00:28Transcribed by ESO, translated by —
00:51Here we go.
01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:44You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops.
01:54Then starts over.
01:55It repeats every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's got to be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on their radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:35It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:54It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration, but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but bass four.
03:24Quaternary.
03:25Oh.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2?
03:47Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:57Megawatts?
03:59Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's got to be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:19Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:59It's going on.
05:01It's enough to talk to you.
05:21The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal a
05:27glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator looking for something, anything, that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all trace of the day's
05:47fight.
05:47With a languid nod, Lucasia bade him follow to her cabin.
05:55Little did this callow deckhand know that serving at his captain's pleasure might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her topcoat tighter, fingering its coarse wool.
06:20As her thoughts flashed back to Rabanne, it had been he who first wrapped the coat around her, whispering in
06:26her ear,
06:26May this keep you warm in my absence, my shy.
06:32With that, Rabanne, proud, haughty Rabanne, mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him, leaving Mary a ripple.
06:57Attention, lovers of speculative historical romance literature, best-selling author Carol Sterka will now sign her new novel, Bloodsong of
07:06Wiccaro, the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, Sandworks!
07:23Rabanne is alive, right?
07:26Maureen.
07:27You can read it.
07:27Why, well, tonight, I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:39If Rabanne doesn't come back, I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:52Bye.
07:53Thanks, Maureen.
07:55Hi.
07:55Hi, I can't take your ideas here.
07:59It's Christine.
08:01Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her...
08:11Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:22When Rabanne and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27Madovian Spice Fruit.
08:28Which Lucasia is...
08:32Definitely allergic to.
08:33Oh, you guys want a picture too?
08:35Yes.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is authentic.
08:47That's just like LeBan's.
08:49Okay.
08:49Careful, it's really sharp.
08:51Okay, so three things.
08:52A, when finally are they going to make a Waikaro movie?
08:55And please tell me it'll be an actual theater, it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter, the Mercator would
09:09not possess a mizzenmast, so...
09:12Craig, I'm going to need you to put this back in the bag before the store manager sees
09:16it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:23Oh, I love you.
09:23Thank you so much.
09:25See you at the next one.
09:28All right.
09:28All right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah.
09:38Thanks.
09:38Uh, perfect.
09:40That was quite a send-off.
09:41I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:47Uh-huh.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Here's Truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered, and all
10:36that.
10:36What did we do to deserve this?
10:38Uh, my 14-year-old son from Arch and Band.
10:43Oh.
10:43Aren't you a good dad?
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks?
11:09Well, our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:27We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:20I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:49Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh.
13:02What?
13:04He's absolutely got a heartbeat.
13:06Strong one.
13:06Just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I...
13:09Oh, God.
13:10Oh, shit.
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't...
13:18Yeah, it's through the glove.
13:19Shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:25I'm going to call this in as soon as I catch him, okay?
13:41Uh-huh.
13:43It's right there.
13:45Right there.
13:52That's marked 336.
13:53And, uh...
13:57Jen?
14:01Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Shit!
14:07Let me go right now.
14:09Oh, my God.
14:10Okay, come on.
14:12Oh, my God.
14:14Oh, my God.
14:22Jen, can you hear me?
14:23It's going to be fine.
14:25You're going to be all right.
14:27Come on.
14:28You're going to be all right.
14:29You're going to be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Talk to me.
14:33Come on, Jen.
14:33Come on.
14:34Jen!
14:35You all right?
14:37Jen?
14:38Just say something.
14:40Jen, I got you.
14:42I got you.
14:44Jen?
14:47Hey, hey, hey, Jen.
14:48Can you hear me?
15:01Damn it.
15:03Are you kidding me?
15:32Can you play this thing?
15:35You got skinny arms, you think you could maybe...
15:42Hey.
16:25Yes?
16:25Yes?
16:33Yes?
16:50Yes?
16:51Yes?
17:06Yes?
17:07Yes?
17:20Yes?
17:21Yes?
17:31Yes?
17:33Yes?
17:33Yes?
17:44Yes?
17:46Yes?
17:47Yes?
17:48Yes?
17:50Yes?
17:52Yes?
17:52I don't know.
18:25I don't know.
18:56I don't know.
19:27I'm going to get some gum.
19:45I don't know.
19:46I don't know.
19:49I don't know.
19:50I don't know.
19:54I don't know.
20:11I don't know.
20:22I don't know.
20:53I don't know.
20:56I don't know.
21:03I don't know.
21:21I don't know.
21:23I don't know.
21:24I don't know.
21:39I don't know.
21:49I don't know.
21:51I don't know.
21:53I don't know.
22:00I don't know.
22:26I don't know.
22:26I don't know.
22:45I don't know.
22:53I don't know.
22:56I don't know.
23:02I don't know.
23:16I don't know.
23:20I don't know.
23:45I don't know.
24:13I don't know.
24:19I don't know.
24:23I don't know.
24:25I don't know.
24:27I don't know.
24:30Her that ever.
24:31I don't know.
24:34You better believe he's got
24:36my permission to come aboard.
24:37I'd walk his plank anytime.
24:39I'm sensing a nautical motif.
24:41Little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs
24:44for a grilled cheese sandwich.
24:50Look at that.
24:53What?
24:55What do you think they're doing?
24:57What's what doing?
24:58The planes.
24:59Look.
25:03I don't know.
25:04Was that weird?
25:05Yeah, it's weird, isn't it?
25:07All of them kind of parallel like that.
25:10Huh.
25:22Anybody else weigh in?
25:24That's all the usual suspects, plus a few new ones.
25:28Everybody loves it.
25:40You want to answer a few questions for them?
25:43What, now? No, no, no.
25:44Do a quick one. Let them know you're paying attention.
25:48Carol, my husband says Rabanne can be my hall pass,
25:51which I don't think is fair since Rabanne's not a real live person,
25:54although I wish he was.
25:55In real life, was there an actual man you were thinking of
25:59when you came up with Rabanne?
26:01That's hilarious.
26:05You want to tell the truth?
26:09What do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16Nothing.
26:17What's wrong with him?
26:17Nothing. Just...
26:18I mean, how about a hot Brazilian soccer player,
26:21someone with dreadlocks?
26:22Hip it up.
26:25Just...
26:25put George Clooney.
26:27It's safer.
26:34Shit!
26:36Shit!
26:50Oh.
26:57Buddy, you okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamned fu-
27:37Helen?
27:42Oh, my God, Helen?
27:44Helen?
27:46Helen?
27:47Helen?
27:51Help! Help!
27:52Somebody help us!
27:54Help!
27:56Just hang in there.
27:57Hang in there.
27:59Just hang in there.
28:00Just hang in there.
28:07Oh, my mom!
28:17What?
28:18I don't know.
29:03I don't know.
29:21Please, please, please.
29:27Yes, yes, yes, yes, yes.
29:30Yes, yes, yes.
29:34Be free to be out of the curtain.
29:37The number of the security on the line that operate is on the roof.
29:42Be free to be out of the curtain.
29:44The number of the curtain is on the roof.
30:20Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:26Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:28Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:31Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come
30:34Fuck you. Fuck you, fuck you, fuck you, fuck you, fuck you, fuck you.
30:42Fuck you!
30:52You better get out. Come on, get out. Get out!
30:59No! Fuck!
31:03Fuck it, go!
31:11Fuck it, go!
31:20Move.
31:44Fuck it, go!
31:48No!
31:50No!
31:52No!
31:54No!
31:55No!
31:55No!
31:58No!
32:02No!
32:04No!
32:06No!
32:08No!
32:09No!
32:10No!
32:22No...
32:32Oh, thank God.
32:35Oh, thank God.
33:00Oh, thank God.
33:32Oh, thank God.
33:54Oh, thank God.
34:00Oh, thank God.
34:05Dr. Nguyen, I made you wake up.
34:08Please wake up.
34:17Dr. Nguyen, wake up.
34:21Dr. Nguyen, wake up.
34:21Fuck.
34:54I'm sorry, I'm sorry, I'm sorry, I'm sorry.
34:56I'm sorry, I'm sorry, I'm sorry.
35:19Okay, there we go.
35:24Helen?
35:26Helen?
35:28Helen?
35:30Helen?
35:37Hi.
35:39Baby.
35:56No, no, no, no.
36:22No, no, no.
36:24God damn it.
36:25Okay.
36:31Come on.
36:35God damn it.
36:38Okay.
36:41Come on.
36:41She's too close.
36:41Come on.
36:41Come on, come on, please.
36:43Please.
36:52Help!
37:11Oh, my God.
37:23Oh, my God.
37:55Oh, my God.
38:00Oh, my God.
38:20Oh, my God.
38:23Oh, my God.
38:34Oh, my God.
38:49Hey, hey, go sir, touch her!
38:51You put her down!
38:52Put her down!
38:53Get out!
38:54Go away!
38:59What the hell is wrong with you people?
39:02We just want to help Carol.
39:34We just want to help Carol.
39:46We just want to help Carol.
40:14We just want to help Carol.
40:15What?
40:18No, no, no, no.
41:03No, no, no.
41:22No, no, no.
41:27No, no, no.
41:29No, no, no.
41:45No, no, no.
42:04No, no, no.
42:29Oh, Christ, no.
42:48Come on, come on, come on.
42:49Come on, come on, come on.
42:52Come on, come on, come on, come on.
43:20Remember, remember, April 2016, the last time you got locked out?
43:25You put a spare key to the floor, the one on the right, back there.
43:38There you go.
43:46Leave me alone.
43:52Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
43:53come on.
44:30We're very sorry for your loss.
45:07We're very sorry for your loss.
45:32I'm sorry for your loss.
45:38I'm sorry for your loss.
46:08I'm sorry for your loss.
46:38I'm sorry for your loss.
47:25I'm sorry for your loss.
47:38I'm sorry for your loss.
48:30I'm sorry for your loss.
48:54I'm sorry for your loss.
49:38I'm sorry for your loss.
50:26I'm sorry for your loss.
50:57No, it is not.
50:59Who is we?
50:59Who is we?
51:47I'm sorry for your loss.
52:18I'm sorry for your loss.
52:51I'm sorry for your loss.
52:52I'm sorry for your loss.
53:48I'm sorry for your loss.
53:48I'm sorry for your loss.
53:50I'm sorry for your loss.
53:52Can I say no?
53:54Carol, once you understand how wonderful this is...
54:01Carol?
54:19Hi, you've reached 505-796-6933.
54:24We're on the French Riviera drinking champagne.
54:27We are not here in our sweatpants screening your call.
54:29Make it a good one.
54:32Carol? Hello?
54:34It's us.
54:36Hello?
54:38We're sorry we upset you, Carol.
54:40We only want to make you happy.
54:42SHUT UP SHUT UP SHUT UP SHUT UP!
55:14We need safe.
55:15Just before we walk to the end of that place, we'll dönt out through the event.
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