- 5 hours ago
Pluribus.S01E01 [Full Movie] [Official Release]Full EP - Full
Category
š„
Short filmTranscript
00:28Transcription by ESO. Translation by ā
00:57So, let's go.
01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:44You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops.
01:54Then starts over.
01:55It repeats every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's got to be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on their radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:35It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:54It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration, but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but bass four.
03:24Quaternary.
03:25Oh.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2?
03:47Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:57Megawatts?
03:59Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's got to be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:19Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:59It's not quaternary.
05:00Oh.
05:03Mm-hm.
05:21The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal
05:27a glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator looking for something, anything,
05:33that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all trace of the day's
05:47fight.
05:48With a languid nod,
05:52Lucasia bade him follow to her cabin.
05:55Little did this callow deckhand know that serving at his captain's pleasure might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her topcoat tighter, fingering its coarse wool, as her thoughts flashed back to Rabanne.
06:22It had been he who first wrapped the coat around her, whispering in her ear,
06:26May this keep you warm in my absence, my shy.
06:32With that, Rabanne, proud, haughty Rabanne, mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him, leaving Mary a ripple.
06:57Attention, lovers of speculative historical romance literature,
07:02best-selling author Carol Sterka will now sign her new novel, Bloodsong of Wiccaro,
07:07the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, sang-wooks!
07:23Rabanne is alive, right?
07:26Maureen.
07:26You can read it.
07:28Why, well, tonight I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:38Well, if Rabanne doesn't come back, I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:53Bye.
07:53Thanks, Maureen.
07:55Hi.
07:55It's welcome.
07:56Hi, Oban.
07:57Lately, I can't take your idea as me.
08:00It's a pretty good day.
08:01Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her.
08:12Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:23When Rabanne and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27I'm an adobian spice fruit, which Lucasia is definitely allergic to.
08:33Oh, you guys want a picture too?
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books, one for the tub.
08:46This is an authentic petless, just like LeBan's.
08:49Careful, it's really sharp.
08:51Okay, so three things.
08:52A, when finally are they going to make a Waikaro movie?
08:55Please tell me it'll be an actual theater, it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter, the Mercado would not
09:10possess a mizzenmast.
09:11Craig, I'm going to need you to put this back in the bag before the store manager sees
09:16it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:22Oh, love you.
09:23Thank you so much.
09:25See you next week.
09:27All right, all right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency of Dallas.
09:37Yeah, thanks.
09:38Perfect.
09:40That was quite a send-off.
09:42I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:47Good, job.
09:50videos.
09:50It's your family.
09:53I'll be right back.
09:54You have to wait.
09:55Do you have to support the sea?
09:55No?
10:14Sorry.
10:15What happened?
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered, and all that.
10:36What did we do to deserve this?
10:38Ah, my 14-year-old son from Arch and Van.
10:43Oh, aren't you a good dad?
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks?
11:08Well...
11:09Our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:13but after eight whole months of animal testing.
11:15Macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bubkis.
11:28We got bubkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:21I don't know.
12:24I don't know.
12:45He's looking pretty dead to me.
12:48You got a heartbeat?
12:50Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh, what?
13:04He's absolutely got a heartbeat.
13:06Strong one, just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I'd...
13:09Oh, God.
13:10Oh, shit.
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't...
13:18Yeah, it's through the glove.
13:19Shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:26I'm going to call this in as soon as I catch him, okay?
13:41Uh-huh.
13:52Let's mark 336.
13:55And, uh...
13:57Jen?
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Shit!
14:07Okay, all right, go.
14:09Oh, my God, Jim.
14:11Oh, my God, come on.
14:12Oh, my God, Jim.
14:18Oh, my God.
14:22Jen, can you hear me?
14:23It's going to be fine.
14:25You're going to be all right.
14:27Come on.
14:28You're going to be all right.
14:29You're going to be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Talk to me.
14:33Come on, Jen.
14:33Come on.
14:34Jen, you all right?
14:37Jen?
14:39Just say something.
14:40Jen, I got you.
14:42I got you.
14:43Jen?
14:47Hey, Jen, can you hear me?
14:50Jen, say something.
15:01Damn it.
15:04You're kidding me.
15:32Can you play this thing?
15:36You got skinny arms.
15:37You think you could maybe, uh...
15:42Hey.
15:44Hey.
15:44Hey.
15:51Hey.
16:03Hey.
16:05Hey.
16:25Yes?
16:47I don't know.
19:27Let me get some gum.
20:10Whoa, seriously?
20:11I had one Tito's in Salt Lake.
20:14That was like two hours ago.
20:38Dry Manhattan and a Diet Pepsi.
20:44Thanks.
20:48We could take a cab home.
20:50Don't tell me you don't need a drink, because you need a drink.
20:53I don't need a drink.
20:53You need a drink.
20:55You don't need a drink.
20:56I call bullshit on that.
20:58I need sleep.
20:59That's what I need.
21:00Hey, cheers to the best tour yet.
21:04You leave me hanging here.
21:05I do not clean buses with fucking Diet Pepsi.
21:08Best book tour.
21:10What is that?
21:11Is that like best stomach cancer?
21:13You endure it.
21:14You do not toast it.
21:15Oh, how I hate all those paying customers showering me with love and respect.
21:18And why do I have to make so much money?
21:20Where?
21:22How do you bear it?
21:32Bunch of dummies.
21:34Wow.
21:35It's a ship that sails on sand?
21:38Purple sand?
21:39That is, uh, that's brilliant.
21:41The world needed that.
21:43And the world needed yet another female character who spends all her time mooning over some fucking
21:48proud and haughty pirate.
21:50He's a Corsair, not a pirate.
21:52Mm.
21:53Nandovian Spice Fruit.
21:56Jesus, that, it's like a bad episode of Star Trek.
22:00All right, so how about you throw everybody a change-up?
22:01Hmm?
22:02Green sand?
22:03Is that a purple?
22:05Maybe it's time for your serious book.
22:09Why not?
22:09You've been plugging away on it for five years.
22:12Four and a half, barely.
22:14Pardon me.
22:14So put it out already.
22:15I can't just...
22:18It needs polishing.
22:21Obviously, I mean, it does, right?
22:22Okay, take the next few months and polish.
22:25I'll work it out.
22:26I'll buy you some more time before your next Ycaro.
22:30You really think bitter chrysalis is that good?
22:34I think people will love it.
22:42You ever read, um, Finnegan's Wake?
22:44No.
22:46I tried, too.
22:47In grad school.
22:48Well, it's probably great.
22:53I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figure you make even one person happy.
23:06Maybe that's not art.
23:09It's something.
23:16To Ravon.
23:19Proud, haughty Ravon.
23:29Did you bring your cigarettes?
23:31Since when do you smoke?
23:33Since now?
23:56Are you trying to start a forest fire?
23:57Stop wasting my butane.
24:01Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah?
24:07On a plane, do you put your own oxygen mask on first?
24:13Ooh.
24:14You didn't hear it.
24:15Houston Mom, 78, says about Blood Song.
24:18Best Ycaro ever.
24:19All caps.
24:20And, uh, 16, 17, exclamation points.
24:26Wow.
24:26Is that a new record?
24:27It's gotta be.
24:28Spoiler alert.
24:29Ravon is back.
24:30And yummier than ever.
24:31Yummier than ever.
24:32Think she means?
24:33Mm-mm.
24:34You better believe he's got my permission to come aboard.
24:37I'd walk his plank anytime.
24:39I'm sensing an auto-comotif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:53What?
24:55What do you think they're doing?
24:57What's what doing?
24:58The planes.
25:00Look.
25:03I don't know.
25:04What, is that weird?
25:05Yeah, it's weird, isn't it?
25:07All of them kind of parallel like that.
25:10Huh.
25:22Anybody else weigh in?
25:24That's all the usual suspects, plus a few new ones.
25:28Everybody loves it.
25:40Do you want to answer a few questions for them?
25:43What, now?
25:44No, no, no.
25:45Do one quick one.
25:45Let them know you're paying attention.
25:48Carol, my husband says Rabanne can be my hall pass, which I don't think is fair, since Rabanne's not a
25:53real live person, although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Rabanne?
26:01That's hilarious.
26:05You want to tell the truth?
26:09What do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16Nothing.
26:17What's wrong with him?
26:17Nothing.
26:18Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:22Hip it up.
26:25Just put George Clooney.
26:27It's safer.
26:34Shit!
26:36Oh.
26:37Oh.
26:38Oh.
26:38Oh.
26:38Oh.
26:39Oh.
26:39Oh.
26:40Oh.
26:56Buddy, you, you okay, buddy?
27:05Oh, Jesus.
27:09Oh.
27:17Helen, should we call someone?
27:22Helen.
27:23Helen, stop looking at the goddamn phone.
27:37Helen?
27:42Oh, my God, Helen.
27:44Oh, my God.
27:47Helen?
27:51Help.
27:52Help.
27:53Somebody help us.
27:54Help.
27:56Just hang in there.
27:57Hang in.
27:58Hang in there.
27:59Just hang in there.
28:02Oh.
28:03Oh.
28:03Oh.
28:03Oh.
28:06Oh.
28:07Oh.
28:08Oh, my mom.
28:09Dude, my mom.
28:17Oh, my mom.
28:19Oh.
28:23Oh.
28:27Oh.
28:28Oh.
28:32Holy shit.
28:35Oh.
28:37Oh, my God.
29:15Oh, my God.
29:24Please, please, please.
29:27Please, please.
29:28Yes, yes, yes, yes, yes.
29:31Please remain on the line.
29:32An operator will be moved shortly.
29:34Be free to be out.
29:36Oh, my God.
29:49Oh, my God.
29:54Oh, my God.
29:56Oh, my God.
29:57Oh, my God.
30:01Oh, my God.
30:11Oh, my God.
30:24Oh, my God.
30:25Oh, my God.
30:27Come on, come on, come on!
30:34Fuck you.
30:35Fuck you, fuck you, fuck you, fuck you, fuck you, fuck you!
30:42Fuck you!
30:52You better get out. Come on, get out! Get out!
30:58No! Fuck!
31:03Fuck it, go!
31:13Fuck it, go!
31:20Move!
31:48No!
31:50No!
31:51No!
31:52No!
31:53No!
31:54No!
31:54No!
31:58No!
32:00No!
32:04No!
32:06No!
32:08No!
32:10No!
32:13No!
32:32Oh, thank God.
32:35Oh, thank God.
33:00Oh, thank God.
33:14Oh, thank God.
33:44Oh, thank God.
34:00Oh, thank God.
34:01Wake up.
34:03Dr. Nguyen, I need you to wake up.
34:09Please wake up.
34:10Dr. Nguyen, wake up.
34:15Please wake up.
34:17Dr. Nguyen, wake up.
34:19Dr. Nguyen, wake up.
34:28Dr. Nguyen, wake up.
34:34I'm gonna die.
34:54I'm sorry, I'm sorry.
35:06I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
35:13I'm sorry, I'm sorry, I'm sorry.
35:18I'm sorry, I'm sorry, I'm sorry, I'm sorry.
35:36I'm sorry, I'm sorry, I'm sorry.
36:16I'm sorry, I'm sorry.
36:26I'm sorry, I'm sorry, I'm sorry.
36:27I'm sorry, I'm sorry.
36:44No, no, no, no.
37:16No, no, no.
37:54No, no, no.
38:12No, no, no.
38:43No, no, no.
39:23No, no, no.
39:37No, no, no.
40:07No, no, no.
40:40No, no, no.
40:43No, no, no.
41:22No, no, no.
41:26No, no, no.
42:02No, no, no.
42:06No, no, no, no.
42:21No, no, no, no.
42:28No, no, no, no, no.
42:46No, no, no, no, no, no, no.
43:06There's a spare key.
43:10We can show you.
43:11No, no, no, no, no, no, no.
43:16No, no, no, no, no, no, no.
43:26There's a spare key under the flower pot.
43:28The one on the right.
43:30Back there.
43:38There you go.
43:46Leave me alone, please.
43:49Sure, Carol.
43:50Just give us a couple of minutes to clear out.
44:17Leave me alone.
44:30We're very sorry for your loss.
45:25We're very sorry for your loss.
45:39We're very sorry for your loss.
46:25We're very sorry for your loss.
46:52We're very sorry for your loss.
47:05We're very sorry for your loss.
47:43We're very sorry for your loss.
48:21We're very sorry for your loss.
48:47We're very sorry for your loss.
48:56This must be so bewildering for you, so terrible, all the death and destruction you witnessed tonight, especially Helen's passing.
49:03Please know none of that was intentional.
49:06You have our deepest condolences.
49:09And to say it again, you are in no danger.
49:11You are perfectly safe.
49:13Okay.
49:16Okay.
49:46Please know that.
49:52All right.
50:07All right.
50:14All right.
50:16All right.
50:17I guess to start with, what the fuck is happening?
50:23Well, basically...
50:25It's an alien invasion, right?
50:26I mean, obviously, it's an alien invasion.
50:29Actually, no.
50:29It is not.
50:30The fuck it isn't.
50:31The fuck it isn't.
50:31You know my name.
50:33You know Helen's name.
50:35You are talking to me from my TV.
50:39And what the fuck is with everybody's shit like this and those two weird, the weird, the weird neighbor kids.
50:47And next door they know we're some goddamn...
50:51How, how would they know that, huh?
50:53Are you reading my mind?
50:55No.
50:55Absolutely not.
50:57We couldn't do that if we wanted to.
50:59Who is we?
50:59Why is everybody suddenly we?
51:01You know, we could continue this after you've had a good night's sleep.
51:04Who is we?
51:06We is us.
51:08Just us.
51:09Who the fuck is us?
51:10Us.
51:11There are no aliens.
51:13None on this planet.
51:14We are, however, beneficiaries of extraterrestrial technology.
51:20Fourteen months ago, astronomers discovered a radio signal from 600 light years away.
51:25There's no telling how long it's been repeating, maybe throughout all of human existence.
51:30This signal, it's made up of four tones, representing guanine, uracil, adenine, and cytosine.
51:39It's a recipe, it turns out, for a nucleotide sequence, RNA.
51:46Scientists have created this sequence in a lab.
51:48It is not a living thing, per se.
51:51It is more akin to a virus, though it's not that exactly either.
51:56It's kind of a psychic glue capable of binding us all together.
52:02Okay.
52:05So if you're not aliens, who am I talking to right now? Who are you?
52:10This particular individual, this is Davis Taffler, Undersecretary of Agriculture for Farm Production and Conservation.
52:19But you are currently talking to every person on Earth, including Davis Taffler.
52:26We're all one.
52:27How does that work?
52:29We don't know exactly. It just does.
52:34Can I talk to the President?
52:35That individual passed away this evening, unfortunately, along with quite a few senior members of the United States government.
52:43Davis Taffler happened to be nearby and intact, and he was wearing a suit.
52:49So...
52:50So...
52:51So you're in charge now?
52:52The Undersecretary of...
52:54No.
52:54Nobody's in charge, or everybody's in charge.
52:58Really, there's no such thing anymore.
52:59But...
53:00There has got to be others like me.
53:02Your situation is a rare one.
53:05There appear to be 11 other individuals like yourself.
53:08In Albuquerque?
53:10No.
53:11In the world.
53:12We have reached out to them.
53:14Like you, they are disoriented, understandably.
53:19Rest assured, Carol.
53:21We will figure out what makes you different.
53:24Figure it out? Why?
53:26So we can fix it.
53:28So you can join us.
53:33Oh, God.
53:37Carol?
53:38You still there?
53:42You...
53:44You said my life was my own.
53:46It is.
53:47One hundred percent.
53:50So what happens when I say no?
53:54Carol...
53:55Once you understand how wonderful this is...
54:01Carol?
54:19Hi!
54:20You've reached 505-796-6933.
54:24We're on the French Riviera drinking champagne.
54:26We are not here in our sweatpants screening your call.
54:29Make it a good one.
54:32Carol?
54:33Hello?
54:34It's us.
54:36Hello?
54:38We're sorry we upset you, Carol.
54:40We only want to make you happy.
54:42Shut up, shut up, shut up, shut up!
54:51If you go.
54:57I'd like to move my bell.
54:59I'm so alone.
55:07You're Mae, ei.
55:09You're definitelyen.
55:09I'm so alone.
55:39Oh, oh, oh, oh.
55:40Oh, oh, oh.
56:10Oh, oh, oh, oh.
56:20Oh, oh, oh.
Comments