- 20 hours ago
The Crown S03E01 [Full Movie] [Trending Drama]Full EP - Full
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08:40From a Jack
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13is a major, he's a large, he's a major, he's a part of the public, he's a big man, so
17:31I'll be able to join the led-by, and support, e-m-me-i-tom to hear the celebration!
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with hand until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:10No small talk unless she invites it.
18:12At the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor, and doubtless you'd have preferred him to have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Boshalik.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am.
20:12A Labour government devalued the pound once before, with little success, and my party cannot risk being seen as the
20:19party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country, and the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol, your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time.
20:48And thinking how odd it looked.
20:51At the same time realizing I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick, each in their own way, was formidable.
21:37Statesman-like.
21:39But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:48He seems to have come from nowhere and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable.
22:02Not stand out in a crowd.
22:04We used to say that about Henry, didn't we, dear?
22:06What?
22:07That you would have made the perfect spy.
22:09Because no one could remember having met you.
22:13I'd say that was marginally better than everyone having nightmares having met you.
22:30Of course, we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:39It goes from loving to hating.
22:40Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:08I hope you're right.
23:11All right.
23:13All right.
23:34All right.
23:58Margo.
23:59Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door.
24:06I'm claiming that as a land squeeze raffle.
24:08Is there any food left?
24:09Mr. Have you eaten it all?
24:10Your Majesty.
24:14Your Majesty, a thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, darling.
24:22Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Because he's always working, travelling or water skiing.
24:35It's my new passion, ma'am.
24:37Your Majesty, there's a telephone...
24:39and the lake in the sun.
24:39Oh, it's lovely, then.
24:41Actually, it's a ghastly little pond.
24:43I think it's fine.
24:44The end.
24:45I think it's fine.
24:46You're singing.
24:47What?
24:47You have the wine to go.
24:49Oh, the general item.
24:50Oh.
24:54Charming, Elizabeth.
24:54Thank you so much.
24:55It sounds so really good.
24:57It sounds so really good.
24:58It sounds so really good.
24:59Happy birthday to you.
25:01Is it my word?
25:02Happy birthday to you.
25:05Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Amen.
25:15Turn up.
25:16Shh, shh, shh.
25:17Winston is dead.
25:41Ah!
25:42Ah!
25:43Oh, my God.
26:37Sir, the CIA's director of counterintelligence on the phone.
26:42I'll call him back.
26:44He called on Juliet, sir.
26:47Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
26:54I'll call him back.
26:55I'll call him back.
26:57I'll call him back.
27:19Jim?
27:21Martin.
27:22A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole at the top of the British establishment.
27:58Where is he now?
27:59Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land to join in prayer on the occasion of the
28:13burial of a great man who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need to be
28:32a leader and inspirer of the nation for his dauntless resolution and untiring vigilance.
28:41My name is Michael Strait.
28:44And since all men are subject to temptation and error, we pray that we, together with him, may be numbered
28:54among those whose sins are forgiven and have a place in the kingdom of heaven.
29:02I attended Cambridge University, and it was during this time that I was first approached by members of the Communist
29:12Party.
29:23Right?
29:33I'll confirm with your majesty and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, your majesty.
29:55Your majesty.
29:57Thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent who has
30:11identified a mole at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumors.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity, one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long, undetected, is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about, to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:51Have a Russian spy in Downing Street.
30:57Those rumors.
30:58You were talking about Harold Wilson.
31:01Yes.
31:01I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made by the KGB to recruit Wilson when he was younger, working
31:10on trade missions.
31:11He traveled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak, we discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:24He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill, the most likely beneficiary would have been George Brown, not
31:33Harold Wilson.
31:34Wilson was not favorite to take over the leadership at the time.
31:37We don't have a Russian spy in Downing Street.
31:41No.
31:44But it seems we do have one in Buckingham Palace.
31:52We look at a painting and immediately want to know it.
31:57Understand it.
32:00But can anything ever be fully understood?
32:05Take our bearded trickster here.
32:08A Venetian card sharp originally ascribed to Titian.
32:12Until new evidence came to light proving the painting is actually by Lorenzo Lotto.
32:17As time passes, so we learn.
32:22Truths are revealed.
32:24In the late Renaissance, painting after painting, masterpiece after masterpiece, seem full of hidden intentions.
32:32Multiple meanings.
32:36Annibale Caracci's allegory of truth and time, painted in 1584 or 1585.
32:42This winged figure here rescues a young woman, his daughter, from the darkness.
32:50He is time, she is truth.
32:54And this figure below, trampled by truth, is deceit.
33:00Caracci's message is clear.
33:05Be patient.
33:07The truth will out.
33:09I'm afraid I can now confirm that the surveyor of the Queen's pictures, Sir Anthony Blunt, was the fourth man
33:16in the Cambridge spy ring.
33:18The message encoded in the painting is repeated in reality.
33:23As with the Lotto, time passed and the painting was restored to reveal deceit is two-faced.
33:29She has a second monstrous visage.
33:34And that alongside conducting a distinguished career as an art historian and member of the royal household, he spent 15
33:42years as an active KGB mole and passed almost 2000 documents of sensitive military secrets to the Kremlin.
33:50Truth may lie beneath the surface, buried, forgotten, but time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:03Truth will come to light.
34:06Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may.
34:13But at the length, truth will out.
34:16Truth will come to light.
34:20Truth will come to light.
34:20You will need.
34:21Truth will come to light.
34:48I'm sad to say he has confessed.
34:53In full.
35:03What's the next step?
35:04Well, as a traitor to his country,
35:06he should have caused down trial,
35:08be put in prison,
35:10and the key thrown away, quite frankly.
35:12Unless it was felt
35:14that exposure of Blunt's treachery
35:16could cause even more damage.
35:19What, then keeping it silent?
35:22How?
35:23Apparently it could have a catastrophic effect
35:25on the reputation of our intelligence services.
35:28The fact that he had gone undetected for so long,
35:31which could, in turn,
35:32seriously affect our relationship with the Americans.
35:35We're on our last reserves of goodwill with them as it is.
35:39One more operational failure
35:41and our credibility would be completely shot.
35:43What if they're suggesting
35:44that we turn a blind eye
35:47and allow a traitor,
35:49an enemy of this country,
35:51to remain free
35:51with his career and reputation intact,
35:55just to spare MI5's blushes?
36:00The man should be shot.
36:02I agree.
36:03But instead, I have to get up
36:05and pay tribute to him at this exhibition.
36:08How am I supposed to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight,
36:30surrounded by some of the royal collection's greatest treasures,
36:33to admire the genius of Rubens,
36:36Titian,
36:37Rembrandt,
36:37and Helbig,
36:39but we are able to make sense of it all,
36:41appreciate it,
36:43understand it.
36:44It speaks to the genius of another man
36:46whose exceptional scholarship
36:48and vision
36:50have brought us together today.
36:52Sir Anthony Blunt.
37:00It is he
37:01who has curated this exhibition
37:03and given meaning to mystery
37:05and revealed what really does
37:07lie beneath the surface.
37:10I, for one,
37:11had never thought of art history in that way,
37:14as the art of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait
37:27which turned out
37:28to have another person
37:29lurking beneath the surface.
37:35Have I described that correctly, Sir Anthony?
37:37Or am I stumbling around in the dark
37:39as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon
37:45in the early modern period
37:46for an artist to finish a portrait
37:48and the patron would take a look
37:50and ask for a more flattering version
37:52of themselves
37:54and the artist would paint another version
37:56over it.
37:59So not two different people?
38:01Two different versions
38:02of the same person.
38:04Which might as well be
38:06two different people.
38:08the idealised version
38:09of themselves
38:10they want to be seen
38:11and the less desirable person
38:13they rarely are
38:14hidden away.
38:16There's even a word for it.
38:18Pelimpsest.
38:19That generally applies
38:21to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento.
38:26Well, I think I speak
38:28for everyone here
38:29when I say
38:30none of us will be able
38:31to trust
38:31or look at anything
38:33in the same way
38:34ever again.
39:10i'm so glad you came it gives me the chance to apologize in person what for there's no need to
39:17understand all you need to know is that i misjudged you terribly and i'd like to take this
39:22opportunity to say sorry are you an art man art yes art paintings well actually no no i'm an
39:38economist statistician at heart i'm happiest with numbers you can trust numbers they're honest
39:48there's no mystery or deception or allegory you know where you stand
39:57what you see is what you get i prefer things that way i quite agree
40:15excuse me
40:39the very least you could do is quietly crawl away
40:44what force us to live with you under the same roof doing the the right thing the decent thing the
40:53the honorable thing you know the faintest idea what that was well i am going to be watching you
41:02and one wrong step you treacherous snake and i will expose you and have you thrown in jail
41:12i would think long and hard before i did that sir
41:18you would do well to reflect on your own position what are you talking about
41:27you may remember at the height of the profumo sex scandal there was talk of a member of the royal
41:33family being involved no one knew who but it was rumored to be a senior member of the royal family
41:42very senior when the osteopath at the center of the scandal stephen ward took his own life
41:52there was speculation that a number of portraits of that senior member of the royal family had been
41:57found in his apartment naturally a great many people were keen to get their hands on those portraits
42:05mercifully someone respected and well connected in the art world
42:10was able to make sure they didn't fall into the wrong hands
42:14i never saw stephen ward in any capacity other than as an osteopath
42:19if he made drawings of me he would have done so from photographs
42:24we all tell ourselves all sorts of things to make sense of the past
42:30so much so that our fabrications if we tell them to ourselves often enough
42:35become the truth in our minds and everyone else's
42:41and believe you me i'm happy for your truth to be the truth
42:47it would be better for everyone imagine how awful it would be for example
42:52if those pictures saw the light of day now a storm it would create and for what
43:03it's the past
43:32would you excuse me of course
43:34yeah
43:34majesty
43:35majesty
43:35majesty
43:36Let's go.
44:06Let's go.
44:37Let's go.
45:46Let's go.
45:48Let's go.
45:51Let's go.
45:56Let's go.
46:03Let's go.
46:13Let's go.
46:31Let's go.
46:37Let's go.
46:39Let's go.
46:43Let's go.
46:59Let's go.
47:02Let's go.
47:09Let's go.
47:11Let's go.
47:37Let's go.
47:38Let's go.
47:38Let's go.
47:39Let's go.
47:39Let's go.
47:40Let's go.
47:40Let's go.
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