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The Crown S02E04 [Full Movie] [Trending Drama]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I think I'm your old faithful
00:03:54I think I need to do
00:03:55And I know the rules
00:04:00I know
00:04:15You
00:04:15And you
00:04:16And you
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:04Yes.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:12Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:08:33I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What is it doing up there?
00:08:42Notionally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03...first try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37How long do you want to do this?
00:10:38A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:26Into a fantasy.
00:13:32Later, she will step out of her house.
00:13:35In a...
00:13:36A new neckerchief, perhaps.
00:13:38For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal.
00:13:51Which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the 20 or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36What?
00:14:47Oh, my God.
00:15:06Ma'am, Lord Blanford just telephoned to apologise
00:15:08and say that Mr Wallace may be indisposed this evening.
00:15:11They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41Your Royal Highness, Princess Margaret.
00:15:44Out of my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen Cirques, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:16Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:33A little childish in this day and age, if you ask me,
00:16:35but a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42No!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we faced the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:08A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:34Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway.
00:17:41I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement,
00:17:53I've found myself quite the centre of attention.
00:17:56It's as though every good-looking girl on Earth's taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know. An actress.
00:18:17Anyway, Tennant got wind of it. It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me. You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:02Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret. Margaret. Margaret.
00:19:31Your mother would disagree.
00:19:34Can someone –
00:19:34Yes, thanks.
00:19:36We hope to tell you –
00:19:37I am good enough!
00:19:44Ma'am, I've been asked to tell you that the Madden Princess Margaret will not be announcing an engagement this
00:19:49evening.
00:19:51Our Royal Highnesses should explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably, they see that hidden part of you.
00:21:27One ends up knowing more about one's partner than they know about themselves.
00:21:33And it can be pretty tough to keep quiet about it.
00:21:37So you have to...
00:21:38You have to come to an accommodation, an arrangement, a deal,
00:21:45if you like, to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:04that is where you find the treasure.
00:22:09So I would like to propose a toast.
00:22:14In the name of love.
00:22:18In the name of our beloved country.
00:22:21In the name of steadfastness.
00:22:24In the name of another ten marvellous years.
00:22:30I give you...
00:22:33...my petty shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:53The Queen.
00:22:55Of participants.
00:23:16The Queen.
00:23:18Oh, oh, oh, oh.
00:23:55Oh, boy, you are my people, the laughs and the jokes on me.
00:24:14Oh, boy, you are my people, the facts are normally clear.
00:24:33Gotta find who's now not the worst.
00:24:46Am I my angel?
00:24:52Oh, where is my angel?
00:25:06Oh, boy.
00:25:10Use me while I disappear.
00:25:24Super angels.
00:25:38Angels.
00:25:39Oh, boy, you are my people.
00:25:49Oh, boy.
00:25:50I'm running you to the newsroom at Alexander Palace.
00:25:54President Eisenhower has spoken warmly of the special relationship that exists between Britain and the United States.
00:26:01Prime Minister McMillan and I will do everything we can to strengthen and repair the long-term bonds which have
00:26:11bound together the...
00:26:15Blackheart, I can't.
00:26:18I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know, I know, I just can't.
00:26:32I can't have him touch me, be near me.
00:26:35His weakness repels me.
00:26:40His love disgusts me.
00:26:54He..
00:26:55He..
00:26:56He..
00:26:58.
00:27:04Good morning.
00:27:05Oh, darling, what a mess.
00:27:07it is the most beautiful day I bought something to cheer you up Cecil's
00:27:21magnificent work he's quite outdone himself this time I can tell you which
00:27:28one I would choose is the official birthday portrait and Cecil immediately
00:27:33agreed but of course it's for you to decide
00:28:12and with regards to Billy Wallace don't mention that name I've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand I'm never speaking to him again
00:28:24then we will find you someone else
00:28:29I don't want you to find me anyone Moritz Landsgrave of Hesse he's a distant cousin now his mother was
00:28:38a Catholic but their lands are still intact and he gives a very good show of himself on the polo
00:28:44field
00:28:44no one someone suggested Prince Christian of Hanover a descendant of Queen Victoria
00:28:52served in the Luftwaffe but we won't hold that against him
00:28:56I do know what the official duties of the lady-in-waiting are
00:28:59accompanying me on foreign trips dealing with my meal
00:29:02do you suppose it might also include helping me climb over the wall to escape
00:29:09just can't bear it anymore I'm having some people to dinner tonight
00:29:16normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:33which are that none of them breeds horses owns lend or knows my mother
00:30:10I'd like you to say hello to our guest of honor her royal highness the princess Margaret
00:30:22are you ready ma'am here come the introductions here we have Dudley on the piano
00:30:31and this here is Shilpa
00:30:36oh god
00:30:37oh god
00:30:40oh god
00:30:41oh god
00:30:41oh god
00:30:57oh god
00:30:58oh god
00:31:00oh god
00:31:11you're feeling a little left eye
00:31:15you're thinking to yourself
00:31:18these dabblers and freaks all seem to know one another very well
00:31:28then you'd be absolutely right
00:31:32now be honest
00:31:35can you remember any of the names
00:31:41you're not really
00:31:42can't remember me either
00:31:44you know what we've met
00:31:45we have
00:31:48where have we met
00:31:50perhaps it'll come to you
00:31:52now where to begin
00:31:56far corner
00:31:57the irresistible so and so
00:31:59with the mustard colored pearly neck
00:32:01irresistible
00:32:02oh come on
00:32:03a nine surely
00:32:05seven
00:32:07he's called jeremy
00:32:08he's heir to a chocolate fortune
00:32:09married to the blonde beauty opposite
00:32:13oh she's an eight
00:32:15isn't she
00:32:17yes they dazzle in public those two
00:32:20i don't disappoint you're private either
00:32:22more of that another time i think
00:32:24who's next
00:32:26ah yes our flushed and fleshy friend in paisley
00:32:29his name's ken russell makes documentaries for bbc
00:32:33travels everywhere on a bus
00:32:38you've probably
00:32:40never been on a bus
00:32:41have you
00:32:43you know
00:32:45pity
00:32:46you really do meet the best people
00:32:51tell me about the woman with the
00:32:54extraordinary eyes
00:32:57brown is frankenstein
00:33:00she played opposite boris carloff of that movie you know actress
00:33:04no one can quite make out why she left a rather brilliant film producer for a dreary politician
00:33:13no
00:33:13his name's john perfumo
00:33:15fucking dull
00:33:17oh it's true
00:33:18it's true
00:33:18but
00:33:20the older gentleman
00:33:21beside her
00:33:23oh no no no no i know who that one is that's don betcham
00:33:25the poet
00:33:26um
00:33:29books from boots and country lanes
00:33:31free speech
00:33:33free passes
00:33:33class distinction
00:33:36distinction
00:33:37distinction
00:33:40democracy
00:33:40democracy
00:33:41and
00:33:42robbery
00:33:43and
00:33:43robbery
00:33:45it does so
00:33:50is it really true he has two wives
00:33:54i hope so
00:33:56better if he has three
00:33:59we don't want anyone conventional around here
00:34:10now
00:34:10tell me about you
00:34:11oh god you don't remember
00:34:13no
00:34:15i'm a photographer
00:34:18oh the wedding photographer
00:34:20uh that was a favor it's not my normal line of work
00:34:23what is
00:34:26this
00:34:31what is yours
00:34:34yes
00:34:36portraits
00:34:37i don't like that word
00:34:39it's so stuffy
00:34:40and traditional
00:34:41oh sorry
00:34:43what are they then
00:34:45people
00:34:46faces
00:34:47they're the most interesting subject that i've found so far
00:34:52if you can think of anything more interesting do let me know
00:34:57oh i like them
00:35:00as if there's no camera at all
00:35:03i caught them off guard
00:35:04uh it's all luck really
00:35:06you made the ugliness beautiful
00:35:08i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:17is that why you took up photography
00:35:21maybe
00:35:23maybe it's just a good way to get behind closed doors
00:35:26somebody's door in particular
00:35:27just doors generally
00:35:29the facade is only useful as a markup or something one has to get behind or beyond
00:35:33the surface is so dreary i don't think
00:35:36what people want to show themselves the idealized versions of no interest to me
00:35:41what people hide
00:35:44that interests me
00:35:49but you get so close
00:35:52isn't it rather an intrusion
00:35:55it's very much an intrusion yes
00:35:57that's exactly what photography is
00:36:00i use a small leica nothing fancy
00:36:03a natural light which means that i can prowl around
00:36:06all the while i'm getting closer and closer and in the end it's kind of like
00:36:11what's uh intrusion
00:36:17intimacy
00:36:38how would you feel about taking my photograph
00:36:40well i'd consider it
00:36:43on one condition
00:36:46go on
00:36:47when you come to my slum studio
00:36:49leave the titles and princess outside
00:36:52happy to
00:36:54and for the duration of the session
00:36:56you do everything i say
00:37:00don't look like that
00:37:02you're dying to
00:37:04dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:14it was the first room i've ever been to where nobody got up
00:37:23bowed
00:37:24curtsied
00:37:25some just carried on having conversations if i wasn't there at all
00:37:29those that did talk to me did it with such
00:37:32indifference or
00:37:33nonchalance it verged on
00:37:36impertinent
00:37:37there was this one
00:37:39in particular
00:37:41tony
00:37:42anthony surely
00:37:43no
00:37:44he insisted
00:37:45tony
00:37:45armstrong jones
00:37:47this is
00:37:48photographer
00:37:49mike sissor
00:37:50no
00:37:51nothing like sissor
00:37:52couldn't be less like sissor
00:37:54well maybe a bit like sissor
00:37:56he's obviously queer
00:37:57interestingly
00:37:58elizabeth denies it
00:38:00elizabeth who
00:38:02cavendish
00:38:03i called when i got home last night
00:38:05interrogated that
00:38:05what are the five most important things
00:38:07i need to know about that man
00:38:09why five
00:38:10i don't know it felt like the right number
00:38:12why not three
00:38:14it's more interesting than three
00:38:17so what did she say
00:38:19one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:27that he has a passion for
00:38:29inventing things
00:38:30and he would never dream
00:38:32of being anything
00:38:32as straightforward
00:38:33as simply queer
00:38:34what on earth does that mean
00:38:36not altogether sure
00:38:39but
00:38:41i'm also not even curious
00:38:42to find out
00:38:43what was number five
00:38:45that was five
00:38:47no margaret that was four
00:38:48it was all right
00:38:49five is
00:38:52yes i liked him
00:38:53yes
00:38:55i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:04for me
00:39:06for us
00:39:08for everything we represent
00:39:14i actually think you'd like him
00:39:17that's what's so dangerous about him
00:39:21upstairs
00:39:36i hope he's gonna be
00:39:38not
00:39:38or
00:39:38or
00:39:38or
00:39:38or
00:39:39or
00:39:39or
00:39:40or
00:39:50or
00:40:06Right, wait there, back in a minute.
00:41:11Right, wait there, back in a minute.
00:41:41Right, wait there, back in a minute.
00:41:43Right, wait there.
00:42:39Right, wait there.
00:42:42Right, wait there.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21Sir, I knew perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:46That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:08Jesus.
00:44:10I'm sorry, but Cecil is a disgrace.
00:44:19Always been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:34Yes.
00:44:41But their business with Peter Townsend.
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss too.
00:45:39It's gone.
00:46:02Do nothing.
00:46:18Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:28Well, get dressed and I'll show you.
00:46:49So, this is home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23Friend.
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word here.
00:47:39It is not.
00:47:42She's Bob Boothby's love child.
00:47:44No.
00:47:45Mm.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36Well, people have signed their names.
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Mm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:41Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:11No.
00:50:14No, no, no.
00:50:14No.
00:50:23It's a phenomenon.
00:50:28No, no.
00:50:29No.
00:50:36I haven't had any.
00:50:36It's a Murphy.
00:50:38No, no, no.
00:50:39No, no, no.
00:50:40No, no.
00:50:40No, no.
00:50:41No, no.
00:50:56All right.
00:51:15First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:02Then you.
00:52:04Put it into the water.
00:52:09Here.
00:52:10Mm-hmm.
00:52:15Not to mention your tidy little hips, all vanity and fastidiousness.
00:52:20I'm not vain.
00:52:25I'm sufferably vain.
00:52:30But now I see you're not queer.
00:52:34Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:10Yeah.
00:53:21What do you think?
00:53:27It's a Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:53:59Hmm.
00:54:03You, um, you want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:40He's waiting outside.
00:55:05The
00:55:22Thank you so much.
00:55:30God, I thought that would never end.
00:55:32You measured you'd go on, rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:33Oh, my love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:50I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:10I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:11I can't see anyone but I can't see anyone but I can't see anyone but I can't see anyone but
00:57:15I can't see anyone but I
00:57:16I don't know if it's cloudy or dry
00:57:22I only have eyes
00:57:28I can't see it
00:57:40The moon may be high
00:57:48But I can't see a thing in the sky
00:57:55I only have eyes
00:58:04For you
00:58:15I don't know if
00:58:19We're in a garden
00:58:33Our arms are running
00:58:39Hallelujah
00:58:49You are here
00:58:51Good night
00:58:53Good night
00:58:57Come on
00:58:58Come on
00:58:59Maybe millions of people
00:59:01Come on
00:59:02Come on
00:59:02Come on
00:59:03Come on
00:59:05But they always are bit
00:59:12Of you
00:59:32Oh, gracious.
00:59:49Oh, la, la.
01:00:24There you are.
01:00:25Finally.
01:00:37What's that?
01:00:38What is it?
01:00:55It appears she's...
01:00:57Naked.
01:01:00Yes.
01:01:01No.
01:01:06No.
01:01:12No.
01:01:13No.
01:01:13No.
01:01:15No.
01:01:26No.
01:01:29No.
01:01:30No.
01:01:31No.
01:01:31No.
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