
05:18I'll ask around.
05:20And don't worry about Remy.
05:21I'll let him know there's been a change of plans.
05:28He's all yours.
05:31Thank you, Mrs. Delatorre.
05:41Do you ever get hungry?
05:44Yeah.
05:45Interesting.
05:46And what do you do in those situations?
05:48Do you go to a place where food is available?
05:52I'm not going to dinner with you, Sam.
05:55What?
05:55How did you even jump to that?
05:57Go away.
06:01All right.
06:02Maybe you're under the impression that I try this hard with every girl I meet.
06:06I don't.
06:08I just got a feeling about us.
06:10And I think you're feeling it, too.
06:12Come on.
06:13Look me in the eye and tell me I'm wrong.
06:17Okay.
06:17I like you.
06:19Let's say we go to dinner.
06:21I continue to like you.
06:22We have a couple of drinks.
06:23I like you more.
06:24It turns out that you can dance.
06:25And I like you a little too much.
06:28The next thing I know, we're married.
06:30We have two kids.
06:31I stop singing.
06:32And then I don't like you at all.
06:36But those are good-looking kids, right?
06:38Seriously?
06:39I got work to do.
06:42Okay.
06:44But at some point, you are going to say yes to me.
06:49No, Sam.
06:50I won't.
07:18That lawyer promised he could bring my son here, but now he says that he needs to file
07:22more papers.
07:24That all costs hundreds of dollars.
07:25I can't afford that.
07:26What am I going to do?
07:28Please don't ask for a loan.
07:30Not before breakfast.
07:31I wouldn't ask if I wasn't so broke.
07:34This is why you should learn to save.
07:36Maybe you shouldn't go to the movies so much.
07:38What?
07:39Seriously.
07:39You could have what you need in a few months.
07:41I can't wait a few months.
07:42I need my son now.
07:44Hey, watch your tone.
07:46I'm sorry, but this is important to me.
07:50And after all I've done for you, I thought maybe you'd want to help.
07:55Oh, my God.
07:58You're blackmailing me.
08:00Huh?
08:01That's what this is, isn't it?
08:02You're trying to shake me down because you saw me with Cody.
08:05No, no.
08:05I'm not shaking nobody.
08:07You think you can control me?
08:09Well, you can't.
08:11I'm calling your bluff, senorita.
08:13You go ahead and tell old Spence about my affair.
08:15I'll get a divorce before I give in to extortion.
08:17What's going on?
08:21Nothing.
08:22I heard yelling.
08:24Rosie asked for a loan.
08:26I said no.
08:28We're done.
08:30Unless there's something else you wanted to say to Mr. Spence.
08:50I was 20 when I came to L.A.
08:53And I just knew I was going to be in the movies.
08:58The closest I got was a diner across the street from Paramount.
09:03You were a waitress?
09:05For six years.
09:07And I could never make ends meet.
09:10And then one day, this man walks in, and he seems so nice.
09:15We had to talking, and this nice man tells me he has a lot of lonely, rich friends.
09:24And then he asks me if I'd like to make some easy money.
09:28Isn't it funny how our lives can turn on just one simple question?
09:33The one stupid answer.
09:37God, if Olivia starts telling people the truth, I'm going to go humiliated.
09:41Then you should tell him soon.
09:44Will you be there when I do?
09:47Please.
09:47I don't know how he'll react.
09:51Sure.
09:52I'll be there.
09:55And thanks for not judging me.
09:59Oscar Wilde said,
10:00Every saint has a past, and every sinner has a future.
10:07Oh, which am I?
10:08Oh, honey.
10:10You're both.
10:11Just like the rest of us.
10:18So we're at dinner, and Sheila looks up and says,
10:21I'm tired of listening to you talk.
10:23That is how my wife decided to end 20 years of marriage.
10:26It is her loss, my darling.
10:28No one ever thought she deserved you.
10:30Thank you, Evelyn.
10:31The good news is, you're single again, in the prime of life.
10:34This is your time for adventure.
10:36Meaning what?
10:38Nightclubs?
10:38Singles bars?
10:39After all these years, I'd feel a little lost in that world.
10:42You just need someone to guide you, that's all.
10:46Perhaps.
10:48I'm a little tired.
10:50If you don't mind, I've been up since 4 a.m. Eastern time.
10:53Go on, take a little nap.
10:54Thank you again for holding my hand during this depressing time.
10:58We'll find a way to lift your spirits.
11:00Don't you worry.
11:06No.
11:08Excuse me?
11:09I know what you're planning, and I said no.
11:13Our agreement doesn't give you veto power.
11:17Then I'll ask nicely.
11:19This man is my friend.
11:20Please leave him alone.
11:22Oh, my God.
11:24You have feelings for him.
11:26Oh, don't be stupid.
11:27Yes, you do.
11:27I can see it.
11:29You have a little crush.
11:31And you're fat.
11:32So what?
11:33Oh, this is delicious.
11:35Her heart beats.
11:36Tell me more.
11:37I'm serious.
11:37Adrienne, if you have any regard for me whatsoever, you will not involve him in your disgusting
11:41little hobby.
11:43So the question is, do I have any regard for you?
11:45Damn it, Adrienne.
11:47Don't corrupt him just to hurt me.
11:52I'm going to introduce Maxwell Rose to wanton carnality for his own middle-aged good.
11:58The fact that it will hurt you is just a bonus.
12:15The car's loaded.
12:17If there's anything else, you'll probably have to come back for it.
12:19Nah, I'm good.
12:20This is just trash anyway.
12:22Just let me throw it away and we can get going.
12:25Wait.
12:25Wait.
12:27Why are you throwing that away?
12:29It's ruined.
12:30It got ripped.
12:32See?
12:33Only along the seam.
12:35That's nothing.
12:36I can fix that in two seconds.
12:39Well, you carry a sewing kit?
12:42I like to be prepared.
12:50Wow.
12:51That is amazing.
12:53Not really.
12:54Seriously.
12:54I wouldn't know how to do that.
12:56Well, you don't have to.
12:57You have money.
12:58Most people can't afford to throw shit away because of a little rib.
13:04You must think I'm spoiled rotten.
13:07I think you're spoiled.
13:09But not rotten.
13:12Now take off your shirt.
13:15What?
13:16Excuse me?
13:16I'm going to want to see this on you.
13:18I'll be done in a minute.
13:27Maybe two minutes.
13:34Hey there.
13:35You got a sec?
13:39I'm so sorry about what happened.
13:41You know, it's one thing for a pair to yell at me, but for her to raise her voice to
13:44you, that's inexcusable.
13:45Don't worry about it.
13:46I do.
13:47I see how hard you work.
13:48You're the one that makes this house a home.
13:50And I'm beyond grateful.
13:56I understand you need some money to bring your son to America.
14:02Yes.
14:04I hope this helps.
14:09Oh, Mr. Spence.
14:12This is a gift from me to you.
14:15Perry doesn't need to know.
14:18Thank you so, so much.
14:20You're such a good man.
14:25You're an amazing woman.
14:32He had an erection?
14:33Yes.
14:35A boner.
14:36Un saltichon de cemento.
14:38What did you say?
14:39What could I say?
14:40Congratulations.
14:41I got out of there.
14:42Congratulations?
14:44Oh.
14:44He's very big.
14:47How big?
14:51Like this?
14:53More like this.
14:55You love?
14:56I swear.
14:57Can we put the produce away?
14:59The gardener's staring.
15:00So, this money, he just gave it to you?
15:03Yes.
15:03He said it was a gift.
15:06Are you sure his intentions were honorable?
15:10What do you mean?
15:12When rich men give poor women that kind of money, they usually expect something in return.
15:16No.
15:17Mr. Spence is not like that.
15:18Are you sure?
15:19I mean, he did have his cucumber jammed into your thigh.
15:23Maybe you shouldn't take the money.
15:25No.
15:26I need it for Miguel.
15:27Miguel, just make it clear that he's not getting anything in return.
15:30We're maids.
15:30The only thing we polish is their silver.
15:33What am I going to say to him?
15:35I don't know.
15:37Tell him you have a boyfriend.
15:39Where am I supposed to get a boyfriend?
15:54Sam!
15:54Guess who just called me?
15:56Who?
15:57Benny Soto.
16:00Do you like Gloria Estefan?
16:02Enrique Iglesias?
16:03Yeah.
16:04He's their producer.
16:05And he wants to meet with me.
16:07Well, it's huge.
16:09You have no idea.
16:10I sent out like a hundred demos.
16:12This is my first year.
16:12And it's Benny freaking Soto!
16:15He wants to meet with me tomorrow at noon.
16:18Congratulations.
16:21So, I was thinking maybe you can drive me there.
16:24What?
16:25You know, in the car.
16:28First of all, this is not a car.
16:31It's a Rolls Royce.
16:32And second of all, no.
16:33It's all the way across town.
16:35Come on, Sam.
16:36I can't take a bus.
16:37Sure.
16:38And on the way home, we can stop the unemployment office.
16:40Because when Odessa finds out, she's going to fire my ass.
16:45Ah!
16:51Sam?
16:55What if I did go to dinner with you?
17:00Didn't you just tell me you'd never go on a date with me because it would ruin your life?
17:04Well, in my defense, when I said that, I didn't need anything from you.
17:09So, you admit you're just using me?
17:12Yes.
17:15We should leave by 11 to beat the traffic.
17:18Ah!
17:19Thank you!
17:25So, we don't know how she found out or if she's told anyone else.
17:30All we can be sure of is that Olivia is now aware of your wife's former profession.
17:38We're going to move.
17:50We're going to move.
18:08What?
18:37I'm not going to hurt you.
18:39Yeah, but I, I, I...
18:40Well, I'll make it worth your while.
18:42Don't you worry.
18:42Now, I want both of you to start packing tomorrow morning.
18:45We're leaving Beverly Hills.
18:58Hey, Zola, does Valentina have a really good sewing machine?
19:02Why?
19:02Well, I wanted to get her something, you know, for helping me pack up and everything.
19:10You don't need to buy her anything.
19:12No, I want to.
19:13And I know she likes to make her own clothes.
19:15It's her job to help you.
19:18Yeah, but...
19:18Remy, I really need to finish the floors.
19:20Okay?
19:24Remy, I really need to finish the floors.
19:26Sorry.
19:31Did you send Valentina to USC?
19:35Maybe.
19:37Why would you do that?
19:40Valentina came to me.
19:43She told me how she feels about Remy.
19:46Oh, she's loved him, God.
19:48All these years from afar, it's so romantic.
19:51So the two of you went behind my back.
19:53Isn't that just great?
19:57But she really loves him, I can tell.
20:00I don't care!
20:01Why are you being this way?
20:03Because I don't want to see my daughter's heart get broken.
20:07You know Remy.
20:08He would never do that.
20:10What I know is that boys with money don't end up with the maid.
20:14And you know that too.
20:17You can't still be holding on to that.
20:20After all these years, he made promises to me.
20:24And yes, I remember every single one.
20:28He met someone else.
20:30You know that sort of thing happened.
20:32Well, it's not going to happen to my daughter.
20:35Please tell Remy he is not to go near Valentina.
20:38He's starting to really like her.
20:40How can I say that to him?
20:44Valentina and I will not be coming to work for the next few days.
20:49That should give you plenty of time to think of something.
21:01Do you have a moment?
21:04Uh, sure.
21:06What's on your mind?
21:11I can't move to New York.
21:13Why not?
21:13Personal reasons.
21:15Well, what are they?
21:16Perhaps I can help.
21:17I'm sorry, but like I said, they're personal.
21:21Well, Taylor will be heartbroken.
21:23She's really come to depend upon you.
21:26And I've become very fond of her.
21:29More than I expected to.
21:32She is special, isn't she?
21:34She is.
21:37Well, that is why I have to get her out of here.
21:40Before she becomes the main course for the ladies who lunch.
21:47Before anyone starts packing, let me talk to Olivia.
21:52What good would that do?
21:53I could learn a few things.
21:55How she found out.
21:56If she plans on telling anyone else.
22:00And why would Olivia talk to you?
22:03She's a bitterly divorced woman.
22:06Trust me.
22:07They'll talk to anyone.
22:12I've decided to move here.
22:14To Los Angeles.
22:15Are you serious?
22:17I only moved to Savannah because of Sheila.
22:19Now that we're divorced.
22:20I'm absolutely thrilled.
22:22Think of all the decadent dinners we'll have.
22:24In fact, what are you doing tonight?
22:28Adrien's introducing me to someone.
22:31Woman?
22:32Yes.
22:33Oh.
22:34Is that insensitive of me to mention another woman?
22:37No.
22:39We're friends.
22:40We should be able to talk.
22:43Friends.
22:45There was a time when we could have been more than that, but you chose Adrien.
22:48After you chose Sheila.
22:50As you know, I came to regret my choice.
22:55Do you ever regret yours?
22:59On second thought, I don't think you should move to Los Angeles.
23:03Why not?
23:05The city changes people.
23:08And I like you just the way you are.
23:13I don't think you need to worry about me.
23:15After all these years, I know exactly who I am.
23:17Well, you just remember that when you meet this friend of Adrien's.
23:22You never answered my question.
23:26Do you regret choosing Adrien?
23:30What does it matter?
23:33He is what I deserve.
23:38Yeah.
23:39There you go.
23:41Hello, Mr. Spence.
23:43Hi, Rosie.
23:45Hello.
23:46Raul, he's your gardener.
23:49Of course, Raul.
23:51I love your work.
23:53What's up?
23:54I gave the money to my lawyer and everything is going really good.
23:58So, we wanted to take a minute and thank you proper.
24:02Oui?
24:03Yes.
24:04Raul is my boyfriend.
24:09Oh, yeah.
24:10I didn't know that.
24:12Oh, yes.
24:13For many months now.
24:14We are very happy.
24:18Well, congratulations.
24:21Thanks.
24:22So, Raul has a favor to ask you and he means no disrespect.
24:28What is it?
24:29He saw you hug me yesterday and he prefer you don't do that anymore because he makes him a...
24:35What is the English word?
24:37Jealous?
24:39Violence.
24:42I'm sorry.
24:43That won't happen again.
24:45Oh, no.
24:45You don't got to worry.
24:46He's a teddy bear.
24:48You know, underneath the violence.
24:52Let's go.
24:54So, what did I say?
24:56Do you have any questions?
24:57Well, I said you'll be surprised.
24:59Keep going.
25:02So, I was going to try to put the hook back in at the end again.
25:16If you think that's a good idea.
25:18I do.
25:19So, tell me.
25:20What part of Puerto Rico are you from?
25:23Oh, come on.
25:25The accent is distinctive.
25:27I produced an album in San Juan.
25:29You've been to the island?
25:31Many times.
25:32It's a hard bit of talent.
25:34Well, obviously.
25:38Listen, Carmen.
25:40You definitely got some skills.
25:42But you're a little underproduced.
25:44The good thing is, I can fix that.
25:48I mean, you don't know what it means for me to hear you say that.
25:51But, can I keep it real with you?
25:53Yes, of course.
25:54If you're going to sing in English, you've got to get rid of this accent.
25:57I know it's funny for me to say that, but that's the audience.
26:01Americans, they like Latinas.
26:03As long as they're not too Latin.
26:06And then, how do I do that?
26:08Practice.
26:10When you sing, when you talk, when you breathe, every chance you get.
26:15Whatever I have to do, I'm going to do it.
26:19Good to know.
26:21Well, I think we're in business.
26:23Oh, my God.
26:24Let's get some lunch.
26:25Celebrate.
26:26I'd love to.
26:26You like human food?
26:27Bring on the croquetas.
26:30Let me call the valet.
26:31They take forever to get the car.
26:33Relax.
26:34We'll check mine.
26:39That word.
26:40No, me encanta.
26:42Whoa.
26:43Yeah, it belongs to a friend.
26:44Sam, I want you to meet Benny Soto, my new producer.
26:48Hey, that's great.
26:49Nice to meet you, Sam.
26:51It is on sunset, then I'll direct you.
26:56What's going on?
26:57I'm so sorry.
26:58It won't be long.
26:58Just a quick lunch.
26:59It wasn't the deal.
27:00Sam, please don't blow this for me.
27:02That's my future in there.
27:14I really want to thank you, Benny.
27:16No problem.
27:17You know, when I first started in this business, I promised myself if I ever made it to the top,
27:22I would send the elevator back down.
27:25Wow.
27:26Well, I won't disappoint you.
27:27I know.
27:29I know you won't.
27:47My man, can you turn left at the light here?
27:50I know you're going to stop by my place first.
27:56Carmen?
28:00You heard him.
28:02Left at the light.
28:18Where is East L.A. anyway?
28:20Well, you know when we're on the freeway and you make me speed up?
28:24That neighborhood?
28:26Oh, goodness.
28:28You sure you don't want me to go with you?
28:30This is between me and Zoila.
28:34I owe her an apology.
28:35And I've got to deliver it like a big girl.
28:38In 20 years, I never heard you guys fight like that.
28:40What did you do?
28:43A long time ago, before you were born, Zoila had a relationship with my brother.
28:50Uncle Henri and Zoila?
28:52But when Henri met Aunt Cynthia, a woman from a similar background, Zoila had her heart broken.
29:01And apparently she's never gotten over it.
29:05So when she sees me and Valentina hanging out together...
29:08She's worried history will repeat itself.
29:15So what exactly is it you have to apologize for?
29:20I'm the one who introduced Cynthia to Henri.
29:31You're not really dating a gardener, are you?
29:33What?
29:35Raul's close to 60.
29:36He's got a wife and kids.
29:38I'm not dumb.
29:41No.
29:42Raul and I are not dating.
29:44Rosie.
29:45Why were you lying to me?
29:47Well, the other day when you hugged me...
29:52Oh, my God.
29:53You didn't feel my...
29:54I did.
29:55Oh, I am so embarrassed.
29:57No, you have nothing to be embarrassed about.
29:59God, I was doing very good to you.
30:01I did not mean for that to happen.
30:02It's just that you're so kind and warm.
30:05And it's been so long since, Perry.
30:07And my body responded.
30:09It's okay.
30:11And I'm sorry for lying.
30:13I just needed to make sure you didn't have any, you know, expectations.
30:18No, none.
30:20I know that's not a possibility.
30:22Again, I apologize.
30:28It was never my intention for you to know how I feel about you.
30:47Excuse me.
30:50I'm looking for my friend, Zoila Diaz.
30:54She lives on this block, but I can't remember which house.
31:00Do you know her?
31:02She's Latino?
31:09Well, no worries.
31:10I'm sure I'll find her.
31:14Enjoy your party.
31:19All I'm saying is you don't walk out on your boss.
31:22Well, you weren't there.
31:23You don't know what happened.
31:24Then tell me.
31:25I don't want to talk about it.
31:47Zoila, are you home?
31:52Zoila?
31:56Zoyla, I know you're in there
31:58Isn't that Ms. Genevieve?
32:06Zoyla?
32:12Oh, God!
32:22Marisol, I'm sorry to bother you
32:23This letter came to the house a few days ago
32:26It's addressed to you
32:28It's just some promotional thing
32:30It's not important
32:30I wasn't sure
32:32You won't tell Taylor I stopped by, will you?
32:35Of course not
32:35Some mail still comes to the house for you
32:39I try to save it, but she makes me throw it away
32:42If she knew I brought something for you
32:44She would just scream at me
32:46She ever screams at you?
32:48She has become this crazy nightmare
32:53To tell you the truth
32:56I don't know how much more I can take
33:00Would you like some tea?
33:03Yeah
33:13How's your mom?
33:14Well, she says she's dying
33:16Doctor says she has a sprained wrist
33:18I wonder who we should believe
33:21So she's okay?
33:22Good
33:26Did you know her mom's got into a fight today?
33:29Mine just told me we were taking a few days off
33:31She didn't say why
33:33I think maybe your mom's upset that we're getting so close
33:37Well, I'm not
33:38I like spending time with you
33:41Me too
33:43You know, for a minute there
33:44I really thought this was going somewhere
33:48And now?
33:50Come on
33:51You know how much my mom needs your mom
33:54And if us hanging out all the time
33:56Is causing this much tension between them
33:59Maybe we should just cool it
34:02Oh
34:05Okay
34:09Still buds though, right?
34:11Sure
34:15Good
34:24So why didn't you just quit?
34:26I thought about it
34:27But now it looks like I won't have to
34:30You see
34:31Taylor is trying to convince Michael to move to New York
34:34New York?
34:36She thinks she's going to tell the whole town about her past
34:39And she is scared to death
34:41Ha!
34:42She should be
34:44Of course she deserves what she gets
34:47But it might be better for you if they don't leave town
34:51How so?
34:52Mrs. Stefford
34:54I think Michael is still in love with you
34:57He's a funny way of showing it
34:59Leaving me for Hooker Barbie
35:01But I watch him
35:02He's always talking about you
35:04He's always looking at pictures of you
35:07Really?
35:08He's starting to realize he made a mistake
35:11But if they leave town, move to New York
35:14Well, you know how it is
35:15Out of sight
35:17Out of mind
35:22I'm going to write Taylor a letter
35:25Oh?
35:26I'll promise that I won't tell anyone what I know
35:28I'll say it's because of my deep and continuing affection for Michael
35:32And I'll give her the letter
35:34Oh no
35:35Not her
35:35You give it to him
35:37So he knows how I feel
35:39That is brilliant
35:43Unless someone else knows about Taylor's past
35:46Before it gets out
35:47They'll still move
35:49Nobody else knows
35:50How did you find out?
35:52Evelyn Powell told me
35:54How does Evelyn know?
35:57It was her husband who first hired Taylor
35:59Adrian hired Taylor
36:02He propositioned her while she was working in some diner
36:04Apparently he does that sort of thing
36:05Wait, I'm confused
36:07Adrian Powell uses prostitutes
36:10Not for himself
36:12He gifts them as gifts to his friends
36:16What?
36:18Yep
36:18Evelyn calls it his disgusting little hobby
36:21He brings those women right into their house
36:24That's how Evelyn first met Taylor
36:26And that girl who got murdered
36:30Flora Hernandez
36:31Oh yes
36:32In addition to being their maid
36:34Flora was also Adrian's whore
36:43Hello?
36:59No, I'm sorry she's asleep right now
37:01Who may I ask is calling?
37:04Oh, Henri
37:08I didn't recognize your voice
37:11It's me
37:12Zoila
37:16It's been a long time
37:21How is she?
37:29Honestly?
37:32I'm worried about her
37:35She's been through a lot
37:38I think it would be a good idea
37:40If you flew out to see her
37:44Really?
37:47That would be great
37:51I know she's missed you
37:54A lot
37:57All the way down into Huntington Beach
37:58For the highs only in the 70s
38:00Here's the seven day forecast
38:02Tomorrow a little fog at the beach
38:05Here's the seven day forecast
38:07Tomorrow a little fog at the beach
38:11And then a lot of clouds start coming in on Wednesday and Thursday
38:16And then a lot of clouds start coming in on Wednesday
38:20I'm busy
38:22I know
38:22It's just
38:24I need to tell you something
38:25It's important
38:30You are smart
38:31And you are beautiful
38:33And your music is really amazing
38:37You don't have to let men like Benny Soto
38:39Sam
38:40It's a rough business
38:42And I'm not 22 anymore
38:44If I don't make it soon
38:45It's not gonna happen
38:48But think of what you're becoming
38:49All for a couple of gold records
38:52Will it be worth it?
38:54When I get the gold records
38:56I'll let you know
38:59Wow
39:02You are not the girl I thought you were
39:05I guess that means you don't want to go to dinner with me anymore
39:11No
39:13I don't
39:15It's okay
39:20No
39:22It's not
39:24Then for the weekend
39:25The Santa Ana winds start blowing
39:27And the temperatures are gonna warm up again
39:32Then for the weekend
39:33The Santa Ana winds are blowing
39:36And the temperatures are gonna warm up again
39:41Then for the weekend
39:43The Santa Ana winds are blowing
39:45And the temperatures are gonna warm up again
39:51that olivia won't tell anyone else that's what she said so it's over i think so how in the world
40:00did you get her to agree to this well first i had to tell her you were a bitch then
40:05everything sort
40:06of fell into place wonderful now if you'll excuse me i'm going to tell michael we don't have to move
40:11what before you do that i need to ask you a favor obviously i am in the mood to give
40:17you anything
40:18you want it's going to sound odd but i want to hear about adrian powell and his prostitutes
40:29why i need to understand what is going on in that house
40:39adrian calls them intimate get-togethers
40:44and the guest list always includes a beautiful young woman
40:51she's then introduced to a middle-aged friend of adrian's who has no idea she's been hired for the
40:56evening this is followed up with a little small talk and a lot of wine after an hour or so
41:06a signal
41:07is given the woman then suggests it's time to take the party upstairs because adrian's friend
41:14is now drunk it doesn't occur to him to say no does anyone know about this i think evelyn knows
41:25and she's not happy about it
41:30where is adrian while all of this is happening that's the weird part he just disappears
41:39this whole thing is bizarre isn't it though
41:45so adrian powell hires prostitutes to have sex with his friends
41:50who have no idea they're being set up exactly
41:55but why why would he do this
42:00what on earth does adrian get out of this
42:04what on earth does adrian
42:34.
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