00:23Do you think you are a good friend?
00:25Encounter Specialist.
00:27Yes, I am.
00:29You have to understand what to do with this girl?
00:33Yes, all.
00:34I have explained everything.
00:36Don't be a bit of tension.
00:38But, Dad, you are a little careful.
00:42He is a bad man.
01:26He is the first person, but he has the same people as this girl.
01:26He is the first person.
01:47I don't know.
01:56I don't know.
02:38I don't know.
03:03I don't know.
03:31I don't know.
03:51I don't know.
03:59I don't know.
04:02I don't know.
04:03I don't know.
04:11I don't know.
04:32I don't know.
04:34I don't know.
04:43I don't know.
04:55I don't know.
05:02I wish I were dead.
05:22I don't know.
05:23I don't know.
05:28I don't know.
05:30I don't know.
05:31I don't know.
05:33I don't know.
05:36I don't know.
05:42I don't know.
05:45Oh
06:05Hey, hey, hey, hey, I just more it's office to put it
06:24Please wait for me. I'm thinking of thinking.
06:54Jan Leva, it was a big super hit, but then the Acharya's went to court, I didn't have to stop
07:02the picture, it was a lot of loss, actually, cinema, I could change the name,
07:10I could change the name, Jai Acharya, Vijay, Rakesh, Mr. Ajit Moray, exactly, Ajit Moray is not a sellout, I'm
07:20an artist, I'll come to the point, I'll come to the point, I'll come to the point, one minute,
07:25there was a song in our film, Jan Leva, Jan Leva, yes, it was a Rambo, gangsters, it was his
07:46signature,
07:47it was the signature, it was, look at it, it was the blue car, and gangsters would come to the
07:53street, full stop,
07:57you see this, but irony, you killed him in the blue car, poetic justice,
08:10Oh madam, my third act, you won't believe me. It was a killer.
08:16I have so much research done madam, this is all waste.
08:19Look at where he was going, where he was staying, what he was eating, where he killed him.
08:25Look at this, look at this.
08:30What did he shoot here, Jack?
08:43Dekna, Lorcaoga.
08:51Like you.
08:55Brave.
08:57Brave.
09:08We diemse.
09:10Bosley.
09:13Baka.
09:20Okay.
09:25Okay.
09:29What are you gonna do?
09:34Okay.
09:38Let's go to the street.
09:44What's the name of your friend?
09:45Thanks for it.
09:47Don't go.
09:49Talkin' on the floor.
09:50Don't go.
09:58This is the Russian class of Lolita, right now?
10:11These were only the names of the classes.
10:16I brought girls from Russia.
10:20I wanted to become a dancer Vivian,
10:22I wanted to become a dancer,
10:23and I put it on the floor.
10:30The Jaya Charya was a encounter.
10:35I got a case for one,
10:40and then here,
10:42I went to six or eight months.
10:48Then Vivian was pregnant.
10:49I got pregnant.
10:51I got pregnant.
10:53I got pregnant.
10:59Vivian,
11:01I got pregnant for two or three months.
11:05I got pregnant.
11:06I got pregnant.
11:11I got pregnant.
11:12I got pregnant.
11:12Vivian left.
11:16Vivian left.
11:17The Jaya Charya's brother and his brother
11:40What's the name of the girl?
11:52Anand?
11:59Anand, what happened?
12:01She made me a desire.
12:04I'm sorry, I'm sorry.
12:05I'm sorry.
12:07I'm sorry.
12:11Chimbalchik.
12:13You're your son, Anand Acharya.
12:19Hmm?
12:21Come.
12:46Let's just, let's just end this.
12:48Come on, Anand!
12:50And that's the love of her.
12:53Vivian wanted to make her as well.
12:58The son of Anand Acharya.
13:06Come on, Anand.
13:07Baba, Baba, Baba.
13:09Stay with us, Baba.
13:10Every time, you're dead, dead, dead, dead.
13:12I'm just useless to put it in life.
13:15Listen to my father's about to listen and listen to my father's stories.
13:21And then, we'll hear you.
13:25Open the door!
13:27Open the door!
13:27Close your door!
13:29Please, open the door.
13:31Open the door.
13:32Open the door.
13:34Open the door.
13:39Hey, Gori Chamri.
13:41Where are you from?
13:44Where are you from?
13:47Where are you from?
13:49Russia.
13:50Come, come.
13:51Come, come.
13:51Come, come.
13:53What is the way you are going to talk about?
13:55What?
13:56Leave me.
13:57Leave me.
13:57I'm talking.
13:59Leave me.
14:00Leave me.
14:01Leave me.
14:01What are you talking about?
14:02Why are you talking about me?
14:04No!
14:07No!
14:15No!
14:16No!
14:18No!
14:18No!
14:18No!
14:19No!
14:19Eh!
14:20Hey!
14:21What's up, Rob?
14:22No!
14:22No!
14:23What's up!
14:24What's up?
14:25No!
14:26No!
14:33It's really not!
14:38Sleep, my dear, sleep
14:45Tomorrow the new day will come
14:51A sweet dream will fly to you
14:59I will close my eyes
15:08The love of the man
15:09I will be able to live with my life
15:12And then I will be gone
15:19I will be able to live with me
15:21I will be able to live with me
15:23I will be able to live with me
15:27One day, I left my head with a girl, ma'am.
15:34I knew that this girl will take me to my house one day.
15:42That's why I sent her anathashram.
15:47Boys often have helped.
15:50Aysha, ma'am.
15:54I'm gone.
15:58I'll leave her, Aysha.
16:18What?
16:20You knew how Fernando was a man.
16:25Then you left her?
16:56I didn't think I was wrong with that, ma'am.
16:57I didn't think I was wrong with that.
17:06I'll pray...
17:11You should be very long.
17:36I was wrong with that, ma'am.
17:41A photo?
17:46A photo?
17:47What?
18:04It's a photo?
18:04We're not mad!
18:06I'm not mad at that time!
18:09I draw my head, like me,
18:09I know!
18:12I'm not mad at that time.
18:12I'm not mad at that time!
18:36All the questions are asked.
18:37If someone's in the middle, who's going to kill him?
19:08Anand
19:26Anand
19:27Anand
19:27Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:30Anand
19:40$50,000.
19:41I'll give you something I'll do with you.
19:45How much money is it?
19:50At least, it'll be $10, right?
19:55Sir, I don't have an idea, sir.
19:59There's no idea.
20:01There's no idea.
20:02I don't remember.
20:04I don't remember.
20:07You remember?
20:08I don't remember.
20:09You know what?
20:10You know, the one who is chewing gum, I just don't remember.
20:12You!
20:14Put your hand here.
20:15Help.
20:17Help!
20:17Stop it!
20:19Today...
20:20...the entire gum, I'll remove all the gum...
20:23I'll release my gum.
20:24Come back, come back, come back.
20:26Come back, come back!
20:28Come back, come back.
20:33No, no, no.
20:34Come back, come back.
20:38Stop, stop, stop, stop!
20:39No, I'm not coming.
20:41No, I'm not coming.
20:42No, I'm not coming.
20:44I'm not talking about narcotics.
20:45They'll get to know.
20:46They'll get to the right place.
20:48They'll get to the right place.
20:49Okay, okay, okay.
20:51Just two minutes.
20:52You'll have more time.
20:54What do you want to know?
20:55I'll tell you.
21:08Who was with you in that night?
21:19This has been a bloody mess Vikram.
21:21If you think Sajid is the killer,
21:23then who the hell killed Chandun Ayak?
21:26I don't want to know your story.
21:27Sir,
21:30that's what Sajid has confessed.
21:32You've got to make your shoes.
21:33And you've got to make your shoes.
21:36Yeah.
21:37Sorry.
21:38Sorry, sir.
21:44Sorry.
21:49Sorry.
21:51Your focus doesn't have any focus.
21:54Let's compete with that girl.
21:56Let's go.
21:58Sir,
21:59there are some theories in English,
22:00and you're thinking, sir.
22:02Sir,
22:03I'm doing a big thing.
22:07You've already messed it up.
22:08Now don't come in Rita's way.
22:12Dismissed.
22:17Jane, sir.
22:24You're right.
22:25No you're looking at something.
22:26You're looking at something.
22:27No, it's not.
22:28Yes, sir.
22:29Sir.
22:29You're listening to the testimonials,
22:30nevermind.
22:32Three.
23:02Do you want me to go?
23:03I was thinking that only these great people are controlling the mouth inside.
23:16What a dimmer!
23:21You are sitting inside here and your partner is sitting outside.
23:29Huh?
23:31You're a pig?
23:35Why?
23:36I'm not sure about you.
23:38I'm not sure about you.
23:39Noori's an oil.
23:40Why?
23:43Hey, hey, hey, hey.
23:46Go ahead.
23:47Look.
23:50Look.
23:51You said you should put your favorite,
23:52Why?
23:55Why?
23:55Why?
24:27Oh
24:28Oh
24:29No, don't worry. Take your ass.
24:32No, don't worry.
24:41I'm not getting caught on the phone.
24:43Oh, wow. Breaking news.
24:46One time, prime time.
24:48Congrats.
24:49DCP Vikram Sate Sahib.
24:51What are you doing tomorrow morning, Kamath?
24:55I'm with Ganja.
24:59Manuwar Swami's murder.
25:00What?
25:02Rita, madam.
25:03I don't have any interest in this case, sir.
25:39Patience?
25:42Who is patient?
25:47Who is patient?
25:52Who is patient?
25:55What?
26:00I don't know.
26:01I'm sorry.
26:01I'm going to get out of here.
26:31Oh, shit.
27:02Second suspect?
27:04What's the proof?
27:05I told you, I have a source.
27:07Where?
27:08The crime branch.
27:10She's saying that DCP is making stories about Sajid having an accomplice.
27:14Basically, Sajid has a scapegoat and has framed him in the murders.
27:18I'm telling you, Kanika, that he will stand and say that this is Sajid's accomplice.
27:23Maybe.
27:24But that's a prediction, not a fact.
27:27It's all out there, Kanika.
27:29On the other hand, he's getting brutal murderers and on the other hand, he's going to our DCP shoots.
27:34He's just passing time for his PR and nothing else.
27:37Okay.
27:38But who's your source?
27:39I can't publish this without a name.
27:45No.
27:53No.
27:53No.
27:55No.
27:55No.
27:56No.
27:58No.
28:07No.
28:09No.
28:09No.
28:09No.
29:10Do you know what happens in a lot of cases?
29:13Children are tormented and scarred for life.
29:25Who do you think more, Don?
29:26Ah!
29:28Ah!
29:29Ah!
29:31Ah!
29:33Ah!
29:35Ah!
29:55She's the criminal, sir. I'm sure she's the killer.
30:02What? Anita?
30:04Rita, this is your proof.
30:07A photograph of Acharya Nawaz.
30:10Give me the warrant of Acharya Nawaz, sir.
30:12I'll give you all proofs.
30:15Rita, this article is written by the journalist.
30:19And on the other hand, a photograph.
30:21Do you see the optics?
30:22I don't care about the optics, sir.
30:24But I care. I care, Rita.
30:36You have to take me to the media department.
30:39You don't have to take me to the HM's phone.
30:41I told you that going to the shoot is a terrible idea, sir.
30:44Now she's coming in the middle of my investigation, sir.
30:46This is not about me, Rita. This is about you.
30:50If you take any action against that journalist,
30:53you're telling me that you're telling me.
30:54Don't give me, sir. How does it matter?
30:56I can't control how people think, but I can control her, sir.
30:59I can stop her from disappearing.
31:01I can stop her from killing people, sir.
31:03Please, just give me the warrant, sir.
31:05Please, sir. Just give me the warrant, sir.
31:10I need time to think.
31:15I'll get back to you on this.
31:21Don't do it, sir.
31:31He is still up to me.
31:37Why don't you take your due to the money, sir?
31:40Who is it?
31:54Rita Madam is my old Kaskmaar.
31:56She needs a production.
31:57So what do I do?
32:00She called me the last night that I wanted her money.
32:05How will I do the daring of BCP?
32:06How will I do the daring of BCP?
32:09Everything is done, Rita.
32:20It looks good, right?
32:24Everything is done in the same day.
32:29What did you do, Rita?
32:36Nothing.
33:04It's all you do.
33:15Mrs. Ferreira, Mrs. Ferreira.
33:18Yeah.
33:19UPSC results.
33:20You checked it.
33:22This time it will be yours.
33:24All the best.
33:48Put your hands together.
33:56Jitna Mavisro, Jeevit Sampai, Mogga Narotha, Varavim Uzoy, Durun Kurundus,
34:06Ya, Usumal, Sir, Varavoy, Chin-chin-chin-var...
34:16What are you doing?
34:24What are you doing with your wife?
34:30with you.
34:34Do you have to do all this?
34:36Do you have to do all this?
34:37Do you have to do all this?
34:46I was just sick and tired of this music of you
34:51and this hell that we are living in.
34:54You are a coward.
34:55We are leaving both of you.
34:58You have to put all the money in my hand.
35:01Nothing is missing from me.
35:03I have to put you in such a good school.
35:07Don't I deserve any happiness, Rita?
35:09Don't I?
35:14You know what?
35:17You know what?
35:18Let's just...
35:19Let's just get out of this.
35:22Let's just finish it off.
35:34It's good.
35:36It's good for me.
35:38And it's good for you.
35:40It's good for me.
35:42Let's just...
35:43Let's just do it.
35:47No.
35:48Shut up!
35:49Shut up!
35:54Shut up!
35:55Shut up!
36:14Shut up!
36:16You are...
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