- 6 hours ago
Wonder Man 2026 S01E01 [Full Movie] [English Subs]Full EP - Full
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00:00The End
00:00The End
00:01The End
00:02The End
00:02The End
00:02The End
00:02The End
00:03The End
00:06The End
00:07The End
00:09The End
00:09The End
00:10The End
00:24We don't reverse the tomography in the next 30 seconds.
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans. There's too many. Get out of there.
00:47Head to the sanctum now.
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both.
00:52I don't care!
00:57Ah!
01:06The Umbera people believe if a soul fails to turn right after death, it winds up in a dark and
01:11treacherous place.
01:13Well, I've been to the void.
01:15I've lived in that screaming silence.
01:20I know what it's like.
01:22I lost whatever part was left in me that makes a person...
01:24A person!
01:32Until Barnaby pulled me out.
01:34No one else separate gave it...
01:36Damn!
01:38It's too late for me.
01:40But you can still walk away.
01:42I'm begging.
01:43Please, just walk away.
01:46I'm begging.
02:24You got this, man.
02:27You already got the job.
02:30You just gotta go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams?
02:42They're inviting you to set.
02:46Copy.
02:47Yep, on our way.
02:48Yeah, David, go ahead.
02:50What?
02:52Uh...
02:52No, I have some action.
02:53I have some action.
02:55Stay just as far.
02:57Yeah, David, go ahead.
02:59Yeah?
03:00Yeah.
03:04Okay, who last had eyes on him?
03:06Hey, Kieran!
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the rightest room must own stuff.
03:29Ugh, I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach warm?
03:33Personally, I would go for the smoky chicken or Lotte Bowl.
03:36No Kramer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the cows to rock you directly.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, I loved you in the Twilight series.
03:49Absolutely.
03:50Okay, so classes just ended and Professor Hoppin's packing up his desk.
03:54Okay.
03:54At the end of the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yadda yadda yadda.
04:02And then Ashley, you cross to about here.
04:04And Professor Hoppin says...
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantilcutli, was tricked into giving up the
04:14bones that became humanity.
04:16Yeah.
04:17Duh.
04:18Great.
04:19And then Sarah transforms into a monster.
04:22Um, and bites off Professor Hoppin's head here.
04:27Yeah.
04:28Any questions?
04:29Yeah.
04:30Mm.
04:31Should I switch to that hello table?
04:32Right now it's sounding pretty good.
04:38Just one thing?
04:39Yeah.
04:40Of course.
04:43How long have Sarah and I known each other?
04:46Hmm.
04:46That's a good question.
04:47What are you thinking?
04:48I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:57Why not?
04:57Right?
04:58Might add a little layer to the scene.
05:00Totally.
05:00Yeah.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:08Uh, what's that?
05:10Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think I would be
05:16so friendly.
05:16You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah.
05:21Let's, let's try both ways.
05:23Okay.
05:24Great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I'd let her cross all the way to my desk.
05:35Hmm.
05:36I think Professor Harpin would stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:44Uh...
05:45Damn.
05:45We're already lit.
05:46So I, I did want your dead body kind of bleeding out in this moonbeam that we have.
05:52Uh, we can move the moonbeam.
05:54Uh, it'll only take a few minutes.
05:59If you want it.
06:06Let's move the moon.
06:08Yeah.
06:08Yeah.
06:09Move the moonbeam.
06:10More, more.
06:11Right there.
06:13Last looks!
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:25I was just, just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel
06:31Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:44It barely touches on Mucatocotli.
06:46It might fit into an ancient civilization syllabus, but...
06:51Professor Harpin is focused solely on Aztec studies.
06:54Right?
06:59Um...
07:00Yeah, there's no reference to a book.
07:02Oh, but it says...
07:04It says packing up his desk...
07:06Right.
07:07...for the night.
07:08Mm-hmm.
07:08Mm-hmm.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:22Who is this Bozo?
07:24You had a great audition.
07:26Yeah, but at this rate, we're never gonna make our day.
07:28Mm-hmm.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:38Professor Harper's history with Professor Johnson is what makes his death at her hands all the more tragic.
07:44Honestly, I never thought of it that way.
07:46But it's here.
07:46Yeah.
07:46In subtext.
07:47You found something really interesting.
07:49Simon.
07:50Hi, Linda Cox.
07:51Hey.
07:51Hi.
07:52Really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Absolutely.
07:57Thank you, thank you.
07:58Yeah, thank you.
07:59The showrunner just called.
08:01And he is, uh, rethinking this episode.
08:03And he's worried about Professor Harpin's scenes being a remnant of an earlier version of Ashley's arc.
08:09A remnant?
08:09So he's cutting your character from the show.
08:12So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:17Thank you so much for all your hard work today.
10:17You moving up?
10:21I thought you rafted five.
10:25So you sneaking up.
10:32Well I'm just trying to prevent this from becoming a thing.
10:36Weren't you showing me pictures of rescue dogs last week and complaining that I wasn't committing.
10:40Yeah, I'm sorry. I'm just not happy, Simon.
10:45I know. I just think you need to book something. Things will turn around. Come on, Vivian, we're good together.
10:54You never let me in, Simon. Not really. It's a little late to start caring about this relationship.
11:43Well, that's because Jerry wasn't there and I was. I remember. Yeah, it was a python. A giant bloody python.
11:53I don't know if it was Burmese or not, love. I can't speak to that. It was in the pool.
11:59That's what bloody matters.
12:00Maybe it had been somebody's pet. Wasn't looking for cuddles.
12:05Oh, sorry, love. I can't today. Auditions this afternoon.
12:10I'm right, it's big. Biggest bloody movie of the year, is all.
12:13Hey, man, do you mind?
12:15Give my love to Uma. Smooches.
12:19I've never talked to you in the actual film. Don't fret.
12:25Hey, I'm sorry. Aren't you, um... Oh, yes. I play the Mandarin, but that was all bloody ten years ago
12:32and I was just a puppet.
12:34And whatever theories you've seen on Reddit are totally false. I had nothing to do with Pizzagate.
12:38I'm not a member of the Illuminati, and I did not have my hands replaced with baby hands.
12:43First of all, I always dug your performance as the Mandarin.
12:48But I remember you from that Omnibus episode you did in the 70s. You played Edgar Allan Poe, The Need
12:54for Nightmare.
12:55Well, well, well. Not too many people remember that old gem, including me. How was I?
13:02Stole the episode. And nice to know, I'm also an actor.
13:05You don't say. Yeah, yeah, yeah.
13:08Do you mind?
13:10The movie's about to start.
13:14I'll take the ten.
13:16But when I take you over to see Mr. O'Daniel, I'm gonna have to have another ten, just a couple
13:20expenses, all right?
13:22All right.
13:23Come on. I'll buy you a coffee, huh?
13:29Yeah, that's what I'll do.
13:35Okay, Rico?
13:40Rico?
13:41Rico?
13:43Rico?
14:11it's heartbreaking never tired re-watching that one it's authentic moving really captures being
14:23an outsider on the fringe and it's a little trippy which is always nice you know Schlesinger didn't
14:33even think Hoffman was right for Ratso even though he just come off the graduate apparently Hoffman
14:40convinced him by showing up dressed in rags to their first meeting on the street corner he was
14:44begging for change and Schlesinger didn't even recognize him I was fortunate enough to attend
14:49Schlesinger's production of Timon of Athens with the Royal Shakespeare Company sublime pity I was
14:55blind drunk so what's this big audition you were talking about look man I'm not a weirdo and I'm
15:09not desperate I'm just curious would love to know what you're up to well between you and me it's a
15:18huge opportunity I'm auditioning for Wonder Man anyway nice meeting you wait someone's actually
15:27remake of Wonder Man not someone on Kovac
15:57looking fine did you hear about Wonder Man you didn't tell me Von Kovac was directed a superhero
16:16remake not exactly what would expect from an Oscar-winning director finding inspiration in
16:22another movie is not the crime look at what Kovac did with the fly silly big picture he made it
16:31personal grounded it in modern science and discovered new unthinkable horrors why not Wonder Man human and
16:46that's spectacular that's where this film needs to live superheroes are part of our lives now so what we
16:55will find when we look at the Wonder Man today what can he teach us about ourselves
17:06sounds good I need to be in this movie sorry you crazy I was born to play this character are
17:15you
17:15serious but they are already talking to Leo no no deadline said they're looking for a new face I
17:22have a new face it's too late today was the last day of auditions what couldn't you work a little
17:26bit
17:27of your magic no one can say no to you not when you put on that charm I know you're
17:32not doing this
17:33right now mister I got fired from American Horror Story this morning yeah they told me you couldn't
17:37even lay in blood Simon how hard is that you just you just sit there you just lay then you
17:43storm into
17:43this meeting with my colleagues acting like you own the place and now you're trying to work me you
17:48know what you got some nerve I just need you to believe in me Janelle you know I believe in
17:54you
17:56I think you're one of the most talented people that I know but there's a lot of talented people out
18:01here who are not pains in the ass do you feel me all right we can talk about American Horror
18:09Story
18:10first thing tomorrow morning Nandi will validate you and maybe have an early dinner so I'll be gone okay
18:40hey girl this is Imani from Hanover agency I got Janelle Jackson for Ruth she's in session but I can
18:47never return
18:47oh she's in on Wonder Man huh yeah till six tonight oh no that is not good Nandi is gonna
18:55be in so much
18:56trouble why what's wrong well Nandi is out sick you know she got that stomach bug that's going around
19:02you better make sure you wash your hands girl no I do anyway I'm coming for her and she just
19:09texted me
19:09because she forgot to get Simon Williams in on Wonder Man for Janelle and now see the session's already
19:15started and today's the last day so when Janelle finds out she is going to go ballistic
19:19can you still make it in I can put him on the list oh my god girl you are an
19:24angel I'm gonna call him right now
19:26okay thank you
19:37hey Simon Williams sorry I'm late I'm assuming you're a Wonder Man and not a Barnaby correct just need you
19:45to sign
19:45this NDA also I don't have a doorman waiver on file for you so I'm gonna need you to sign
19:51this
19:53assuming of course you don't have superpowers okay you're all set
20:00you're all set
20:18está
20:22iture
20:24i
20:26know is
20:28it
20:31is
20:32it
20:42I
21:08Oh, that's right, you can't, because he's dead.
21:15Oh, and please tell Mr. Von Kovac that if he'd prefer a copy accent, I can throw one in and
21:22now it's for charge, alright?
21:25Where have you seen him before? Pretty sure he used to be a terrorist.
21:40Come with me.
21:50You're a bloody mess. You can't go in like this.
21:56You're trying to get her in my head.
21:58I'm trying to help you, love, you know. Some of us actually believe in supporting each other.
22:04Take it from someone who's eaten shit on stage more times than he can count. Not literally, mind you, you
22:08can still turn this around.
22:09It's not too late, I know. There's lots to memorize.
22:12No, but my memory isn't the problem.
22:14So what's wrong?
22:21I can't get hold of the character.
22:23I've seen the original too many times.
22:26And I'm trying to come up with a backstory for his relationship with Barnaby, but it's not making sense.
22:31Well, trust the words, just show up and say them. Be present.
22:35That's not my process.
22:36Well, your process can go blow a spider. Do you mind, let me see this?
22:43Oh.
22:45Oh, this is your problem. You see, these nests are garbage. Sorry.
22:48No, it's how I learned it. It's how I make choices.
22:50Well, your choices are getting in the way. No one gives a thought about the subtext of the tales of
22:56the Invera people.
22:58We've got to get you out of your head.
23:01Then how do we do that?
23:02When you're in there, blow every last bit of air out of your lungs hard and fast.
23:07With no air in your lungs, your body will go into shock.
23:09Shut down your frontal lobes, so no more logic getting in the way.
23:12Then your amygdala kicks in and you'll be left with instinct.
23:15Simon Williams?
23:15Here.
23:17Here.
23:19Don't think.
23:41You can slate whenever you're ready.
23:44Simon Williams.
23:46Reading for Wonder Man.
23:54Everything okay?
24:13The Invera people believe if a soul fails to turn right after death, it ends up in a dark and
24:19treacherous place.
24:27Well, I've been to the void.
24:35I lived in that screaming silence.
24:40I know what it's like.
24:45I lost whatever part was left in me that makes a person a person.
24:56Until Barnaby pulled me out.
25:00No one else ever gave a damn.
25:03No one.
25:04No one.
25:06It's too late for me.
25:09But you can still walk away.
25:14I'm asking you nicely.
25:16I'm asking you nicely.
25:16Just walk away.
25:20It's a wonderful thing.
25:22Not thinking too much.
25:24Served me well most of my life.
25:25No.
25:26I'm not sure I'd do it again.
25:28Why not?
25:29John Gielgud used to have me whipping with the belt across his bare ass every night before curtain up and
25:35that was before we were friends.
25:37Then things got weird.
25:39Ayashi Neat and a Virgin Mary with extra horseradish.
25:43Thirteen years sober.
25:44Congrats.
25:46But an actor needs to think to do the work.
25:51You have to fill in the back story and the character psychology.
25:55If you don't understand it, how can you perform it?
25:59When we are born, we cry that we are come to this great stage of fools.
26:06Can you leave?
26:07We'll spot it.
26:10I had a run of it in Croydon back in the 80s.
26:13I really struggled with her all at first.
26:17Then I remembered that great speech from Hamlet.
26:20The purpose of playing is to hold us to the mirror.
26:27Up to nature.
26:29Never forget that.
26:31Nature, that's our job.
26:33To understand the world around us and ourselves within it.
26:40The real work isn't digging for subtext or passing a writer's intent.
26:47The real work is living.
26:55Let's probably get going.
26:57Of course.
26:58You're a young man with friends to see and important things to do.
27:02This one's on me.
27:04I think I'm going to do the wedge salad.
27:08Hey, let's keep in touch.
27:10Of course.
27:11Oh, Simon.
27:14I have a good feeling about today.
27:17Something faithful in the air.
27:44Is Trevor Slatter it?
27:46How are we drinks?
27:47Fifteen dollars for Virgin Mary's bloody criminal.
27:50Trevor.
27:52Third contact was established.
27:53We don't call it third contact.
27:55He was at the matinee?
27:56Yes.
27:57And then you ran into each other at the audition?
28:00And then we had drinks.
28:02Third contact.
28:04Trevor, you need to take this seriously.
28:07Simon Williams is super powered, he's unstable and incredibly dangerous.
28:12His country isn't safe until he's in my custody.
28:15You sure he's buying the act?
28:18Don't fret.
28:19I've got him right where I want him.
28:37It fits fromdar on.
28:46He was a world of
28:48in its marriage and sugar.
28:50He felt the same amount of wine.
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