- 7 hours ago
Wonder Man 2026 S01E01 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:25We don't reverse the tomography in the next 30 seconds.
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans! There's too many! Get out of there! Head to the sanctum now!
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both!
00:52I don't care!
01:06The Umbera people believe if a soul fails to turn right after death, it winds up in a dark and
01:11treacherous place.
01:13Well, I've been to the void. I've lived in that screaming silence.
01:20I know what it's like. I lost whatever part was left in me that makes a person...
01:25A person!
01:32Until Barnaby pulled me out.
01:34No one else separate gay, but...
01:36Get down!
01:38It's too late for me.
01:40But you can still walk away.
01:42I'm begging. Please, just walk away!
01:45music
02:06music
02:24You got this, man.
02:27You already got the job.
02:30You just got to go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams, they're inviting you to set.
02:46Copy.
02:47On our way.
02:48Yeah, David, go ahead.
02:55Yeah, David, go ahead.
02:59Yeah?
03:00What?
03:04Okay, who last set eyes on it?
03:06Hey, Kieran.
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the rightish room must don't stop.
03:29Ugh, I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken, the latte bowl, no creamer.
03:37Hi, I'm Lauren.
03:39You must be Professor Harpin.
03:40Yeah, I love the Castle Rock.
03:41You're the wrecking.
03:42Oh.
03:42You're Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:49Absolutely.
03:50Okay, so classes just ended and Professor Harpin's packing up his desk at the end of the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yada, yada, yada.
04:02And then, Ashley, you cross to about here.
04:04And Professor Harpin says...
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantucutli, was tricked into giving up the
04:14bones that became humanity.
04:16Yeah.
04:17Duh.
04:18Great.
04:19And then Sarah transforms into a monster and bites off Professor Harpin's head here.
04:28Any questions?
04:29Yeah.
04:30Mm.
04:31Should I switch to that a little table?
04:32I know it's sounding pretty good.
04:34Ha, ha, ha, ha.
04:38Just one thing?
04:39Yeah, of course.
04:42How long have Sarah and I known each other?
04:46Hmm, that's a good question.
04:47What are you thinking?
04:49I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:57Why not?
04:57Right?
04:58Might add a little layer to the scene.
05:00Totally.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:09What's that?
05:10Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think
05:15I would be so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I let her cross all the way to my desk.
05:36I think Professor Harpman will stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:45We're already lit, so I did want your dead body kind of bleeding out in this moonbeam that
05:52we have.
05:52We can move the moonbeam.
05:54It'll only take a few minutes.
05:59If you want it.
06:01Okay.
06:06Let's move the moon.
06:08Yeah.
06:08Yeah.
06:09Move the moonbeam!
06:10More, more.
06:11Right there.
06:13Last looks!
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:26I was just...
06:27Just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel
06:31Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes
06:40things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:44It barely touches on Mucantucotl.
06:46It might fit into an ancient civilization syllabus, but Professor Harpman is focused solely
06:52on Aztec Studies.
06:54Right?
06:56Hmm.
06:58Um.
07:00Now, there's no reference to a book.
07:02Oh, but it says, it says packing up his desk.
07:06Right.
07:07For the night.
07:08Mm-hmm.
07:08Mm-hmm.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:22Who is this bozo?
07:24He had a great audition.
07:26Yeah, but at this rate, we're never going to make our day.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:38Professor Harpman's history with Professor Johnson is what makes his death at her hands
07:42all the more tragic.
07:44Honestly, I never thought of it that way.
07:46But it's here.
07:46Yeah.
07:46It's subtext.
07:47Yeah, I see that.
07:48You found something really interesting.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Thank you, thank you.
07:58Yeah, thank you.
07:59The showrunner just called, and he is rethinking this episode, and he's worried about Professor
08:05Harpman's scenes being a remnant of an earlier version of Ashley's arc.
08:09Remnant.
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:21That's a series rough on Simon Williams.
08:41We'll make a film about a man that's sad and lonely, and all I've got to do is act naturally.
08:51Well, I'll bet you I'm not going to be a big star.
08:56Night when I'm lost, you can't never tell.
09:02And who thinks gonna make me a big star?
09:07Cause I can play the part so well.
09:12Well, I hope you come see me in the movie.
09:18Then I know that you are playing the scene.
09:23Take it through the chapter, it's a big time, and all I've got to do is act naturally.
09:38We'll make a scene about a man that's sad and lonely, and baking down upon his spindly knee.
09:48I'll play the part, but I won't need rehearsing.
09:54All I'll have to do is act naturally.
10:08What the hell?
10:10What the hell?
10:17You moving up?
10:32I'm just trying to prevent this from becoming a thing.
10:36Weren't you showing me pictures of rescue dogs last week and complaining I wasn't committing?
10:40Yeah, I'm sorry.
10:43I'm just not happy, Simon.
10:45I know.
10:46I just think you need to book something.
10:49Things will turn around.
10:50Come on, Vivian, we're good together.
10:54You never let me in, Simon.
10:57Not really.
10:58It's a little late to start caring about this relationship.
11:29You never let me in, Simon.
11:43Well, that's because Jerry wasn't there, and I was.
11:47I remember.
11:48Yeah.
11:49It was a python.
11:51A giant bloody python.
11:53I don't know if it was Burmese or not, love.
11:55I can't speak to that.
11:57It was in the pool.
11:59That's what bloody matters.
12:00Because maybe it had been somebody who wasn't looking for cuddles.
12:05Oh, sorry, love.
12:06I can't today.
12:08Auditions this afternoon.
12:10Dumb writers big.
12:11Biggest bloody movie of the year is all.
12:13Hey, man.
12:14Do you mind?
12:15Give my love to Uma.
12:17Smooches.
12:19I'd never talked to you in the actual film.
12:21Don't fret.
12:25Hey, I'm sorry.
12:26Aren't you, uh...
12:27Oh, yes.
12:30I played the Mandarin, but that was a bloody ten years ago, and I was just a puppet.
12:34And whatever theories you've seen on Reddit are totally false.
12:37I had nothing to do with Pizzagate.
12:39I'm not a member of the Illuminati, and I did not have my hands replaced with baby hands.
12:43First of all, I always dug your performance as the Mandarin.
12:48But I remember you from that omnibus episode you did in the 70s.
12:52You played Edgar Allan Poe, The Need for Nightmare.
12:55Well, well, well.
12:57Not too many people remember that old gem, including me.
13:00How was I?
13:02Stole the episode.
13:04And I should know.
13:05I'm also an actor.
13:06You don't say.
13:07Yeah.
13:08Do you mind?
13:10The movie's about to start.
13:14I'll take the ten.
13:16But when I take you over to see Mr. O'Daniel, I'm gonna have to have another ten, just a couple
13:20expenses, all right?
13:22All right.
13:23Come on.
13:23I'll buy you a school after you, huh?
13:25I'll pay.
13:34Yeah, that's what I'll do.
13:37Okay, Rico?
13:40Rico?
13:42Rico?
13:44Rico?
14:11It's heart-breaking.
14:14Never tired of re-watching that one.
14:17It's authentic.
14:19Moving.
14:22Really captures being an outsider on the fringe.
14:27And it's a little trippy, which is always nice.
14:31You know, Schlesinger didn't even think Hoffman was right for Ratso, even though he'd just come off the graduate.
14:39Apparently, Hoffman convinced him by showing up dressed in rags to their first meeting on the street corner.
14:44He was begging for change, and Schlesinger didn't even recognize him.
14:47I was fortunate enough to attend Schlesinger's production of Timon of Athens with the Royal Shakespeare Company, Sublime.
14:55Pity I was blind drunk.
14:58So, uh, what's this?
15:02Big audition you were talking about.
15:07Look, man, I'm not a weirdo, and I'm not desperate.
15:10I'm just curious.
15:12Would love to know what you're up to.
15:15Well, uh, between you and me, it's a huge opportunity.
15:20I'm auditioning for Wonder Man.
15:23Anyway, nice meeting you.
15:25Wait, uh, someone's actually remaking Wonder Man?
15:29Not someone.
15:31Bonkovec.
15:49Hey, I'm not good.
15:52I'm not good.
15:53Lucky was a walking down the street.
15:57Looking fine as she could be.
16:01Hey, hey.
16:03Lucky was a walking down the street.
16:07Jeanette.
16:10Did you hear about Wonder Man?
16:11You didn't tell me Von Kovac was directed?
16:14A superhero remake.
16:16Not exactly what we'd expect from an Oscar-winning director.
16:20Finding inspiration in another movie is not a crime.
16:26Look at what Carnivac did with the flyer.
16:28Silly big picture.
16:30He made it personal.
16:33Grounded it in modern science.
16:36And discovered new unthinkable horrors.
16:41Why not Wonder Man?
16:44Human and spectacular.
16:47That's where this film needs to live.
16:50Superheroes are part of our lives now.
16:54So, what we will find when we look at Wonder Man today,
16:59what can he teach us about ourselves?
17:06Sounds good.
17:07I need to be in this movie.
17:10Sorry, you crazy.
17:12I was born to play this character.
17:14Are you serious?
17:16Boo, they are already talking to Leo.
17:18No, no.
17:19Deadline said they're looking for a new face.
17:21I have a new face.
17:22Mm-mm.
17:23It's too late.
17:23Today was the last day of auditions.
17:25Well, couldn't you work a little bit of your magic?
17:28No one can say no to you.
17:30Not when you put on that charm.
17:32I know you're not doing this right now.
17:34Mister, I got fired from American Horror Story this morning.
17:36Yeah, they told me you couldn't even lay in blood, Simon.
17:39How hard is that?
17:40You just sit there.
17:41You just lay.
17:42Then you storm into this meeting with my colleagues,
17:45acting like you own the place,
17:47and now you're trying to work me?
17:48You know what?
17:48You got some nerve.
17:50I just need you to believe in me, Janelle.
17:53You know I believe in you.
17:55I think you're one of the most talented people that I know.
17:59But there's a lot of talented people out here
18:02who are not pains in the ass.
18:03Do you feel me?
18:07All right.
18:08We can talk about American Horror Story
18:10first thing tomorrow morning.
18:11Nandi will validate you.
18:18And maybe have an early dinner,
18:19so I'll be gone, okay?
18:40Hey, girl.
18:41This is Imani from Hanover Agency.
18:43I got Janelle Jackson for Ruth.
18:46She's in session, but I can have her return.
18:48She's in on Wonder Man, huh?
18:50Yeah, till 6 tonight.
18:53Oh, no, that is not good.
18:55Nandi is going to be in so much trouble.
18:57Why? What's wrong?
18:59Well, Nandi is out sick.
19:00You know, she got that stomach bug that's going around.
19:03You better make sure you wash your hands, girl.
19:05You know I do.
19:06Anyway, I'm coming for her,
19:08and she just texted me
19:09because she forgot to get Simon Williams in
19:11on Wonder Man for Janelle.
19:14And now, see, the session's already started,
19:15and today's the last day.
19:17So when Janelle finds out,
19:18she is going to go ballistic.
19:20Can you still make it in?
19:21I can put him on the list.
19:22Oh, my God.
19:24Girl, you are an angel.
19:25I'm going to call him right now, okay?
19:37Hey, Simon Williams.
19:39Sorry, I'm late.
19:40I'm assuming you're a Wonder Man
19:41and not a Barnaby?
19:43Correct.
19:44I just need you to sign this NDA.
19:48Also, I don't have a doorman waiver on file for you,
19:50so I'm going to need you to sign this.
19:53Assuming, of course, you don't have superpowers.
19:59Okay, you're all set?
20:00I don't know.
20:30I don't know.
20:31I don't know.
20:45I don't know.
20:47I don't know.
20:47I don't know.
20:48I don't know.
20:49I don't know.
20:49I don't know.
20:51I don't know.
20:51I don't know.
20:51I don't know.
20:52I don't know.
20:53I don't know.
20:54I don't know.
20:54I don't know.
20:55I don't know.
20:56I don't know.
20:57I don't know.
20:58I don't know.
20:59I don't know.
20:59I don't know.
20:59I don't know.
20:59I don't know.
21:08Ask Damien how things went.
21:10Oh, that's right, you can't, because he's dead.
21:14You guys are killing it in there, bro.
21:16Oh, and please tell Mr. Von Kovac
21:18that if he'd prefer a copy accent,
21:21I can throw one in and now it's the charge, all right?
21:25Where have you seen him before?
21:27Pretty sure he used to be a terrorist.
21:40Come with me.
21:50You're a bloody mess.
21:52You can't go in like this.
21:56You're trying to get on my head.
21:58I'm trying to help you, love.
22:00You know, some of us actually believe in supporting each other.
22:03Take it from someone who's eaten shit on stage more times than eaten count.
22:07Not literally, mind you, you can still turn this around.
22:09It's not too late, I know.
22:11There's a lot to memorize.
22:12No, but my memory isn't the problem.
22:14So what's wrong?
22:21I can't get a hold of the character.
22:24I've seen the original too many times.
22:26And I'm trying to come up with a backstory for his relationship with Barnaby,
22:29but it's not making sense.
22:31Well, trust the words, just show up and say them.
22:33Be present.
22:35No, that's not my process.
22:37Well, your process can go blow a spider.
22:39Do you mind?
22:39Let me see this.
23:08Oh.
23:10Globes, so no more logic getting in the way.
23:12Then your amygdala kicks in and you'll be left with instinct.
23:15Simon Williams?
23:16Here.
23:19Don't think.
23:24Don't think.
23:42You can slate whenever you're ready.
23:44Simon Williams, reading for Wonder Man.
23:53Everything okay?
24:13The Embara people believe if a soul fails to turn right after death,
24:18it ends up in a dark and treacherous place.
24:28Well, I've been to the void.
24:35I lived in that scream in silence.
24:40I know what it's like.
24:45I lost whatever part was left in me that makes a person a person.
24:55Until Barnaby pulled me out.
25:00No one else ever gave a damn.
25:03No one.
25:06It's too late for me.
25:09But you can still walk away.
25:14I'm asking you nicely.
25:16Just walk away.
25:20It's a wonderful thing.
25:22Not thinking too much.
25:24Served me well most of my life.
25:26I'm not sure I'd do it again.
25:28Why not?
25:29John Gielgud used to have me whipping with a belt across his bare ass
25:33every night before curtain up, and that was before we were friends.
25:37Then things got weird.
25:39Hayashi Neats and a Virgin Mary with extra horseradish.
25:43Thirteen years sober.
25:44Congrats.
25:45But an actor needs to think to do the work.
25:51You have to fill in the backstory, in the character's psychology.
25:55If you don't understand it, how can you perform it?
26:00When we are born, we cry that we are come to this great stage of fools.
26:06Can't live.
26:07All spotted.
26:10I had a run of it in Croydon back in the 80s.
26:13I really struggled with the role at first.
26:16Then, I remembered that great speech from Hamlet.
26:20The purpose of playing is to hold us to the mirror up to nature.
26:29Never forget that.
26:31Nature, that's our job.
26:33To understand the world around us and ourselves within it.
26:40The real work isn't digging for subtext or passing a writer's intent.
26:47The real work is living.
26:55Let's probably get going.
26:57Of course.
26:58You're a young man with friends to see and important things to do.
27:02This one's on me.
27:04I think I'm going to do the wedge salad.
27:08Hey, let's keep in touch.
27:10Of course.
27:11Oh, Simon.
27:14I have a good feeling about today.
27:17Something faithful in the air.
27:44Is Trevor Slatter it?
27:47How are we drinks?
27:47Fifteen dollars for a Virgin Mary's bloody criminal.
27:50Trevor.
27:52Third contact was established.
27:53We don't call it third contact.
27:55He was at the matinee?
27:56Yes.
27:57And then you ran into each other at the audition?
28:00And then we had drinks.
28:02Third contact.
28:04Trevor, you need to take this seriously.
28:07Simon Williams is super-powered.
28:09He's unstable and incredibly dangerous.
28:12This country isn't safe until he's in my custody.
28:15You sure he's buying the act?
28:18Don't fret.
28:19I've got him right where I want him.
28:41It looks like four Indians.
28:45I'm going to get away with him.
28:47Tea.
28:47I'm going to можешь business with my husband.
28:49No, it's not for me, but I can do it for you.
28:50If you've studied with me, you can do it for sure.
28:50No, it's not for me.
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