- 6 hours ago
Wonder Man 2026 S01E01 [Full Movie] [Latest Version]Full EP - Full
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00:01The End
00:24We don't reverse the tomography in the next 30 seconds.
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans! There's too many! Get out of there!
00:47Head to the sanctum now!
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both!
00:52I don't care!
01:06The Umbera people believe if a soul fails to turn right after death, it winds up in a dark and
01:11treacherous place.
01:13Well, I've been to the void. I've lived in that screaming silence.
01:20I know what it's like.
01:21I lost whatever part was left in me that makes a person, a person!
01:32Until Barnaby pulled me out.
01:34No one else separate key, but...
01:36Damn!
01:38It's too late for me.
01:40But you can still walk away.
01:42I'm begging.
01:44Please, just walk away!
02:24You got this, man.
02:27You already got the job.
02:30You just gotta go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:41Mr. Williams?
02:42They're inviting you to set.
02:46Copy?
02:47Yep, on our way.
02:48Yeah, David, go ahead.
02:58What?
03:04Okay, who last had eyes on him?
03:06Hey, Kieran!
03:07Hey, Ashley!
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, Ashley!
03:20What's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the rightest room must own stuff.
03:29Ugh, I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken or Lotte Bowl.
03:36No Kramer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the Castle Rock you directly.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:50Okay, so classes just ended and Professor Hoppin's packing up his desk.
03:53Okay.
03:54At the end of the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip? Yadda yadda yadda.
04:02And then Ashley, you cross to about here.
04:04And Professor Hoppin says...
04:06You do realize, according to legend,
04:09that's where the Aztec god of death, Muglantilcutli, was tricked
04:12into giving up the bones that became humanity.
04:16Yeah. Duh.
04:18Great.
04:19And then Sarah transforms into a monster.
04:23And bites off Professor Hoppin's head here.
04:28Any questions?
04:29Yeah.
04:30Should I switch to that a little table?
04:32Right now it's sounding pretty good.
04:38Just one thing?
04:39Yeah, of course.
04:43How long have Sarah and I known each other?
04:46Hmm.
04:46That's a good question.
04:47What are you thinking?
04:48I was thinking we'd go pretty far back.
04:50Like maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:57Why not?
04:57Right, might add a little layer to the scene.
05:00Totally.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:05So maybe I shouldn't say Sarah, right?
05:09What's that?
05:10Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think I would be
05:16so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:20Yeah, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I'd let her cross all the way to my desk.
05:36I think Professor Harpin would stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:44Uh...
05:45We're already lit, so I did want your dead body kind of bleeding out in this moon.
05:50The moonbeam that we have...
05:52Uh, we can move the moonbeam.
05:54Uh, it'll only take a few minutes.
05:59If you want it.
06:06Let's move the moon.
06:08Yeah.
06:08Yeah.
06:09Move the moonbeam!
06:10More, more.
06:11Right there.
06:13Last looks!
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:26I was just...
06:27Just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:44It barely touches on Mucantucotli.
06:46It might fit into an ancient civilization syllabus, but...
06:51Professor Harpin is focused solely on Aztec studies.
06:54Right?
06:59Um...
07:00Now, there's no reference to a book.
07:02Oh, but it says...
07:04It says packing up his desk...
07:07Right.
07:07...for the night.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:22Who is this bozo?
07:24He had a great audition.
07:26Yeah, but at this rate, we're never gonna make our day.
07:28Hmm.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:38Professor Harper's history with Professor Johnson is what makes his death at her hands all the more tragic.
07:44Honestly, I never thought of it that way.
07:46What is here?
07:46In subtext.
07:47I see that.
07:48You found something really interesting.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you. I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Absolutely.
07:58Thank you, thank you.
07:58Yeah, thank you.
07:59The showrunner just called, and he is, uh, rethinking this episode, and he's worried about Professor Harpin's scenes being a
08:06remnant of an earlier version of Ashley's arc.
08:09A remnant?
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:21That's a series rough on Simon Williams!
08:31They're gonna put me in the movies.
08:36They're gonna make a big star out of me.
08:41We'll make a film about a man that's sad and lonely.
08:46And all I gotta do is act naturally.
08:51Well, I'll bet you I'm gonna be a big star.
08:56Night with a monster you can't never kill.
09:02The movie's gonna make a big star.
09:05The movie's gonna make me a big star.
09:07Cause I can play the part so well.
09:12Well, I hope you come see me in the movies.
09:23Well, I'm gonna make a big star.
09:25The movie's gonna be a big star.
09:28I'm gonna be a big star.
09:30I'm gonna be a big star.
09:43I'm gonna be a big star.
09:46It's Alright!
09:46Wait, just hold on to 수� arena since I'm gonna be a big star.
09:48And, I mean, to upstate the sky.
10:06What day?
10:11I'm gonna be a big star.
10:14And I'm gonna be a big star.
10:17You moving out?
10:21I thought you wrapped in five.
10:25So you sneaking out?
10:32I'm just trying to prevent this from becoming a thing.
10:36Weren't you showing me pictures of rescue dogs last week and complaining I wouldn't commit?
10:40Yeah, I'm sorry.
10:43I'm just not happy, Simon.
10:45I know.
10:45I just think you need to book something.
10:49Things will turn around.
10:50Come on, Vivian, we're good together.
10:54You never let me in, Simon.
10:57Not really.
10:58It's a little late to start caring about this relationship.
11:44Well, that's a good call.
11:45I love you.
11:45Jerry wasn't there, and I was. I remember.
11:48Yeah.
11:49It was a python.
11:51A giant bloody python.
11:53I don't know if it was Burmese or not, love.
11:55I can't speak to that.
11:57It was in the pool.
11:59That's what bloody matters.
12:00Maybe it had been somebody's pet.
12:03Wasn't looking for cuddles.
12:05Oh, sorry, love. I can't today.
12:08Auditions this afternoon.
12:10Damn right it's big.
12:11Biggest bloody movie of the year is all.
12:13Hey, man, do you mind?
12:14I gave my love to Uma.
12:17Smooches.
12:19I'd never talked to you in the actual film.
12:21Don't fret.
12:25Hey, I'm sorry.
12:26Aren't you...
12:27Oh, yes.
12:30I played the Mandarin, but that was a bloody ten years ago,
12:33and I was just a puppet.
12:34And whatever theories you've seen on Reddit are totally false.
12:37I had nothing to do with Pizzagate.
12:39I'm not a member of the Illuminati,
12:40and I did not have my hands replaced with baby hands.
12:43First of all,
12:45I always dug your performance as the Mandarin.
12:48But I remember you from that omnibus episode you did in the 70s.
12:52You played Edgar Allan Poe,
12:54The Need for Nightmare.
12:55Well, well, well.
12:57Not too many people remember that old gem, including me.
13:00How was I?
13:02Stole the episode.
13:04And I should know.
13:05I'm also an actor.
13:06You don't say.
13:06Yeah, yeah, yeah.
13:08Do you mind?
13:10Movie's about to start.
13:14I'll take the ten, please.
13:16But when I take you over to see Mr. O'Daniel,
13:19I'm gonna have to have another ten,
13:20just a couple of expenses, all right?
13:22All right.
13:23Come on.
13:23I'll buy you a school after you, huh?
13:34Yeah, that's what I'll do.
13:37Okay, Rico?
13:40Rico?
13:49I'll take you over to see Mr. O'Daniel.
13:50What's your name?
13:51I'll take you over to see him.
13:52Go on.
13:52Go on.
13:54Go on.
13:55Go on.
13:57Go on.
14:00Go on.
14:02Go on.
14:03Go.
14:05Go on.
14:06Go on.
14:06Go on.
14:07Go on.
14:08Go on.
14:09Go on.
14:11it's heartbreaking never tired of re-watching that one it's authentic
14:21moving really captures being an outsider on the fringe and it's a little trippy
14:28which is always nice you know Schlesinger didn't even think Hoffman was
14:34right for Ratso even though he just come off the graduate
14:39apparently Hoffman convinced him by showing up dressed in rags to their first
14:42meeting on the street corner he was begging for change and Schlesinger didn't even recognize him
14:47I was fortunate enough to attend Schlesinger's production of Timon of Athens
14:51with the Royal Shakespeare Company sublime pity I was blind drunk
14:58so uh what's this big audition you were talking about
15:07look man I'm not a weirdo and I'm not desperate I'm just curious
15:12would love to know what you're up to
15:15well uh between you and me it's a huge opportunity
15:21I'm auditioning for Wonder Man anyway nice meeting you
15:26wait someone's actually remaking Wonder Man
15:28not someone Bonkovec
15:49hey
15:50I'm not good
15:51I'm not good
15:52I'm not good
15:53I'm lucky one to walk you down the street
15:57looking fine as she could be
16:01hey hey
16:03I'm lucky one to walk you down the street
16:07Janelle
16:10did you hear about Wonder Man
16:11you didn't tell me Von Kovac was directed
16:15a superhero remake
16:16not exactly what would expect from an Oscar-winning director
16:20finding inspiration in another movie is not a crime
16:25look at what Kovac did with the fly
16:28silly big picture
16:29he made it personal
16:33grounded it in modern science
16:35and discovered new unthinkable horrors
16:41why not Wonder Man
16:44human and spectacular
16:47that's where this film needs to live
16:50superheroes are part of our lives now
16:54so what we will find when we look at the Wonder Man today
16:58what can he teach us about ourselves
17:06sounds good
17:07I need to be in this movie
17:10sorry you're crazy
17:11I was born to play this character
17:14are you serious
17:16boo they are already talking to Leo
17:18no no
17:19Deadline said they're looking for a new face
17:21I have a new face
17:22it's too late
17:23today was the last day of auditions
17:25well couldn't you work a little bit of your magic
17:28no one can say no to you
17:30not when you put on that charm
17:32I know you're not doing this right now
17:33mister I got fired from American Horror Story this morning
17:36yeah they told me you couldn't even lay in blood Simon
17:39how hard is that you just you just sit there you just lay
17:42then you storm into this meeting with my colleagues
17:45acting like you own the place
17:46and now you're trying to work me
17:48you know what you got some nerve
17:50I just need you to believe in me Janelle
17:53you know I believe in you
17:56I think you're one of the most talented people that I know
17:59but there's a lot of talented people out here
18:02who are not pains in the ass
18:03do you feel me
18:07all right
18:08we can talk about American Horror Story
18:10first thing tomorrow morning
18:11Nandi will validate you
18:17and maybe have an early dinner
18:19so I'll be gone okay
18:40hey girl this is Imani from Hanover agency
18:43I got Janelle Jackson for Ruth
18:46she's in session but I can have her return
18:48she's in on Wonder Man huh
18:50yeah till six tonight
18:53oh no that is not good
18:54Nandi is gonna be in so much trouble
18:57why what's wrong
18:58well Nandi is out sick
19:00you know she got that stomach bug that's going around
19:02you better make sure you wash your hands girl
19:04you know I do
19:06anyway I'm coming for her
19:08and she just texted me
19:09because she forgot to get Simon Williams in
19:11on Wonder Man for Janelle
19:13and now see the session's already started
19:15and today's the last date
19:17so when Janelle finds out
19:18she is gonna go ballistic
19:19can he still make it in
19:21I can put him on the list
19:22oh my god
19:23girl you are an angel
19:25I'm gonna call him right now
19:26okay thank you
19:37hey
19:37Simon Williams
19:39sorry I'm late
19:40I'm assuming you're a Wonder Man
19:41and not a Barnaby
19:43correct
19:44just need you to sign this NDA
19:48also I don't have a doorman waiver on file for you
19:50so I'm gonna need you to sign this
19:53assuming of course
19:54you don't have superpowers
19:59okay you're all set
20:06come on if I keep
20:07I don't know
20:09I guess so
20:10and I don't know
21:08Oh, that's right.
21:10right you can't because he's dead guys killing it in there bro oh and please
21:17tell mr. von kovac that if he prefer a cockney accent I can throw one in and
21:22now it's for charge alright where have you seen him before pretty sure he used
21:28to be a terrorist
21:40come with me
21:50you're a bloody mess you can't go in like this
21:56you're trying to get in my head
21:58I'm trying to help you love you know some of us actually believe in supporting
22:02each other take it from someone who's eating shit on stage more times that he
22:06can count not literally mind you you can still turn this around it's not too late
22:10I know sure there's a lot to memorize no but my memory isn't the problem so what's
22:15wrong
22:21I can't get older the carrot I've seen the original too many times and I'm trying to
22:27come up with a back story for his relationship with Barnaby but it's not
22:29making sense well trust the words just show up and say them be present
22:35that's not my process well your process can go blow spider do you mind let me see
22:39this
22:44oh oh this is your problem you see these knows the garbage sorry no it's how I
22:49learned it is how I make choices well your choices are getting in the way no one
22:53gives a thought about the subtext of the tales of the Invera people we've we've got
22:59to get you out of your head
23:01how do we do that when you're in there below every last bit of earth out of your
23:05lungs hard and fast with no air any longer your body will go into shock shut down your
23:09frontal lobes so no more logic getting in the way then your amygdala kicks in and you'll be
23:13left with instinct here don't think
23:42you can slate whenever you're ready Simon Williams reading for wonder man
23:53everything okay
23:55everything okay
24:13the Invera people believe if a soul fails to turn right after death it ends up in a dark and
24:19treacherous place
24:25well
24:28I've been to the void
24:35I lived in that screaming silence
24:40I know what it's like
24:46I lost whatever part was left in me that makes
24:50a person
24:51a person
24:56until Barnaby pulled me out
25:00no one else ever gave a damn
25:03no one
25:06it's too late for me
25:09but you can still walk away
25:14I'm asking you
25:15nicely
25:16just walk away
25:20it's a wonderful thing
25:21not thinking too much
25:23served me well most of my life
25:25I'm not sure I'd do it again
25:28why not
25:28John Gilgood used to have me
25:31whipping with the belt across his bare ass every night before curtain up and that was
25:35before we were friends
25:37then things got weird
25:39Hayashi Neats and a Virgin Mary with extra horseradish
25:42thirteen years sober
25:43congrats
25:44thank you
25:45but
25:47an actor
25:48needs to think
25:50to do the work
25:51you have to fill in the backstory
25:53and the character's psychology
25:55if you don't understand it
25:56how can you perform it
26:00when we are born we cry that we are come to this
26:03great stage of fools
26:06can't live
26:06all spotted
26:07I had a run of it in Croydon
26:11back in the eighties
26:13I really struggled with the role at first
26:16then
26:17I remembered that great speech from Hamlet
26:20the purpose of playing
26:23is
26:24to hold us to the mirror
26:27up to nature
26:29never forget that
26:31nature
26:31that's our job
26:33to understand
26:35the world around us
26:36and ourselves within it
26:40the real work
26:41isn't digging for subtext or
26:43passing a writer's intent
26:47the real work is living
26:55let's probably get going
26:57of course
26:57you're a young man
26:59with friends to see
27:01and important things to do
27:02this one's on me
27:04I think I'm going to do
27:05the wedge salad
27:08hey let's keep in touch
27:09of course
27:11oh Simon
27:14I have a good feeling about today
27:18something fateful in the air
27:44is Trevor Slatter it?
27:46how are drinks?
27:48fifteen dollars for Virgin Mary's bloody criminal
27:50Trevor
27:52third contact was established
27:53we don't call it third contact
27:55he was at the matinee?
27:56yes
27:57and then you ran into each other at the audition?
28:00and then we had drinks
28:01third contact
28:04Trevor
28:05you need to take this seriously
28:07Simon Williams is super powered
28:09he's unstable
28:10and incredibly dangerous
28:12his country isn't safe until he's in my custody
28:15you sure he's buying the act?
28:18don't fret
28:19I've got it
28:20I've got him right where I want him
28:48I've got him right where I want him
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