00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Y 되고
02:50Next
03:14In
03:14It
03:14To
04:49Hi, this is Tom Parker.
04:59Alice?
05:00Yeah, hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:12But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but, like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges.
05:39But I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children.
07:37And then, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:41Sorry, I...
08:42I...
08:43You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets on your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:23Alice will find him.
09:25I'll find him.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then they run away to the sea with their buddies.
12:16And here it is.
12:18And here it is.
12:20Aurélie.
12:28Anyone here?
12:31Bonjour.
12:32Hello?
12:34Is there something?
12:36Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
12:47Keep lookout.
12:48Keep lookout.
12:50Keep lookout.
13:53Oh my God.
13:57Is it his?
14:06Alice.
14:08Alice.
14:10Alice.
14:11Alice.
14:12Alice.
14:14Tati.
14:17Alice.
14:18Alice.
14:18Alice.
14:33Alice.
14:33It's Uncle Brian.
14:34He's in London.
14:38It's Uncle Brian.
14:39He's in London.
14:43Who are you going to tell me about that?
14:44I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a meteor.
14:51A dog.
14:52A dog.
15:06A dog.
15:10I came as soon as I could.
15:12Hi.
15:13Um.
15:15Yeah.
15:16I spoke to Jordan.
15:19You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice.
15:32There's no easy way to say this.
15:35No.
15:36Um.
15:36I met her actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:44Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:06So?
16:08What happens now?
16:12My God is he will show up somewhere.
16:14Who makes contact with someone in the next 48 hours.
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my side.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Okay.
16:38Alice, um...
16:38I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow.
16:50Yeah?
16:51If you need anything at all.
17:20I don't know.
17:44I don't know.
18:37I don't know.
18:40I don't know.
18:42Hi.
18:42Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57What?
19:59What?
19:59Really?
20:00Come here.
20:04Come here.
20:09Yeah.
20:11This was built by the Neapoteans.
20:15What was that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:20Cool.
20:22Did you say the Neapoteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh.
20:26Now you know.
20:26No.
20:28That's where I went wrong.
20:29Yeah.
20:29Sure.
20:30It actually flourished due to trade routes.
20:33Incense spices, silks, and of course, it's gorgeous rock cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:02Very.
21:14Too long.
21:16Oh.
21:17No, no.
21:19Why's the 발생 algo?
21:20Oh, let's try again.
21:21It just means...
21:21Let's try again.
21:27No, I think I enter the mathematicians.
21:30I think I do that in
21:34He's coming back.
24:02Excusez-moi.
24:04I need help.
24:06Please.
24:07Him?
24:12Hello.
24:13Hi, I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:16Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Uh, why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, I'm sorry.
24:38I'm sorry, when was it?
24:39I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal, because I'm pregnant
24:59with Maurice's child.
25:00I need to speak to him right now.
25:16I'm sorry about my colleagues, sorry.
25:19Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:25Yeah.
26:05Stop, stop, stop.
26:32Stop, stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ?
26:36Je t'ai perdu, c'est quoi le bordel ?
26:38Viens là pourquoi tu ne peux pas me parler.
26:40Je te promets que tu n'en viras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes ?
26:46Comment ça 20 minutes ?
26:47Je n'ai pas connu pour deux à trois.
26:49Deux, c'est à l'été ton gay, ça.
26:50Bah, tu es à l'été ton gay, ça.
26:51Bah, tu es à l'été ton gay.
26:51Oh, oh, oh, oh.
26:55Get out of my way.
26:57Oh, tu vois si loin ?
26:58Tranquille.
27:00Ça va, oh.
27:01Ça va.
27:02Tu vas te blesser, là, arrête.
27:04Ça se voit qu'elle n'en a jamais tenu, hein.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on se tient plutôt.
27:10Comment vous pouvez avoir confiance ?
27:14Comment on fait maintenant ?
27:19Regarde-moi que je te parle.
27:26Hein ?
27:26Allez, viens danser là-bas, chatamé.
27:29Viens, tu vas danser là-bas, chatamé.
27:30Oh !
27:31Cassez-vous, j'appelle la police.
27:32Oh là là.
27:33Oh !
27:34Vous m'entendez ?
27:35Vous êtes sourds ?
27:35Allez, on dégueule ça.
27:37Oh, taisons.
27:37Bite à la place du cerveau.
27:39Mais tant que dégueule, je t'ai dit.
27:40Tu pourrais parler encore une fois comme ça ?
27:42J'étais en colline.
27:43Bien encore.
27:44J'appelle ta mère.
28:39Bonjour.
28:41Monsieur Giroux ?
28:42Bonjour.
28:43Monsieur Giroux ?
28:50Hello?
28:52Hello?
28:54Hello?
28:55Hello?
29:12Oh my god, oh my god, oh my god, oh shit, oh my god, no, no, no, no, no, no,
29:18come on,
29:26what the fuck, madame, madame, madame, hold on, wait, wait, wait, hold on, it's okay, I know, what,
29:42I'm sorry, I don't want that, I know, I just got it, I just got it, okay, hold it,
29:46Alex! Alex! Alex! Alex!
30:16Alex! Alex! Alex! Everyone, hello!
30:27Alex! Alex!igunguille!
30:44Let's go!
30:45Let's go!
30:46Don't worry, I'm going to take care of you!
30:54I'm going to take care of you and take care of you!
31:00Matt! Matt!
31:01She's going to take care of you!
31:02Let's go!
31:12Let's go!
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:15Something has happened, I need to see you right away.
32:19Alyssa, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you. She's at the Hotel, room 218. Go there now.
33:17The Hotel 7, meeting with next hour.
33:17The Hotel.
33:20Where are you?
33:30Where are you?
33:41The Hotel, town.
33:42Dead Honestly, it's about a little new show.
33:43Where are you going now?
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:59you
34:59you
34:59you
35:14I have a delivery for Alice Monroe.
35:59I have a delivery for Alice Monroe.
36:22I have a delivery for Alice Monroe.
36:36I have a delivery for Alice Monroe.
36:52I have a delivery for Alice Monroe.
36:58I have a delivery for Alice Monroe.
36:59I have a delivery for Alice Monroe.
37:29I have a delivery for Alice Monroe.
37:57Okay, don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:30Let's go to the train station.
38:32For six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom?
39:00Yes.
39:05I have reason to believe.
39:09Oh, no.
39:09You are so, so far off on this one.
39:13Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I with her the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not gonna listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too... too German.
40:17Okay, no. No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay, so Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gerou's murder.
40:27Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:10You have nowhere to go.
41:11To see the police is armed.
41:13You have to find the secret police.
41:13We are actively looking for the suspect number one.
41:16The American named Alice Monroe, the 30th.
41:19You have no information about this person.
41:22You have no information about this person.
41:24Contact the police.
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