- 14 hours ago
Bergerac S02E04 [Full Movie] [Full Story]Full EP - Full
Category
🎥
Short filmTranscript
00:03You've run to a trip to the coast?
00:16How's things with your daughter?
00:19Uh, yeah, she's not speaking to me.
00:23Nope, she won't be.
00:25She's gonna punish you about 50 times before she eventually gives you the time of day.
00:31What do I do until then?
00:34Keep showing up, regardless of how much she tries to push you away.
00:38And eventually those 50 punishments will run down to zero.
00:44She's leaving soon.
00:45You better get cracking then.
00:55This car was found over there, with the keys still in it and the suicide note on the dashboard.
01:02I want to know a bit more about Alan.
01:06This incident with Monica and the knife, when was it?
01:10A few days before he died.
01:12But you didn't see it?
01:12No, I told you, I was at uni. He told me about it.
01:17Thanks.
01:18But in the years before I left, Monica and Dad would argue a lot.
01:23Not blazing rows, just sort of tense, small, sort of snipings.
01:28Do you remember what about?
01:31Michael, mostly.
01:32How Monica and Molly cuddled him, how Dad wanted him out from underneath them.
01:36And me.
01:38How Dad was easier on me, at least according to her.
01:42How that was giving Michael a complex.
01:46Dad wanted out.
01:48I know he did, but not like this.
02:05Why are you looking into all this again?
02:08Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:13And do you think that my Dad is the secret?
02:16I think...
02:21I'm late for work.
02:33The lift-top only opened to the public two months before Alan Barton was reported missing.
02:37Presumed, Ed. Thank you.
02:38Since then, we've sadly had one further suicide and an accidental death there.
02:43Now, the tide is very predictable, even in extreme weather.
02:46And both of those times, the body washed up in the bay half a mile down the coast.
02:50Alan's body didn't.
02:51And no one questioned it at the time because I guess no one knew about the tide patterns.
02:55Cara and I have been back to the hotel to check on Tony's sight lines.
02:58When Tony said no more secrets, he was looking in a mirror at Monica.
03:04So, what was the secret?
03:06We've got two theories.
03:08Either Monica killed Alan, Tony knew and was threatening to expose her.
03:12But what was Monica's motive for killing Alan?
03:14I mean, he had a couple of grander savings, but that was about it.
03:16Like, the cottage maybe?
03:18That's what we need to find out.
03:20The bit I don't get is why she'd then tell Tony.
03:22I mean, you'd keep that to yourself, right?
03:24Again, that's what we need to find out.
03:26The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
03:31and his money.
03:33Now, Monica says that Tony told her the week before the wedding.
03:36What if he didn't?
03:37What if he told her that night?
03:39Well, and then she killed him.
03:40That's quite a reaction, isn't it?
03:42Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
03:46a knife.
03:47So we're dealing with someone potentially prone to aggression, violent outbursts.
03:51Cara, Sally, Dan, go back through the reports into Alan's suicide.
03:56We need to see if there's anything that they missed.
03:57Simon, Liam, Katie, talk to Monica's friends.
03:59Did she mention Tony's financial situation to anyone?
04:02And crucially, when did he tell her?
04:05And we still haven't figured out who this figure in the coat is.
04:11Bonnie.
04:12All right, all right, all right, all right, all right.
04:15Yeah, yeah, yeah.
04:15Good to see you.
04:16All right.
04:17They've discharged you from the hospital?
04:18I mean, not technically.
04:20I thought you'd all be missing me by now.
04:22Are you okay?
04:23Oh, yeah.
04:24Doctor said it's a scratch.
04:26Sorry, Jimmy.
04:26You carry on.
04:27That's okay.
04:28We were just finishing.
04:29Uh, thank you.
04:43Good to have you back.
04:44How are you feeling?
04:45Like I just got stabbed.
04:47So, no, you shouldn't be here.
04:48What am I supposed to do?
04:49I can't go to the gym.
04:51Let me bring you up to speed.
04:53Yeah, all right.
04:55Um...
04:56Lost the video in on.
05:20Uh, Ian has confessed to killing Carl and to swapping the bloods and, uh, obviously,
05:25to the attack on you.
05:26He's Adam and he didn't kill Tony.
05:29You believe him?
05:30I do.
05:33Wish I didn't.
05:56So, yeah, the current focus is Monica.
05:59And, uh, well, there's a possibility that her first husband's suicide was actually staged.
06:03Yeah, and Tony knew and threatened to expose her.
06:05That's what Nicola said, right?
06:06Yeah.
06:07The other theory is that Tony told her about his financial situation.
06:09And she lost her shit.
06:10Yeah.
06:15Uh, about what you said at the hospital.
06:17I just...
06:18What happened was really shit.
06:20I'd like to put it behind me, okay?
06:21We're good.
06:30What happened there?
06:32I've no idea.
06:33Barney.
06:35I didn't expect to see you back so soon.
06:37Discharge this morning.
06:39That's... surprising, after such a close shave.
06:41And got Jim arrived when he did.
06:44Take it steady, Barney.
06:45Understood, Ma'am.
06:47About time some of the others did some work, eh?
07:06What happened?
07:11I have to go.
07:11I have to wait for you.
07:12I know...
07:13I'm not sure.
07:14You're welcome.
07:14The way I do it.
07:16I can hear you.
07:17I can hear you.
07:18The way I do it.
07:18The way I do it.
07:33Boss, have you got a minute?
07:34Uh, yeah.
07:36So the footage from the night of Tony's murder came in?
07:39What was it?
07:40Costello's, the restaurant.
07:41The footage of you and Nicola Barton.
07:44When you disclosed you had contact with Nicola the night of,
07:46you said it was a two-minute conversation.
07:49It wasn't.
07:50It was longer.
07:51Really?
07:52Way longer.
07:54It was 43 minutes.
07:5543 minutes?
07:58Wow, okay, yeah.
07:59You do understand I need to put this on the CMS, don't you?
08:02Yeah, of course.
08:03Which means that everyone in here can access that footage.
08:05Yeah, I know how the CMS works, Karen.
08:07And see that your two-minute conversation with the person connected to the case
08:10was actually much longer and much more cozy than you initially let...
08:13Cozy is a bit subjective.
08:16Maybe.
08:17But the timestamp isn't.
08:19Look, maybe you lost track of time.
08:23Or maybe you thought it was inconsequential.
08:26But please, get your fucking story straight, sir.
08:33Sorry.
09:00I thought you'd gone back to Manchester.
09:03I decided to stick around.
09:06Is it some old haunts?
09:07Like the cliff.
09:10A friend saw you there this morning.
09:12Sorry, that sounds like...
09:14I mean, you can do what you like.
09:16I just mean that I...
09:17I wish I'd known you were still here.
09:20We could spend a bit of time together.
09:23And um, what?
09:25I thought we'd made some progress, Nick.
09:28I explained how your father was.
09:30I know that it must have been difficult for you to...
09:32But, you know, I thought it might have answered some questions for you.
09:37No, it did.
09:40It's just being back in Jersey.
09:43It's harder than I thought it would be.
09:47Being back around me, you mean.
09:56Have you heard about love languages?
10:00People have different ways of demonstrating their love.
10:04And I think that I had a way of showing you that I loved you because I did.
10:10I do.
10:12And I think it's something that I learned from my mum.
10:15She was, um...
10:17She was practical.
10:19She was endlessly practical.
10:21So, the house was clean, and we were clean, and there was food, and, you know.
10:27I think that that's what I associate with love.
10:30And it's just as deep as something more demonstrative.
10:34But maybe it's not how you needed to be loved.
10:41Yeah.
10:44That would make a lot of sense if I hadn't seen you do it with Michael.
10:49Michael, you weren't practical with him.
10:54You engaged with him.
10:56You gave him energy.
10:58And time.
11:00And love.
11:02And I got...
11:04What was left?
11:06Well, Michael just demanded more.
11:08He needed more.
11:09You didn't have to give it to him.
11:11You could have said no.
11:12You can't say no to a child like that.
11:14So, I'm left with this impossible choice of what to believe.
11:19Yeah?
11:19That, oh, you couldn't love me because of some flaw in you,
11:26some bit in you that's missing,
11:29or that ultimately because I'm just too hard to love.
11:33What?
11:34No, that's not Christ.
11:36No.
11:37It doesn't stop.
11:47This is why I didn't want to see you,
11:51because these conversations are too hard.
11:59I'm sorry about Tony,
12:03but I want you to leave now.
12:14Have kids.
12:16Then we'll talk.
12:28Kim, I know you're furious with me,
12:30and you have every right to be.
12:32But you're leaving soon, you know,
12:34and I would just love it if you would just consider
12:38forgiving me just a bit quicker than you would normally.
12:42I have forgiven you.
12:44Yeah, I mean, it just doesn't feel like that.
12:46I'm just tired.
12:50Er, thanks for the lift.
12:5649 to go.
13:07Jim.
13:09Nigel, um,
13:11I'm sorry, it doesn't even come place.
13:14It's okay, Jim, really.
13:16It was, er, it was an accident.
13:17No, it's not okay.
13:18It's,
13:20it was, it was out of line,
13:21and, er, look, I'm sorry.
13:23Apology unnecessary, but
13:25accepted.
13:27Er, is, is Charlie in?
13:30Erm,
13:32Christ.
13:33Er,
13:34well, if you're sure.
13:36Sure.
13:47Hi, Charlie.
13:50I, I just wanted to say,
13:52erm,
13:53how,
13:53how sorry I am
13:54and by the party.
13:57Is that it?
13:59Well,
14:00er,
14:01I don't know what else there is to say.
14:08When Rachel died,
14:10you were devastated,
14:12as was I.
14:13As was everyone.
14:15In many ways,
14:17we will never fully recover.
14:18I appreciate that.
14:21But the rest of us,
14:23even her daughter,
14:24are managing
14:25to function
14:26now.
14:28And so for you
14:29to still be spreading
14:30such Olympic standard
14:32chaos
14:32would suggest
14:33an element of choice.
14:35Of choice?
14:37The risk of sound
14:38of condescending,
14:39Charlie,
14:39you do know
14:40that I'm an alcoholic.
14:41Really?
14:42Oh, you should have
14:43mentioned that.
14:44Oh, wait.
14:44You do.
14:46Endlessly.
14:48You know,
14:49Rachel was exquisite.
14:50She was,
14:51she was perfect.
14:53She was better than me
14:54in every single way,
14:55but she never made me feel
14:57like I didn't deserve her.
14:59But from the moment
15:00we met,
15:01I have spent
15:02every single day
15:03trying to prove
15:04myself worthy
15:05to you.
15:09I have lowered the bar
15:10as far as I can
15:11for you, Jim.
15:12Any lower,
15:12it'll be in the cellar.
15:15Not getting drunk
15:16at Kim's leaving party
15:17was all
15:18that was required
15:19of you.
15:21I'm sorry,
15:21even that
15:22proved too much.
15:28Jim.
15:29That actually went
15:30better than I expected.
15:32How do you deal
15:33with her?
15:34Well,
15:35when you get to my age
15:36and you've
15:37been through some
15:39some stuff,
15:41not to suggest
15:42you haven't had
15:43your own share
15:43of stuff,
15:45but
15:50I lost a child.
15:53my first wife
15:54and I
15:56when it was only two.
15:58God,
16:00Nigel,
16:00I'm
16:01sorry.
16:02And obviously
16:03that's something
16:04Charlie and I
16:05have in common.
16:06And
16:08the one thing
16:09about something
16:10so
16:11unfair,
16:12so
16:14so savage
16:16is
16:19it gives you
16:20some perspective
16:23and some
16:23patience.
16:27I'll talk to her.
16:30All shall be well
16:31and all manner
16:33of things
16:33shall be well.
16:37I'm sorry, Jim.
16:38Oh,
16:39you should see
16:40the other guy.
16:40I'm sorry,
17:00talk to me.
17:02Monica was
17:03telling the truth.
17:05Spoke to one
17:05of her bridesmaids
17:06and according to her,
17:07Tony had told
17:08Monica about
17:09his financial situation
17:10a week before
17:10the wedding.
17:11Okay,
17:11did you see
17:12how Monica responded?
17:13Well,
17:13I'm not thrilled
17:13but not filled
17:14with murderous rage
17:15either.
17:16Okay,
17:16and I take it
17:17we're still
17:17nowhere with
17:17the figure
17:18in the coat?
17:18Yeah.
17:20Yeah,
17:21we aren't.
17:23Cara?
17:23I had a look
17:24at Alan's
17:24phone records
17:25and I found
17:26some calls
17:27that the
17:27original investigation
17:28must have missed.
17:29Who are
17:29Phillips and Hawthorne?
17:30Solicitors
17:31on the mainland
17:31who happen
17:32to specialise
17:33in divorce.
17:33I spoke to them.
17:35They dug out
17:35the notes.
17:36They said
17:36Alan Barton
17:37spoke to them
17:38about divorcing
17:38Monica
17:39two weeks
17:40before you died.
17:41Monica didn't
17:42mention it
17:42in either investigation.
17:43Which means
17:43she didn't know.
17:44Or she concealed it.
17:45Read the third paragraph.
17:53Okay,
17:54well,
17:54there we go.
17:55I'm going to put
17:56this to you,
17:56Monica.
17:58And yeah,
17:59obviously you can
17:59come too,
18:00Bonnie.
18:02She'll come too,
18:03yeah,
18:04if you're up for it.
18:05I think I can manage
18:05sitting in the car
18:06and then sitting
18:07in a chair
18:07in her living room.
18:10Good.
18:12Yeah,
18:12brilliant.
18:13Let's go.
18:15Thanks.
18:17Yeah,
18:18see you in the car?
18:24If they get divorced,
18:25you're going
18:26into foster care.
18:27Oh,
18:27don't say that.
18:29Listen,
18:30I thought you should know
18:31I was with
18:32Jim Bergerac today.
18:34I finally got him
18:35to look into
18:35my dad's death again.
18:37Right.
18:39So,
18:40you're still
18:40looping all this
18:41back to Monica then?
18:42She threatened
18:43my dad with a knife.
18:44I'd call that
18:44a red flag.
18:48I'm confused.
18:49I thought you
18:49thought Monica
18:50did it too.
18:54When I saw her,
18:56Michael was there
18:57and he got into
18:58an argument
18:59with his neighbor.
19:00He was out of control.
19:02Just the rage.
19:03Monica actually
19:04had to hold him back.
19:05I just think
19:06maybe we're looking
19:07in the wrong place.
19:09You think Michael
19:10might have killed Tony?
19:12Maybe.
19:14And maybe
19:15not just Tony.
19:18My dad too?
19:19Oh, come on.
19:20Well, we've talked
19:21a lot about
19:21whether Monica
19:22did it,
19:22but never how.
19:23How did she
19:24overpower
19:25two husbands,
19:26two fully grown men
19:27who would have
19:27fought back?
19:40Don't we just have
19:41a couple more things
19:41we'd like to run by you.
19:43How would you
19:44describe your relationship
19:45with Alan
19:46around the time
19:47of his death?
19:48Well, what's this
19:49got to do with
19:50Tony's death?
19:51I was still trying
19:51to establish
19:52what Tony meant
19:52when he said
19:54no more secrets.
19:54You described Alan
19:56as in a dark
19:57place
19:57before his death?
19:59Well, he
20:00killed himself
20:02unless I've read
20:03too much into that.
20:06You said
20:07that he was
20:08erratic
20:08and unpredictable
20:10yet we found
20:11no evidence
20:11to corroborate that.
20:12If anything,
20:14Mrs. Salinger,
20:14we found that
20:15he was making
20:15plans for his future.
20:17You've been
20:18talking to Nicola.
20:20I don't know
20:21why she's dredging
20:22all this up again.
20:23I thought we'd
20:23settled this.
20:24Were you aware
20:24that shortly
20:25before his death
20:25Alan contacted
20:27a divorce lawyer?
20:29What?
20:29Um, no.
20:31No, I didn't
20:32know that.
20:33They had two
20:33conversations.
20:35The solicitor
20:35described him
20:36as buoyed
20:37by their discussions
20:38and hopeful
20:39for his future.
20:41He said the
20:41final straw
20:42was a fight
20:42the two of you
20:43had where you
20:43threatened him
20:44with a knife.
20:45No, that
20:47never happened.
20:49I know this
20:50is hard, Monica,
20:51but we're still
20:51exactly where we
20:52were.
20:53On the night
20:53of Tony's death
20:54and look,
20:54no more secrets
20:56meant something,
20:56okay?
20:56You don't upend
20:57your wedding day
20:58for a joke.
21:00Now, there are
21:00people who love
21:00Tony.
21:01You loved Tony
21:01and so we owe
21:02it to all of you
21:03to explore every
21:05lead, answer every
21:05question.
21:06I'm really sorry,
21:06but that's led us
21:07to Alan's death.
21:08And look, look,
21:08if there is nothing,
21:09if there is no
21:10relevance, then I
21:11swear to you
21:11we will move on.
21:14But we won't know
21:15until we ask.
21:28it's true, the knife.
21:31It's true.
21:33But when Alan spoke to
21:36Nicola and this
21:37solicitor, he left out
21:38some pretty crucial
21:39context.
21:40He did change.
21:42His behavior did
21:44change.
21:45And I hid it too
21:46because I didn't
21:47want people to think
21:48ill of this
21:51beautiful, kind
21:52man that I loved.
21:58One night, he hit me
22:02and I grabbed a knife
22:03because he kept
22:06coming towards me
22:07and I told him
22:08to get out of the house
22:10and I didn't see him
22:12for a few days
22:12so that must have
22:13been when he
22:14when he spoke to
22:15Nicola and this
22:16lawyer.
22:17Anyway, after a
22:18while he came home
22:19and he was full of
22:21this indignation
22:24and he said that
22:26I had attacked him
22:27and I said,
22:28no, Alan,
22:29you hit me
22:32because I still
22:34had the bruise
22:36and he was
22:37devastated because
22:39his father was
22:40abusive towards his
22:41mother and him
22:41and his brother
22:42and there he was
22:46completing the cycle
22:47becoming the
22:49thing that he
22:50swore he'd
22:51never be.
22:52I see it in
22:53Michael too
22:54sometimes.
22:57And a few days
22:58later, he died.
23:00I couldn't tell
23:01the kids.
23:02I mean,
23:03Nicola would never
23:04believe me.
23:05She will never let
23:05this go.
23:10Michael!
23:16Michael!
23:17Michael!
23:17Michael, please!
23:18Michael!
23:20Please!
23:21Come back!
23:24Oh my God!
23:25You've got to go
23:25after him.
23:26What?
23:26Well, he must have
23:27heard everything I said
23:28about Alan.
23:29He didn't know any of that.
23:30I'm sure he'll be fine.
23:30No, no, no.
23:31Look, you don't
23:31understand.
23:32He's fragile.
23:33He's been going to the
23:34cliffs where Alan
23:35died.
23:35When he's like this,
23:36I have no idea
23:37what he's capable of.
23:38Please.
23:39Please.
23:46We need all
23:47available units
23:47dispatched to the
23:48Morbury cliffside
23:49and a bolo
23:50put out for
23:50Michael Bart
23:51driving a blue
23:52BW polo.
24:03We're cameras
24:21We're cameras
24:33No sign, no sign of his car either.
24:37We've got a mission on Michael's car.
24:38Where?
24:39Pulling into the Clifton Hotel.
24:41Jesus.
24:43What?
24:44We need a unit at the Clifton immediately.
24:46Quiet approach.
24:47We're in 401.
24:48We do not want him spooked.
24:50Wait, what is in 401?
24:51It's Nicola Button's room.
24:52We don't know what Michael's capable of.
24:54He's not the one in danger.
24:55Nicola is.
24:58Come on.
25:03We don't know what Michael's capable of.
25:04Come on.
25:24I don't know.
25:36I don't know if the laws are going to do that.
25:38How did you know her room number?
25:45What?
25:46There's a guy.
26:05Hello, welcome to the fifth-in. Do you have a room for we're on?
26:08Fourth floor, but you'll need a key card.
26:15Hey, we need a room pass for room 401.
26:18Okay, I just need a credit card to activate the room pass.
26:22Thank you so much.
26:24Okay, just 401, yeah.
26:26Please, please, can you just hurry?
26:30All righty, there we go, there's your room card.
26:32Oh, sorry, the lift's undergoing maintenance at this present moment in time.
26:36Of course it is.
26:52You all right?
26:53I'm fine.
26:54Just go.
27:03Wait, wait.
27:04Wait, wait, wait, wait, wait.
27:06It's a fool.
27:07You're a fool.
27:07You're a fool.
27:08You're a fool.
27:09You're a fool.
27:10I'm so sad.
27:11You're a fool.
27:13You're in state Manchester and track yourself in that front row.
27:16You're under magic.
27:17Well, enough is enough.
27:19Go, go, go.
27:21Relief!
27:21Relief!
27:22Relief!
27:22I didn't do anything!
27:24I didn't do anything!
27:25I didn't do anything, I swear!
27:26Are you okay?
27:28Nicola?
27:29What is it?
27:30Nicola!
27:32What is this?
27:33What is this?
27:35Amita?
27:38I can't believe it.
27:40Well, it's true.
27:42So you can stop now.
27:43You can finally leave us alone.
27:45I don't understand.
27:45What is this?
27:46What's the confusing bit, huh?
27:48It's from him.
27:49Alan, my father.
27:58He's not dead.
28:14It arrived the day before my 30th birthday.
28:20A few months earlier, Dad had been officially declared dead, and Mum had arranged a little gathering for us to
28:26say goodbye.
28:28And Nicola came.
28:30And Nicola came, reeking of vodka as per.
28:33And that's when she first suggested that our mother, a woman who has to literally ask me to open jars
28:38for her, killed our father.
28:40I mean, it's ludicrous.
28:43Anyway, that's when the card arrived.
28:46At first I thought it was Nicola playing some sort of joke.
28:49But then, the postmark.
28:53The date.
28:54And you didn't tell Monica.
28:56Oh, Mum, by the way, Dad's alive.
28:58He'd just rather you think he was dead than ever talk to you again.
29:03Hmm.
29:04No.
29:05I didn't.
29:06I didn't.
29:06I didn't tell anyone.
29:08The police had ruled her to suicide for the second time.
29:11Nicola had been extradited back up to her northern town.
29:13I didn't think that there was any point in exhuming it all again.
29:17But then, Tony died.
29:19And when Nicola reappeared and started trotting out her greatest hits, I did think about telling her then.
29:26But the next minute she was leaving, so I didn't bother.
29:31Except, she didn't.
29:34Did she?
29:36Hmm?
29:41I saw you with her.
29:44At the cliffs.
29:47And sure enough, you descended on my mother, parroting Nicola's slurred fantasies like they were facts.
29:54Right.
29:55I thought enough is enough.
29:58Didn't quite a big risk there, your father.
30:00How did he know that you wouldn't tell your mother and Nicola straight away?
30:04Nicola likes to tell everyone about this special relationship she had with Dad.
30:10But I was the son.
30:12I was his blood.
30:14He could trust me.
30:17Now look, don't get me wrong.
30:20I mean, I feel sorry for her.
30:25It must be quite a shock.
30:27No, to find out that someone would literally fake their own death rather than spend time with you.
30:36I mean, that's bound a smart little.
30:47Forensics have checked the postmark.
30:49It's authentic.
30:51Definitely sent from Bermuda.
30:53What about the handwriting?
30:54They've only been able to do a preliminary analysis.
30:56They still need to do full bells and whistles.
30:58But they compared the card with confirmed examples of Alan's handwriting.
31:01And it's a match.
31:05All right, so Monica didn't kill Tony because of the money.
31:08She didn't kill him because he was about to tell the world that she killed Alan, which would suggest...
31:12She didn't kill Tony.
31:14Okay, so we keep looking.
31:16We keep digging.
31:17Jim, I'd like a word with you.
31:22Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?
31:26I'll call their family liaison.
31:28Cara, did the footage come back from the bar of Nicola Barton?
31:31Yeah, it's on the CMS.
31:32Yeah, and?
31:34It's deemed irrelevant.
32:03What's your next move?
32:04I have absolutely no idea.
32:07Well, whatever it is, it won't involve Barney.
32:09You need to send him home.
32:10He's practically green.
32:11Yeah, that's my fault.
32:13We're allowing him to accompany me to interview Monica.
32:16I'll make sure he stays behind his desk from now on.
32:18You seem uncharacteristically eager to keep him here.
32:20Normally I have to sit you two as far apart as possible.
32:22Well, he's an exceptional officer and an integral part of the team.
32:25Now I'm really suspicious.
32:28Why did he go and see Ian Monkford without backup?
32:31We were working in parallel and we both uncovered different strands of evidence against him.
32:36That's not what I asked.
32:38He went without telling his colleagues, specifically you, suggesting a troubling,
32:42and in this case potentially fatal, breakdown in communication.
32:46Something's going on.
32:48And it's becoming a problem.
32:49Sort it out, Jim.
32:51Redraw some boundaries.
33:15Don't start.
33:16I'm fine.
33:16You're not.
33:17You need to go home.
33:18Does that come from Uma?
33:19Me.
33:20It's coming from me.
33:21Take your time.
33:21Get better.
33:22Christ.
33:23At this rate, when you come back...
33:24I'm just in the middle of something here.
33:25Do you need me to leave this second or can I finish?
33:27Not.
33:35You.
33:48Be sure.
33:50I'll like.
33:53Go.
33:54Go.
33:54Go.
33:54Go.
33:56Go.
34:13you all right absolutely sensational good
34:19no i know that despite your best efforts to conceal it kim leaving is challenging for you
34:24so it'd be all right if things weren't all right yes it is challenging for me and i think it's
34:29important kim isn't privy to that the last thing she needs is to feel guilty about what she's leaving
34:34behind that would be selfish and i'll leave that to her father what was jim like before rachel died
34:44very different capable besotted with the two girls steady reliable right so
34:54but this isn't him he's still hijacked by the grief he's a man possessed
35:02did you become a functioning adult again how long did it take
35:08it's a work in progress
35:11i'm saying be patient with him
35:15i'm not making any promises that's my goal
35:25i'd like to give you the money for the restaurant
35:28it would be alone obviously but seems rather silly
35:32you need the money and i've got it sitting in my bank account
35:35um right that's very kind of you but no no what no thank you but why not
35:48because it would be emasculating and utterly humiliating
35:52for god's sake so this is about pride is it it's all i have charlie i i don't have any
35:57property
35:57i i i don't have any investments i i don't even have a family my my pride is the one
36:03thing i've been
36:03able to cling on to so no but again thank you
36:10where are you going i need to pee i don't need any help with that either
36:19good night boss
36:20good night
36:22good night
36:22good night
36:23good night
36:24good night
36:47good night
37:04nicola
37:08hey
37:09i'm in here
37:16Free upgrade
37:17Due to the door
37:19So thank you
37:26It's Monica, she keeps calling
37:28Uh, that will, uh, yeah
37:30Someone will have just told her
37:31I'm sorry, it's looking like the card is genuine
37:34It can't be
37:36I'm sorry
37:38Because my dad is dead
37:41He wouldn't do this to me
37:48He wouldn't do this to me
37:52Hey, it's
37:54It's okay
38:07It's okay
38:18Oh, Christ, it's that Monica again
38:22Oh, it's Kim
38:23Um, I'll take this outside
38:28Hi
38:28Hi, hey, sweetheart
38:30I'm staying another night at Granny's
38:32Yeah, okay, yeah
38:33Uh, that's, that's fine
38:35Uh, will I, I'll pick you up tomorrow
38:37I'll text you
38:42I didn't even make it to the door
38:44She rang you, though
38:45She rang you, though
38:46She could have just texted
38:49She wants a dialogue
38:51Yeah, you really think so?
38:54Is this what being a parent is like?
38:57Your kid becomes like someone you have a crush on at school
38:59And you're constantly trying to decipher every single interaction
39:04Oh, she asked me earlier for a lift
39:10I think she likes you, Jim
39:13Yeah, you see, now you've made it weird
39:18She's just, she's trying to keep the channels open
39:20She just wants to run it down from 50 to zero
39:23As much as you
39:32What are you doing, Jim?
39:34In what sense?
39:35In any sense
39:36The case
39:41Us
39:43There can't be any us
39:45So stop showing up at my hotel
39:49I know, I'm, I'm sorry
40:06Just, um, hold that thought
40:09I, um, I just, I gotta pee
40:18Oh, my God
40:26Uh, where's the minibar?
40:29Uh, you're kidding, right?
40:31I thought we could share a sparkling water
40:34Yeah, let's push the boat out
40:36It's in the wardrobe
41:12I found it
41:15Jim?
41:37Oh, crap
41:40Wow, darn
41:41Wow, darn
41:45Oh, crap
41:46Oh, crap
41:48Oh, crap
41:50Oh, crap
41:57Oh, crap
41:57Oh, crap
Comments