00:21I am a encounter specialist.
00:26Just go, Chahriya.
00:29You understood what to do with Gori?
00:33Yes, sir.
00:34I explained everything to him.
00:36Don't worry about it.
00:37Don't worry about it.
00:38But, Dad, you're a little careful, huh?
00:43He's a bad man.
01:03What do you think, folks, is growing up?
01:05Yes, sir.
01:10Not because of her.
01:14This is a useful behavior theater.
01:15I'm excited to think I have no idea ofелов ק trophy.
01:47I don't know.
01:55I don't know.
02:44I don't know.
03:03I don't know.
03:31I don't know.
03:47I don't know.
03:59I don't know.
04:01I don't know.
04:03I don't know.
04:09I don't know.
04:10I don't know.
04:11I don't know.
04:13I don't know.
04:15I don't know.
04:16I don't know.
04:17I don't know.
04:25I don't know.
04:32I don't know.
04:55I don't know.
05:02I don't know.
05:04I don't know.
05:05I don't know.
05:31I don't know.
05:46I don't know.
05:47I don't know.
05:49I don't know.
06:05I don't know.
06:08Where is your office?
06:09Where is your left?
06:11Okay.
06:12Okay.
06:15Okay.
06:24Madam, you guys wait.
06:26They're thinking of thinking.
06:54Look at that.
06:56It was a very devoted picture.
06:59But then the Acharyas went to court...
07:02I couldn't stop.
07:03My family was lost.
07:05In actual cinema!
07:06Oh, God.
07:09I could change names.
07:12Jai Aacharya, Vijay, Fijay, Rakej...
07:15Mr. Ajit More.
07:16Yes, Ajit More, exactly.
07:17Ajit More is not a sellout.
07:19I'm an artist.
07:20Let's go to the point, please.
07:23Point.
07:23I'll come to the point.
07:24I'll come to the point.
07:25One minute.
07:27There was a song in our film.
07:29I'll come to the point.
07:31I'll come to the point.
07:34I'll come to the point.
07:35Look at this.
07:38Actually, if you can see,
07:40there was a Rambo.
07:44Gangsters were killed.
07:45It was his signature.
07:47Look at this.
07:49He came to the blue car
07:51and the gangsters were directly here.
07:54He was straight.
07:55Full stop.
07:56Look at this.
08:00But irony,
08:02he killed her in the blue car.
08:08Poetic justice.
08:11Madam,
08:11you won't believe my third act.
08:13It was a killer.
08:15I've researched so much, madam.
08:17This is a waste.
08:19Look at this.
08:19Where was he going?
08:21Where was he going?
08:22Where was he going?
08:22What was he eating?
08:24Where was he killed?
08:25Look at this.
08:26What is he eating?
08:27Look at this.
08:30What is he eating?
08:32I've eaten from this.
08:36What is he eating?
08:45He has eaten from this.
08:52I've eaten from here.
08:53I've eaten from this.
08:56Let's see.
08:56Brave.
09:08We diem, sir.
09:11Postle.
09:13Back.
09:19Okay.
09:24Okay.
09:25Okay.
09:50Go, go, go, go!
09:59This is the Russian class of Lolita?
10:01It's still here.
10:11These were only the names of the classes.
10:13This is the Russian class.
10:16I had to take the girls from Russia.
10:20I had to take the girls from Russia.
10:22I was going to become a dancer.
10:23I was going to become a dancer.
10:37I was going to put it on her.
10:39I was going to put it on her.
10:42I was going to become a dancer for six or eight months.
10:48Then Vivian is pregnant.
10:51And I'm coming, madam.
10:54I'm going to sit down.
11:00Vivian, you will be pregnant for two or three months.
11:06Someone will kill the game.
11:12Vivian.
11:13Vivian is going for a long time.
11:17Vivian is being killed in this house.
11:18Vivian has killed her by the Tikrit.
11:25After going to his loss, Vivian has to sit down at a hotel.
11:30Then Vivian has sent him to the Joker.
11:39But..
11:39What's the name of the girl?
12:11Chimbalchik, you're your friend Anand Acharya.
12:18Hmm? Come.
12:32She wanted to save her son.
12:34She wanted to save her son.
12:36She wanted to save her son.
12:46She wanted to save her son.
12:47Let's just, let's just end this.
12:49And this love has eaten her.
12:53Vivian wanted to make her as a child.
12:56The girl is a child.
13:00The uncle is an Anand Acharya.
13:07Her voice says,
13:10Oh, wow.
13:11Hey, look.
13:11Dada, dada, dada.
13:12I didn't want to be useless in life.
13:15I've heard the stories of my father's daring.
13:21And then I'll see you again.
13:25Open the door.
13:27Open the door.
13:29Please open the door.
13:31Open the door.
13:32Open the door.
13:38Hey, Gori Chamri.
13:41Where are you?
13:44Where are you from?
13:49Rashiya.
13:50Come on.
13:51Come on.
13:51Come on.
13:52Come on.
13:54What's your way?
13:55How are you talking about?
13:56Leave me.
13:57Leave me.
13:58Leave me.
14:00Leave me.
14:01Oh, wait a minute.
14:02Ok, calm the Georgina.
14:26And now what's here?
14:30Eh?
14:30I'm sorry, I'm sorry.
14:42All day, come on, tomorrow's day will come,
14:52sweet dream come to you,
14:59eyes close with your dreams.
15:04Oh
15:07I'm bitch
15:09Oh
15:11I'm gonna be
15:21Laga
15:27Evening billy kasar phoÚ‘ ke a guy madam
15:34I knew that this girl took me to my house for one day.
15:42That's why I sent her anad toashram.
15:47The boy's orphanage thaw.
15:50Ayushapath, madam.
15:54I was scared.
15:57That's why I left her.
16:00Leave her...
16:03...with her life.
16:21You know how Fernando was a man.
16:25Then you left her?
16:30I didn't think I was wrong with that, madam.
16:35I didn't have any tension.
16:38I didn't have any tension.
16:39I didn't have any tension, madam.
17:06I'll pray.
17:10I didn't have any tension.
17:13I didn't have any tension.
17:27I didn't have any tension.
17:37I didn't have any tension.
17:40No, no, no.
18:11No, no, no.
18:40No, no.
19:10No, no.
19:27No, no.
19:29No, no.
19:44No, no.
19:48No, no.
20:02No, no.
20:03No.
20:04No, no.
20:04No, no.
20:13I don't want a man.
20:16I'm not a man.
20:21No, I'm not.
20:23I'm not a man.
20:24I will make a mess.
20:25I'm not a man.
20:28I'm not a man.
20:29You're going to move.
20:29You're going to move.
20:32You're going to move.
20:33No, no.
20:35You're going to move.
20:37Now, now, now.
20:39You're not coming.
20:39No, no, no, no, no, no.
20:42I'm talking about narcotics.
20:45They understand.
20:46They know people who put the pain in the right place.
20:49Yes.
20:50A minute.
20:51We'll take two minutes.
20:52You'll have more time.
20:53What do you want to know?
20:55I'll tell you.
21:08Who was with you in that night?
21:19This has been a bloody mess Vikram.
21:21If you think Sajid is the killer, then who the hell killed Chandunayak?
21:24I don't want to know your story.
21:27Sir.
21:29What did Sajid have confessed?
21:31I'll give you some shoes.
21:33And you'll do something.
21:37Sorry, sorry, sir.
21:44Sorry.
21:49Sorry.
21:51Because your focus doesn't have any focus.
21:54Leave that guy to compete.
21:56Leave it.
21:57Leave it.
21:58Sir.
21:59Sir, there's a theory in the English.
22:00And you're thinking, sir.
22:03Sir.
22:03Sir, I'm doing a big thing.
22:04I'm doing a big thing.
22:04A big thing.
22:07You've already messed it up.
22:08Now don't come in Rita's way.
22:10Dismissed.
22:16Jane, sir.
22:25If you want to meet me in the English,
22:26it'll be a big thing.
22:26I don't want to eat the guy.
22:27Yes, sir.
22:28Sir,
22:29do's eat it in the morning,
22:30and it's alliana.
22:32It's alliana.
23:01Do you want me to go?
23:03I thought I was thinking that only these great people are controlling the mouth inside.
23:17You are so dumb.
23:21You are sitting inside here and your partner is sitting outside.
23:29Huh?
23:31You need to do it.
23:35How?
23:36I have nothing to say.
23:38Look.
23:39You have a honey, honey.
23:41Go.
23:43Hey!
23:45Hey, boss.
23:46Get back.
23:48Look, look.
23:50Look.
23:51I have said to throw your favorite,
23:55How?
24:01Oh
24:05Hey, I'm not gonna say it
24:09Kranty Kari Nebhan Nega
24:10How are you gonna?
24:16I'm gonna
24:17I'm gonna
24:18Hey, I'm gonna go
24:29Do not pretend to be a fool.
24:34Do not pretend to be a fool.
24:41I am not going to be cutting the phone.
24:43Oh, wow. Breaking news.
24:46One time, prime time.
24:48Congrats, DCP Vikram Sathya Sahib.
24:51You are sitting at the morning and eating Ganja, Kamath.
24:55I am with Ganja.
24:59Manuwar Swami is murdered.
25:00What?
25:02Rita, madam.
25:03I am not interested in this case, sir.
25:39I am not interested in this case.
25:42No.
25:43Not, I am not a person.
25:45What is that person?
25:45No.
25:48He is a person.
25:51Ah, he is a person.
25:54Oh
25:56Master
25:59Awesome, I'm gonna
26:50Oh, my God.
26:54Oh, my God.
27:24Maybe, but that's a prediction, not a fact.
27:27It's all out there, Kanika.
27:29One side is going to brutal murders, and the other side is going to our DCP shoots in the investigation.
27:34Only time passes for our PR, and there's nothing else.
27:37Yeah, okay.
27:38But who's your source?
27:39I can't publish this without a name.
28:23I can't publish this without a name.
28:24I can't publish this without a name.
28:56I can't publish this without a name.
28:58Anita Acharya.
29:00Jai Acharya ka, betta.
29:04Ananta Acharya.
29:25Who do you think, Mordor?
29:56She's the criminal, sir. I'm sure she's the killer.
29:59This is Anita and this is Anand, sir.
30:02What? Anita?
30:04This is your proof.
30:07A photograph of Acharya Nawaz.
30:10You give me a warrant of Acharya Nawaz, sir.
30:12I'll give you all proofs.
30:15Rita, this article is written by the journalist.
30:19And on the other hand, a photograph.
30:20Do you see the optics?
30:22I don't care about the optics, sir.
30:24But I care. I care, Rita.
30:30What?
30:36This is the media department.
30:39You have to take the phone of Acharya.
30:41I told you that going to the shoot is a terrible idea, sir.
30:44Now she's coming in the middle of my investigation, sir.
30:46This is not about me, Rita. This is about you.
30:50If you take any action against that journalist,
30:52it's like that you're taking it from me.
30:54No, sir. How does it matter?
30:56I can't control how people think, but I can control her, sir.
30:59I can stop her from disappearing.
31:01I can stop her from killing people, sir.
31:03Please, just give me the warrant, sir.
31:05Please, sir. Just give me the warrant, sir.
31:10I need time to think.
31:15I'll get back to you on this.
31:37Okay.
31:54Rita Madam is my old customer.
31:56We need this production.
31:57So what do I do?
31:59They called me last night and said they were...
32:02...mall.
32:05How do you know how to deal with PCP?
32:10Everything is done, Rita.
32:19It looks good, right?
32:24Everything is done in the same day.
32:29What did you do, GK Rita?
32:43What does this mean?
32:44What's that mean?
32:51I don't know.
32:51You're laughing too hard.
32:51I just hit the little torn.
32:51It's all right now.
32:51It's just a good job.
32:52It's all right now.
32:54When we can get to the bottom,
32:55it's all right,
32:56it's just a bad job.
32:56So what can we do?
32:57It's a good job.
32:58Don't you do it.
33:01I just do it.
33:15Mrs. Ferreira.
33:17Mrs. Ferreira.
33:18Yeah.
33:19UPSC ka result agya.
33:20Aapne check kia.
33:22Is bar pakka aapka ho jayega.
33:24All the best.
33:49Put your hands together.
33:56I know.
33:59I know.
34:00I know.
34:21What are you doing?
34:23What are you doing?
34:26with the life of your life.
34:34You have to do all this?
34:36You have to do all this?
34:38You have to do all this?
34:46I was just sick and tired of this music of you
34:51and this hell that we are living in.
34:54You are a coward.
34:55We are leaving both of you.
34:58You have to put all the money in my hands.
35:01You have to put all the money in your hands.
35:04You have to put all the money in your hands.
35:05You don't deserve any happiness, Rita.
35:09Don't die.
35:14You know what?
35:17You know what? Let's just...
35:19Let's just get out of this.
35:22Let's just finish it off.
35:26Let me finish it.
35:28Come.
35:31Let me just finish this off.
35:35It's good.
35:36It's good for me.
35:38And it's good for you.
35:40It's good for me.
35:41Let's just...
35:43Let's just do it.
35:46Let's just do it.
35:47No.
35:48Shut up!
35:50Shut up!
36:01Let's go.
36:03Let's go.
36:16Let's go.
36:20Let's go.
36:22Let's go.
36:22Let's go.
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