- 2 hours ago
Alibi Season 01 - Ep 13 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:27Satsang with Mooji
00:30Satsang with Mooji
01:00Satsang with Mooji
01:00Satsang with Mooji
01:06Satsang with Mooji
01:19Satsang with Mooji
01:22Satsang with Mooji
01:40Satsang with Mooji
01:42Satsang with Mooji
01:46Satsang with Mooji
01:50Satsang with Mooji
01:58Satsang with Mooji
02:25Satsang with Mooji
02:28Satsang with Mooji
02:32Satsang with Mooji
02:49Satsang with Mooji
02:50Satsang with Mooji
02:50Satsang with Mooji
03:12Satsang with Mooji
03:14Satsang with Mooji
03:41Satsang with Mooji
03:42Satsang with Mooji
03:45Satsang with Mooji
04:12Satsang with Mooji
04:15Satsang with Mooji
04:15Satsang with Mooji
04:16Satsang with Mooji
04:17Satsang with Mooji
04:26Because I'm an interesting character.
04:32If it's a fact, if it's a rock, a rock, a rock, a star!
04:38Yeah, like that, that I'm going to sleep with the son of the teacher,
04:44who he cut his hair off after the time.
04:49No, it's not you.
04:51You know what, more than all of you wanted to be Puskin?
04:54Well, he wanted to leave the border.
04:58Yes, I heard that.
05:00You know why he left?
05:01I don't know, he left the king.
05:03No, not the king.
05:04It's the first one.
05:05I like your mind.
05:07Exactly.
05:08Because the first one understood that if Puskin will leave the border,
05:11he will kill and die.
05:14Well, and then.
05:15Russia needs Puskin!
05:16No, no, no, no, no, no!
05:20You also need Russia!
05:21Puskin!
05:22It's me.
05:23It's me!
05:24It's me!
05:25It's me!
05:26It's me!
05:30I'm not a fool!
05:31I'm not a fool!
05:31I wanted to go to you!
05:32What do you want me to do?
05:39What do you want me to do?
05:48It's me!
05:49It's me!
05:52It's me!
05:53It's me!
06:10It must be your child to be a priest!
06:13He's 입 круглой!
06:14The first one off press push the door.
06:15And what was that?
06:19Well...
06:20I'm sorry!
06:20You didn't have aargent journals that was on you!
06:22You had to go let me it.
06:22It was Peter Sergei!
06:23I'll água theять.
06:26Yes, yes, all this was.
06:28Well, all this was it.
06:30He was just a sack!
06:33Just a sack...
06:35Let me take my facultadocar vitamin D right?
06:39and everything.
06:41Hello?
06:42Good morning.
06:43Good morning.
06:44Let's go.
06:45It's already empty.
06:50Hello?
06:54Stasza?
06:54Oh.
06:57We're with your mom.
06:59We're going to get married.
07:01I'm in mind, and what?
07:04We're going to invite you to and Stasic to go to the wedding.
07:08I'll come.
07:09Stasic will decide.
07:10Will these stars be?
07:13I'll be the director.
07:15You know him.
07:16How are you?
07:18Mom,
07:20can you wash your hands?
07:24I don't like it.
07:25I don't like it.
07:26I don't like it.
07:26I don't like it.
07:26I don't like it.
07:27I don't like it.
07:39I don't like it.
07:39Sash.
07:40Yeah?
07:41Скажи, пожалуйста, только честно.
07:45Что-нибудь употребляешь?
07:48Ты что творишь, Сань?
07:51Мам, да все в порядке, честно.
07:53Если ты моя настоящая мама.
07:54Ладно.
07:57Мне еще надо взять биологический материал у Решетникова, Петра Сергеевича.
08:03Моего предполагаемого отца.
08:05Мам.
08:14А почему ты себя так ведешь, как будто я действительно не его мать?
08:17Ну а что он себе позволяет?
08:20Мам, ну ты же не пошла на срогатное материнство.
08:23Лучше сразу признайся, анализы не дешевые.
08:25Саш, ты совсем охренел, да?
08:27Все, я понял.
08:28Лучше перепроверю.
08:39Петр Сергеевич, дело специфическое и требует особого подхода.
08:45Да.
08:46Конечно, я понимаю, я слушаю, чем я могу быть полезен.
08:52Ситуация чрезвычайно неприятная.
08:54Давай, давай я расскажу.
08:57Давай.
08:59Так, значит, примерно год назад ко мне обратились мои друзья из корпорации РУСМОС.
09:10РУСМОР ГАСНЕФТЬ.
09:12Да, из этой корпорации.
09:14Чтобы я записал для них гимн.
09:17Поскольку, по их мнению, мой голос наилучшим образом олицетворяет величие компании, ассоциируется, так сказать, с Россией.
09:28И с народом.
09:31И с народом.
09:35Вот поэтому, собственно, был выбран я.
09:41Правильно?
09:42Да.
09:42Ну вот.
09:44Скажите, пожалуйста.
09:45Что?
09:46Можно?
09:46В том клипе с русалками вы сами на себя катались?
09:50СМЕХ
09:53Да.
09:55Я катался.
09:57СМЕХ
09:57Простите, а вы певец?
10:04СМЕХ
10:05Да.
10:06СМЕХ
10:08Ну, разумеется.
10:10Я так понимаю, что вы не готовились к нашей встрече.
10:13В таком случае, я представляю вам Федора Белой.
10:16В этом приятно.
10:17А-а-а.
10:18А, ну, конечно, простите.
10:21Да, давай.
10:22Мне Даша много о вас рассказывала.
10:24Даша ваш поклонница.
10:25СМЕХ
10:26Ну, это законодел.
10:29М-м.
10:30Ну что ж, послушаем гимн.
10:32Это что, необходимо?
10:33Конечно, необходимо.
10:35Это ведь имеет прямое отношение к нашему делу.
10:39Давайте, давайте послушаем.
10:41Давайте.
10:55Профессия отважная, пробуренная скважина.
10:59Пьется злато-черное, как море непокорное.
11:03И газ мы добываем, из недр земли свободный.
11:07И не погаснет пламя любви к земле.
11:10Да.
11:10Ты же хотела взять автограф.
11:12Так что, пользуйся моментом.
11:18Ну, здесь хорошо.
11:19Мы просто придумали хорошо, по-моему.
11:21Да?
11:22Хорошо.
11:22Местный.
11:23Вкусный.
11:24Ну, ладно.
11:26Возьму автограф.
11:27Так и...
11:29Ну, а что?
11:30По-моему, прекрасный гимн.
11:33Хочется встать и плакать.
11:35Не знаю, а что с нами, дорогой?
11:37Дело в том, что примерно месяц назад
11:40нам обратился некий итальянский продюсер
11:43с обвинениями в плагиате.
11:45А, да-да-да.
11:46Точно.
11:47И требует он не больше, не меньше, как один миллион долларов.
11:49Угу.
11:50Грозится поднять шумиху, скандал.
11:52Как вы понимаете, нам это совершенно ни к чему.
11:54Это удар по имиджу компании.
11:57Сейчас этот гимн звучит везде.
11:59И, как вы понимаете, обратной дороги у нас нет.
12:03Ага.
12:04Ну, теперь ситуация, в общем, стала ясна.
12:08Завтра этот парень приезжает в Москву.
12:10Послезавтра будет суд.
12:13Нужно полюбовно решить вопрос.
12:15Тихо.
12:16Угу.
12:17То есть, собственно, Федор, вы украли песню?
12:22Что значит украл? Почему украл?
12:24Ну, как...
12:26Плагиат — это воровство.
12:27Воровство интеллектуальной собственности.
12:29Разница не велика.
12:30Не волнуйтесь. Мы все решим.
12:55How can you be so false? You're who?
12:58I'm a lawyer of the general管理.
13:03And you're not a lawyer.
13:06Sorry, I just got a little bit of a swiss.
13:10Is there anything happened?
13:12Yes.
13:14I'm not a criminal.
13:15I'm not a criminal.
13:17I'm not a criminal.
13:18You probably heard about the murder of a business man of the family of Nikolai Gennady?
13:25I don't know, I don't know. Maybe I heard. And what?
13:28The thing is that everything was taken as a normal crime.
13:32I'd like to listen to the crime.
13:33But the time is not.
13:34Peter Sergeyevich, I can't tell you about the situation.
13:37I would like to talk about it.
13:43Yeah, let's go.
13:46I'm going to go to the office.
13:47I'm going to go to the office.
13:49I'm going to go to the office.
13:50Well, like this.
13:51The car is on a certain road, the road is broken, the money has been stolen, the money is stolen,
13:57but the paper is stolen.
13:57Really, the paper is not stolen.
14:00I'm going to go out.
14:03Yeah, thanks.
14:07You can go out here, you can sit.
14:12I will listen.
14:13Listen, the situation is interesting.
14:18You're not talking about the case.
14:19You're not talking about the crime.
14:22We started to study the case, who is good.
14:26Who is proudest?
14:27On the other hand?
14:27Yes, proudest.
14:29And then again, we have a company called Mesa.
14:35You know that?
14:37Mesa?
14:38No, I don't know.
14:38So what, there were serious concerns about Frolol with Mezina.
14:43They even had conflicted.
14:45Frolol wanted to go out and take more of the business.
14:48What is that? It's a silver motive.
14:52And Mezina...
14:54You certainly don't know Mezina?
14:57You have a great memory.
14:59I, unfortunately, I don't know Mezina.
15:01You want coffee?
15:03Coffee?
15:06Dasha, make two coffee.
15:11Well, Mezina also gave me an alibi.
15:14And, too, to say, a silver lining.
15:16We were in China.
15:17And we decided to say,
15:20to try to check out Mezina.
15:23And, you know, like, we did all this.
15:26Yes, Dasha, go.
15:28Dasha, you have a meeting with you in a Swedish.
15:30And I'll be in a while.
15:33I'll be in a while.
15:35And I'll be in a while.
15:36I'll be in a while.
15:40I'm sorry.
15:41Yeah, and I'll be in a while.
15:43And we went through his day and did it a while.
15:46And you know what?
15:47It's not a while.
15:49I can't tell you exactly what it is.
15:51But we, следователи,
15:53без каких явных доказательств,
15:55поняли,
15:55что в Китай он не летал.
15:57Ему сделали alibi.
15:59And so you came to me?
16:01Yes.
16:02We were in a while.
16:04We were in a while.
16:04We were in a while.
16:05And they sent us a video.
16:06On which Mezina,
16:07he was in a restaurant,
16:09in a restaurant,
16:10in a restaurant.
16:11And even the stamps of the brand passport
16:13are also real.
16:14You know,
16:15I think that he could make
16:17only an only professional.
16:20Well,
16:22I don't care about it.
16:23You know,
16:24I've already heard.
16:25Well,
16:26maybe he asked you to make an alibi for a husband,
16:30for example.
16:31He could be was to be an alibi,
16:33or?
16:34He could be an alibi.
16:36But he didn't do an alibi for a while.
16:39Well,
16:40I know,
16:41and I know,
16:41that,
16:45I know.
16:47But it's an alibi,
16:48and that,
16:49it's been an alibi for a while.
16:50And so it's a hard work.
16:52Well,
16:54it's been a hard job,
16:55if you went on to see you in the house,
16:57and you would tell us an alibi at first.
16:59I didn't do a alibi.
17:03Well,
17:04you know,
17:05it's time for me.
17:06Thank you very much for the audience.
17:08And you know that,
17:09that you think good?
17:10Well, if you remember something, it will be something to tell you.
17:15See you soon.
17:17Good luck.
17:26Why don't you go to the phone?
17:29You didn't have to do it.
17:31Listen, we have a lawyer for a very important deal.
17:35He asked me about it.
17:38They are confident that we made him a crime.
17:40And they are in a crime.
17:44They don't know anything.
17:45They are used to tell them everything.
17:47Work, work, work, work.
17:49And you don't have to call him.
17:50Work, work, work?
17:52Or you don't have to call him.
17:54You don't have to call him.
17:54You don't have to call him.
17:55Do not call him a crime.
17:57What you do
18:04BIM! BIM!
18:08I would like to bring some flowers. I love flowers.
18:11Or some wine with a trotter.
18:14I'm a genius from graphomans.
18:16I'm sorry, I'll break it down.
18:18I'd like to be thrown.
18:18I don't know.
18:21PHONE RINGS
18:22PHONE RINGS
18:26PHONE RINGS
18:27PHONE RINGS
18:29Прощевайте, хлопцы,
18:30конька у вас нема,
18:32забирайте вы солдаты,
18:33тяжела моя с ума.
18:36Подожди, это что такое?
18:38Малоросская песня рекрута.
18:40Автор кто?
18:41Народ.
18:43Народная песня?
18:45А дальше как там?
18:47Не помню. Вернее, не знаю.
18:50Что, реально была такая песня?
18:52Нет.
18:53Никогда не слышал.
18:54Но ведь могла быть.
18:57А ты хитрющий ты, а.
19:00Так что, напишем песню рекрута?
19:02Будет весело.
19:05Напишем песню, значит.
19:06Ну, была такая песня, народная.
19:08А он ее перепел.
19:10А итальянец сволочь.
19:11Хочет все лучшее у нас отнять.
19:14Национальное достояние.
19:19Слушай, почему ты мне помогаешь, а?
19:21Надо, чтобы ты побыстрее закончил свое последнее дело.
19:26Что ты смотришь?
19:28Не знаю.
19:29Думаю, может быть, ты действительно галлюцинация, а?
19:31Нет.
19:32Для сумасшествия у нас Наполеон, Александр Македонский.
19:34А я великий русский писатель.
19:36Я для мотивации.
19:46Купил цветов.
19:47СТАФИН
19:48СТАФИН
19:54СТАФИН
19:54СТАФИН
19:56СТАФИН
19:56СТАФИН
19:56СТАФИН
19:56СТАФИН
19:57Значит, я к вам.
19:58Я от Григория Александровича.
19:59Это кто?
20:01Карпов.
20:02Угу.
20:03До свидания.
20:05Угоняю.
20:07СТАФИН
20:10Остановитесь, пожалуйста.
20:14He wants to see you.
20:17He wants to talk to me.
20:19He wants to talk to you.
20:20He wants to talk to you about a film,
20:22where you will perform the role.
20:25Listen, I don't shoot the film.
20:28Even in home-video.
20:32I'll tell you about yourself.
20:34If you're in the car,
20:35your life will change to me.
20:38I'll go.
20:41I'll have a request to you.
20:43And what?
20:44Are you going to kill me?
20:46Why are you who are you?
20:47Who?
20:49I'm going to go.
20:52I'll go.
20:56You are friends?
20:58Mom, father.
21:02So you're in the car.
21:04Let's go.
21:05Let's go.
21:18Let's go.
21:28Let's go.
21:31Okay, let's go,
21:32Brick will you be an enemy.urs.
21:35You walk
21:35the enemy to be supreme. You walk
21:40the enemy. You walk
21:42the enemy over. Take him
21:48to the enemy. There is
21:51nothing to help take away from him.
21:55Maratik.
21:57It's a Russian name.
22:03Marat.
22:07Dasha, go to me.
22:10Look.
22:13This song we need to put in the networks.
22:17We need to put in a kind of
22:20dissertation of a philosopher.
22:22And in the old record of the Russian national songs
22:25of the 1970s, 1980s.
22:27It's a song of Rekro Tamarati.
22:29Okay. I understand.
22:31If someone knows?
22:33Who knows? No one knows.
22:35This song doesn't exist.
22:37It's rare.
22:38But a philosopher discovered her and used her
22:41in her dissertation.
22:42It's not a good idea.
22:44Why?
22:48It's not a good idea.
22:49It's not a good idea.
22:52It's not a good idea.
22:54It's not a good idea.
22:56How did he know this song out?
22:58It's not a good idea.
23:00It was a good idea.
23:02It was a good idea.
23:06It's a good idea.
23:0886-го.
23:12Dasha!
23:14Look.
23:16We need a new video camera.
23:18We need a new camera camera.
23:208-16mm.
23:228mm.
23:23We need a new camera camera.
23:24We need an active room.
23:28We need a new school.
23:30We need a holiday.
23:31And...
23:3330-40 people.
23:34Kids and pedagogy.
23:36And...
23:37Young Fodor Bell.
23:3912-13.
23:41We need a new camera.
23:45You're a genius.
23:55You're a genius.
23:58Look at her.
23:59Look at her.
24:01Thank you, Dasha.
24:12It's hidden.
24:14What are you doing?
24:17That's not a funny story.
24:19I'm invited to you.
24:21He's here.
24:22He's.
24:24He's.
24:25He's.
24:26He is.
24:32He's.
24:34I don't have anything to do with it, so he clearly gave me to understand that I have mom and
24:38dad, and if I don't want to go in the car, then it will happen to me. Why do you
24:42put me in this way?
24:46Okay, I understand.
24:47What, and all? I heard?
24:49I need protection!
24:51My family needs protection!
24:53I'll go and tell you guys, that you continue these dirty things!
24:59Well, let's go.
25:02Let's go and tell you.
25:05Listen, I understand.
25:09I don't worry about it.
25:10I'll give you money, to get a new phone.
25:12I don't have money.
25:13I don't know where I am going.
25:15They don't know where I live, they don't know where I am.
25:18They don't know where I am.
25:19And to go to Sashka.
25:21We're with him.
25:23We have small rams.
25:26We have a communication problem.
25:31You love him?
25:34Well...
25:35Well...
25:36Well...
25:37Well...
25:38Well...
25:38Well...
25:38Well...
25:39Well...
25:40Well...
25:41Well...
25:42Well...
25:43It's a big one.
25:45But she will know that she's a good one.
25:48You can take me, please, from the end of the day.
25:53I'll take you.
26:12Yeah.
26:14Hello, it's me.
26:15It's me.
26:16It's me.
26:17If Stassi will come, let's go.
26:20Let's go, let's go.
26:21You can't go, let's go.
26:22Yeah, I know.
26:23But I want to go, let's go, let's go.
26:27Just let's go, let's go.
26:29Let's go, let's go, let's go.
26:30You can't talk, let's go?
26:33No.
26:34We're kind of a bad guy.
26:37What happened?
26:38What happened?
26:39He's a new thing.
26:40We're not his parents.
26:42He wants to do an analysis on his mother and mother.
26:45So, you're not a решetic.
26:48What did he say?
26:51Wait.
26:53I'm not a problem.
26:56What?
26:57I'm not a problem.
26:59I'm not a problem.
27:01You're not a problem.
27:02You're not a problem.
27:03There's a statistic,
27:06that 10% of people
27:09are not children.
27:12They don't know,
27:13they don't know,
27:14they're not their children.
27:16I don't know.
27:17It's an idiot.
27:18I don't know,
27:19I don't know,
27:19what he's got in my head.
27:20You're his father.
27:21You're his father?
27:22Yeah, I understand.
27:23I understand.
27:24I don't know.
27:25I don't know.
27:26I don't know.
27:27You're good at my mate.
27:30I don't know what he's talking about.
27:41I love you.
27:43Yeah.
27:45You're a kid.
27:47You're a good guy.
27:48I have to make you.
27:50I don't know.
27:51I'll give you good stuff.
27:52I'll give you a little picture.
27:54I'll give you a little picture.
27:56You're not good.
27:56Yeah, go for a reason.
27:57I'm not a bad guy, I'm just a personal guy.
28:01Tell me, do you like my...
28:06Well...
28:07My genitalia?
28:10Well, like art.
28:13With the aesthetic.
28:15Well, because you don't throw me off,
28:17you think you're going to be completely gone?
28:21Or...
28:22I really like it.
28:23Do you remember?
28:26Do you remember?
28:27Or do you remember?
28:28Every time when you open your eyes,
28:30it's like you're in front of your eyes.
28:33I'm very excited about you.
28:36I'll be waiting for you.
28:38I'll be waiting for you.
28:41I'll be waiting for you.
28:44I'll be right back.
28:54I'll be waiting for you...
29:08Привет, пап!
29:09Ну как обратно получить?
29:12Ну ты не переживай.
29:14Я же не твой сын.
29:15Oh
29:20Hi, where are you?
29:23You're welcome.
29:25I'm here to be.
29:28Hello.
29:31You haven't been in the office.
29:34You need a call to be a student for me.
29:37I told you, I don't have to get home.
29:38I don't do this to be a problem for you.
29:41You're like you're at home, it's possible for me.
29:43For you?
29:44It's for you, for the DNK.
29:47I'll be right back.
29:49Well, I want to say that no one in my head will fall in my head.
29:52Well, there's not much there.
29:54Yeah, I'll take it for you.
29:58I'll take it for you.
30:02Sash, do you want tea?
30:03No, he'll take it for you.
30:05Why don't you take it for you?
30:07I'll take it for you.
30:09It's all for the science.
30:10Okay.
30:12I'll take it.
30:42I'll take it for you.
30:43Petya, well, you'll be right back.
30:48Well, you'll be right back.
30:53Sash!
30:55Wait.
30:58You're coming?
31:00I'll take it for you.
31:11I'll take it for you.
31:16I'll take it for you.
31:25Okay.
31:26Well, first, I have a real experience.
31:28And, second, there's a young person who is a very sensitive person who is looking for her.
31:36He's ready to change her life and film in the movie.
31:39And she doesn't look in his way.
31:41I can imagine what she would have found in you, if you're not my son.
31:44You're not surprised.
31:47You're in the dead.
31:48You're in the woods.
31:51And what if I'm not in you?
31:53Well, then, wait for me with improvement.
31:57Because you probably don't düşen on it.
32:00Give me the word that you won't sleep with Ashtahoui.
32:04That's what you're saying?
32:05Give me the word.
32:08Give me the word.
32:09Let it be, it's a strange thing.
32:09Give me the word.
32:12I'll tell you the results of the test.
32:15PHONE RINGS
32:18I'm your father.
32:20I'm not sure that I'm going to be able to do this, Murat.
32:22I've been thinking about it already.
32:24Who? Brad Pitt? I'm happy that you're my son.
32:29Be careful, dad.
32:48Tell me, where do you live?
32:50I want you to leave.
32:52Something happened?
32:54No, nothing happened.
32:56I need to be alone.
32:58I want to stay alone.
33:00What's going on?
33:02You're not sure?
33:04I don't care.
33:06What did he say?
33:07He didn't say anything.
33:08Please, leave.
33:09You're not necessary.
33:10I'll tell you.
33:11Come on.
33:16You need to take anything.
33:18Please, take a picture.
33:20You're not sure?
33:21I'm saying leave.
33:23I'm sorry.
33:24I'm sorry.
33:24I'm sorry.
33:26I'm sorry,asz т.к.
33:39I got it.
33:43I been using my friend.
33:44I gotta watch him only look.
33:46You don't try to do this.
33:46I did not work.
33:46I did not work.
33:47I did not work.
33:48I did not work.
33:50You gottahanry.
33:51Oh!
33:58Oh!
34:03Oh!
34:11Oh!
34:12Oh!
34:15Oh!
34:16Oh!
34:16Oh!
34:17Oh!
34:19Oh!
34:20Oh!
34:21Oh!
34:24Oh!
34:31Oh!
34:33Oh!
34:35Oh!
34:38Oh!
34:40Oh!
34:41Oh!
34:42Oh!
34:44Oh!
34:46I don't understand what is happening with me.
34:51Do you have any tablets?
34:55Why do I have any tablets?
34:57I hit you, it's not normal, it's not me.
35:02Petya, Petya, I understand you.
35:06It's not a problem.
35:12Sorry.
35:13Proste.
35:14Tee, go.
35:22So, music is coming.
35:24The children are applauding.
35:26You're coming.
35:28We go, we go, we go, like tess taught us.
35:30We go, we go, we go, and we go to the microphone.
35:33And we go, we go, we go.
35:35Why do we go?
35:47You're coming.
35:48You're coming.
35:49Stop.
35:49How are we doing?
35:52What's this?
35:53Let's go.
35:54Let's take a card.
35:56Why?
35:57I don't know.
35:57I think, for the teacher, there should not be something to be.
36:01There are teachers.
36:02What is the teacher?
36:02will remember, no, it's not, it's a bad quality, it's the most bad quality, it's the best.
36:10Let's go.
36:10Let's go.
36:12Let's go.
36:13Once again, music.
36:16And, громче.
36:19Now, now, now.
36:23Listen, tell me, the contract of your agreement all signed?
36:28Yes?
36:30It's not.
36:32What do you think?
36:3420 minutes, Dasha.
36:3620 minutes.
36:3620 minutes.
36:39And, давай.
36:42Peter Sergeyevich,
36:44why are you looking at the organ of the young boy?
36:46Let's go.
36:48Let's go.
36:49I'm really looking at it.
36:50And, what?
36:51Well, maybe you can use it somewhere else?
36:56Listen, my head doesn't work.
36:58But you write it.
36:59Let's go.
37:00Let's go.
37:00Let's go.
37:12Let's go.
37:14Let's go.
37:16Let's go.
37:17Let's go.
37:18Let's go.
37:28Let's go.
37:41Let's go.
37:47Let's go.
37:50Let's go.
37:53Let's go.
37:54Let's go.
37:55Let's go.
37:55Let's go.
38:16Let's go.
38:19Let's go.
38:21Let's go.
38:24Let's go.
38:26Let's go.
38:32Let's go.
38:37Let's go.
38:38Let's go.
38:51Let's go.
39:01Let's go.
39:14Let's go.
39:17Let's go.
39:20Let's go.
39:22Let's go.
39:23Let's go.
39:26Let's go.
39:28Let's go.
39:29Let's go.
39:30Let's go.
39:30Let's go.
39:32Let's go.
39:33Let's go.
39:33Let's go.
39:34Let's go.
39:36Let's go.
39:37Let's go.
39:38Let's go.
39:40Let's go.
39:41Let's go.
39:55Let's go.
39:55Let's go.
39:56Let's go.
39:57Let's go.
39:59Let's go.
40:00Let's go.
40:01Let's go.
40:01Let's go.
40:02Let's go.
40:02Let's go.
40:02Let's go.
40:03Let's go.
40:03Let's go.
40:04Let's go.
40:07I'm not going to read it.
40:13The perfume only for you is to eat.
40:16What's this?
40:18What's this?
40:19What's this?
40:21I would ask you to write in the case of the law,
40:25so you could be able to bring me to the office.
40:29So, you have to be with whom you are going to?
40:32You're secretarious?
40:35No.
40:36You're a gay?
40:38You saw her?
40:41I don't understand.
40:42I don't understand how much you are.
40:44You're a strange guy.
40:45So, you've seen the scenario?
40:48Yes, I've read it.
40:49There's everything in order.
40:50So, you're not going to live.
40:53So, secretarious, you're not going to sleep.
40:55You're not going to sleep.
40:56You're not going to sleep?
41:03You're not going to sleep.
41:04You're not going to sleep.
41:06You're not going to sleep.
41:25You're a little girl.
41:29No, but you are actively trying to find her.
41:35Well, you know, right?
41:37Yes, I know that you support me.
41:51I was glad to see you.
41:59I was glad to see you.
42:01All right.
42:11Thanks, everyone.
42:12We're going to get a TV show.
42:14It's amazing.
42:25Let me see you next time.
42:26We can get it.
42:26want to move on.
42:45I'm get some, I don't want to buy a bar.
42:51I can't buy a bar.
42:54So, let me go to the bar.
42:57Are you going to work?
43:00No, I'm going to work.
43:02I need to work for a while.
43:04Let's go.
43:05Let's go.
43:09Let's go.
43:18Let's go.
43:21Let's go.
43:31Let's go.
43:32I thought, you wouldn't want to go home after the wedding?
43:37You're saying that I would buy you for a trip.
43:40Well, I didn't want to help you.
43:43Buy a trip in the Pansionate Vostok-6.
43:46What's your deal about Belova?
43:49...Fedora Belova and Luigi Zambrotta...
43:53...ischerpan.
43:56...Italian...
43:56...Italian...
44:00Сегодня утром Luigi прилетел в Москву.
44:03Они встретились с Фёдором, и Белый предъявил доказательство того,
44:07что гимн корпорации — это всего лишь перепевка русской народной песни «Маратик»,
44:13что ещё больше подчёркивает служение корпорации народу России.
44:22На записи, которую продемонстрировал Фёдор, видно, что он исполнял эту песню ещё в школе
44:27и уже потом решил положить на неё новые слова, которые мы так хорошо знаем и любим.
44:33Конфликт полностью исчерпан.
44:35Money, но!
44:36Но! Но! Но! Но!
44:39Папа постарался?
44:42Да ну!
44:43Я эту песню ещё в детстве слушал.
44:46Дед напел.
44:46Угу.
44:48Угу.
44:58Угу.
45:06ТЕЛЕФОННЫЙ ЗВОНОК
45:06ТЕЛЕФОННЫЙ ЗВОНОК
45:10ТЕЛЕФОННЫЙ ЗВОНОК
45:10ТЕЛЕФОННЫЙ ЗВОНОК
45:10Аля…
45:12Отличная работа.
45:13Белый в восторге.
45:15Можешь написать ещё пару куплетов?
45:17Он бы исполнил эту песню в оригинале.
45:19Нет, не думаю, не стоит.
45:21Мне кажется, лучше, чтобы все про это забыли, как про страшный сон,
45:24чем скорее, тем лучше.
45:26М-м-м.
45:26Может, это и правильно.
45:27Listen, I have another question.
45:31This is Karpov.
45:32He has an interest in the actresses,
45:35which is represented by the girl and her son.
45:38They are already in love with us.
45:39Yes, they are in love with us.
45:41But Karpov is now in love with us.
45:45We need to do something with this.
45:47He is at the same time.
45:48He is at the same time.
45:49If he wants, he is at the same time.
45:52Listen, this is not the same.
45:53This is my son.
45:55This is my son.
45:55Be careful.
46:06Hello.
46:08This is the investigation.
46:10Why do you think you are?
46:11Yes, I found.
46:12Could you have for us?
46:14Could you come in with us?
46:14We'd also have to come to our work?
46:17Do you have that?
46:19How many size of that....
46:19Sorry, I don't want it.
46:21I'm not adjusting.
46:21I'm left with limon.
46:22Yes.
46:23Come on, we'll work well, I'll see you later.
46:27It'll be interesting.
46:29I'll send SMS to you.
46:41Our Chinese colleagues sent us this video.
46:47What do we see here?
46:48What do you see here?
46:52I don't know.
46:53It's in a restaurant.
46:54There's a guy sitting there, he eats, he eats.
46:57Yes.
46:58He eats, he eats, he eats in the Canadian Republic.
47:05I'll give you a drink?
47:06No, thank you.
47:07I'll give you a drink.
47:10Please.
47:12You asked me for a reason?
47:14I'll give you a drink.
47:14I'll give you a drink.
47:15We started to question him.
47:16We've had to see him as an examiner.
47:18We got him as an examiner,
47:21and we realized that he's been able to find out
47:26that he was able to do a lot of other things.
47:28with the bloodstream.
47:29Three months ago he had been a good
47:32child's disease, so he was a big diet.
47:35And as you've noticed,
47:36he eats and eats
47:39as if he eats
47:40as if he eats.
47:41He's been able to live on his life.
47:45It's a way to get it.
47:46It's a way to get it.
47:47But not get it.
47:51And what do you do to me?
47:54We are asking the help of the people.
47:57You are also the people.
47:58So, you are.
48:01Maybe you have a big pot,
48:03that you just forgot.
48:04You just forgot about this.
48:07And you took the script and made it without you.
48:11You are not able to follow each other.
48:14I am.
48:16I am.
48:17I am.
48:19I am.
48:19I am.
48:19I am.
48:20I am.
48:21I am.
48:22I am.
48:22I am.
48:23I am.
48:23I am.
48:25I am.
48:26I am.
48:27I am.
48:27I am.
48:28I am.
48:29I am.
48:30I am.
48:32I was.
48:33I am.
48:33I am.
48:33I am.
48:34I am.
48:34I am.
48:35I am.
48:36I am.
48:36I am.
48:36I am.
48:36I am.
48:37And you are.
48:38Well, it is really hard to bother you.
48:40He's talking about it.
48:43Well, it's great.
48:44Listen, well, you're a criminal.
48:48Well, with this artist, you've made a great job.
48:53I'm so proud of you.
48:55And with these people you're playing, you know?
48:58And we'll save you.
49:01Although you're very nice to me.
49:03Very nice.
49:06I'm going to go?
49:08Oh, Piotr Sergeyevich.
49:10And it's sad that I can't do anything for you.
49:13You're all you're going to do.
49:17You're going to break it down.
49:19You're now a member of the murder.
49:24You're very nice, Piotr Sergeyevich.
49:28I'll be right back.
49:31Let's go.
50:00Transcription by CastingWords
50:09CastingWords
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