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⚡ EP 3: The stakes rise as past secrets resurface. 😨 Every choice leads deeper into danger.
⚡ EP 3: The stakes rise as past secrets resurface. 😨 Every choice leads deeper into danger.
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TVTranscript
00:02If you see Lady Mumby, we must make sure she got her invitations.
00:06And keep an eye out for anyone theatrical.
00:08Dare I ask why?
00:09I've hired actors for this evening's centrepiece.
00:12After speeches, two actors will perform scenes from Romeo and Juliet.
00:15How wonderful.
00:16Ah.
00:17Was they?
00:18Yes, and they were two hours ago, and the whole ball will be ruined if they don't appear.
00:22Thought it might be improved.
00:25What is this engaging post-time?
00:27It's the quad for poker.
00:28It's all the rage in Bohemia.
00:30Yes, well, I'm not sure the gentleman caught victory across the latest Eastern European dance places.
00:34That's why I drew very clear instructions.
00:37Yes, almost too clear.
00:39Bill, you've been truculent all morning.
00:41I know you'd rather be doing unspeakable horrors in a morgue, but could you please try and act like a
00:45normal lady?
00:46Just for me, just for tonight.
00:50Bye.
00:52I'll try.
00:54For you.
00:55And then you can go back to being, well, you.
01:00Lovely.
01:03Tell me about your special dance.
01:05It's a square dance, but twice as fast, so you have to hang on tight to your partner.
01:10Very, very tight.
01:11And who do you hope to dance with?
01:13Oh, just Phineas.
01:15In love again.
01:16Yes, but with Phineas it's different.
01:18I actually want to eat his cheeks.
01:19That's how fond I am of him.
01:20Oh, I need this night to be perfect for him, so can you please...
01:24Good.
01:24And I just need someone for you to dance.
01:26Oh, no, I really need...
01:28Inspector.
01:29My sister was just looking for a dance party.
01:31No, I really want to...
01:32Because she's a very normal lady.
01:35Well, you are coming to the ball.
01:37I wouldn't miss it.
01:39But I'm afraid I don't dance.
01:41Oh, the stick.
01:44Well, that's a pity.
01:45Quite.
01:46Anyway, I must keep hunting for my lovely thespians.
01:50See you tonight, Inspector.
01:51No, wait.
01:51Fanny!
01:56Lady Bill, may I have a word?
01:58Certainly.
01:59Which one?
02:03Scabble.
02:13I found this at the scene of a suspected criminal incident.
02:16Anne?
02:17May I ask if you recognize it?
02:19It's not mine.
02:21No, of course.
02:22You being forbidden from practicing surgery.
02:26But someone used it in your father's carriage.
02:29Someone with access to scalpels and a modus operandi
02:32that includes surgeries outside the hospital
02:34and the law.
02:37It seemed to be left in a hurry
02:38next to a bloodstain.
02:42Is the governor aware
02:43that you're trespassing on his property?
02:46I investigated his carriage.
02:48A carriage bestowed upon him by the Queen herself.
02:52I take umbrage at your notion
02:54that my father uses sovereign gifts
02:55to engage in acts of mutilation.
02:58That is not my intention.
03:00What's that on your finger?
03:03The scalp will cut me.
03:05Quite the coincidence
03:06to find a bloodstain
03:07at the same time you cut yourself.
03:09Are you questioning
03:10my investigative skills, Lady Bill?
03:11No.
03:12I'm quite certain of them.
03:17Hmm.
03:18Keep that wound clean
03:19or it'll get infected.
03:22Oops.
03:23I gave you medical advice.
03:26Do you wish to arrest me?
03:49How often have these symptoms presented themselves, Lady Munby?
03:52It varies, but more recently,
03:54four times a week.
03:56Has anything changed circumstantially?
03:58I lost my husband recently.
04:01My condolences, Mum.
04:03Cassandra found her father when he passed.
04:05She fainted and hit her head
04:07and since then the fits have been worse.
04:10May I, Miss?
04:11And how do the fits present?
04:13Does she fall?
04:14Muscles jerk?
04:16Foaming at the mouth, that sort of thing?
04:17No, no.
04:18She has visions.
04:20Visions?
04:21I can see a little sad boy.
04:23Say hello, sad boy.
04:26You see that?
04:28By the window.
04:31His tummy hurts.
04:31That's why he's always sad.
04:34What's he look like?
04:37He's small.
04:39Sailor suit.
04:41She's been so looking forward
04:43to the Governor's Ball tonight,
04:44but do you think she can still go?
04:48Pubescent hysteria.
04:49Nothing more.
04:50No, I disagree.
04:51I suspect epilepsy.
04:52Epilepsy?
04:53She isn't having anything
04:54I'd describe as fits.
04:56I think her visions are fits.
04:58She's just lost her father.
04:59She wants attention
05:00and you're playing into her hands.
05:01I suspect the bloat of the head
05:03has made her underlying epilepsy worse
05:05and the visions are a symptom.
05:06It's fanciful, Dawkins.
05:08It's cerebral, Sneed.
05:10Or perhaps it was indeed a visitation.
05:14That's Codswallop, Prof.
05:17Bell would know how to fix this.
05:19Lady Bell is neither here nor a doctor,
05:22but I am.
05:24And in my view,
05:25there's no need for further treatment.
05:27Cassandra can go to the ball.
05:29We'll probably do her and the mother good.
05:31No, you're wrong, Sneed.
05:32And you're on parole.
05:34So go and disimpact Mr. Gouger.
05:37His bowels have been stopped up for a week.
05:42Are you all right, Prof?
05:44Yes, I'm on the line.
05:46Thank you, Dawkins.
06:07I know I did not receive my morning beetroot and pilchard sandwich today.
06:12It's not just that, Mr. Gouger.
06:13Oh, that's hurtful.
06:17What's fish and beetroot ever done to you?
06:19Nothing.
06:20I have just evacuated a man's bowel.
06:22Oh.
06:23You'll be doing that for me one day.
06:24It's highly unlikely.
06:27Oi, slow down.
06:28Where you walked?
06:28I need to get a message to Bell somehow.
06:30Oh, no, you bloody don't.
06:31Why not?
06:32Because you are poking the reaper in the eye with that.
06:34I need her advice on an underlying cerebral disorder.
06:37I'll give you an overlying cerebral disorder if you don't blink him.
06:39Stop it.
06:40We've got more pressing matters to deal with.
06:42What?
06:43I've got a prime toff who is practically weeping at the thought of our land,
06:47but he can't get his bank to release a very sizable down payment without citing a land grant.
06:52How sizable?
06:53£500.
06:57Bloody hell.
06:58Well, how do we get a land grant?
07:00I've got flashy fencing up a forgery, but I don't think it's up to snuff.
07:03Come and have a look.
07:06All right, but quickly.
07:07Yes, yes, quickly.
07:08Quickly.
07:15What's that supposed to be?
07:17A land grant.
07:19Yeah.
07:20Land?
07:20I've only got one L.
07:22Bloody Wales.
07:23We're not in bloody Wales, are we?
07:25What's that, Flashbath?
07:28It's a carrot tree.
07:29Christ, I know.
07:30Biscuit.
07:31Well, this will never get past the toffs.
07:33I mean, look at it.
07:33It looks like a bloody child's drawn in.
07:34Big words for someone who can't write.
07:36I can write better than you can draw, mate.
07:38Go on, then.
07:39All right, Fleshy.
07:40Keep your kicks on.
07:41You're a man of many talents,
07:42but this clearly ain't one of them.
07:43This whole thing stinks.
07:45Not you too, Tim.
07:46No, Fagin's plan.
07:48What's wrong with it?
07:49Haven't you lot stolen enough from us?
07:51Now you're nicking fake land.
07:53We're not nicking, we're bluffing.
07:56Not yours to bluff with.
08:00Timmy!
08:01We need to get a real land grant for him to copy.
08:04Yeah.
08:05Well, unless you've got one stashed in your cranny,
08:07I don't know where we're going to get it.
08:08Government house.
08:09Oh, stop thinking with your trails or eels.
08:11I'm not.
08:11Yes, you bloody are.
08:12Well, you ain't getting in there tonight, Dodge.
08:14There's a ball on.
08:16Ooh.
08:18Which means it'll be ripe with marks for our endeavors.
08:21No, there ain't no point, Fagin.
08:23I usually seek my girls in for the toffs,
08:26but this is invitation only.
08:28There'll be guards everywhere.
08:29Only silver snuffers allowed.
08:31Yeah, well, sod that.
08:32We're going.
08:33No, you're not going anywhere near Cheeky Bones, S.
08:35You might as well whistle for the hangman and ask him to do you a favor.
08:39Fagin, come on.
08:40Dodge, no!
08:42We're drawn thin tonight, gentlemen.
08:45As a vice regal function,
08:46no one enters the governor's ball without one of these invitations.
08:50But with a killer afoot in the elbow,
08:52government house mustn't revel at the people's expense.
08:56So divide your forces.
08:58And Bromo,
09:00I do not wish to see the elbow underserved.
09:03Understood, sir.
09:04You'll be at the pool very soon.
09:07Yes.
09:08Pursued with the protocol.
09:10That sounds delightful for you, Inspector.
09:13Hope you enjoy the champagne while the boys and I are out in the mud.
09:26There are two pathways for you, Sergeant.
09:29You can withdraw your previous comment,
09:32or I can demote you and have you reassigned to Van Demen's land tonight.
09:37I hear the prisoners there eat each other when the supplies are thin.
09:42But perhaps you'd prefer that,
09:44rather than doing your bloody duty here!
09:50Withdrawn.
09:52Withdrawn what?
09:55Withdrawn, sir.
09:57Carry on, Bramwell.
10:02Another body with the blue stitching, Inspector.
10:06Add more men to your detail.
10:10Sir.
10:10I know you're not supposed to be here.
10:19I don't think so.
10:37You're not supposed to be here.
10:40A place to sleep.
10:42Noble work helping the dead to rest.
10:46May I see the body?
11:17Thank you, sir.
11:24There we go.
11:26That all right?
11:28That should make it feel better.
11:31Here.
11:32Take this, and then put it on again tonight.
11:36All right?
11:36Here. Try to keep the dirt out if you can.
11:39Off you go.
11:43Hello again.
11:46Lady Belle, your visits to Devil's Elbow concern me greatly.
11:49I fear for your safety.
11:51Yes, well, the benefit of standing out like a peacock
11:53is that I display the protection of Government House.
11:56The young woman was killed here last night.
12:01I'm very sorry to hear it.
12:05There's something else.
12:07I lost someone I cared for in a slum.
12:10And I propose to do it again.
12:16That's why you wear the mourning blacks.
12:21You remind me of her.
12:23She too had a heart for charity and a disregard for danger.
12:28So I hope you'll forgive me if I seek to protect you.
12:32You have my sympathy, Inspector.
12:35I don't need to be protected.
12:49What about a hot air balloon?
12:51We can fly over the walls and into the ball that way.
12:53No.
12:54I think it might be a touch noticeable if we land a giant gas bag in the Governor's Rose Garden.
13:00Um, you could pretend to be dead, Fagin.
13:02We could carry you inside a coffin.
13:03Yes, it's a goodly notion of poody, but I think there might be enough stiffs there already.
13:07Also, no!
13:09Putting me in a box.
13:10I can't think of anything worse.
13:11Say, come on, how are we getting inside?
13:13We're not getting inside, you and me.
13:15We ain't going anywhere.
13:17Wench!
13:19Victuals for two weary travelling actors.
13:23You call me wench again, and I'll wear your suitemates for earrings.
13:36Let's run the balcony scene, Miltie.
13:40This soire is miserably parochial, but it is!
13:43And it is for a governor.
13:45Yes, yes.
13:46Rabiot and Juliet.
13:49Act two, scene.
13:50Me, me, me.
13:51Two.
13:52One light, three on the window bricks.
13:56And I, and I, and I shall do it thusly.
13:58A pair of pilchards.
14:01No, no.
14:03Our solution has just presented itself.
14:06Tonight, the parts of Romeo and Juliet will be played by Fleshy and a Poody.
14:14What?
14:15Now listen.
14:15We nicked their costumes, Fleshy and a Poody put them on,
14:18get inside, let me in, then when you're snatching the land grant,
14:22I'll be flogging more turf to the boozed up Toffs.
14:24It's simple.
14:25All right, where does that leave me?
14:27It leaves you at home.
14:28But I can't talk Shakespeare.
14:30You don't need to.
14:31It's just a disguise.
14:32You'll be in and out before you can say to me or not.
14:34Two.
14:36Hey, any questions?
14:38I thought that was the question.
14:39What?
14:40Bloody well coming.
14:41No, no, no, no chance, Prince Chalmers.
14:44No, come on.
14:44Think about it, Fagan.
14:45You can't just steal the clothes off these actors' backs, can you?
14:48They'll need sedation, and that requires...
14:51Doctor.
14:52Yeah.
14:52I don't want to knock them out.
14:54Doesn't seem right.
14:55All right.
14:56You drug the actors outside, then you scarper quicksmart.
15:00You do not go anywhere near fancy skirt when half the constabulary
15:04are going to be there with a noose when the twig you're lurking.
15:06All right.
15:08Pine understood.
15:09What, really understood?
15:10Yes.
15:11I'm not a fool, Fagan.
15:12I know, it's far too dangerous for me to be there, really.
15:34This miserable whining coward sneaking about on the wind sucking the blood of every poor
15:38Kobe just trying to do a bit of honest criminality.
15:41Makes you want to spit.
15:44I'm quite amazed mosquitoes don't just burst into flames when they first try your blood,
15:47Fagan.
15:47The amount of cork wine and vinegar you swill.
15:50Would you two shut your winch holes?
15:52There they are!
15:55Here you go, sir.
15:58Bogey.
15:59Come on.
16:01Wherefore are they?
16:02We're right here.
16:03Yes, marvelous.
16:04That's good.
16:04And then I'll seize you by the pussy.
16:05Oh, and then I will...
16:06Oh, well then.
16:07You, are you the, are you the actors?
16:10Actors.
16:11We are the truth tellers.
16:12The dream weavers.
16:13The lyricists of legend.
16:17Yes.
16:17Yes.
16:18We are the actors.
16:20Could you tell us where to find our green room?
16:23Green room?
16:24We must warm our voices.
16:25Limber our loins ere we tread the boards.
16:27Ah, the green room.
16:29Yes, yes.
16:29It's this way.
16:34Come on, come on.
16:36Turn the radio on.
16:38It's Friday night.
16:39And it won't be long.
16:40Gotta do my hair.
16:41Put my makeup on.
16:43It's Friday night.
16:44And it won't be long.
16:45And it won't be long.
16:45Till I hit the guns flow.
16:47Hit the guns flow.
16:48I got all I need.
16:51No, I ain't got cash.
16:52I ain't got cash.
16:54I got you, baby.
16:56Baby, I don't need dollar bills to have fun tonight.
17:00Good evening.
17:07Good evening.
17:08Good evening.
17:09Good evening.
17:10Good evening.
17:11Nice to meet you.
17:12Good evening.
17:13Where's Belle?
17:14Fanny, you'll burst your corset stay.
17:16You're late.
17:17What?
17:18We've been fasted in a row to say good evening.
17:20Good evening.
17:21For being a normal lady.
17:23Right.
17:24Sorry.
17:24I am trying.
17:27Fanny, who else have you invited?
17:29All the landed gentry of the region.
17:31And the nearly landed.
17:32How are we?
17:32And Inspector Boxer.
17:34Although I'm not sure if he's landed or not.
17:36Landed?
17:36Not.
17:37Well, he will be when he inherits his uncle's title.
17:39Where's Phineas?
17:41Do you think he's forgotten, Bill?
17:42I just want everything to be perfect for funny Uncle Dickie.
17:46It's tremendously kind of you all.
17:48Oh, nonsense.
17:50Lift the spirits.
17:55Yeah.
17:56Just the way old Billy Wobblestick pictured it.
17:59I feel a bit bad leaving them like that.
18:01Do you think they'll be comfortable?
18:02I wouldn't have thought so.
18:04Given that they're half naked and tied to each other, no.
18:07The amount of ether I've given them, they'll have the best night's sleep of their life.
18:10Yeah.
18:11I suppose.
18:12Maybe we can get them a pillow or something.
18:14Yes, yes.
18:15And I'll build them a four-poster bed if you like.
18:17Stop mithering about the actors and do what you came here to do,
18:20which is get me a land grant and you scuttle off home.
18:22Go on.
18:23Right, yes.
18:24Good luck.
18:26Make a leg.
18:39Funny, that family's still in mourning.
18:41It's a terrible faux pas to invite them to a party.
18:44Oh no, I hate faux pas.
18:46Ada, lovely to see you.
18:47Do you think my faux pas is why Phineas hasn't come?
18:50My actors are missing too.
18:51No, dearest.
18:52It'll all be here.
18:54Meow.
18:56Meow.
18:58Phineas.
19:00Oh, Lady Fanny.
19:01You look wonderfully radiant.
19:04Shall we?
19:38Yes?
19:39You took your time?
19:41You try running in heels.
19:46Come on, Fleshy.
19:48Yeah, yeah.
19:57Thanks, Flashy.
19:58I owe you one.
19:59Just don't get killed.
20:00Or Fagin will turn me into soup.
20:03Lovely to meet you.
20:05Good evening.
20:06Good evening.
20:09Yes, welcome.
20:10Good evening.
20:12Good evening.
20:14Good evening.
20:16Very well.
20:17Welcome.
20:18Yes, yes.
20:19Good evening.
20:22Good evening.
20:24Lady Belle, I think.
20:26Hello, Inspector.
20:29Are you enjoying yourself?
20:31Not really.
20:32I'd rather be upstairs with a good book.
20:34Which?
20:35Aeschylus.
20:37Theorostai.
20:37Yes.
20:38In Greek.
20:39Obviously.
20:41May I escort you inside?
20:44It's all right.
20:45It's all right.
20:48I enjoy a party.
20:50It warns my heart to see people in the throes of shed sorority.
20:54That's why I do my job.
20:56To keep the darkness out.
20:58Your attention, please.
21:00It's time for tonight's affair.
21:02A demonstration of the quadril poker.
21:07Shall we?
21:08You don't dance.
21:10Except you have a prayer about regulum and Casabas non-acceptors.
21:12Exception proves the rule.
21:14Yes, Sir Francis' rule.
21:15Well, it won't work without four couples.
21:21If it's too fast, we can stop.
21:23That's all right.
21:24Although, I fear I'm out of practice.
21:29But perhaps we skip the limit.
21:31Excellent.
21:32Oh, it's an oasis.
21:34There's lush meadows, rainforests, sparkling lakes.
21:38I wouldn't be surprised if the very trees didn't grow money.
21:41And it is arable.
21:42It is devilishly arable.
21:44I've tasted the grass meself.
21:46And it's got this sweetness to it that'll keep your sheep all nice and plump.
21:50And your pockets prosperous.
21:52Oh, gentlemen, what's it to be?
21:54Well, as soon as we've seen the land grants, Mr Ferrigan,
21:58I suspect you'll have a group of very well-connected buyers, yes?
22:02Well, chin chin.
22:03Cheers.
22:04Very good.
22:06Very good.
22:06Very good.
22:08Very good.
22:08Very good.
22:08Very good.
22:12Very good.
22:16Very good.
22:16Very good.
22:16Good day.
22:17Very good.
22:18Very good.
22:19Very good.
22:20Very good.
22:23Be here to dance, governess?
22:24Absolutely not.
22:25Come now, Janie.
22:27I recall the time when you adored a Venetian ball.
23:15When did you last dance?
23:17Seven years ago.
23:18Oh, you dance very well.
23:41Hold me as tight as you like, Linnaeus.
23:43I shan't let you go, Lady Fanny.
23:45I don't know.
24:21I don't know.
24:53I don't know.
25:32That was marvellous, Lady Fanny.
25:36Inspector Boxer?
25:37Well, I believe that Colonel Branson here has a question about pastoral irrigation.
25:43Oh, don't you worry about the waters. It's got a lot of lakes, rivers, streams, ponds.
25:48Plenty of your pigs and your goats to guzzle and splash around in there.
25:52They'll have a lovely old time.
25:53And all as pure and fresh as a rainwashed pigeon.
26:03Look, I'll be very happy to natter more about it.
26:06But I've got to deal with a client who's just purchased 10,000 Prime Acres.
26:10So, excuse items.
26:14I told you, we really need to get in on this.
26:17We'll be fine. Just breathe and let the words flow.
26:21What are you two doing here? You're supposed to be nicking me a land grant.
26:24We can't. I've put his got stage fright.
26:25I just feel more comfortable with Juliet's lights.
26:27By the last time, you were not going on the stage.
26:30Now, give me the paperwork. I've got Toffs chomping at the beat.
26:45Thank you all for welcoming my dear brother, Dickie, to Port Victor.
27:03What are you doing here?
27:10He taught me many lessons growing up.
27:12Lessons that still impact the decisions that I take today.
27:17Well, although we haven't seen each other for quite some time,
27:20I'll never forget the time that Dickie took me as a young boy
27:24to the Shropshire Agricultural Show
27:26and introduced me to the great passion of my life, the Marrow.
27:31Bump over Eddus, for Christ's sake.
27:34My lords and ladies, what an unmitigated joy it is to join your fellowship.
27:40Now, I trust you're surviving my younger brother's administration,
27:44for better or for worse.
27:45Probably for worse.
27:48But know that I am here,
27:51with the experience of a former Viceroy,
27:54to assist him with humility and grace.
27:57And so, a toast.
28:00To me.
28:02Yes?
28:03Come on, we've got to get the line.
28:04Hey, you are.
28:05Yes, well, my lords and ladies...
28:07We've been looking for you everywhere.
28:09Come along.
28:09It's your onstage call.
28:11Oh, um, actually, madam, we are...
28:13Mr. Fagin, the land grants...
28:15Momentarily.
28:16And, friend, a death.
28:18To dig it.
28:19Bloody hell.
28:20And he's a jolly good fellow.
28:22For he's a jolly good fellow.
28:24For he's a jolly good fellow.
28:28As a jolly good fellow.
28:30Stop us.
28:31What are you doing?
28:33Where are you going?
28:35You shouldn't be laying up here.
28:39It's not safe.
28:41Cassandra?
28:44Cassandra?
28:49What on earth?
29:01She's having visual hallucinations.
29:04Sad boy's crying.
29:08Why are you here?
29:09I had to see you.
29:11Jack, that's precisely the kind of foolish wrist that we've talked about.
29:13To ask you a medical question.
29:17Oh.
29:19Now, I don't give a toss about masked balls.
29:21Neither do I.
29:22You could have fooled me.
29:23What do you mean?
29:24What do you know about epilepsy?
29:26As much as anyone.
29:28No one really understands it.
29:29I don't understand why you're being so tetchy.
29:31I suspect that there is pressure on her brain from when she had a fall and hit her head.
29:34And I think that that pressure is exacerbating her underlying epilepsy.
29:38What pressure, specifically?
29:39A subdural bleed.
29:40Which, if I'm right, needs to be drained before it crushes her brain.
29:43Spread from where?
29:45I don't know exactly.
29:47If it's in the back of her cranium, it needs a lumbar puncture.
29:49It's in the front.
29:50Where are you going?
29:51And this is a masquerade ball.
29:53Well, that hasn't stopped us before.
29:55And what did you plan to do?
29:57Pick one and cross your fingers?
29:58No.
29:58It's not true.
29:59It's not true.
30:00It's not true.
30:00The lumbar puncture first, obviously it's a smaller wound.
30:02And then if that fails, it's for panic.
30:04You are completely reckless.
30:06You are rushing to conclusions without enough evidence.
30:10You haven't proven there's a trauma yet.
30:12First, we need to try medicine to address her underlying symptoms.
30:15You cannot cut her skull on her hunch.
30:18I saved you on a hunch.
30:20No, you saved me with my meticulously planned surgery.
30:23Fine.
30:24Well, then she needs your wits.
30:26But if it doesn't work, then we have to operate.
30:28No, I'm sure I've seen a report of medication that can reduce symptoms.
30:33Belle, please.
30:34There's no time for books.
30:36The delay could kill her.
30:37So will impatience.
30:50But soft, what light through yonder window cometh.
30:57She is my lady, she is my lover.
31:00Well, she kneweth she were.
31:01Inspector, my daughter's missing.
31:04I saw a man follow her.
31:06I will find her, my lady.
31:09Oh, Romeo.
31:11Romeo.
31:13Wherefore art thou Romeo?
31:15Deny thy father and refuseth thy nameeth.
31:19Or if thou wilt not be, but sworneth my loveth, and I'll no longer be a Capulet.
31:25Words are all wrong.
31:27What edition are they using?
31:29I still think it's wonderfully romantic.
31:32I'm feeling too sorry, Phineas.
31:34I can't watch any more.
31:35Can I show you my pottering look?
31:37You could show me the world, Lady Fanny.
31:40What is Montague?
31:42Hand, foot, arm, face?
31:45No other part of man?
31:55Too dangerous.
31:57You see, I'm not a fool.
31:59And of course, you're not dodger.
32:02You bloody idiot.
32:06Puppet-faced little fibber.
32:12Yes.
32:15Yes.
32:18Miss Cassandra.
32:20Miss Cassandra.
32:24Miss Cassandra.
32:25Miss Cassandra, are you here?
32:31Miss Cassandra, is that you?
32:57Lady Fanny, I feel this down inside your very soul.
33:03I'm not sure it would be a very exciting place to be.
33:07I couldn't imagine a world more radiant.
33:15Come.
33:26I want to teach you about my passion.
33:35Now, sit close to the wheel and plough forward.
33:39Okay, I'll show you.
33:42So, gently now.
33:47So, squeeze.
33:50And pump.
33:53Gently now.
33:55Squeeze.
33:58You're very good at this, Phineas.
34:01Make your breathing seem so effortless, Lady Fanny.
34:14May I...
34:17He's so bold as to kiss you.
34:20You may be so bold.
34:25Loving every minute.
34:27Cause you make me feel so alive.
34:31Alive.
34:33Alive.
34:35Alive.
34:36Alive.
34:37And go get him crying.
34:38Clip.
34:43Phineas?
34:46Are you all right?
34:52Phineas?
35:01Phineas?
35:07caught man-handed no we were just pottering it helps me relax yeah well you can't get more
35:17relaxed than dead what came over here to commit such a heinous murder no his hair got caught in
35:27the wheel oh yeah of course he did got you angry did he no quite the opposite no I understand
35:33lovers quarrels they can turn violent but I didn't hurt him oh so his neck snapped all by itself yes
35:41I won't stand up in accord of law if anyone was to find out your neck would be the nextest
35:47snap
35:51seems to me that you're quite the scrivener lady fanny I do have excellent penmanship
36:04here's the idea you copy this land grant all nice and toppy and I'll get rid of this
36:11pretty lump of clay for you lump of clay he's my sweet kitten paws not anymore
36:22you want me to forge a government document um isn't that illegal you've got a dead man here
36:28with his head on backwards that's illegal
36:33look I'll promise I won't peach on you no one would find out about it or Phineas yeah
36:41I'll cross me off what choice do I have
36:48there will my prince marvelous now we can all get back to your wonderful shindig except for goldie
36:55locks now search the south wing yes should relieve the symptoms give us time to investigate more
37:13thoroughly
37:32Christ where is it man open this door now it's a boxer
37:42have you found her
37:45Cassandra
37:47Calamone soda and chalk mercury
37:50count to three and then I shall break down this door
37:55one spoon was a spoon
38:00two
38:01Cassandra drink this please here
38:03three
38:09whatever is the fuss inspector
38:14are you both alright
38:15out of my room
38:16don't allow men in here
38:18I thought
38:19there's no killer here inspector
38:21just women's business
38:24please
38:24please
38:25uh
38:26forgive me I
38:28I apologize
38:32maybe that was to help me a sad boy mama
38:35so was
38:36is your head still hurt Cassandra
38:39no I feel very well
38:41where is the sad boy now
38:45he's gone
38:50thank you lady bell
38:53take her to the hospital for observation
38:55lady mommy
38:56ask for nurse package
38:57thank you
38:57I will
39:14you're right
39:16and you were rash
39:26but we were good
39:28we were really good
39:29I would bet you'll say good night so let me more away
39:31and your faithful vow cleft my heart in twain
39:34stop blowing smoke up each other's inexpressibles and get thee to the pottery room
39:39there's a dead body needs taken care of
39:42come on
39:43come on
39:59it's not my best
40:01my hands are still shaking with grief
40:03but I think it will suffice
40:05well go on then read it back
40:07this
40:08hereby warrants
40:10name
40:11to take ownership
40:13the quantity of 200 acres of prime land in the heart of central Australia
40:18given under my hand and seal
40:20governor
40:21governor edmund fox
40:27bravo lady fanny
40:30bravo
40:37you're a right roller
40:39aren't you
40:39a what
40:40a roller
40:42a ganuff
40:43a blagger
40:45a dipper
40:45a hornswoggler
40:46a flimp
40:48you're a master criminal
40:49m'lady
40:51am i
40:52yes
40:53a dead body
40:54a stolen land grant
40:56a forgery
40:56an all-wars toastess
40:57and a splendiferous knees up
40:59you are a veritable scofflaw ingenious ma'am
41:02am i
41:06perhaps
41:06could this be my true calling
41:09yes
41:11yes i've got
41:13i've got plenty of work on offer for the likes of you
41:17my band of merry men could do with a merry lady
41:24if you don't mind
41:26we'll get these land grants back to their rightful owners
41:49don't mind that bunny
41:50he's disgraced himself with champagne
42:02thank you for coming
42:03thank you for coming
42:09you're feeling better
42:11i'm fine
42:12thank you professor
42:21cassandra
42:22cassandra
42:25your little sad friend
42:27did he ever tell you his name
42:34you're very good with children
42:37i had a boy once myself
42:40for a little while
42:43oh i'm so sorry i had no idea
42:47he told me his tummy
42:48he told me his tummy was sore
42:49when i was too busy with the hospital
42:54the next morning my wife
42:56found her son dead in bed
42:59said to depend a scientist
43:03what was his name
43:06alfie
43:09alfie
43:10alfie
43:11alfie
43:12i'll pray for his soul
43:21i'll pray for his soul
43:23pray for mine too
43:33bell
43:35where are you
43:37are you out here
43:39there are some guests who wish to say farewell
43:45jack must go
43:47they got you
43:48they'll hang you
43:48no no hold on
43:49jack
43:53jack words
43:54use your words
43:56just talk to me
43:59i can't speak latin
44:02what's that got to do with anything
44:03or greek
44:04and i can't ever dance like a toff
44:07nor do i want to
44:08i'm talking to you
44:09jealous
44:12yes
44:14of course i'm bloody jealous
44:20where are you
44:21go
44:24my
44:34what
44:50can you
44:51do
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