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Young Sherlock S01E04 [Full Movie] [Full Storyline]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:23It's the house!
02:24Wait.
02:29Run!
02:33Sherlock!
02:48Shall we take the floor?
02:54Now, I never was very good at this.
02:57You did try to teach me.
03:00You always had two left feet.
03:02Still do.
03:03One, two, three.
03:04One, two, three.
03:06One, two, three.
03:07One, two, three.
03:08Look at me, Mother.
03:09Just us.
03:11You, me, and the music.
03:27Let's go.
03:50I see how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:10Stop!
04:11Stop!
04:18You're aiming backwards.
04:20Of course I'm sure.
04:23Have you had enough?
04:25Are you feeling rough?
04:28Thought you're still hard.
04:30Well, it feels wrong.
04:36I'm waiting for someone, for something, to take me, to take me over.
04:52Please, please, please, I've forgotten.
04:59Now, we shall only, should be forgotten.
05:07How it's disappeared.
05:19You've got an appointment, Princess.
05:42Two bushels.
05:44what you're white just approximate to the drop because if the rope's too short then your neck
05:52won't snap and then you'll be left slowly choking it's a rather undignified way to shuffle off this
05:57mortal coil wouldn't you agree I stone I'd guess seven foot ten inch drop did you know that the
06:04first account of execution by hanging is in Homer's odyssey no I did not know that sir
06:09is this supposed to intimidate me no supposed to kill you I know about British justice you're not
06:16allowed to play both judge and executioner in five and four are you counting down are you killing my
06:33scientists in three handler I've worked for a handler and he works for not my place to ask only my
06:43place
06:44to light the fuse and walk away in two I receive instructions I'm a hired gun that is all then
06:52you're
06:52of no further use to me in one what the hell are you doing I think you'll find I don't
06:57answer to
06:58you my crop we don't torture prisoners sir there are rules protocol this woman is trying to destroy
07:05me and I will have my satisfaction and you have every right sir every right but consider this if
07:12you would you're out of favor with the foreign secretary are you not do you really wish to
07:18alienate him further by not consulting with him on such a delicate matter as this may I remind you
07:23she is our only link to whoever is killing your scientists sir I was merely endeavoring to loosen
07:32their lips but we are Englishmen has to mean something and in a changing world how much do you
07:38think you're going to achieve with your Queensbury rules your absurd sense of fair play hmm loosen the ropes
08:25well that's for me on I'm in here ratio
08:42I don't know.
08:48I don't know.
09:13I don't know.
09:13Thank you, Father.
09:18Sherlock, I know you're not going to want to hear this, but your mother and I think it's
09:23best if you went to boarding school.
09:30I don't want to leave.
09:35Be strong, my boy.
09:49Mother?
09:51Where are you?
09:53Oh.
09:55Oh.
10:02Oh, you brought me home.
10:10You're safe now.
10:32You're safe now.
10:34Dad.
10:35Darling, Sherlock never had any friends.
10:38Oh, really?
10:41Well, it's a pleasure to meet you, Mrs. Holmes.
10:45Darling, can you hear that music?
10:48Oh, that sound.
10:52That's you.
11:04Bea?
11:06Oh, Beatrice.
11:08Oh, my darling.
11:14Bea?
11:18Oh, my darling.
11:29Bea?
11:30Why are you running away from me?
11:33Bea?
11:34Bea?
11:34Where are you running off to?
11:37Bea?
11:40Bea?
11:51Bea?
11:52Bea?
11:54Bea?
11:57Bea?
12:01Bea?
12:02What?
12:02Let's take a seat.
12:07Oh.
12:12Ah.
12:14Ah.
12:15She is absolutely exhausted.
12:17Will you light fire?
12:18She needs warmth, rest, and food.
12:20Yes, Sherlock, where is your father in all of this?
12:23They should not be on your shoulders.
12:25He's in Vienna.
12:26He's a busy man.
12:28It's all right.
12:29I'm here.
12:30And I'm dealing with this.
12:32What? By breaking her over to the asylum?
12:36They were recording her in there, James.
12:38They were listening to every single word she said.
12:40I had no choice, and Shuan knew about it.
12:42There's a man with a bird's claw.
12:44He's coming back for me.
12:46How did she know?
12:51Sherlock!
12:54Mother!
13:02Mother!
13:19Mother!
13:32She's taking it!
13:32She's taking it!
13:33Look, she's taking it!
13:34She's taking it!
13:36I think she's taking it!
13:37She's taking it!
13:39I think she's taking it!
13:49Well done.
13:51Let's get you warm and dry.
13:57Stop right there!
13:58You are not taking her...
13:59Master Holmes!
14:01Crowell!
14:03I do apologize.
14:04I heard the commotion.
14:06Yes.
14:07Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11Well, you too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell.
14:24I rather need his help.
14:25Yeah, of course.
14:32For your head.
14:39What?
14:40What trouble is she's worth?
14:43The electric shock has clearly fried your faculties, Philpott.
14:47No Cordelia Holmes, no money.
14:50I rather like money.
14:54Do you follow?
14:59Find her.
15:02And quickly.
15:05As you wish.
15:09Sir.
15:16Razor talons.
15:18Sharp as knives.
15:20So vivid.
15:24Sweetheart, there is nothing you can do.
15:27He is coming back for me, the man with the bird's claw.
15:30Who is it you're talking about?
15:31Mrs. Holmes.
15:34Right.
15:34Stand by, please.
15:35Let's, um, not grab a patient.
15:39Aha.
15:40Hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry, we're going to get you bright as rain.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else, something to clear the fog a little.
16:02It's all right, mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:07I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better.
16:23Yes, I believe that she will, but that's not what I'm referring to.
16:27She knows about those recordings.
16:29Now, we don't know whether she's responsible for them, but either way, this does connect your
16:32mother to the murders in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person, hmm?
16:51Bird's claw, it's a phrase, or a place, or a thing.
17:03Perhaps it's some sort of crest.
17:05The bird's claw.
17:06Good.
17:07Good.
17:07So whose crest?
17:09Someone at the asylum?
17:10Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:40The best thing in nature for drowning your sorrows
17:48Sounds like a word.
17:49Oh my God.
17:49Oh my God.
17:50The others in your jug
18:00God knows I wonder
18:03if lightning thunder
18:06were made from the thunder of whiskey
18:20I've seen it somewhere, where am I seeing it?
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane?
18:42Yes.
18:43Has a bird's claw.
18:45All right.
18:47Bravo.
18:49So if I am correct, if it is Malik, what's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:07James, I thought you'd be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crow.
19:12That's very, very thoughtful, but we need to pop into town for a few hours, so I'll need you to
19:16look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:38Thank you, Mrs. Crow.
19:39Thank you, Malcolm.
19:40Thank you, Mrs. Crow.
19:42Stolen.
19:45Poor road.
19:46Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a power cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:07Well, what is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29Can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane, the man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance.
20:50She's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolishly.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:18And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a halfwit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malik has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malik now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:17Yeah.
22:22Ten minutes with Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:35Mr. Patton!
22:37Who are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very, uh, I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very intense.
23:00Hmm.
23:03How was he like, as a small boy?
23:07Well, growing up in the same house.
23:12Yes, I can only imagine.
23:18No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the foreign office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:31That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please, take the royal throne.
23:50Thank you, princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw.
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house?
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand,
25:18want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here
25:40until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why am I through to be at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file
25:51to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala,
26:07I didn't see him.
26:08All of the other professors were there
26:09at the table except him.
26:11Yes, but...
26:14He left.
26:22But Her Majesty's Empire...
26:24Don't take the Empire for granted.
26:28Remain.
26:29Live to regret it.
26:30Sharing your speech, sir.
26:32I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fellow had bladder issues.
26:38Were you given an exact time
26:39to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit
26:44on that point.
26:45Unless Malick had a conveniently
26:47life-saving desire to urinate,
26:49I think it fair to say
26:51he knew the bomb would go off at age.
26:52If he is in this safe house, sir,
26:54and if he is indeed working
26:55against your interests,
26:57wouldn't you rather know?
27:00Let's go, counsellor.
27:02Front and back doors are sealed
27:04with plate metal.
27:05Baths on the windows
27:06half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side
27:10at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose
27:13who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell
27:21and you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance
27:43it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:50I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:04The code is Hydras.
28:07Seventeen stars in the southern sky.
28:36I don't trust you.
28:47All yours.
28:53Don't force my hand.
28:57Right.
28:59Come on.
29:02No, thank you.
29:05Malick.
29:07Malick.
29:19Malick.
29:21Malick.
29:23Please pray.
29:23Malick.
29:24Malick.
29:25Malick.
29:32Milus.
29:35may i present to you the real princess sure your highness sir bucephalus hodge i only wish that
29:43our first meeting had been under more celibrious circumstances trust me when i tell you that i
29:49have spent no expense in my search for you roche send a wire immediately to the foreign secretary
29:55roche be sure to tell him i found her yes sir this is where i saw professor malik listening
30:10sherlock your mother all of her recordings
30:26i had a little pony his name was dapple gray i lent him to a lady to ride a bike
30:32she ripped him and she slashed him and she raped him
30:52so sorry
30:55why would anybody want to do this while you were detained by these nefarious individuals did
31:01you by any chance happen to see
31:07this man no you say i knew he would never have been embroiled in this unsavory business mycroft you see
31:15unlike you professor malik understands the meaning of loyal yes you recognize his name yes they
31:21you mentioned him perhaps you miss her i did not only yesterday they talked of visiting him
31:26your highness did they say where at abdon behind the locks that's all i heard
31:39sherlock all of these are transcripts of the recordings
31:44her entire life is laid out in here
31:48this is a record of her visitors myself my brother my father
31:55there's a lawson jaggers a lawyer is that someone you know no when did jaggers last visit
32:03friday august 11th 10 o'clock so if that page has been torn out of the transcriptions
32:09august 11th mr jaggers here to see you
32:24this is her
32:26charming to see you again i'll leave you two to talk
32:34new rooms i see very nice now perhaps you might continue with our our previous matter of business
32:52it's been scratched the cylinder it's sabotaged someone must have been rather keen to make sure
32:57we don't find out what's on them ah sherlock what's all this
33:08the recordings of our mother all of them
33:18well why would someone do this to our shark we are working on that we have a lead on the
33:24potential
33:24whereabouts of professor malik um obviously hodge wants to pursue it himself but no you find
33:31professor malik right you find out why he's been doing this mycroft you have my word and we will
33:36pay a visit to this lawson jaggers fellow and see what business he's had with our mother wait where
33:40is she she was here just a moment ago damn you herms if she's escaped you'll be held personally
33:54responsible well i have men and all the doors there's no way she could have got out how could
33:58she possibly slip weight i say consider yourself my hunting hound don't bring her back
34:22this is why she brought us here you're an idiot holmes she duped you
34:27get out of the way
34:48stop right there
35:18there is no abdon on the map she said behind the locks now could it be somewhere on the canal
35:25would abdon be the name of the boat we keep a register of boats and vessels somewhere where
35:29is o'shea we hasn't reported back yet sir this is becoming a bloody fiasco find professor malik
35:35damn it man thinks he can betray me or rip his bloody head off might i ask exactly what the
35:40princess said sir she said they were meeting professor malik at abdon behind the locks abdon and senon
35:49they're ancient catholic martyrs if i may there's a ruined medieval abbey not far from oxford it was
35:57once dedicated to them behind the locks the locks of marion an old relic believed to have been kept
36:04at the abbey according to legend it was the hair of mary mother of jesus well i never really how
36:11did
36:11you know this my father encouraged me to read sir
36:16why don't you know this my cross oh a little scratchy on my esoteric christian martyrs sir
36:25where is this ruined abbey there sir shuan's making a good habit of beating you nonsense as a
36:33matter of fact i think you'll find i helped her to regain her liberty i see so you knew about
36:39the
36:39passenger you knew she was going to escape i simply decided the world was a more interesting
36:44place with her in it what a lot of shite ah lasting jaggers i swear
37:07smells interesting
37:21are you all ready
37:27there's more than one way to skin a cat james well this is how i like to skin my cats
37:52oh dear lord mr larson jaggers esquire
37:57this is how it's not charming to see
38:05that blood
38:08sign of a struggle he got in the scrap
38:17so someone erases his conversations with my mother and then he finds himself
38:22unceremoniously erased a rather convenient suicide don't you think
38:29diaries i tell you what business he had with your mother i am going to report this to the police
38:34yes
38:35and do their jobs for them because i have been suspected of murder before and i would rather it didn't
38:40happen again
38:40syndica says the problem with this life is not that it's short
38:45it's not that it's not that we waste an awful lot of a dick in a boat
38:59you
38:59but
39:15it's not that it's for them
39:17so
39:20I'd like to report a death Lawson Jaggers solicitor for Alba Lane and you
39:28are Sherlock Holmes Holmes we have a wire for you
39:36Sherlock
40:00she requires help she needs to be somewhere she can be cared for I'm so
40:03sorry Sherlock I was only gone for a moment don't you worry Crow they won't be
40:06taking her anyway I believe you'll find I have jurisdiction over her and I believe
40:12you'll find I have jurisdiction over this
40:21is the double-barrel 12-bore hammer-con not persuasive enough for you
40:27let her go thank you we're only acting in her best interests you knew didn't you
40:36you knew about the recordings about Professor Malik why did he do it we'll
40:42have to ask him I was merely paid to look the other way I am so sorry mother I'm so
40:51sorry I never loved you can I respectfully suggest that you'll fuck off
41:17you're quite sure this is the place quite sure sir
41:28I want it on the record that I was the one who blew this case wide open yes of
41:33course sir I think I saw movement by the church sir
41:46I wish to be the one to apprehend him very good sir
41:50turn it down
42:08you
42:09you
42:09you
42:19you
42:19you
42:41What day to Becephalus?
42:43Kishore Malik.
42:46Oh, it's true.
42:47Oh, my very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't quote the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, have we forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:57Take your hand out of your pocket, man.
44:10Hodge.
44:11Hodge!
44:17Right, stand out!
44:18Man, it can't have gone far!
44:21Hodge!
44:22Hodge!
44:23Hodge!
44:24Hodge!
44:25Hodge!
44:25Hodge!
44:26Hodge!
44:27Hodge!
44:27There's no blood.
44:30There's no bullet hole, nothing.
44:32Serbius separus.
44:35Oh.
44:37He's not...
44:38He's not breathing.
44:43He's dead.
44:50Gons and heart tuddies.
44:52Jesus, you're a woman after my own heart, Mrs Crow.
44:56Mrs Crow.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:06Oh, James.
45:08James.
45:10It was such a tonic.
45:13So what now?
45:16We're still no closer to figuring out why you were involved in any of this.
45:24The likeliest explanation is always discipline.
45:27He's coming back.
45:28It was merely paid to look the other way.
45:41Don.
45:43Don.
45:47Sherlock.
45:49My boy.
45:51I heard you had a spot of bother.
45:55There's a man going round, taking names, and he decides who to free and who to blame.
46:05Everybody won't be treated all the same.
46:10There'll be a golden ladder reaching down, when the man comes around.
46:22The hairs on your arm will stand up, at the terror in each sip and in each suck.
46:32Will you partake of that last offered cup, or disappear into the potter's ground, when the man comes around?
46:47The whirlwind is in the thorn tree, it's hard for thee to kick against the pricks, in measured a hundred
46:58weight and penny pounds, when the man comes around.
47:16And I heard a voice in the midst of the four beasts.
47:36When the man comes around, when the man comes around.
47:42If he is there in the mud of the Elaine, to removestar hisyez's ship, which he's something in the future.
47:43If this guy wants to hide from his arms, then that would be the one to see where he usually
47:49moves over.
47:49Then, when the senhorila would run.
48:00Let him end up here with thisduggers.
48:04Sergei Salihua things over the four SPEEDS мел
48:04took his family cut before his dress.
48:05This is the lasteli narrow Obrigado.
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