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The.Sandman.S02E12 [Full Movie] [Free Online HD]Full EP - Full
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00:28Dear Sylvie,
00:32by the time you read this, I'll be dead.
00:52Gone.
00:54I know.
00:56You said we shouldn't talk for a while.
00:58But I didn't want you to think my death had anything to do with you.
01:04Or us.
01:07Truth is, the planet is dying, democracy is dead,
01:12and the human race is next.
01:14But not before we inflict as much damage on the planet and on each other as we possibly can.
01:23Hiya.
01:27Hiya.
01:29Hiya.
01:31You're not at the office?
01:34Neither are you.
01:35Who?
01:37Yeah, well, I'm playing truant today.
01:39Amelia's helping me.
01:41Oh, but if you're working, Saxon, we can...
01:43Or, or, you're on your way out to work in that cafe where you sometimes work?
01:49Huh?
01:51Yes.
01:51Yes.
01:52Yes.
01:52I was on my way out.
01:56Uh...
01:56Just one last email to send.
01:58Oh, I read your piece in The Guardian.
02:01The one about the climate crisis.
02:03What?
02:03They're all about the climate crisis.
02:04I found it very hopeful.
02:06You did?
02:07You did?
02:10Well, um...
02:11We'll leave you to work, but you're coming out with us tonight, yeah?
02:17Actually...
02:18Is that tonight?
02:20You promised.
02:21Yeah, but don't you just want to have a night in?
02:23That's what we ever have.
02:24Do you like my friends?
02:25I do, just not as much as I like you.
02:27Oh, my God.
02:27They already told Jackie that we're coming, all of us.
02:29You, me, and Sexton.
02:30Yeah, well, Jackie will understand.
02:32I'm not going to cancel on her.
02:33Look, can you blame me if I want to be alone with you?
02:35You're obsessed, man.
02:36Yeah, and whose boy is that?
02:38It can't just be the two of us in the way for that one time.
02:40It's not just the two of us in the way for that one time.
02:42It's not just the two of us in the way for that one time.
02:47Hi, Sylvie.
02:53Hiya, Sylvie.
02:55Hi, Sylvie.
02:59It's me.
03:01Um...
03:01I know that you said that we shouldn't talk for a while.
03:06But, uh, I needed you to know that what I'm about to do...
03:11It's got nothing to do with you.
03:17Oh, wow.
03:18Well, who would throw you away?
03:24Oh.
03:36Oh.
03:46Oh, my God.
04:34Oh, my God.
04:37Oh, my God.
05:05Oh, my God.
05:06Oh, my God.
05:12Oh, my God.
05:15Oh, my God.
05:17Someone there?
05:21Yeah?
05:25Oh, my God.
05:26Oh, my God.
05:27Oh, my God.
05:34Oh, my God.
05:44Oh, my God.
05:47Oh, my God.
05:49Oh, my God.
05:53Oh.
05:58Oh, my God.
06:01that. Didn't expect to be doing that today. Here. Nice. No. Sorry. Sorry. I forgot. It's
06:09my day off. There you go. You good? Wow. What were you doing down there? Nothing. I fell.
06:29Looking for these? Oh, yeah. They're for my allergies. Oh, you're bleeding. Oh, no. You better
06:39come back to my place. What? I'm only a few minutes away. I've got plasters for that arm,
06:44and I might even fix a jacket for you. But after that, you're on your own. Come on.
07:04Oh, I can't get over this beautiful day. Listen. Do you hear that?
07:14I hear... shopping? Yes. That's what it is. Do you enjoy the sound of shopping? Well,
07:20isn't that why people live in London? Was that your rubbish back there? What? Were
07:26you flying to me? No. What? That's illegal. I would never do that. Then what were you
07:31doing? If you don't mind me asking. Thinking, I suppose. What about? How about how we've
07:43taken a perfectly good planet and turned it into a place to put all of our rubbish? I don't
07:49know. I quite like it. This is me. Come on, we'll get you sorted.
08:03It's very nice of you. Well, it's no harder to be nice to people than it is to be awful.
08:08And it's much more fun. Wow. Thank you. That looks much better. Have you met the goldfish?
08:19Oh. The big orange one, that's slim. And the little yellow one, he's called Wandsworth.
08:26Oh. I would introduce you, but you haven't told me who you are yet.
08:30Sorry. Sexton Furnival. I blame my parents. I like it. Sexton Furnival. And you are?
08:44I am very good at sewing. Okay? Yeah, you are. Thank you. Hmm. Is that what you do? Are
09:01you in the fashion industry? No. Dan, what do you do? I rescue journalists from illegal fly
09:12fly tips. Three sugars? Yeah. How did you know I'm a journalist? How many Sexton Furnival's
09:23do you think there are in the world? You read my column? When I have time off. Time off
09:30from what? Look, I tell you, but you won't believe me. Why not? Because... I'm deaf.
09:50Your death? Yeah. Okay. But you have nothing to worry about. Because today's my day off.
10:01Oh. Death is a day off. Just one. Every hundred years. Just to see what it's like to be human.
10:14Hmm. Death lives in Shoreditch. No. No, this place is just the universe's way of making me feel comfortable.
10:23Technically, right now, I'm only a few hours old. Of course. I should probably go. Thank you for the jacket
10:38and the tea. And everything. Of course. Well, I'll see you again.
10:48You will? Sooner or later, I'll see everyone. Right. Okay, bye. Okay. Bye.
11:46I'll see you again.
11:46Hello, me Bonnie boy. You were with her, weren't you? I can smell it on you.
11:53Upsy-daisy. You've just been a misunderstanding here. In my experience, broken bottles is sharp enough
11:59to make your face a lot less bonny, Bonnie boy. But look, if it's money you need...
12:04Button your lip and shut your face. You're going back inside, you're going to knock on her door,
12:10you're going to tell her it's you. Aren't you? Hello. It's Sexton.
12:19Furnival? Sexton.
12:24You're back. I didn't expect to see you so soon. Oh, it's you. That's right. It's me.
12:33Get in, butter boy.
12:43Good luck. Leave Sexton out of this mad-haired tea.
12:46I'm not leaving him out of this. He's me bargaining thing, isn't he? And I've got a job for you.
12:54Fine. What's the job?
12:59Take a seat, Bonnie boy.
13:09I want you to find my soul for me. Your soul?
13:16Any idea where you lost it? I didn't lose it.
13:19Put the little bugger somewhere safe as houses I did somewhere. No one would find it.
13:26Especially not you. If you hide yourself from death, you never die.
13:31Well, she can't take it if she can't find it, can she?
13:34Let me get this straight. You've hidden your soul from me and now you want me to go and find
13:39it for you.
13:40Will you?
13:43I've tried ever so hard.
13:45I can't do it on me.
13:54Any idea where you've hidden it?
14:00My hat, I placed it in a duck egg, inside a duck, inside a well, in a castle on an
14:08island surrounded by a lake of fire,
14:11guarded by a hundred dragons, each larger and more ferocious than the last.
14:18And maybe you didn't.
14:21It's been a long time, love. And, um, sometimes my mind goes a bit too lally.
14:32Fine.
14:39I'll keep an eye out for you.
14:42Help yourself to whatever's in the fridge. There's tea and biscuits in the cupboard.
14:48Thanks, love.
14:54Why aren't you going to call the police?
14:56Why?
14:57Because there's a homicidal mad woman in your flat.
15:00Well, you'd be mad too if you'd lost your soul.
15:03Oh, do you want anything? I've been so busy today, I forgot to eat.
15:08No, thank you.
15:09Yum. Um, hello. Uh, one please.
15:13Uh, chicken, lamb or veg?
15:15Veg.
15:16And what would you like on it?
15:18Uh, whatever you've got. Chef's choice.
15:20All right. One veggie flatbread with the works.
15:24There was this zen monk, right? And he orders one of these. Do you know what he says?
15:30Pick me one with everything?
15:32Heh, you've heard that one, eh?
15:33Oh, I hadn't.
15:35Oh, that looks delicious. What do I owe you?
15:39Nothing. Keep your money.
15:40What? No.
15:42A beautiful woman with a healthy appetite. You make me feel glad to be alive. You enjoy that?
15:48This might be the best thing I've ever tasted. It's actually, you've got to try it.
15:51Oh, thank you.
15:52Hey, try it. Mmm.
15:55I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and my girlfriend asked me to leave so they could...
16:04Have sex?
16:05Aw, that's sweet of you.
16:07Look, no idea how long that's going to take.
16:09How long have they been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Oh, like what?
16:22Mmm, like go to the opera or BFI.
16:26Oh, I want to get a chai in the queue at Dushun and then a party, then maybe an after
16:31party.
16:32Oh, and then I want to get a full English at the Regency Cafe.
16:36Oh, and I promise Mad Hattie I find her soul.
16:39How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:53Because I don't know you.
16:56And if you don't get in this cab, you never will.
16:59Where to, love?
17:02Sexton, where would you like to go?
17:05Home?
17:06Um, where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Well, anywhere else you want to go?
17:15I've no idea.
17:17And that's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind.
17:26Well, I always like a bit of greenery.
17:29Can I see a drive through the park?
17:30That sounds perfect.
17:33Hop in.
17:35But what about the opera and Dushun?
17:38We'll get there.
17:39As my older brother would say, certain destinations are inevitable.
17:46After you.
17:51Right when I laid eyes on you
17:55I thought to myself
17:58Or could it be someone that's made just for me
18:05Can I ask you a question?
18:07Is it personal?
18:09Very.
18:10Good.
18:11Yeah, go on.
18:12Pause.
18:14What is it you think makes life worth living?
18:19Well, my sister, Maggie, she thinks it's men.
18:26For me, it's at the end of my night shift.
18:31And the sun's just coming up.
18:33And I got London all to myself.
18:36And just for a moment, everything, everything feels possible.
18:43Yeah.
18:45I love that.
18:47Yeah.
18:48What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your clubmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10Well, the Undercut Club's just down the road.
19:12The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:19Have you been?
19:21My ex used to drag me there for 80s nights.
19:24And noughties nights.
19:26But never 90s nights.
19:29Is it fun?
19:31If you like that sort of thing.
19:33What, if you like fun?
19:34If you like crowds and overpriced drinks and
19:38drugged up wannabe cyberpunks who look like they've escaped from a bad movie.
19:42Okay, you're actually making me want to go now.
19:44Yeah, you sold it to me.
19:45I'd go.
19:46Would you like to?
19:47I'd love to.
19:48But I'm on the clock.
19:49So, I'd better drop you two there, yeah?
19:56Yes, please.
20:12What do I owe you?
20:15Nothing.
20:16It's a gift.
20:17Really?
20:21Say thank you, Sexton.
20:23Yeah.
20:29Well, London taxi drivers don't generally give people free rides through the park at rush hour.
20:34Yeah, I know.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:51Well, thanks now.
21:00You have a knack for never having to pay for anything.
21:03What's it like to live for free?
21:05Nobody lives for free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and two pence.
21:13Even if that's enough to get us in the club.
21:15I'll get you in.
21:16I'm not going.
21:17Why not?
21:19Are you scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:26How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:33What I don't know is why you won't come in with me.
21:38Because this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47What are you doing here?
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead.
21:53I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:02No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee.
22:10Dee Dee.
22:10This is, uh, my flatmate, Billy.
22:13Pleasure.
22:15So, how did you two meet?
22:17Stop smiling.
22:18It's not like that.
22:19I found him on a flight tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:28Are you?
22:29She says I just want to spend all my time alone with her and I don't want to hang out
22:34with any of her friends.
22:35They're all inside waiting for me.
22:37She'll be so happy you're here.
22:40Oh, she might even forgive me.
22:41I'm not staying.
22:44He's scared he's going to see Sylvie.
22:46He's dying to see Sylvie.
22:47No, I'm not.
22:48Oh, it's...
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows the guy on the door so we can get him for free.
23:03For free.
23:04You hear that?
23:05Come on, sex addicts.
23:07It's my lucky day.
23:08And yours?
23:51Hey, I'm here.
23:53And look who I brought.
23:55Sexton, you came.
23:57Hey.
23:59See, isn't this nice?
24:01House on a night out together.
24:03Oh, this is Sexton's friend, Dee Dee.
24:05This is Amelia.
24:07And that's Jackie.
24:09Wow.
24:09You both look stunning.
24:12Wow, those gloves are amazing.
24:14They're vintage.
24:15Oh, sexy.
24:17You collect vintage, don't you?
24:20Really?
24:21What do you collect?
24:22Oh, paperbacks, typewriters, toys.
24:25Toys.
24:26Rocket ships, race cars.
24:28The toy collection is a modest one.
24:31That's a shame.
24:34Right, we need drinks.
24:36Uh, first round's on me.
24:38I'll come with you.
24:40No, you stay.
24:40Okay.
25:10I'll go.
25:10The dark view of the world at the moment, which is not entirely unjustified, given the world
25:16at the moment, and which a lot of people share.
25:20But you, Dan?
25:23Well, I did.
25:26But then I met Amelia.
25:30And I'm not saying she's the answer or anything.
25:32She's just a person.
25:35But sometimes a person is all it takes to make you feel better about it all, you know?
25:44I think people are wonderful.
25:47I think people are wonderful.
25:48There's nothing like them.
25:52Are you looking for someone?
25:54Oh, is Sylvie here?
25:56Where?
25:57No, I was just asking.
25:59I'm sorry.
26:00Oh.
26:01Who's Sylvie?
26:03Sex and Zeggs.
26:05A friend.
26:06Oh, well, if you've managed to stay friends with your ex, that says a lot about both of you.
26:10I'm not sure she's considering me a friend.
26:13Oh, why?
26:14Did you break up with her?
26:16No.
26:18Oh, uh, I'm sorry.
26:23Um, I'm gonna go help with the drinks.
26:26Mm.
26:27We'll meet you there.
26:33Well, I'm glad you came.
26:37And sorry about earlier, Billie had no right to ask you to leave.
26:41She had every right.
26:43She wanted to be alone with you.
26:46Yeah, all she wants to do is shag men.
26:49Amelia, I've known Billie since uni.
26:52She's never been interested in sex ever until she met you.
26:56Did she tell you to say that?
26:58She'd kill me for saying that.
26:59You cannot tell her.
27:07Oh, I got you a gin and tonic.
27:09Oh, that's okay.
27:12I thought we were fighting.
27:14Mm-mm.
27:14Sex has sorted me out, innit?
27:16Oh, no.
27:18How much to owe you for the drinks?
27:20Drinks are on the house.
27:24Oh.
27:26Aw.
27:29That's very kind of you.
27:31Oh, in front of Sexton's.
27:33Hello, Theo.
27:34Sexton.
27:36And you are?
27:37This is my friend,
27:39DeeDee.
27:41Theo is the manager here?
27:45Our DJ, club promoter, and your host for the evening.
27:50Theo is friends with Sylvie.
27:53Got it.
27:54Thank you, Theo.
27:56Yeah, thanks, Theo.
27:57Thanks.
28:00Sexton.
28:02Your friend, DeeDee.
28:04How long have you known her?
28:06I just met her a few hours ago.
28:08You brought a girl to a club that you met just a few hours ago.
28:13That doesn't sound like you, Sexton.
28:15You don't know me, Theo.
28:18Yeah.
28:19Just what Sylvie told me.
28:21You think about it, don't worry.
28:22Just, you know, she likes to have fun and you don't.
28:25Not your kind of fun, no.
28:27I don't do any of that shit.
28:29Really?
28:31So you just make money encouraging other people to do it?
28:39Well, Sylvie will be very happy to hear that you've met someone.
28:43No, no, no.
28:44DeeDee and I are not together.
28:46Well, in that case.
28:47What about your girlfriend?
28:48What about Natalie?
28:51Are you two still?
28:53Yeah, but Natalie does her thing.
28:56I do mine.
28:59Maybe that's why we're still together.
29:15I love this place.
29:17Well done.
29:26You all right?
29:28Sorry, I am.
29:30I was just admiring your ang.
29:35Egyptian, right?
29:38Symbol of death.
29:41The opposite, actually.
29:43Immortality.
29:44Right.
29:46Because the pharaohs all wanted to live forever, didn't they?
29:48Some of them did.
29:50Some of them knew better.
29:52Immortality is not all it's cracked up to be.
29:55I don't know about that.
29:59If you knew you were going to live forever, you could do whatever you want.
30:03You wouldn't have to be afraid of anything.
30:07Anyone.
30:11You don't need immortality for that, though, do you?
30:18Did section tell you this used to be a department store?
30:20The club?
30:21Yeah.
30:22Bed linens, garden furniture, kids toys.
30:27Also upstairs, you need to provide the parties.
30:30I could give you the tour.
30:32You feel like?
30:32Yeah.
30:33Maybe later, sure.
30:39Do you want to dance?
30:42I'd love to, but I came to sexton, so...
30:47Ah, sexton doesn't dance.
30:49At least not according to Sylvie.
30:53Shall we?
30:58There's a car.
31:06What is wrong with you?
31:07She likes you.
31:10She likes everyone.
31:12I can't work out whether she's being serious or not.
31:16She told me...
31:22She thinks she's death.
31:25What?
31:27She thinks she's the living incarnation of death.
31:32She told you that?
31:34Oh, she'll tell you if you ask her.
31:37She's not shy about it.
31:40Maybe I will.
31:42Someone needs to save her from Dio.
31:44Come dance with us.
31:45No.
31:48According to Sylvie, I don't dance.
31:51It's to prove the wrong.
32:14It's to prove the wrong.
32:15It's to prove the wrong.
32:17It's to prove the wrong.
32:20Everything will be perfect.
32:24Everything will be perfect.
32:25Everything will be perfect.
32:27Tonight and forever.
32:37Are you not a joiner then?
32:40No, I've never been very good at that.
32:43Takes practice.
32:48I think I must be doing it wrong.
32:53Everyone here seems to not notice or care.
32:57The world is ending.
33:01Well, maybe that's why the hit.
33:10It just makes me want to give up.
33:15You don't mean that.
33:19Yeah, you're probably right.
33:25It's to prove the wrong thing.
33:25May I offer another perspective?
33:28Are you going to try and cheer me up?
33:30I've never the exact opposite.
33:33Yeah, by all means.
33:35So, I had this friend who was abused by her father and a few of her father's friends.
33:44Jesus.
33:45Yeah.
33:47The family fiction was that she loved hunting and fishing,
33:50which is why he would take her away on these weekend trips with all his friends.
33:55He was a posh barrister, and one of the other men was a police inspector.
33:59There was no one she could tell.
34:03So, one day, she got one of her father's hunting knives,
34:08locked herself in the toilet, and started to cut.
34:15I know.
34:16I'm sorry.
34:20I'm only telling you this because when she woke up in the hospital,
34:24even with bandages all the way down her arms,
34:27and her father just sitting there, terrified she would talk,
34:33she was so glad to be alive.
34:52So, according to Theo, this place used to be a department store.
34:56He's invited us on a tour.
34:57He's invited us, or you.
35:02Me, but I'm inviting you.
35:05He's got a girlfriend, you know, she's called Natalie.
35:08You two go.
35:10I've got dancing to do.
35:18Come on, Theo's waiting.
35:20Theo is not a good guy.
35:22Oh, Sexton, do you really believe that there are good people and not good people in this world?
35:27I'm a reporter. I know for a fact that there are, and I've heard things about Theo.
35:31Really? Such as?
35:32Ready for the tour?
35:36Yeah, you don't mind if Sexton comes too, do you?
35:41Not at all.
35:56Well, this looks like a storeroom.
36:08So this is where you host private parties?
36:10Well, we're having one right now.
36:15Ow!
36:16Theo, give it back!
36:16Get back!
36:18It's not a weapon. It's a symbol.
36:20It's a sigil. Your sigil.
36:24From now on, I decide who lives and dies.
36:28It doesn't work like that, Theo.
36:31You better hope it does.
36:35Theo!
36:36Hey, Theo!
36:38Theo, let us out in here!
36:40Theo!
36:42Don't let me out!
36:43We can't hear you, Sexton.
36:44We can't hear you, Sexton.
37:05Did you tell him you're deaf?
37:09I didn't have to.
37:14He summoned me here.
37:26So welcome, Mark.
37:39I'm so sorry, Sexton.
37:42I'm so sorry, Sexton.
37:59I didn't think I'd think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:10I'm sorry.
38:11At this point, we'll never find our soul.
38:14I thought you were just humoring her.
38:16No, of course not.
38:19She's counting on me.
38:23And I only have a few hours left.
38:26Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open.
38:46We'll open Theo's skull.
38:48Sexton, put that down.
38:51You could hurt him.
38:54You sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:01No.
39:03There is such a thing as free will.
39:05People make choices.
39:08People don't choose to die.
39:12Normally, there's war, there's famine.
39:18Disease.
39:19I'm not saying it's not painful to be alive.
39:25But it's not always painful, is it?
39:31No.
39:38In fact, sometimes it's so nice that you forget
39:42that there's suffering everywhere.
39:46All the time.
39:48People with nothing, struggling to survive,
39:52to keep their families alive.
39:55It never stops.
39:56No matter what I say or do or write.
40:00No matter how hard I try to make a difference.
40:02I don't.
40:02I can't.
40:03Which leads me to why bother.
40:07Which leads me to what's the point.
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like
40:25not to be able to feel these things.
40:32Well, it's like not to have free will.
40:36You don't have free will.
40:39My siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:54Every hundred years.
40:58My death takes a holiday.
41:02Spends it locked in a storeroom.
41:05Well, that's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:30What?
41:43Marbles.
41:53When Theo comes back, he'll slip on these, he'll fall non-fatally and we'll get away.
42:01Are you trying to save your life with those or mine?
42:04Ideally.
42:05Both.
42:08What a difference a day makes.
42:12What do you mean?
42:15The sleeping pills.
42:17In your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:27And today you want to live?
42:34What the fuck are you doing?
42:36Were those meant for me?
42:46Where's my egg?
42:47The bottom of the Thames.
42:49Doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well, it doesn't matter.
42:55Because I've got you.
42:57Then you're coming with me.
42:58Theo, she's not that.
43:00I've told him.
43:01He doesn't believe me.
43:02Even if she was, you don't need her.
43:03You've got the power to kill that's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:18Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:35Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:43Including summoning me.
43:47No one's going to believe that though, are they?
43:52They're all going to think I killed her and why wouldn't they?
43:57I'm going to spend the rest of my life in prison.
44:04I'm Bess.
44:06Will you take me like you took her?
44:08No, Theo, listen.
44:09Theo, put the Gondheim.
44:11Shut the fuck up, Sixten.
44:12I know you think I killed her too.
44:13No, I don't.
44:14I swear.
44:14Theo, put the Gondheim.
44:15Just stay back!
44:25Theo.
44:28He's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:52Not today.
44:56Today's my day off.
45:13Said he's going to be okay.
45:14Then he might have a concussion, so we'll keep him overnight.
45:17Thought maybe we could go and see him tomorrow?
45:21I won't be here.
45:25Right.
45:28Death only gets one day off.
45:36Well, it wasn't the day I wanted, but it was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you?
45:57Ah, just give it to her.
46:00We all know you're going to.
46:03For you?
46:05Thirty quid.
46:07Thirty quid?
46:13Thirty quid, love, you're lucky it's real metal.
46:16Well, how much for that?
46:20How much you got?
46:22Twenty pounds and two pence.
46:27I'll take the pence.
46:29I'll take the pence.
46:29You keep the pence.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:48But it was part of the whole thing.
46:54And I wanted the whole thing.
46:57Speaking of which.
47:01For you.
47:03It's all I got left.
47:07You never know when they'll come in handy.
47:10Oh, and, uh, this is for Mad Hetty.
47:36Have a lovely day.
48:07It just goes so far.
48:13You want to hang on to every second.
48:18And you give anything for just one.
48:33Please.
48:38Didi!
48:52Didi!
48:54Didi!
48:59She's dead, love.
49:00She's gone.
49:05You can't bring her back now.
49:14Didi!
49:14Did she give you the pence?
49:25Give her me a pence.
49:45Give her me a pence.
49:45A pence a day every hundred years.
49:48It doesn't ever get any easier.
49:53Did she give you anything else before she died?
50:12I knew she'd find her.
50:22Me soul.
50:25This was called Delia, me baby.
50:30I wasn't mad at you back then, of course.
50:33They called me Henrietta, and I lived in a fine house.
50:38Long time ago now.
50:41All gone.
50:46I suppose I'd better hide you again.
50:53If she'd stuck around, I could have asked her where to put it,
50:55but no one would think of looking.
51:01I give her time, naughty boy.
51:07Another hundred years, and she'll be back.
51:23A few minutes later, the paramedics came and took her a while.
51:32They thought it might have been a heart attack, but...
51:37What if she really was death?
51:44Not be nice, if death was someone.
51:49And not just pain and emptiness.
51:52Someone friendly, genuinely likes people,
51:57and is kind and funny.
52:07No idea.
52:30There's sex now, right?
52:30Um, we went out and we thought we need to stop by.
52:33There's sex now, right?
52:34Oh, see if you sell.
52:36Um, we went out and we thought we need to stop by.
52:38We thought we were worried and Billy said you didn't make it home last night.
52:42I just wanted to make sure you were okay.
52:44After our chat.
52:46Yeah, I'm sorry we didn't get a chance to...
52:49Oh, no, no, no, it's fine.
52:51There were so many people.
52:56Uh, well, I'm sure you're working.
53:03No, I...
53:07Do you want a cup of tea?
53:10Yeah.
53:11Yeah, if you have time.
53:23Milk and sugar?
53:25Three sugars.
53:32So that was it?
53:41Yeah.
53:43How was it?
53:52It was wonderful.
53:54It was filled with people.
53:58I got to breathe and eat and dance.
54:03I only wish it didn't have to end like that.
54:07It always ends.
54:09That's what gives it value.
54:12When you get to be alive, even for a day.
54:19Well, it's really only one way to stop living.
54:23I suppose so.
54:27Was it worth it?
54:33I wish it could have gone on forever.
54:41Take my hand.
55:13I wish it could have gone on forever.
55:14Right when I laid eyes on you
55:17I thought to myself
55:21Oh, could it be
55:23someone that's made
55:24just for me?
55:28I can't make this up
55:32What if I fuck it up?
55:36Well, then I'm wrong
55:38You're not the perfect someone made for me
55:44Right when I lay eyes on you
55:48I thought to myself
55:52Oh, could it be
55:54Someone that's made just for me
55:59Oh, I can't make this up
56:02But if I fuck it up
56:34Oh, I can't make this up
56:36Oh, I can't make this up
57:09Oh, I can't make this up
57:13Oh, I can't make this up
57:22Oh, I can't make this up
57:22Oh, I can't make this up
57:22Oh, I can't make this up
57:22Oh, I can't make this up
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