- 5 days ago
The Crown S03E01 [Full Movie] [Full Version]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13charred people sing and they're
17:15They're so much go into the same
17:42and many people...
17:43They're so great.
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say your majesty.
17:58After that, it's man.
17:59Runs with hand until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:10No small talk unless she invites it.
18:12And at the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor, and doubtless you'd have preferred him to have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Boshalik.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am.
20:12A Labour government devalued the pound once before, with little success, and my party cannot risk being seen as the
20:19party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country, and the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol, your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time.
20:48And thinking how odd it looked.
20:51At the same time realizing I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick, each in their own way, was formidable.
21:37Statesman-like.
21:39But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:48He seems to have come from nowhere and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable.
22:02Not stand out in a crowd.
22:04We used to say that about Henry, didn't we, dear?
22:06What?
22:07That you would have made the perfect spy.
22:09Because no one could remember having met you.
22:13I'd say that was marginally better than everyone having nightmares having met you.
22:30Of course, we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:39It goes from loving to hating.
22:40Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:08I hope you're right.
23:13You'll be with each other round the clock.
23:17Hello.
23:19Hello.
23:27I love you, honey, you're last all wrong, you're last all wrong, I love you.
23:57Thank you, sir. Margo. How did you know? Margo. 17 minutes door to door, I'm claiming that as a land
24:07speed record. Is there any food left, or have you eaten it all, your majesty? Your majesty, a thousand apologies.
24:18Happy birthday, Henry. Tony, where were you? Hello. Hello, darling. Tony, darling, come and sit next to your wife. Why
24:26would I do that? I see her all the time. She was just saying she sees you none of the
24:30time. Because he's always working, travelling, or water skiing. It's my new passion, ma'am. Your majesty, there's a telephone.
24:38On the label, son. Oh, it's lovely, though. Actually, there's a ghastly little pond. I think it's fine. We own
24:45it.
24:45Hi, Sarah. I think it's fine. You're singing. What do you know? You have to wind it down. Oh, the
24:49general, I guess. It's an hour.
24:54Charming, Elizabeth. Thank you so much. It's a really good job.
24:57Happy birthday to you. Happy birthday to you. Happy birthday to you. Happy birthday, dear Henry. Happy birthday to you.
25:14Ah, thank you. Turn up. Turn up.
25:16Shh, shh, shh.
25:18Winston is dead.
25:41Ah!
25:42Ah!
25:43Ah!
25:44Ah!
25:45Ah!
25:46Ah!
25:47Ah!
25:47Ah!
25:48Ah!
25:52Ah!
25:53Ah!
26:38Sir, the CIA's director of counterintelligence on the phone.
26:43I'll call him back.
26:44He called on Juliet, sir.
26:47Heads of states from around the world are arriving, crowding in to this great mother church of the Commonwealth.
26:54I'll call him back.
27:24He surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole at the top of the British establishment.
27:58Where is he now?
27:59Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land to join in prayer on the occasion of the
28:13burial of a great man who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need to be
28:32a leader and inspirer of the nation for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:44My name is Michael Strait.
29:10My name is Michael Strait.
29:13My name is Michael Strait.
29:32My name is Michael Strait.
29:36away. Director General of MI5, Mr. Furnival Jones, Your Majesty. Your Majesty, thank you
29:57for seeing me. It gives me no pleasure to tell you that we have been approached by a former
30:09Russian agent who has identified a mole at the top of the British establishment. So
30:16it's true. Ma'am? I'd heard the rumors. Initially, I dismissed them. But spending time with him
30:24personally in close proximity, one had become more and more suspicious. Indeed. And that
30:31he should have been able to carry on for so long, undetected, is a subject of enormous embarrassment
30:37to all of us. This obviously needs to be handled very delicately. That's what I've come to talk
30:43to you about, to see if we might find a way to contain it. What? We can't do that. Have
30:52a Russian spy in Downing Street? Oh, those rumors. You were talking about Harold Wilson.
31:00Yes. I'm so sorry, ma'am. Yes, it's widely accepted that repeated attempts were made by
31:07the KGB to recruit Wilson when he was younger, working on trade missions. He traveled to Russia
31:12a great deal in those years. But the evidence for the Russians having succeeded is so weak. We discounted
31:19it some time ago. And the poisoning of Gateskill? Gateskill wasn't poisoned. He died of lupus. The
31:26fact is, even if the Russians had poisoned Gateskill, the most likely beneficiary would have been George
31:32Brown, not Harold Wilson. Wilson was not favorite to take over the leadership at the time.
31:37We don't have a Russian spy in Downing Street? No. But it seems we do have one in Buckingham Palace.
31:53We look at a painting and immediately want to know it, understand it. But can anything ever
32:02be fully understood? Take our bearded trickster here. A Venetian card sharp originally ascribed
32:11to Titian, until new evidence came to light proving the painting is actually by Lorenzo Lotto.
32:17As time passes, so we learn. Truths are revealed. In the late Renaissance, painting after painting,
32:26masterpiece after masterpiece, seem full of hidden intentions, multiple meanings.
32:36Anibale Caracci's Allegory of Truth and Time, painted in 1584 or 1585.
32:41This winged figure here rescues a young woman, his daughter, from the darkness. He is time, she is truth.
32:54And this figure below, trampled by truth, is deceit. Caracci's message is clear.
33:05Be patient. The truth will out. I'm afraid I can now confirm that the surveyor of the Queen's pictures,
33:13Sir Anthony Blunt, was the fourth man in the Cambridge spy ring.
33:18The message encoded in the painting is repeated in reality. As with the Lotto, time passed and the
33:25painting was restored to reveal, deceit is two-faced. She has a second monstrous visage.
33:34And that alongside conducting a distinguished career as an art historian and member of the royal
33:40household, he spent 15 years as an active KGB mole and passed almost 2,000 documents of sensitive
33:48military secrets to the Kremlin.
33:50Truth may lie beneath the surface, buried, forgotten. But time has a way of uncovering it.
34:00One thinks of the Merchant of Venice. Truth will come to light. Murder cannot be hid long.
34:10A man's son may. But at the length, truth will out.
34:35We had initially hoped the information was false. We get these sorts of claims all the time. But
34:41Blunt, we subsequently detained and interviewed Blunt, and I'm sad to say he has confessed.
34:53In full.
35:02What's the next step?
35:04Well, as a traitor to his country, he should have coursed down trial, be put in prison,
35:10and the key thrown away, quite frankly.
35:12Unless it was felt that exposure of Blunt's treachery could cause even more damage.
35:19What? Then keeping it silent? How?
35:23Apparently it could have a catastrophic effect on the reputation of our intelligence services.
35:28The fact that he had gone undetected for so long, which could, in turn, seriously affect
35:33our relationship with the Americans. We're on our last reserves of goodwill with them as it is.
35:39One more operational failure and our credibility would be completely shot.
35:43What are they suggesting? That we turn a blind eye and allow a traitor, an enemy of this country,
35:50to remain free, with his career and reputation intact? Just to spare MI5's blushes?
36:00The man should be shot.
36:02I agree. But instead, I have to get up and pay tribute to him at this exhibition.
36:08How am I supposed to get through my speech? I might choke on my words.
36:27We stand here tonight, surrounded by some of the royal collection's greatest treasures,
36:33to admire the genius of Rubens, Titian, Rembrandt, and Hobart, but that we are able to make sense of it
36:41all,
36:41appreciate it, understand it. It speaks to the genius of another man whose exceptional scholarship
36:49and vision have brought us together today, Sir Anthony Blunt.
37:00It is he who has curated this exhibition and given meaning to mystery and revealed what really does
37:07lie beneath the surface. I, for one, had never thought of art history in that way,
37:14as the art of investigation, solving riddles, finding clues, unlocking secrets. It's been quite an education.
37:25I particularly enjoyed the portrait which turned out to have another person lurking beneath the surface.
37:34Have I described that correctly, Sir Anthony, or am I stumbling around in the dark as usual?
37:40Not another person, ma'am. The same person. It was not uncommon in the early modern period for an artist
37:47to finish a portrait
37:48and the patron would take a look and ask for a more flattering version of themselves,
37:54and the artist would paint another version over it.
37:59So not two different people? Two different versions of the same person.
38:04Which might as well be two different people. The idealized version of themselves they want to be seen,
38:11and the less desirable person they rarely are, hidden away. There's even a word for it. Pelimpsest.
38:19That generally applies to manuscripts, ma'am. Pentimento for paintings.
38:25Pentimento?
38:26Well, I think I speak for everyone here when I say none of us will be able to trust or
38:32look at anything in the same way ever again.
39:08Thank you, Your Majesty.
39:10I'm so glad you came.
39:11It gives me the chance to apologise in person.
39:15What for?
39:16There's no need to understand.
39:18All you need to know is that I misjudged you terribly.
39:21And I'd like to take this opportunity to say sorry.
39:28Are you an art man?
39:32Art?
39:33Yes, art. Paintings.
39:34Well, actually, no.
39:37I'm an economist.
39:39A statistician at heart.
39:41I'm happiest with numbers.
39:44You can trust numbers.
39:46They're honest.
39:48There's no mystery or deception
39:51or allegory.
39:54You know where you stand.
39:57What you see is what you get.
40:01I prefer things that way.
40:04I quite agree.
40:15Excuse me a moment.
40:26Excuse me a moment.
40:39And the very least you could do is quietly crawl away,
40:44not force us to live with you under the same roof,
40:49doing the right thing, the decent thing, the honorable thing.
40:55You know, the faintest idea what that was.
41:00Well, I am going to be watching you on one wrong step, you treacherous snake,
41:08and I will expose you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:17You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember, at the height of the Profumo sex scandal,
41:31there was talk of a member of the royal family being involved.
41:35No one knew who.
41:37But it was rumored to be a senior member of the royal family.
41:41Very senior.
41:45When the osteopath at the center of the scandal, Stephen Ward,
41:49took his own life,
41:52there was speculation that a number of portraits
41:54of that senior member of the royal family
41:56had been found in his apartment.
41:59Naturally, a great many people were keen
42:01to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world
42:10was able to make sure they didn't fall into the wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath.
42:19If he made drawings of me,
42:21he would have done so from photographs.
42:24We all tell ourselves all sorts of things
42:27to make sense of the past.
42:30So much so that our fabrications,
42:32if we tell them to ourselves often enough,
42:35become the truth
42:38in our minds and everyone else's.
42:41And believe you me,
42:43I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be,
42:52for example,
42:53if those pictures saw the light of day now,
42:57a storm it would create.
43:00And for what?
43:04It's the past.
43:32Would you excuse me?
43:33Of course.
43:34Yeah.
43:35Majesty.
45:57It was just one of those nights
46:04Just one of those fabulous flights
46:09A trip to the moon
46:12On gossamer wings
46:15Just one of those things
46:20If we thought of it
46:24About the end of it
46:27When we started painting the town
46:34We'd have been aware
46:36That our love affair
46:39Was too hot
46:43Not to cool down
47:00We'd have been aware of it
47:13We'd have been aware of it
47:14We'd have been aware of it
47:31We'd have been aware of it
47:39You
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