- 7 hours ago
The Crown S03E01 [Full Movie] [Full Episodes]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:14the people of the Americans
17:21and the people of the people of thelam of thejam sind and national people of the people of the sea
17:24of my friends, the same is a American citizen, the same is a country based on the same means, as
17:37a country, and the same is a country.
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with ham until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:10No small talk unless she invites it.
18:13At the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:43Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor.
19:19I guess, and doubtless you'd have preferred him to have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Bosh Alec.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am.
20:12A Labour government devalued the pound once before, with little success, and my party cannot risk being seen as the
20:19party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country, and the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol, your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time.
20:48And thinking how odd it looked.
20:51At the same time realizing I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick, each in their own way, was formidable.
21:37Statesman-like.
21:39But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:48He seems to have come from nowhere and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable.
22:02Not stand out in a crowd.
22:04We used to say that about Henry, didn't we, dear?
22:06What?
22:07That you would have made the perfect spy.
22:09Because no one could remember having met you.
22:13I'd say that was marginally better than everyone having nightmares having met you.
22:30Of course, we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:39It goes from loving to hating.
22:40Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:08I hope you're right.
23:11All right.
23:37All right.
23:58Sir?
23:59Margo.
23:59Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door.
24:06I'm claiming that as a land speed raffle.
24:08Is there any food left?
24:09Mr. Have you eaten it all?
24:10Your Majesty.
24:14Your Majesty, a thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, darling.
24:22Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Because he's always working, travelling or water skiing.
24:35It's my new passion, ma'am.
24:37Your Majesty, there's a telephone...
24:39...and the lake in the sun.
24:40Oh, it's lovely, then.
24:41Actually, there's a ghastly little pond.
24:43I think it's fine.
24:44The end.
24:45I think it's fine.
24:46I'm singing.
24:47What?
24:47You have the wine to go.
24:49Oh, the general...
24:50Oh.
24:51Oh.
24:52Oh.
24:52Oh.
24:53Oh.
24:54Charming, Elizabeth.
24:54Thank you so much.
24:55Oh.
24:56Oh.
24:56Oh.
24:58Oh.
24:58Oh.
24:58Happy birthday to you.
25:01Is it my word?
25:02Happy birthday to you.
25:05Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Amen.
25:15Turn up.
25:16Shh, shh, shh.
25:17Winston is dead.
25:41Ah!
25:42Ah!
25:43Oh, my God.
26:13Oh, my God.
26:43He called on Juliet, sir.
26:47Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
26:54Oh, my God.
26:55Oh, my God.
27:27He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole
27:35at the top of the British establishment.
27:58Where is he now?
27:58Washington.
27:59We can have him flown into you by tomorrow.
28:04We are assembled here as representing the people of this land
28:09to join in prayer on the occasion of the burial of a great man
28:14who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need
28:31to be a leader and inspirer of the nation for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:44And since all men are subject to temptation and error,
28:49we pray that we, together with him, may be numbered among those whose sins are forgiven
28:58and have a place in the kingdom of heaven.
29:02I attended Cambridge University,
29:05and it was during this time that I was first approached by members of the Communist Party.
29:23Right.
29:31Right.
29:31Right.
29:33I'll confirm with her majesty and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, your majesty.
29:55Your majesty, thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent
30:10who has identified a mole at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity,
30:26one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long,
30:34undetected,
30:35is a subject of enormous embarrassment to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about,
30:44to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy in Downing Street.
30:56Oh, those rumours.
30:58You were talking about Harold Wilson.
31:01Yes.
31:02I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made by the KGB
31:07to recruit Wilson when he was younger, working on trade missions.
31:11He travelled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak,
31:18we discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:25He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill,
31:30the most likely beneficiary would have been George Brown,
31:33not Harold Wilson.
31:34Wilson was not favourite to take over the leadership at the time.
31:38We don't have a Russian spy in Downing Street?
31:41No.
31:43But it seems we do have one in Buckingham Palace.
31:52We look at a painting and immediately want to know it,
31:57understand it.
31:59But can anything ever be fully understood?
32:05Take our bearded trickster here.
32:08A Venetian card sharp originally ascribed to Titian.
32:12Until new evidence came to light,
32:14proving the painting is actually by Lorenzo Lotto.
32:17As time passes, so we learn.
32:22Truths are revealed.
32:24In the late Renaissance,
32:25painting after painting,
32:27masterpiece after masterpiece,
32:29seem full of hidden intentions,
32:32multiple meanings.
32:36Annibale Caracci's Allegory of Truth and Time,
32:39painted in 1584 or 1585,
32:42This winged figure here rescues a young woman,
32:48his daughter, from the darkness.
32:50He is time,
32:52she is truth.
32:54And this figure below,
32:57trampled by truth,
32:58is deceit.
33:01Caracci's message is clear.
33:06Be patient, the truth will out.
33:09I'm afraid I can now confirm
33:10that the surveyor of the Queen's pictures,
33:14Sir Anthony Blunt,
33:15was the fourth man in the Cambridge spy ring.
33:18The message encoded in the painting is repeated in reality.
33:23As with the Lotto,
33:24time passed and the painting was restored to reveal,
33:28deceit is two-faced.
33:30She has a second monstrous visage.
33:33And that alongside conducting a distinguished career
33:37as an art historian,
33:38and member of the royal household,
33:41he spent 15 years as an active KGB mole,
33:45and passed almost 2,000 documents
33:48of sensitive military secrets to the Kremlin.
33:51Truth may lie beneath the surface,
33:54buried, forgotten,
33:55but time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:03Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may.
34:12But at the length,
34:15truth will out.
34:35We had initially hoped the information was false.
34:38We get these sorts of claims all the time,
34:40but we subsequently detained and interviewed Blunt,
34:46and I'm sad to say he has confessed.
34:52In full.
35:02What's the next step?
35:04Well, as a traitor to his country,
35:07he should have caused down trial,
35:09be put in prison,
35:10and the key thrown away, quite frankly.
35:12Unless it was felt
35:14that exposure of Blunt's treachery
35:16could cause even more damage.
35:19What, then keeping it silent?
35:22How?
35:23Apparently it could have a catastrophic effect
35:25on the reputation of our intelligence services.
35:28The fact that he had gone undetected for so long,
35:31which could, in turn,
35:33seriously affect our relationship with the Americans.
35:35We're on our last reserves of goodwill with them as it is.
35:39One more operational failure,
35:41and our credibility would be completely shot.
35:43What are they suggesting?
35:44That we turn a blind eye and allow a traitor,
35:49an enemy of this country,
35:51to remain free with his career and reputation intact?
35:55Just a spare MI5's blushes.
36:00The man should be shot.
36:02I agree.
36:04But instead, I have to get up and pay tribute to him
36:06at this exhibition.
36:08How am I supposed to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight,
36:30surrounded by some of the royal collection's greatest treasures,
36:33to admire the genius of Rubens, Titian, Rembrandt, and Hobart,
36:39but that we are able to make sense of it all,
36:41appreciate it, understand it.
36:44It speaks to the genius of another man
36:46whose exceptional scholarship and vision
36:50have brought us together today,
36:52Sir Anthony Blunt.
37:00It is he who has curated this exhibition
37:03and given meaning to mystery
37:05and revealed what really does
37:07lie beneath the surface.
37:10I, for one, had never thought of art history in that way,
37:14as the art of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait
37:27which turned out
37:28to have another person
37:29lurking beneath the surface.
37:35Have I described that correctly, Sir Anthony?
37:37Or am I stumbling around in the dark, as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon in the early modern period
37:46for an artist to finish a portrait
37:48and the patron would take a look
37:50and ask for a more flattering version of themselves
37:53and the artist would paint another version over it.
37:58So not two different people?
38:01Two different versions of the same person.
38:04Which might as well be two different people.
38:07The idealized version of themselves they want to be seen
38:11and the less desirable person they rarely are hidden away.
38:16There's even a word for it, palimpsest.
38:19That generally applies to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento.
38:26Well, I think I speak for everyone here
38:29when I say none of us will be able to trust
38:31or look at anything in the same way ever again.
39:05Prime Minister.
39:08Your Majesty.
39:10I'm so glad you came.
39:11It gives me the chance to apologise in person.
39:15What for?
39:16There's no need to understand.
39:18All you need to know is that I misjudged you terribly.
39:21And I'd like to take this opportunity to say sorry.
39:29Are you an art man?
39:31Art?
39:33Yes, art. Paintings.
39:34Well, actually, no.
39:37I'm an economist.
39:39A statistician at heart.
39:41I'm happiest with numbers.
39:44You can trust numbers.
39:46They're honest.
39:49There's no mystery or deception or allegory.
39:54You know where you stand.
39:57What you see is what you get.
40:01I prefer things that way.
40:03I do my best to compensate for your...
40:04I quite agree.
40:16Excuse me a moment.
40:39The very least you could do is quietly crawl away.
40:44What force us to live with you under the same roof.
40:49Doing the right thing.
40:51The decent thing.
40:53The honourable thing.
40:55You know, the faintest idea what that was.
41:00Well, I am going to be watching you on one wrong step.
41:05You treacherous snake.
41:08And I will expose you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:17You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember at the height of the Profumo sex scandal, there was talk of a member of the royal
41:33family being involved.
41:34No one knew who, but it was rumoured to be a senior member of the royal family.
41:42Very senior.
41:45When the osteopath at the centre of the scandal, Stephen Ward, took his own life,
41:52there was speculation that a number of portraits of that senior member of the royal family had been found in
41:57his apartment.
41:59Naturally, a great many people were keen to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world was able to make sure they didn't fall into the
42:13wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath.
42:19If he made drawings of me, he would have done so from photographs.
42:24We all tell ourselves all sorts of things to make sense of the past.
42:30So much so that our fabrications, if we tell them to ourselves often enough, become the truth in our minds
42:39and everyone else's.
42:41And believe you me, I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be, for example, if those pictures saw the light of day now, a storm it
42:58would create.
43:00And for what?
43:03It's the past.
43:0512 months.
43:0512 months.
43:1312 months.
43:1513.
43:2113.
43:2114.
43:2214.
43:2314.
43:2515.
43:2615.
43:32We do excuse me.
43:33Of course.
43:34Yeah.
43:3514.
43:35We'll see you next time.
44:15We'll see you next time.
44:44We'll see you next time.
45:06We'll see you next time.
45:10We'll see you next time.
45:34We'll see you next time.
45:50We'll see you next time.
46:30We'll see you next time.
46:30We'll see you next time.
47:11We'll see you next time.
47:38We'll see you next time.
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