00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
03:00You can pick up
03:03Piano
03:03No
04:27Excuse me.
04:28Hi, my name is Alice Munro and I need help.
04:32My boyfriend, Tom Parker, he works for this charity and he's missing.
04:37Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:49Hi, this is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:12But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but, like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges.
05:39But, uh, I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but, if, when Tom comes back all happy and healthy, I'd prefer if he
06:20kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It, it happened about nine months ago, in Jordan.
06:30There was this young boy named Malik, just eight years old, and, uh, he, he lived in one of the
06:38camps where things were already hard,
06:40but, that night, it got even worse.
06:43His mom went into labor, alone, in the middle of the night, she was very sick, had no one to
06:49help her.
06:49So, Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to
06:56drive them to the hospital.
06:58So, the baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and, you know, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children, no one knew who had survived.
07:42And, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his, his mother and sisters, in a, in a mass burial pit, ten clicks outside of the
08:03camp.
08:08We all have our breaking point, and, and that was Tom's, at least I think it was.
08:13But, he didn't want to pack it in.
08:15And, we got him a counselor, we tried to give him support, but something in him had shifted, you know?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Alice, I don't think he ever really came back, from what happened.
08:40Sorry, I, I, I, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up, if it's not tomorrow, then soon.
09:13I'll, I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:23Alice will find him.
09:51I'll see you next time.
10:29I'll see you next time.
10:54I'll see you next time.
11:18I'll see you next time.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they'll run away to the sea with their buddies.
12:17And then, they'll see you next time.
12:20I'll see you next time.
12:29I'll see you next time.
12:36I'll see you next time.
12:45Oh, my God.
12:46Oh, my God.
12:46Keep look out.
12:48Keep look out.
12:49Keep look out.
12:52I'll see you next time.
13:10Bye.
14:11Alice! Alice!
14:15Tati!
14:33it's uncle brian he's in london
14:38it's uncle brian he's in london
14:42who are you going to tell me about that i was wondering what you'd notice
14:47he may be useless with cars but he could talk a dog of a mitra a dog
15:10yeah i came as soon as i could hi um yeah i i spoke to jordan
15:18you were right tom did make a call on thursday morning
15:24and he wanted to be put through to one of his colleagues
15:31alice there is no easy way to say this
15:35no um i met her actually
15:40that that woman that you're what
15:44were they are they it's really not in my place to speculate
15:50come on
15:58he's not thinking rationally
16:07so what happens now
16:12my god is he will show up somewhere
16:14or makes contact with someone in the next 48 hours
16:18and then you both need to decide what happens next
16:23if i were you i would go to all
16:26go to all there's no need to hang around i must say
16:30if he turns up he'll be the first one to know
16:32okay
16:35okay
16:37alice um i wish i had better news i'm sorry
16:41no it's okay you've been very kind to me thank you
16:48call me for tomorrow yeah
16:51if you need anything at all
16:54okay
17:04okay
17:06okay
17:06okay
18:36Who is that?
18:37I invited him.
18:41Hi.
18:42Hi.
18:42Hi.
18:43Tom.
18:44Profit.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57Oh, really?
20:00Come on, Jeff.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotions.
20:15Was that 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:22Did you say the Nepotions?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:54As is that interesting to you.
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:17No, I didn't.
21:19Rachi?
21:21Go.
21:23Say.
21:35It's going back.
21:37He's going back.
23:59Excuse me?
24:00Excuse me.
24:02Excuse me.
24:04I need help.
24:06Please.
24:06Hello?
24:08Hello?
24:11Hello?
24:11Hello?
24:12Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal.
24:26Do you have an address or a number or something?
24:29I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell you.
24:37Yeah.
24:37Okay.
24:38I'm sorry.
24:38When was that?
24:39I can't...
24:41I can't just give out his address, you understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:06Elle dit qu'elle est enceinte de Maurice.
25:07Oh, sorry.
25:17I'm sorry about my colleagues.
25:18Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24I'm sorry about my colleagues.
25:26I'll give you his address.
25:26Here.
25:26Here.
25:26Here.
26:05Stop, stop, stop.
26:07Stop, stop, stop.
26:37Stop, stop.
26:37Stop, stop.
26:39Stop.
26:45Stop, stop.
26:53Stop, stop, stop.
26:55Get out of my way.
26:56Stop.
26:58Stop.
26:59Stop.
27:01Stop.
27:02Stop.
27:13Stop.
27:19Stop.
27:20Stop.
27:20Stop.
27:26Stop.
27:27Stop.
27:29Stop.
27:30Stop.
27:31Stop.
27:33Stop.
27:34Stop.
27:35Stop.
28:05Stop.
28:05Stop.
28:05Stop.
28:06Stop.
28:11Stop.
28:13Stop.
28:21Stop.
28:22Stop.
28:25Stop.
28:30Stop.
28:32Stop.
28:32Stop.
28:40Stop.
28:42Drew?
28:51Hello?
29:12Oh my god. Oh my god.
29:13I'm here.
29:15Oh shit.
29:16Oh my god. No, no, no, no, no.
29:19Okay.
29:26What the fuck?
29:32Madame?
29:37Madame, Madame, hold on.
29:38Wait, wait, wait. Hold on. It's okay.
29:40I know, but just...
29:42I'm so sorry. I don't like that.
29:44I don't know. I just got in there.
29:46Shhh.
29:47Alice!
29:48Alice!
29:50Alice!
29:51Alice!
29:53Alice!
29:55Alice!
29:56Alice!
29:58Alice!
30:01Alice!
30:02Alice!
30:06количе��.
30:12Mate.
30:13Jorge.
30:15Alice.
30:30Interesting.
30:40The meuf crase de ouf !
30:44Les assisteurs ont t'a crié !
30:46T'inquiète pas, je vais m'occuper de toi.
30:53Je connais chaque rocône et chaque ruée d'ici là.
31:00Mat, Mat, elle a dit quoi la vie ?
31:01Venez, on a clairement tout la rue.
31:31Sous-titrage ST' 501
32:02Sous-titrage ST' 501
32:29Sous-titrage ST' 501
32:29Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go to her now.
33:39Go to her now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:11Just one person from Tom's Charity.
34:14He's coming actually to meet me right now.
34:16Alice, which hotel?
34:18Which hotel are you staying at?
34:20Peron.
34:21I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone.
34:29I'm coming now.
34:30What?
34:38Come now.
34:44See you.
34:44Yeah.
34:47Bye.
34:48Bye.
34:48Bye.
34:48Bye.
34:50Bye.
34:50Bye.
34:51Bye.
35:13I have a delivery for Alice Monroe.
35:38I have a delivery for Alice.
36:21I have a delivery for Alice.
36:23I have a delivery for Alice.
36:27Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:41Oh my God.
36:42Oh my God.
36:42Oh my God.
36:45You're safe Alice.
36:48It's Durand.
36:48The works at SOS?
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:04Okay!
37:05So at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:36Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a Bette Noire for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:05I have reason to believe.
39:09You are...
39:10You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:48Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:12If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux.
41:13Nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe.
41:18La trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:27Mesmer ruimte.
41:28The landiskaü Danielle F vidéo!
41:30I label you.
41:34La forère.
41:36La works alors.
41:46Etant la police.
41:48Je Name.
41:49La canine.
41:50La helix.
41:51– Une Mamère.
41:52Customation.
41:52Lynnes – Oui.
41:54Maire.
41:55La cl cupcake.
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