- 1 week ago
The Crown S03E01 [Full Movie] [Full Series]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:17눈sez of bizz-eight,べ weekly and truly
17:25In theianmost sanFour exchange
17:29Lesson of those things you hanerkous mengen статьいます
17:30all käse
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with ham until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:11No small talk unless she invites it.
18:13At the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:13The duty.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor.
19:19And doubtless you'd have preferred him to have continued in office.
19:23It is my duty not to have preferences.
19:25Well, we all do though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Bosch Alec.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:39Hardly.
19:41Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:48Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:10No, ma'am.
20:12A Labour government devalued the pound once before, with little success,
20:16and my party cannot risk being seen as the party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country.
20:27And the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37You being part of that symbol.
20:39Your face on every coin and banknote.
20:43No.
20:45I remember seeing my father's face on a shilling for the first time.
20:48And thinking how odd it looked.
20:51At the same time realising I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick, each in their own way, was formidable.
21:37Statesman-like.
21:38But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:48He seems to have come from nowhere and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable.
22:02Not stand out in a crowd.
22:04We used to say that about Henry, didn't we dear?
22:06What?
22:07That you would have made the perfect spy.
22:09Because no one could remember having met you.
22:13I'd say that was marginally better than everyone having nightmares having met you!
22:30Of course we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:38It goes from loving to hating.
22:41Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:06I hope you're right.
23:16Hello!
23:20Hello!
23:27Hello!
23:28Hello!
23:29Hello!
23:30Hello!
23:35Hello!
23:58Sir?
23:59Margo.
23:59Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door.
24:05I'm claiming that as a land-speed raffle.
24:08Is there any food left?
24:10Have you eaten it all?
24:10Your Majesty.
24:14Your Majesty, a thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, darling.
24:22Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Because he's always working, travelling or water skiing.
24:35Oh, it's my new passion, ma'am.
24:37Your Majesty, there's a telephone...
24:39On the label, Sonny.
24:40Oh, it's lovely, though.
24:41Actually, there's a ghastly little pond.
24:43Pat, I think it's fine.
24:44We owe you.
24:45I think it's fine.
24:46You're singing.
24:47What?
24:47You have to wind it up.
24:49Oh, the general idea.
24:50Oh.
24:54Charming, Elizabeth.
24:54Thank you so much.
24:56It's really charming.
24:58It's really charming.
24:59Happy birthday to you.
25:04Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Amen.
25:16Shh, shh, shh, shh.
25:18Winston is dead.
25:19Act I don't know.
25:41Fuck!
25:42Fuck!
25:43Fuck!
25:46Fuck!
25:47Fuck!
25:49Fuck!
25:54I don't know.
26:38Sir, the CIA's director of counterintelligence on the phone.
26:43I'll call him back.
26:44He called on Juliet, sir.
26:47Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
27:18Jim?
27:21Martin.
27:22A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole at the top of the British establishment.
27:58Where is he now?
27:58Washington.
27:59We can have him flown into you by tomorrow.
28:04We are assembled here as representing the people of this land to join in prayer on the occasion of the
28:13burial of a great man who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need to be
28:32a leader and inspirer of the nation for his dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:44And since all men are subject to temptation and error, we pray that we, together with him, may be numbered
28:54among those whose sins are forgiven and have a place in the kingdom of heaven.
29:02I attended Cambridge University, and it was during this time that I was first approached by members of the Communist
29:12Party.
29:23Right?
29:25Right.
29:33I'll confirm with them, Your Majesty, and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, Your Majesty.
29:55Your Majesty, thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent who has
30:11identified a mole at the top of the British establishment.
30:15So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity, one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long, undetected, is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about, to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy in Downing Street.
30:56Oh, those rumours.
30:58You were talking about Harold Wilson.
31:00Yes.
31:02I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made by the KGB to recruit Wilson when he was younger, working
31:10on trade missions.
31:11He travelled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak.
31:18We discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:25He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill, the most likely beneficiary would have been George Brown, not
31:33Harold Wilson.
31:34Wilson was not favourite to take over the leadership at the time.
31:38We don't have a Russian spy in Downing Street?
31:41No.
31:44But it seems we do have one in Buckingham Palace.
31:53We look at a painting and immediately want to know it, understand it.
31:59But can anything ever be fully understood?
32:05Take our bearded trickster here, a Venetian card sharp originally ascribed to Titian, until new evidence came to light proving
32:14the painting is actually by Lorenzo Lotto.
32:16So, as time passes, as time passes, so we learn.
32:21Truths are revealed.
32:24In the late Renaissance, painting after painting, masterpiece after masterpiece, seem full of hidden intentions.
32:31Truths are revealed.
32:32Multiple meanings.
32:35Multiple meanings.
32:36Anibale Caracci's Allegory of Truth and Time, painted in 1584 or 1585.
32:41This winged figure here rescues a young woman, his daughter, from the darkness.
32:50He is time, she is truth.
32:54And this figure below, trampled by truth, is deceit.
33:01Caracci's message is clear.
33:06Be patient, the truth will out.
33:09I'm afraid I can now confirm that the surveyor of the Queen's pictures, Sir Anthony Blunt, was the fourth man
33:16in the Cambridge spy room.
33:18The message encoded in the painting is repeated in reality.
33:23As with the Lotto, time passed and the painting was restored to reveal deceit is two-faced.
33:29She has a second monstrous visage.
33:34And that alongside conducting a distinguished career as an art historian and member of the royal household,
33:41he spent 15 years as an active KGB mole and passed almost 2,000 documents of sensitive military secrets to
33:50the Kremlin.
33:51Truth may lie beneath the surface, buried, forgotten.
33:56But time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:03Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may.
34:12But at the length, truth will out.
34:35We had initially hoped the information was false.
34:38We get these sorts of claims all the time.
34:40But we subsequently detained and interviewed Blunt, and I'm sad to say he has confessed.
34:52In full.
34:55In full.
35:17In full.
35:20What's the next step?
35:20Keeping it silent?
35:22How?
35:23Apparently it could have a catastrophic effect on the reputation of our intelligence services.
35:27The fact that he had gone undetected for so long, which could, in turn, seriously affect our relationship with the
35:35Americans.
35:35We're on our last reserves of goodwill with them as it is.
35:39One more operational failure and our credibility would be completely shot.
35:43What are they suggesting?
35:45What are they suggesting?
35:45That we turn a blind eye and allow a traitor, an enemy of this country, to remain free, with his
35:53career and reputation intact, just to spare MI5's blushes?
36:01The man should be shot.
36:02I agree.
36:04But instead I have to get up and pay tribute to him at this exhibition.
36:08How am I supposed to get through my speech?
36:10I might choke on my words.
36:27We stand here tonight, surrounded by some of the royal collection's greatest treasures, to admire the genius of Rubens, Titian,
36:37Rembrandt, and Hobart.
36:38But that we are able to make sense of it all, appreciate it, understand it.
36:44It speaks to the genius of another man, whose exceptional scholarship and vision have brought us together today.
36:53Sir Anthony Blount.
37:00It is he who has curated this exhibition, and given meaning to mystery, and revealed what really does lie beneath
37:08the surface.
37:10I, for one, had never thought of art history in that way, as the art of investigation, solving riddles, finding
37:19clues, unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait which turned out to have another person lurking beneath the surface.
37:35Have I described that correctly, Sir Anthony?
37:37Or am I stumbling around in the dark, as usual?
37:40Not another person, ma'am. The same person.
37:44It was not uncommon in the early modern period for an artist to finish a portrait, and the patron would
37:49take a look and ask for a more flattering version of themselves.
37:54And the artist would paint another version over it.
37:59So not two different people?
38:01Two different versions of the same person.
38:04Which might as well be two different people.
38:08The idealized version of themselves they want to be seen, and the less desirable person they rarely are, hidden away.
38:16There's even a word for it, pelimpsest.
38:19That generally applies to manuscripts, ma'am. Pentimento for paintings.
38:25Pentimento?
38:26Well, I think I speak for everyone here when I say none of us will be able to trust or
38:32look at anything in the same way ever again.
38:38Do not know the answer.
38:38Thank you very much.
38:42If you're in the same way, I will �-l-l-l-m-o-d-l-d-l-o-one.
38:51Thank you very much.
38:51Thank you very much.
38:52Thank you very much.
38:52Thank you very much.
39:04Do not know anything you've ever seen?
39:05Prime Minister, I'm so glad you came. It gives me the chance to apologize in
39:13person. What for? There's no need to understand. All you need to know is that I
39:19misjudged you terribly, and I'd like to take this opportunity to say sorry.
39:27Are you an art man? Art? Yes, art. Paintings. Well, actually, no. I'm an economist. Statistician
39:40at heart. I'm happiest with numbers. You can trust numbers. They're honest. There's no
39:49mystery, or deception, or allegory. You know where you stand. What you see is what you
39:59get. I prefer things that way. I quite agree.
40:15Excuse me a moment.
40:39The very least you could do is quietly crawl away, not force us to live with you under
40:47the same roof, doing the right thing, the decent thing, the honorable thing. You know,
40:56the faintest idea what that was. Well, I am going to be watching you on one wrong step,
41:05you treacherous snake, and I will expose you and have you thrown in jail.
41:12I would think long and hard before I did that, sir. You would do well to reflect on your own
41:20position. What are you talking about?
41:27You may remember, sir. You may remember, at the height of the Profumo sex scandal, there was talk of a
41:32member of the royal family being involved. No one knew who. But it was rumored to be a senior member
41:39of the royal family. Very senior. When the osteopath at the center of the scandal,
41:48Stephen Ward, took his own life, there was speculation that a number of portraits of that senior member of the
41:56royal family had been
41:57found in his apartment. Naturally, a great many people were keen to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world was able to make sure they didn't fall into the
42:13wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath. If he made drawings of me, he
42:21would have done so from photographs.
42:24We all tell ourselves all sorts of things to make sense of the past. So much so that our fabrications,
42:32if we tell them to
42:33ourselves often enough, become the truth in our minds and everyone else's. And believe you me, I'm happy for your
42:44truth
42:45to be the truth to be the truth. It would be better for everyone. Imagine how awful it would be,
42:52for example, if those pictures saw the light of day now, a storm it would create.
43:00And for what? It's the past.
43:32Would you excuse me? Of course. Yeah, may you stay.
43:45How awful it would be.
43:47How awful it would be.
43:48How awful.
43:52How awful.
45:45One of those bells that now and then rings, just one of those things.
45:55It was just one of those nights.
46:03Just one of those fabulous flights.
46:09A trip to the moon on Gossamer wings.
46:15Just one of those things.
46:21If we thought of it about the end of it, when we started painting the town, we'd have been aware
46:36that our love affair was too hot.
46:42Not too hot, not to cool down.
47:13It was just one of those things.
47:15We were going to have to go to the end of it.
47:17We were going to have to go to the end of it.
47:19We were going to have to go to the end of it.
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