Skip to playerSkip to main content
  • 1 hour ago
Después Del Divorcio, La Heredera Recupera Todo Completo En Español
Transcript
00:09¡Suscríbete al canal!
00:38¡Suscríbete al canal!
01:07¡Suscríbete al canal!
01:11¡Suscríbete al canal!
01:27¡Suscríbete al canal!
01:58¡Suscríbete al canal!
02:01¡Suscríbete al canal!
02:13¡Suscríbete al canal!
02:23¡Suscríbete al canal!
02:29¡Suscríbete al canal!
02:43¡Suscríbete al canal!
02:49¡Suscríbete al canal!
02:52¡Suscríbete al canal!
02:59¡Suscríbete al canal!
03:10¡Suscríbete al canal!
03:14¡Suscríbete al canal!
03:20¡Suscríbete al canal!
03:45¡Suscríbete al canal!
03:48¡Suscríbete al canal!
03:51¡Suscríbete al canal!
04:18¡Suscríbete al canal!
04:27¡Suscríbete al canal!
04:29¡Suscríbete al canal!
04:33¡Suscríbete al canal!
04:46¡Suscríbete al canal!
04:48We were married for three years. Were you seeing someone else?
04:51Of course she was. She'd probably been cheating on you for a really long time. Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you, still hung up on your so-called sister-in-law? What gives you the right to
05:04talk about me?
05:05I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else, who is he?
05:12Big talk! Don't bring me down to your level. I'm not like you.
05:18Since your sister-in-law lost her ring, why don't you take this one?
05:33You've been waiting for this for a long time, haven't you?
05:40Bye.
05:48And so I left.
05:52This is ridiculous!
05:55We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invest it in his business.
06:03How dare that, Drake! Do this to my daughter!
06:07Look, it's actually a good thing, Dad.
06:11Now we know who he really is, and he has no idea who I am.
06:15Still, you're my daughter. I can't let him do this to you.
06:18If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes, it's time to cut him off.
06:27He doesn't deserve you.
06:28I'm over Drake.
06:31If we withdraw the plans now, it's going to hurt the family business.
06:35He's not worth it.
06:39Honey, why don't you just take a vacation?
06:43Just put all this aside and take some time out for yourself.
06:47Yeah.
06:50No.
06:53I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:02You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:09Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:19If you're in, I'd be happy to be the one headlining it.
07:21Ah.
07:21So that's why they're making it.
07:24Because of you.
07:25I'm sorry, Christopher Santoro.
07:27See?
07:28They're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:34It's more than good.
07:36It's phenomenal.
07:39Christopher is right.
07:40I'm taking my life back.
07:46I'm going to adapt to myself.
07:49You are?
07:50Yes.
07:52I will.
07:53Well, good for you.
07:55I won't tell anyone I'm asking you.
08:08Congratulations to Aria Wong for winning the Best Director.
08:16This is my close friend from college.
08:18Aria, I need your help.
08:20I want to adapt the Liar's Game myself.
08:23And I want you to direct it.
08:26Of course.
08:27All right.
08:28Okay.
08:29There's just one thing.
08:30I want to keep my identity as the writer a secret.
08:34I don't want anyone to know.
08:37Especially not the team.
08:38SQ.
08:39Are you sure?
08:40But why keep it a secret?
08:42I just want people to focus on the story itself.
08:45Got it.
08:46Your secret's safe with me.
08:50Oh my god.
08:54Jeff.
08:55It's a bit weird.
08:57Ever since news got out about our movie, my phone has not stopped ringing.
09:02Really?
09:08It's Stephanie.
09:13Yeah, just take it.
09:18Hello?
09:19Hello, Miss Wong.
09:20I've heard Liar's Game is being made into a movie.
09:23I'm interested in playing the lead.
09:25Can we arrange an audition?
09:29I'll speak to the writer and I'll let you know.
09:32Thank you, Miss Wong.
09:35What do you think?
09:38Anyone can audition, right?
09:39As long as they're right for the role.
09:43What happened between me and Stephanie is not important here, so...
09:47Okay.
09:48I'll call her back and let her know.
09:51Mm-hmm.
09:52Okay.
10:00What about me?
10:04Can I be your hero?
10:09Oh, you mean, uh, the film, right?
10:14I've never considered anyone else.
10:18If it doesn't mean that, I have to take this.
10:22Hi.
10:27You know, I'm not just talking about the film, Dorothy.
10:31It's okay.
10:33I can wait.
10:36Waited this long.
10:41Well, well, well.
10:43Look who it is.
10:48Why are you here?
10:49Oh, I see.
10:51You're the production assistant.
10:53Well, do your job.
10:56Get me a water.
10:59Stephanie.
11:01Get your own water.
11:02I'm not your PA.
11:04Look.
11:05It's my first day on set and I want to buy coffee for the crew.
11:09Why don't you be a doll and mark down everyone's order?
11:12Are you deaf?
11:14I'm not a PA.
11:17Here's your tip.
11:17Go on.
11:20Show some respect, Stephanie.
11:22Do you know who she is?
11:26What are you doing?
11:27Oh, no.
11:29She can't know.
11:30I'm as few.
11:33I want to keep my identity as the writer in secret.
11:37I don't need anyone to know, especially not the team.
11:43What do you mean?
11:45Who is she?
11:46Who is she?
11:48No one but a lower PA, I'm sure.
11:54Isn't that right?
11:55Well, actually, she's...
12:00She's just a PA.
12:02You're right.
12:05So why don't you show me a lower PA, your acting skills?
12:09Maybe I'll be impressed even by who the coffee's myself.
12:18I loved you once, or so I thought, but now I see that it was all just a lie.
12:28A beautiful, painful lie.
12:36You took everything from me.
12:40My dreams.
12:42My future.
12:46See?
12:47There's no soul.
12:49That's not acting, it's just...
12:51reciting lines.
12:54When are you sure how it's done?
12:55What?
12:56Go on.
13:01Go on.
13:03Go on.
13:23I loved you once.
13:26So I thought.
13:29But now I can see it was all a lie.
13:34A beautiful, painful lie.
13:37You took everything from me.
13:43My heart.
13:45My dreams.
13:48My future.
13:50And for what?
13:53For your own personal gains.
14:06How is that possible?
14:08Dorothy, that was perfect.
14:11The role is yours if you want it.
14:14No!
14:16This role is mine!
14:18I'm the one with the investment.
14:20Without me, there's no funding for this movie.
14:22Your investment?
14:23Do you even know who she is?
14:26Who is she?
14:32Who is she?
14:34As you know, no one but a PA.
14:38Dorothy, this movie is important to Stephanie.
14:41I mean, why are you here?
14:41You're not a real actress.
14:43What are you doing?
14:43You're trying to ruin her career.
14:44You're trying to get back at me by ruining her career.
14:46I'm not ruining anything.
14:48If she can't handle the role, that's on her, not me.
14:53You can't blame this on anyone else.
14:54You embarrassed her in front of everyone.
14:57I mean, I know what you're doing.
14:58You're the one pulling all the strings here.
15:00You're trying to make her fail so you can take her place.
15:03She's using this whole thing to get to you, Drake.
15:05She's been jealous from the start.
15:07Trying to ruin my chance just to get back to you.
15:09Okay, no.
15:10I don't want to fight anymore.
15:11Let's just take a look at the script and maybe we can work something out.
15:16And you are just so damn selfish!
15:19You only care about yourself!
15:21Just give Stephanie her role back!
15:23You know what?
15:26I didn't want to do this.
15:27But I will.
15:29I'll take the role.
15:31I'll play the lead.
15:36I'll play the lead.
15:37No way!
15:38You can't be serious!
15:39She's not even a real actress!
15:43Dorothy's performance was far stronger than yours.
15:46Everyone in the room can see it.
15:50I'm so glad you've agreed to do the role.
15:54Right.
15:55It's settled then.
15:56The lead roles go to Christopher and Dorothy.
16:00I will double my investment
16:04if you give Stephanie a role.
16:09I never thought I'd see the day my ex-husband would go this far
16:13for his sister-in-law.
16:15I can always count on you, right?
16:22I will double my investment if you give a role to Stephanie.
16:26You two are just such...
16:32If the money's on the table, there's no reason to turn it down.
16:35Let's just give her a part.
16:37We have nothing to lose.
16:39I guess that'll be fine.
16:42I'll talk to SQ.
16:48Your father's production company is already the biggest investor in your movie,
16:52so why take Drake's money?
16:54Don't...
16:54Don't still have feelings for Drake.
16:57No!
16:58He's an asshole!
17:01Come on.
17:03I've got an idea.
17:05Why don't we just give her a character that will make her miserable?
17:11Well, Mr. Santorum, I feel bad now.
17:19I only wish she didn't have feelings for Drake anymore.
17:25How did she land herself the role?
17:27She's practically a nobody.
17:29No fan base, no real experience.
17:31Just one good scene.
17:33It doesn't make sense.
17:37Find out everything you can about Dorothy.
17:39I want all the dirt.
17:42I want all the dirt.
17:48Director, there must be a mistake.
17:50I'm only a side character and not even in the main scene.
17:53You wanted a role, we gave you a role.
17:57I came in with an investment.
18:00Well, you're more than welcome to take it back and leave the set.
18:06If a small role in Escu's film is going to do great things for your career,
18:09now is not the time for you to be messing around.
18:13Fine.
18:20Two take one.
18:22Action.
18:23Lily, you are my best friend.
18:24How could you do this to me?
18:26I'm sorry, but this is...
18:30What the hell are you doing?
18:31It's part of the scene!
18:37Okay, take it again from this lap.
18:40Action.
18:45Cut.
18:46Stephanie, why aren't you saying your lines?
18:49You have to keep going in the scene.
18:52I think we've had enough for today.
18:54Yeah, but we'll just try again tomorrow.
19:03Did you see her face?
19:06Absolute gold.
19:07I mean, she got what she wanted.
19:09She asks for a role and that's what we gave her, so...
19:12Seriously, her performance is all over the place.
19:15Maybe we should just cut down on her screen time.
19:19We all know the film's better without her slowing us down.
19:23You're right.
19:25I'm not going to let anyone ruin your story.
19:31So if you can just give me something that's a bit more...
19:36Something about her death.
19:44What's going on with my scenes?
19:45Why have so many of them been cut?
19:47It's a collective decision.
19:51Fuck that.
19:52Let me talk to the writer.
19:54The writer is Escu and as you know, they never show their face,
19:57so their decision is final.
20:01I'll see you on set in five.
20:05Oh!
20:15Now it all makes sense.
20:24That's the head of the production company.
20:27No wonder she got the role.
20:30Let's see how John's wife feels about that.
20:41Everyone, I have an announcement to make.
20:44Today will be Stephanie's last day on set.
20:52You really think I don't see through your little games?
20:55Somebody will be walking out that door today,
20:57but it won't be me.
21:00You really think you can get away with this?
21:03Sleeping your way up?
21:07John's wife is on her way.
21:08Let's see how you talk your way out of this one.
21:11Slut.
21:17That's enough!
21:21So were you the one who was stalking and secretly taking photos?
21:25What?
21:25Scared the truth is going to come out?
21:28Someone had to expose her for who she really is.
21:31So you admit it.
21:32You did it.
21:33Damn right I did.
21:35And I'd do it again if I had to.
21:38You don't know who you just crossed.
21:41Oh, I know.
21:42Just some rich old bastard throwing a tantrum.
21:45I sent those photos to your wife, too.
21:47And now your mistress is about to be exposed.
21:51Yeah.
21:52Security.
21:54Stephanie is banned from the studio.
21:56Make sure she never sets foot here again.
21:58You can't just do that.
22:00Oh, this is insane.
22:01What are you right?
22:02I was only telling you the truth.
22:04She is a mistress, a loose woman, a lady of the night.
22:16Is it true that Dorothy is John's sugar baby?
22:18Well, otherwise, why would he come onto the set and get me banned from the movie?
22:22That's unbelievable.
22:24And he humiliated me.
22:26He had me dragged off the set like a criminal.
22:28You should have seen it.
22:29I'm not going to let her just ruin her reputation like this.
22:33I mean, this whole mess is making us look like fools.
22:38Dorothy's always been trouble.
22:40I mean, first she goes off with a married man and now this.
22:44Don't know how you put up with her for three years.
22:46You should have got a divorce earlier.
22:50Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:54It's the only explanation.
22:56She's clearly nothing but a slut.
22:59Oh!
23:00Drake, Stephanie is your sister-in-law.
23:05Now you need to take care of her and forget about Dorothy.
23:08Can't you see she's the one behind all of this?
23:11She was sleeping her way to the top,
23:14killing Stephanie's unborn child.
23:17And John dragging her off the set.
23:19You should be sticking up for Stephanie.
23:22Stephanie.
23:25I'm not going to let her do this to you.
23:41Do you think you can just walk away from what you did like nothing happened?
23:45I didn't walk away from anything.
23:46You did.
23:48You chose Stephanie over me.
23:49Remember this one?
23:50And she's my sister-in-law.
23:51I'm so sick of hearing this.
23:54You have feelings for her and I'm just tired of it.
23:58You're out of your mind if you think I'm going to let you get away with this.
24:01You do what you want to do.
24:03But for now, get out!
24:06Why?
24:12We were married for three years.
24:14And we never...
24:26No wonder you want me to go.
24:29Just look at yourself.
24:32You're not half the man Christopher is.
24:36Get out.
24:37Or I will call the cops.
24:40Just go!
24:41Go!
24:49Are you okay?
24:57Dorothy?
24:58Remember, safety first.
25:01The lifeguard's right there if you need him.
25:03Okay.
25:06Anything you need, let the AD know.
25:08Okay.
25:08Got it.
25:09Got it.
25:10Yeah?
25:11Okay.
25:18Here's a coffee for you.
25:19Thank you.
25:20It's still early before the shoot.
25:21Take your time.
25:55Thanks for listening.
25:56Okay.
26:01Bye.
26:02Bye.
26:03Bye.
26:04Bye.
26:07Bye.
26:14Bye.
26:16¿Qué es lo que está pasando?
26:19¿Qué es lo que está haciendo?
26:21¡She está en problemas!
26:28¿Dónde está la guardia?
26:34¿Dónde está la guardia?
26:53¿Dónde está la guardia?
27:30Why did you do that?
27:33I'll do anything for you, Dorothy.
27:38Christopher risked everything without hesitation.
27:41How could I have been so blind?
27:45Gracias por ver el video.
28:36Gracias por ver el video.
28:47Gracias por ver el video.
29:15Gracias por ver el video.
29:58Gracias por ver el video.
30:41Gracias por ver el video.
30:59Gracias por ver el video.
31:34Gracias por ver el video.
31:58$50,000.
31:58¿Qué?
32:01¿Qué?
32:16¿Qué?
32:30¿Qué?
32:31$500,000.
32:41$500,000.
32:54$500,000.
33:06¿Qué?
33:14¿Qué?
33:16¿Qué?
33:23¿Qué?
33:30¿Qué?
33:45¿Qué?
33:46This documentary reel will not be released to Miss Dorothy.
33:49This is ridiculous.
33:51I was invited.
33:52Well, in that case.
33:54May I see your invitation?
34:01I did have it, I swear.
34:02I'm sorry.
34:29I'm sorry, Miss Dorothy.
34:32The documentary reel.
34:34The documentary reel will go to the honourable couple.
34:35¿Qué?
34:44¿Qué?
34:44¿Qué?
35:06No.
35:08No.
35:10No.
35:12No.
35:13No.
35:14Let me buy this.
35:15Whatever it takes.
35:17No, Dorothy.
35:19You think this is about money?
35:21Please, this isn't something you can just buy.
35:24Dorothy, what the hell are you doing?
35:27Why do you always have to go against her like that?
35:29This reel is important to Stephanie.
35:31She can use this to help her career.
35:33Her career?
35:35Is this about your role being cut from the pill?
35:39Is that why you're doing this?
35:43I'm the writer.
35:44I can fix this.
35:46We can rewrite the story and bring your character back.
35:49Just let me have the reel, please.
35:52You're the writer.
35:54Are you telling me that you're SQ?
36:00You, the writer SQ.
36:02Can you give us a break?
36:04Look, this reel is important to Stephanie.
36:08End it.
36:08Don't make this harder than it has to be.
36:12You've been with Dorothy for so long and you don't even know her.
36:15Oh, and you do.
36:16Yeah, a hell of a lot more than you.
36:18Who the fuck do you think you are?
36:19Both of you, calm down.
36:34Scratched all over.
36:35It's ruined.
36:36Not even fit to be a gift anymore.
36:38I can fix this.
36:40Stephanie, I know someone who can restore it.
36:42Just sell it to me, please.
36:43Just name your price.
36:44Yes.
36:47Even if I had no use for it, I'd never give it to you.
37:17I want to be a writer like you, Grandma.
37:20I want to make movies like you do.
37:23This reel has more than pictures and sound on it.
37:28Really?
37:29An entire world I've captured.
37:32But it's just one way of seeing things.
37:35The magic is creating it yourself.
37:38Someday you will.
37:51Dorothy, I need you to go apologize to Stephanie and give her her role back.
37:58Apologize?
37:58To her?
38:00She destroyed the reel.
38:01And she wouldn't have done that if you hadn't pushed her.
38:08So go apologize or I'm pulling my funding.
38:11Look, Dorothy.
38:13Let's be real here.
38:15Without Stephanie, who's going to invest?
38:19I mean, even the production company will pull out if they hear that she's not involved anymore.
38:22Her name carries weight.
38:24Let's not pretend that your reputation is exactly stellar right now.
38:28Christopher's fans hate you.
38:29Stephanie's fans hate you.
38:31Even if you actually make this film, no one's going to support it.
38:35You will be buried.
38:38If you apologize to Stephanie now, I can help you.
38:44I can control the press.
38:46I can control the narrative.
38:48I can actually give you a chance.
38:52What's so funny?
38:56What's so funny?
38:58Pull your funding.
39:00Do it.
39:01You'll see it does nothing for the movie.
39:03Okay.
39:04So what if I tell the production head to pull his funding too?
39:08Didn't I tell you that I know Mr. Bennett?
39:10Oh.
39:12Go ahead.
39:13Try it.
39:14Want me to call?
39:15Uh-huh.
39:17Fine.
39:22Hi, Mr. Bennett.
39:23It's Drake.
39:24Drake Mossbatcher.
39:25Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:28I've seen it and it's a sinking ship.
39:32You're pulling out?
39:34Great.
39:34I'll take full control of the investment.
39:36Not a problem.
39:43So you start with it?
39:47That's why he's supporting you, isn't it?
39:52Is this how you see me?
39:54The type of woman who would use her body to get what she wants?
39:56What other explanation do you have?
39:59You know nothing about Dorothy.
40:01Dorothy.
40:02Dorothy.
40:03Dorothy.
40:04Apologize to Stephanie, cut ties with Mr. Bennett and end this.
40:08Dorothy, come back to me.
40:09Whatever he's offering you, I'll match it.
40:10I'll double it.
40:12You must be out of your fucking mind.
40:15What makes you think I would ever go back to that living hell?
40:18Living hell.
40:19You heard me.
40:21Being married to you was a fucking nightmare.
40:24You made me believe you loved me.
40:27And then you had me waiting in vain for three years, Drake.
40:32You said you always protect me, but then when I need you the most, you just turned your back on
40:37me.
40:38You chose your sister-in-law over your wife.
40:44I've had enough, Drake.
40:46You were my prison.
40:47So just go back to your precious Stephanie.
40:54Let's just go.
41:05Why are you her?
41:06Are you okay?
41:09Are you okay?
41:14What are you, Steph?
41:15What are you doing?
41:15Well, you want me, don't you?
41:17Just kiss me.
41:18I'm all yours.
41:19Steph!
41:20You're Nick's wife.
41:21I've always thought of you like a sister.
41:23Sister?
41:25Funny.
41:26Don't you remember when you came to me the night Nick and I got married?
41:29Don't you remember what you said?
41:32Remember this?
41:33Yeah, I want to marry Stephanie.
41:37God.
41:37You were practically begging me not to marry Nick.
41:39I shouldn't have said that.
41:40I shouldn't have said that.
41:44What's that?
41:46Oh, it's nothing.
41:47No, what is that?
41:48No, Drake, no.
41:49Please.
41:52You lied about this.
41:56You lied about this.
42:00You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:05It's a glitch.
42:07A glitch.
42:08So, do you actually expect me to believe that?
42:12What's this?
42:14Buying pills off the black market.
42:17Tell anyone who hit your pregnancy.
42:20It's you.
42:20This time when you blamed Dorothy like some sort of scapegoat.
42:23And she was innocent the whole time.
42:25Drake, please, no.
42:26You have to believe me.
42:27I didn't-
42:28Do you know what?
42:28I've always thought of you like a sister.
42:31And I've always taken care of you.
42:32I even thought that I loved you once, but that was before you were Nick's wife.
42:37You've changed.
42:42You've changed.
42:44You're not the person I thought you were.
42:48I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:53I guess there's no need to look after you anymore, huh?
42:57What does that mean?
42:58Are you just going to throw me away?
43:01I'm not going to throw you away, but this is my house.
43:06When I'm back, I hope you'll be gone.
43:09But you can't just walk away from me like that.
43:11I've said everything that I need to say.
43:12Now I'm going to go find the person that I actually care about.
43:20Dorothy, this is all your fault.
43:26Let's take this bitch down.
43:40Dorothy, please.
43:46No.
43:48I was wrong.
43:51I misunderstood everything about you and about us.
43:57Can you please just hear me out?
44:00You think you can just come here and apologise?
44:03After everything.
44:04I didn't mean to hurt you.
44:07Look, I understand what I did, but it was just because of Stephanie and anyway.
44:11Can you please just forgive me?
44:14I don't need your apology, Drake.
44:16You let me down.
44:18You abandoned me.
44:20When I needed you the most.
44:23You used me.
44:25Manipulated me.
44:25And now you beg for my forgiveness?
44:29Oh God, please just don't shut me out.
44:31I can fix this.
44:32I can fix it.
44:33I can do anything, Dorothy, please.
44:36No.
44:38You were never the person I thought you were.
44:41No.
44:42And I'm not either.
44:43I've moved on.
44:46I don't need you.
44:51Not like I used to.
44:53It's just not just it.
44:54After everything.
44:55Yeah.
44:56That's it.
45:08I deserve better than this.
45:37Before you all celebrate this movie, there's something you should know.
45:42Dorothy is nothing but a homewrecker.
45:44What's going on?
45:46A glorified mistress who's been playing the part of a wonderful actress when all she's really done is ruin lives.
45:55This is true, Dorothy.
45:56Were you involved with a married man?
45:57What's your response to Stephanie's claim?
46:03This is ridiculous.
46:05Let's talk about how she got here.
46:07Shall we?
46:08She didn't get here off her talent.
46:11Oh no.
46:12She got here by clinging to powerful men.
46:15There's no real experience.
46:17No skill.
46:18Just a man's name and a man's money.
46:21Security! Get her out of here!
46:22Wait.
46:23If she has something to say, let's hear it.
46:27Dorothy, it's a trap.
46:28I'm not afraid of the truth.
46:31Let's see what she's got.
46:36What's going on?
46:37So tell us, Dorothy.
46:39How did you get here?
46:41Did you use your relationship with John Bennett to land the part?
47:02Homework, are you saying?
47:03Is there something wrong with me appearing with my own dad?
47:06You're the one who sent me this photo, right?
47:09How about you take another one?
47:10This time, of my lovely family of three.
47:13Dorothy! Dorothy! Dorothy! Dorothy!
47:15Dorothy!
47:15Are you really John Bennett's daughter?
47:17Yes.
47:17I bet you never ask for my last name.
47:20It's Bennett, by the way.
47:23So Dorothy is the producer's daughter.
47:27Dorothy, so did you use your father to get the part?
47:29Uh-huh.
47:31So it's just nepotism, then.
47:37Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:42Whether you like it or not, my performance speaks for itself.
47:44And everyone here saw it.
47:47She was actually really good.
47:48Yeah, she handled the mobbing.
47:50Oh, are you saying that everyone here is wrong?
47:52You think you're so clever, don't you?
47:55Fine. You can act, a little bit.
47:58But let's be real. You didn't land this role on your own.
48:01You just snapped your bony little fingers and let Daddy give you a role.
48:05How else would a nobody like you have landed yourself the lead otherwise?
48:09Dorothy isn't just a nobody.
48:13She wrote Liars Gay.
48:16She is SQ.
48:22Dorothy is SQ.
48:24How can that be possible?
48:27Liars Gay is a masterpiece.
48:28There's no way you could have written it.
48:30You don't have to believe me.
48:32Just let the credit speak for itself.
48:37How can this be true?
48:40Oh, I'm so happy.
48:43I love it.
48:44Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:48Why did you keep your identity a secret so long?
48:53Why did you keep your identity a secret so long?
48:55Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
49:01No, no, no, no. I didn't do anything wrong.
49:03This was all Stephanie's idea. I didn't do anything.
49:11This whole time she was actually telling the truth.
49:15Dorothy's SQ.
49:18She's genius.
49:21That's why she always had a book in her hand.
49:25Always writing something on her laptop, always lost in her thoughts.
49:31Didn't even see her.
49:34Guess I was blind all along.
49:37I don't deserve her.
49:58I've missed this place.
50:01Don't you remember?
50:02Of course I do.
50:04We saw so many films here.
50:06We would just stay in our seats and talk about life and everything.
50:14But you just made me feel like I could face more anything, really.
50:21Oh.
50:21God, I used to be so nervous back then.
50:24About everything.
50:25About the future.
50:28But you just made me feel like I could face more anything, really.
50:33Yeah.
50:35Someone had to be there to make sure you didn't overthink everything.
50:38I remember you used to unpick every little detail like it was a life or death situation.
50:43Wow.
50:47You know, Dorothy.
50:51Life's not been the same without you.
50:56Even when we parted ways, I...
50:59I always knew that we would find each other again.
51:03I don't care what we've been through.
51:06I don't care what's happened.
51:08All I know...
51:10is that I need you now.
51:14More than ever.
51:29And the award for best adapted screenplay goes to...
51:34Dorothy Bennett with Liar's Game!
51:40Wow, best screenplay.
51:43¿Cómo, shall I start calling you Your Majesty?
51:45I think that's a great idea.
51:47Why don't we start now?
51:50You deserve this.
51:52Your Majesty.
51:54Every bit of it.
51:57Now, since you won, I think there's cause for a reward.
52:02Oh yeah?
52:05And what would that be?
52:06May.
52:10May.
52:10May.
52:11May.
52:17May.
52:24May.
52:25May.
52:25May.
52:25May.
Comments

Recommended