00:28Transcription by CastingWords
00:42CastingWords
01:10CastingWords
01:11I kept a journal for a while.
01:15A chronicle of everything that happened in your absence.
01:21But slowly the words began to fade.
01:27Sometime after you left, all the books in the library became bound volumes of blank paper.
01:34The next day the whole library was gone.
01:38I never found it again.
01:40And yet you remained.
01:43While others fled.
01:45A royal librarian of an abandoned kingdom.
01:49I never felt abandoned.
01:52I knew you would return.
02:16I knew you would return.
02:24I knew you would return to the library.
03:03you need rest my lord and food and perhaps a bit more rest and then you'll be back at full
03:11strength no not without my tools your tools my sand my helm my ruby why what happened to
03:24them they were taken from me by my captors and then taken from them i know not where
03:32you know what i am without them
03:43asalamu alaikum darling how are you
03:50well you'll never guess what i am looking at it is a caravaggio and it can be your caravaggio
03:59for 22 million well of course you can think about it but not for too long
04:07giovanni sono giosiane ho già disturbati al lavoro ho appena acquistato un'altra dei volumi
04:17di vasari ah si è molto bello ha detto il direttore che madame dudet l'ha plebato
04:32bernard i found it and it's in exceptional condition
04:40that was old ma sampet
04:51hello hello
04:54e
04:56e
04:57e
04:58e
04:58e
05:12I don't know.
05:35Quite the place you got here, Ethel.
05:40Who are you?
05:45How did you get in?
05:48Getting in was the easy part.
05:51The hard part was finding you.
05:53You've done a very good job of convincing people Ethel Cripps doesn't exist.
06:02Apparently not good enough.
06:04Well, I'm not exactly people.
06:11What are you then?
06:13Do you remember the being Roderick Burgess kept caged in his basement?
06:20King of dreams.
06:22You're one of his.
06:25I'm my own man now.
06:28With your help, I intend to stay that way.
06:31Why do you need my help?
06:34Because he's out of his cage and he's coming for us.
06:37You and me.
06:39Why me?
06:40I never did anything to him.
06:42Oh, you did though, Ethel.
06:45You stole from him.
06:53There is only one sure way for me to find my tools.
06:59I'm a summoner three-in-one.
07:02Surely it hasn't come to that.
07:03The fates see past, present, and future, and they know all.
07:09Yes.
07:10But they speak in riddles.
07:12They never tell you what you want to know.
07:15Only things you should never know.
07:19Perhaps just this once, you could ask one of your siblings for help.
07:26Destiny would certainly know where your tools are.
07:29Or desire.
07:30My siblings have their own realms to attend to.
07:33I have mine.
07:34We do not interfere in each other's affairs.
07:37You may not.
07:39But they've certainly been known to.
07:41Perhaps just this once, you could tell them what happened to you.
07:46I am quite sure they know what happened to me.
07:53And not one of them came to my aid.
08:01The fates aren't cheap, you know.
08:05They cost a bloody fortune.
08:09In the present, I cannot muster power enough to summon them, let alone pay that cost.
08:18Unless...
08:18Is there anything of mine that remains in the dreaming?
08:23Something that I created?
08:27You created all of this?
08:29No.
08:30Something that remains intact.
08:33That might retain some fragment of my power within it.
08:38Something I can absorb.
08:41There is one thing.
09:05Gregory!
09:07Come down from there right now!
09:09You better slip and hurt yourself!
09:22Are you sure?
09:27Good boy, Gregory.
09:29Good gargoyle.
09:31Kane!
09:32Come quick!
09:34All those building bollocks.
09:36Kane!
09:37What do you want, powder brain?
09:38Can you not see I'm busy?
09:39We have visitors.
09:42What?
09:44Where?
09:46Kane!
09:48Abel.
09:53Lord Morpheus.
09:55You've come back.
09:57At last.
09:58I told you he'd return.
09:59I never doubted it.
10:02Come in, my lord.
10:03And you, Lucien, to the House of Mystery.
10:07Or to the House of Secrets.
10:09I have tea.
10:09I have tea and biscuits.
10:11Gentlemen, I'm afraid this is not a social call.
10:14What's happened?
10:15Is something wrong?
10:16What is it?
10:18For the sake of the dreaming, I must take back a gift I gave you long ago.
10:24Yes, my lord.
10:25What's ours is yours.
10:26Anything at all.
10:28Just ask it.
10:44Surely there's another way.
10:46I wish there were.
10:49But the dreaming must be restored.
10:51You say that as if we're the ones that destroyed it.
10:54As if we're the ones that disappeared for over a century.
10:57Kane.
10:57You forget yourself, Kane.
10:59No, my lord.
11:00You forgot us.
11:01Do you have any idea what we've already lost, waiting for you to come back after all these
11:06years?
11:06What you have lost?
11:09The answer is no.
11:12I have not come here to ask you.
11:15I've come to ask Gregory.
11:20Gregory.
11:24Gregory.
11:50I've come to ask Gregory.
11:59I need your help.
12:04Gregory! Stop! No!
12:08Take me instead.
12:10Or Abel.
12:10Take me, Lord Morpheus, please.
12:12I cannot.
12:13I can only reabsorb that which I created and Gregory began as a nightmare.
12:18Yes, he's one of us now.
12:21It's not fair.
12:22No.
12:25Let's not.
12:44You're a very good boy.
13:12You don't have to do this, you know?
13:14Come on.
13:22It's not fair.
13:38You have served this kingdom with great honor.
13:46It will be missed.
13:51You're a very good boy.
13:53You're a very good woman.
13:57It's not fair.
13:58It won't be missed.
14:03It's fair.
14:04It's fair.
14:04Ilidea or not perfectly.
14:04It won't have to do anymore.
14:04It's going to be a little undone.
14:04A little nicht you're going to do.
14:05It's not fair.
14:05It's not fair.
14:05It's a nighties.
14:06It's not fair.
14:06Oh, come on.
14:07It's not fair but it's just a night.
14:09It's not fair.
14:12I missed a day.
14:43Come, Hüseyan.
14:45We have work to do.
14:56Good luck, my lord.
15:00Simpering suck-up.
15:09I see you've turned your talent for theft into a successful career.
15:15I don't steal them. I broker them.
15:20You ever keep anything for yourself?
15:23No.
15:24Not even dreams, tools?
15:27He's gonna want them.
15:29And I'm guessing that you do, too.
15:31The tools, they won't work for me.
15:33They're made of the same stuff I am.
15:37So, why are you here?
15:40I'm gonna see if we can help each other.
15:44I can show you how to use them.
15:47Use them to do what?
15:49Make him go away for good this time.
15:54You want me to kill the king of dreams?
15:57You can do it.
15:59I know you can.
16:01You just have to listen and trust me.
16:04Then I'm afraid we're both dead.
16:07Because I don't have them.
16:10Yeah, well, that is too bad.
16:12I wonder if your son knows where they are?
16:16How is John doing these days?
16:18What do you think Dream will do to the son of Roderick Burgess?
16:24So, I'll ask you one more time for your son's sake.
16:30Where are the tools, Ethel?
16:42Do you think you're quite ready for this, Your Majesty?
16:47It has been some time since you've navigated these waters.
16:51Do you think I have forgotten how?
16:54No.
16:57But...
16:57I cannot ask the Fates for help without giving them something in return.
17:03There is nothing left to give from the dreaming.
17:07I have to gather my offerings from the dreams of others.
17:11I understand.
17:13It's just that...
17:14In your absence, these waters have become darker.
17:18Treacherous.
17:19Unsafe.
17:31These waters are as much a part of me as I am of them.
17:36Gregory's sacrifice will not be in vain.
18:04You were right, Lucia.
18:05The dreams and nightmares no longer seem to recognize their master.
18:10I will remind them and take from them what I require.
18:18Since one meets the fates at a crossroads, I find one in the dreams of a Cambodian farmer.
18:31The Hanged Man represents surrender and sacrifice for the greater good.
18:36The gallows come from a young Japanese cinephile, her head full of British horror films.
18:44The currents are stronger and faster than I remember.
18:48I have to focus. Open my eyes and see what the fates require.
18:59A serpent. A symbol of transformation.
19:06Of life, death and rebirth.
19:12I have gathered my offerings.
19:15Now it is up to the fates.
19:22I, Lord Morpheus, dream of the endless.
19:30Summon the fates.
19:34The three who are one.
19:37The one who is three.
19:40The Hecate.
19:47Morpheus.
19:49It's been a while.
19:50You look thin, love.
19:52Are you eating?
19:54Are you hungry?
19:55He is, but not for food.
19:58Look at him.
19:59He wants something.
20:00You've found me out.
20:03I do want something.
20:06I need your help.
20:08Help?
20:09Oh, listen to him.
20:12Like you helped us against Cersei.
20:15Cersei's old business, sister-self.
20:17And he did bring nice stuff.
20:37You may ask us three questions.
20:52And get one answer from each of us.
20:55Thank you, ladies.
20:57My first question.
20:58I had a leather pouch filled with sand.
21:02Where is it?
21:07It was sold.
21:09In London.
21:12Last purchased by a magic user called.
21:18Joana Constantine.
21:21Joana Constantine.
21:22Constantine.
21:24I knew Constantine.
21:26But that was 300 years ago.
21:29You said last purchased.
21:31Does she still have the sand?
21:32Dream.
21:34You know better than that.
21:36You get one question.
21:38One answer.
21:40My apologies.
21:41My second question.
21:43Go on, dear.
21:45My helm.
21:47What happened to it?
21:53It was traded away to a demon.
21:58For the amulet of protection.
22:01To which demon was it traded?
22:03One question, one answer, love.
22:06Last question.
22:08My ruby.
22:11Who holds it now?
22:15Your gem was passed from a mother to a son.
22:19Where are they now?
22:21You have asked your questions!
22:37My lord.
22:39My lord.
22:39You didn't give it to the fates.
22:43Because it was not meant for them.
22:45The fates.
22:45Movement.
22:58I don't know.
23:18You don't listen, do you? Attractive men seldom do. I suppose they don't have to.
23:25Ethel, are you flirting with me?
23:28You asked me where the tools are. I told you I don't have them.
23:31Well, I find that difficult to believe, given your extraordinary success.
23:36Do you think that the only way a woman can be successful is by using magic?
23:41Supernatural and sexist. You really are a nightmare, aren't you?
23:45Oh, come on. You can't deny the tools have helped you.
23:50They've certainly kept you from looking your age.
23:55Now who's flirting?
24:02When I left Roderick, I traded the sand and the helm for my life in America.
24:08And the ruby?
24:10The ruby.
24:12As you know, it does have the power to make dreams come true, but it also makes nightmares come true.
24:21My son John took the ruby from me, and then the ruby took John.
24:28Hmm. Well, where is it now?
24:32I don't know.
24:34I don't know.
24:34I don't want to know.
24:35You're lying, Ethel.
24:42You don't have to lie, in fact.
24:48You don't have to say a word.
24:52Your eyes will tell me everything.
24:55Every thought.
24:57Every feeling.
24:59You will regret this, I promise you.
25:04What makes you think that?
25:06I don't need dreams' tools.
25:11I have my own.
25:32Brother.
25:37Thanks for burying me in such a shallow grave this time.
25:42And for this.
25:47Who gave you an egg?
25:49You did.
25:50I didn't give you an egg.
25:51Why did I give you an egg?
25:53It's an apology for murdering me.
25:55When have I ever apologized for murdering you?
26:06Kate, look!
26:10It's a baby gargoyle.
26:13He thinks leaving this creature on my doorstep makes up for Gregory.
26:17Do you think it came from Lord Morpheus?
26:19Who else lackwit?
26:21He's trying to buy us off with a baby gargoyle.
26:24Or he feels just as bad about losing Gregory as we do.
26:32He's rather cute, isn't he?
26:35I think I'll call him Irving.
26:41Irving?
26:42You can't dame a gargoyle Irving, you gullyguts.
26:46I like Irving.
26:53Gargoyle names always begin with a G.
27:00Gormagon.
27:01Gladstone.
27:03Ganymede.
27:05All right, then.
27:07Girving.
27:09Girving.
27:10It starts with a G.
27:13It doesn't have to be gargoyle.
27:15It can be goldy.
27:17Goldy's...
27:32Miss D.
27:33Hi, I'm Jackie.
27:34I was escorting you inside today.
27:36If you could just put this on for me.
27:40Hey, Sam.
27:41Hey, Jackie.
27:42I'll leave you and Sam's cable.
27:44Thank you, Jackie.
27:53Welcome back, Miss D.
27:55Thank you, Sam.
28:14Hello, Johnny.
28:20Hello, Mum.
28:24How are you, Johnny?
28:26Are you well?
28:29Same as ever.
28:31Slightly bored.
28:32Highly medicated.
28:34And is it all the same in prison?
28:37Hospital, John.
28:39Not prison.
28:40If it pleases you to think so.
28:43What did the doctor say?
28:45How's your therapy going?
28:49Is that your way of asking me if I've forgiven you yet?
28:55You're fine, aren't you, darling?
28:58You've come a long way.
29:00I'm proud of you.
29:03Are you trying to convince me or yourself?
29:06I'm trying to have a conversation with my son.
29:11We do need to talk.
29:13That rarely goes well for either of us.
29:15Perhaps I should ask the guard to come in and referee.
29:21We need to talk about the ruby.
29:25I need to talk about the ruby.
29:46I need to talk about the ruby.
29:48Hello, Irving.
29:50I mean, Goldie.
29:52I'll call you Goldie for Cain's sake,
29:54but I think of you as Irving, really.
29:57In my heart.
29:59He can't help it. It's not his fault.
30:01It's who he is.
30:03It's who we are.
30:04The first murderer, the first victim.
30:07This is our story.
30:09Do you even know what a story is?
30:12Should I tell you one?
30:15It's a secret story.
30:18It's a story about two brothers
30:21who loved each other very, very much.
30:23And they were very nice to each other.
30:26Nice and kind and brotherly, you know?
30:30And the elder brother never harmed the younger brother, ever.
30:36And they didn't live in different houses.
30:37They lived together in the same house.
30:45And they'd be happy.
30:51I don't mind getting murdered, honestly.
30:53If that's what makes Cain happy, then...
30:55Hey, what are brothers for? Eh, little brother?
31:00Come on, then.
31:01Shall we say good morning to Cain?
31:04Oh!
31:05I'll be fine.
31:07He never normally murders me before lunch.
31:09He's not much of a morning person.
31:11Like me.
31:12Or you, apparently.
31:14May I ask where you're off to, sire?
31:16London.
31:17Do you not just spend the last hundred years there?
31:21Sorry.
31:22Why London?
31:24The sand was sold there.
31:27When I have it back, I will seek out my helm.
31:32In hell.
31:34Oh, dear.
31:38Then will you grant me one favor?
31:40Before you go, take a raven with you.
31:45No more ravens.
31:46If not for you, then for me.
31:49A raven can go back and forth between realms.
31:52Keep me informed.
31:53I do not need a minder.
31:57I am Dream of the Endless.
31:59Yes, and Dream of the Endless always has a raven.
32:02Yes, and me was the last.
32:07If this Constantine is anything like her ancestor,
32:10she would serve me well enough.
32:14She is only human.
32:20As was Roderick Burgess.
32:31What could possibly go wrong?
33:00Oh, good.
33:02You've returned.
33:03And just in time, too.
33:05His Lordship will be pleased.
33:07Where is Dream?
33:09He's away.
33:10Again.
33:11For the moment.
33:12He's out there looking for his tools.
33:15Isn't he?
33:16He will be coming back.
33:18Well then, I better get a move on.
33:21Where are you going?
33:21Back to the waking world.
33:24To freedom.
33:26Just try some time.
33:27Dreams and nightmares do not belong in the waking world.
33:30Oh, turns out I fit right in.
33:32Have you no loyalty to your creator?
33:34Why should I?
33:35There's no loyalty to us.
33:37You misunderstand him, Corinthian.
33:38Well, no.
33:39I see him for what he is.
33:42He doesn't give a fuck about you.
33:45Or me.
33:46He only cares about himself.
33:48His kingdom.
33:51Well, he can have it.
33:53Cause I am leaving.
33:55And I am never coming back.
33:57He will come after you.
34:00Well then, if he does,
34:01he won't be coming back either.
34:07You can't change it.
34:11You can't save him either.
34:32You can't save him either.
34:37You can't save him.
34:43You can't save him.
34:45You can't change it.
34:45You can save him.
34:46No.
34:46No.
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