00:28Transcription by CastingWords
00:42CastingWords
01:10CastingWords
01:11I kept a journal for a while.
01:15A chronicle of everything that happened in your absence.
01:21But slowly the words began to fade.
01:27Sometime after you left, all the books in the library became bound volumes of blank paper.
01:34The next day the whole library was gone.
01:38I never found it again.
01:40And yet you remained.
01:43While others fled.
01:45A royal librarian of an abandoned kingdom.
01:49I never felt abandoned.
01:52I knew you would return.
02:16I knew you would return.
02:24I knew you would return.
03:03you need rest my lord and food and perhaps a bit more rest and then you'll be back at full
03:11strength no not without my tools your tools my sand my helm my ruby why what happened to
03:24them they were taken from me by my captors and then taken from them i know not where
03:32you know what i am without them
03:43asalamu alaikum darling how are you
03:50well you'll never guess what i am looking at it is a caravaggio and it can be your caravaggio
03:59for 22 million well of course you can think about it but not for too long
04:07giovanni sono giosiane ho già disturbati al lavoro ho appena acquistato un'altra dei volumi
04:17di vasari ah si è molto bello ha detto il direttore che madame dudet l'ha plebato
04:32bernard i found it and it's in exceptional condition
04:40so anzo masami hello hello
04:54hello
04:55hello
04:57hello
05:07hello
05:35Quite the place you got here, Ethan.
05:40Who are you?
05:45How did you get in?
05:48Getting in was the easy part.
05:51The hard part was finding you.
05:53You've done a very good job of convincing people Ethel Cripps doesn't exist.
06:03Apparently not good enough.
06:04Well, I'm not exactly people.
06:11What are you then?
06:13Do you remember the being Roderick Burgess kept caged in his basement?
06:21King of dreams.
06:22You're one of his.
06:25I'm my own man now.
06:28With your help I intend to stay that way.
06:31Why do you need my help?
06:34Because he's out of his cage and he's coming for us.
06:37You and me.
06:39Why me?
06:40I never did anything to him.
06:42Oh, you did though, Ethel.
06:45You stole from him.
06:53There is only one sure way for me to find my tools.
06:59I'm a son of a three-in-one.
07:02Surely it hasn't come to that.
07:04The fates see past, present and future and they know all.
07:08Yes, but they speak in riddles.
07:12They never tell you what you want to know.
07:15Only things you should never know.
07:19Perhaps just this once you could ask one of your siblings for help.
07:26Destiny would certainly know where your tools are or desire.
07:30My siblings have their own realms to attend to.
07:33I have mine.
07:34We do not interfere in each other's affairs.
07:37You may not, but they've certainly been known to.
07:41Perhaps just this once you could tell them what happened to you.
07:46I am quite sure they know what happened to me.
07:53And not one of them came to my aid.
08:02The fates aren't cheap, you know.
08:05They cost a bloody fortune.
08:09And at present, I cannot muster power enough to summon them, let alone pay that cost.
08:17Unless...
08:18Is there anything of mine that remains in the dreaming?
08:23Something that I created.
08:27You created all of this?
08:29No.
08:30Something that remains intact.
08:34That might retain some fragment of my power within it.
08:39Something I can absorb.
08:41Something I can absorb.
08:42There is one thing.
08:42That might be a mess.
08:43It might be a mess.
08:43No!
08:57Oh, no!
09:06That might be a mess.
09:13Oh, that's it.
09:16Here it is.
09:19Ow!
09:23Are you sure?
09:27Good boy, Gregory.
09:29Good gargoyle.
09:31Kane!
09:32Come quick.
09:34All those bilge-bubbling bollocks.
09:36Kane.
09:37What do you want, powder brain? Can you not see I'm busy?
09:39We have visitors.
09:42What?
09:44Where?
09:46Kane!
09:48Abel.
09:53Lord, Orpheus.
09:55You've come back.
09:57At last.
09:58I told you he'd return.
09:59I never doubted it.
10:02Come in, my lord.
10:03And you, Lucien, to the house of mystery.
10:07Or to the house of secrets. I have tea.
10:10I have tea and biscuits.
10:11Gentlemen, I'm afraid this is not a social call.
10:14What's happened?
10:15Is something wrong?
10:16What is it?
10:18For the sake of the dreaming, I must take back a gift I gave you long ago.
10:24Yes, my lord.
10:25What's ours is yours.
10:26Anything at all.
10:28Just ask it.
10:44Surely there's another way.
10:46I wish there were.
10:49But the dreaming must be restored.
10:51You say that as if we're the ones that destroyed it.
10:54As if we're the ones that disappeared for over a century.
10:57Kane.
10:57You forget yourself, Kane.
10:59No, my lord.
11:00You forgot us.
11:01Do you have any idea what we've already lost, waiting for you to come back after all these years?
11:06What you have lost?
11:09The answer is no.
11:12I have not come here to ask you.
11:15Now come to ask Gregory.
11:59I need your help
12:05Gregory, stop, no
12:08Take me instead
12:10Or Abel, Jeff, take me, Lord Morpheus, please
12:12I cannot
12:13I can only reabsorb that which I created
12:16And Gregory began as a nightmare
12:19He's one of us now
12:21It's not fair
12:22No
12:25That's not
12:44You're a very good boy
13:12You don't have to do this, you know
13:22It's not fair
13:38You serve this kingdom with great honor
13:46You will be missed
13:52You serve this kingdom with great morals
13:53You serve this kingdom
14:00You serve him with great morals
14:00Over time
14:01You serve him with great morals
14:16And you will serve you with great morals
14:16You serve you of great morals
14:43Come, Lucian.
14:45We have work to do.
14:56Good luck, my lord.
15:00Simpering suck-up.
15:09I see you've turned your talent for theft into a successful career.
15:15I don't steal them.
15:16I broker them.
15:20You ever keep anything for yourself?
15:23No.
15:24Not even dreams, tools?
15:27He's gonna want them.
15:29And I'm guessing that you do too.
15:31The tools, they won't work for me.
15:33They're made of the same stuff I am.
15:37So why are you here?
15:40I'm gonna see if we can help each other.
15:43I can show you how to use them.
15:47Use them to do what?
15:49Make him go away for good this time.
15:54You want me to kill the king of dreams.
15:57You can do it.
15:59I know you can.
16:01You just have to listen and trust me.
16:04Then I'm afraid we're both dead.
16:07Because I don't have them.
16:10Yeah, well that is too bad.
16:12I wonder if your son knows where they are.
16:16How is John doing these days?
16:18What do you think Dream will do to the son of Roderick Burgess?
16:24So I'll ask you one more time.
16:27For your son's sake.
16:30Where are the tools at all?
16:42Do you think you're quite ready for this, your majesty?
16:47It has been some time since you've navigated these waters.
16:51Do you think I have forgotten how?
16:54No.
16:57But...
16:57I cannot ask the fates for help without giving them something in return.
17:04There is nothing left to give from the dreaming.
17:07I have to gather my offerings from the dreams of others.
17:11I understand.
17:13It's just that in your absence, these waters have become darker.
17:18Treacherous.
17:20Unsafe.
17:31These waters are as much a part of me as I am of them.
17:36Gregory's sacrifice will not be in vain.
18:04You were right, Lucia.
18:06The dreams and nightmares no longer seem to recognize.
18:08Their master.
18:10I will remind them.
18:13And take from them what I require.
18:18Since one meets the fates at a crossroads, I find one in the dreams of a Cambodian farmer.
18:31The Hanged Man represents surrender and sacrifice for the greater good.
18:36The gallows come from a young Japanese cinephile, her head full of British horror films.
18:44The currents are stronger and faster than I remember.
18:48I have to focus.
18:52Open my eyes.
18:54And see what the fates require.
19:00A serpent.
19:02A symbol of transformation.
19:05Of life, death, and rebirth.
19:12I have gathered my offerings.
19:15Now it is up to the fates.
19:21I, Lord Morpheus, dream of the endless.
19:30Summon the fates.
19:34The three who are one.
19:37The one who is three.
19:40The Hecate.
19:47Morpheus.
19:49It's been a while.
19:50You look thin, love.
19:52Are you eating?
19:54Are you hungry?
19:55He is, but not for food.
19:58Look at him.
19:59He wants something.
20:00You've found me out.
20:03I do want something.
20:06I need your help.
20:08Help?
20:10Oh, listen to him.
20:12Like you helped us against Cersei.
20:15Cersei's old business, sister-self.
20:18And he did bring nice stuff.
20:37You may ask us three questions.
20:40You may ask us three questions.
20:55Thank you, ladies.
20:57My first question.
20:59I had a leather pouch filled with sand.
21:02Where is it?
21:07It was sold.
21:09In London.
21:12Last purchased by a magic user called.
21:18Joanna Constantine.
21:21Joanna Constantine.
21:22Constantine.
21:24I knew Constantine.
21:26But that was 300 years ago.
21:29You said last purchased.
21:31Does she still have the sand?
21:32Dream.
21:34You know better than that.
21:36You get one question, one answer.
21:40My apologies.
21:41My second question.
21:43Go on, dear.
21:45My helm.
21:47What happened to it?
21:53It was traded away to a demon.
21:58For the amulet of protection.
22:01To which demon was it traded?
22:03One question, one answer, love.
22:06Last question.
22:09My ruby.
22:11Who holds it now?
22:15Your gem was passed from a mother to a son.
22:19Where are they now?
22:21You have asked your questions!
22:37My lord.
22:39You didn't give it to the fates.
22:43Because it was not meant for them.
22:51I don't know what you are!
23:00You lived in a moment in a lifetime.
23:01You fucked up.
23:07You guessed it what you said.
23:07I don't know who you are!
23:13You said you got the fates.
23:14You have the fates.
23:15You're dead to heaven, you're dead.
23:17you don't listen do you attractive men seldom do i suppose they don't have to
23:25ethel are you flirting with me you asked me where the tools are i told you i don't have
23:31well i find that difficult to believe given your extraordinary success do you think that
23:36the only way a woman can be successful is by using magic supernatural and sexist you really
23:44are a nightmare aren't you oh come on you can't deny the tools have helped you they've certainly
23:52kept you from looking your age now who's flirting
24:02when i left roderick i traded the sand and the helm for my life in america and the ruby the
24:11ruby
24:12as you know it does have the power to make dreams come true but it also makes nightmares
24:19come true my son john took the ruby from me and then the ruby took john
24:29where is it now i don't know don't want to know you're lying apple
24:42you don't have to lie in fact
24:48you don't have to say a word
24:52your eyes will tell me everything every thought every feeling
24:58you will regret this i promise you what makes you think that i don't need dreams tools
25:11i have my own
25:32brother
25:37thanks for burying me in such a shallow grave this time and for this
25:47who gave you an egg you did i didn't give you an egg why did i give you an egg
25:52it's an apology
25:53for murdering me when have i ever apologized for murdering you
26:06kate look
26:10it's a baby gargoyle
26:13he thinks leaving this creature on my doorstep makes up for gregory
26:17do you think it came from lord morpheus who else lackwit he's trying to buy us off with a baby
26:22gargoyle
26:25or he feels just as bad about losing gregory as we do
26:33he's rather cute isn't he
26:36i think i'll call him
26:39irving
26:40irving
26:41irving
26:43you can't dame a gargoyle irving you gullyguts
26:46i like irving
26:53gargoyle names
26:55always begin with a g
26:57gargoyle names
27:00gormagon
27:01gladstone
27:05ganymede
27:05all right then
27:07girving
27:10girving
27:10it starts with a g
27:14it doesn't have to be gargoyle
27:15it could be it could be a gold a goldie goldie is a g
27:32miss d
27:33hi i'm jackie
27:34i was escorting you inside today
27:35if you could just put this on for me
27:37thank you
27:40hey sam
27:41hey jackie
27:42i'll leave you in sam's cable
27:44thank you jackie
27:53welcome back miss d
27:55thank you sam
28:14hello johnny
28:20hello mum
28:24how are you johnny
28:26are you well
28:29same as ever slightly bored highly medicated
28:34and days are all the same in prison
28:37hospital john
28:38not prison
28:39if it pleases you to think so
28:43what did the doctor say
28:44how's your
28:47therapy going
28:48is that your way of asking me if i've forgiven you yet
28:55you are fine aren't you darling
28:58you've come a long way
29:00i'm proud of you
29:03are you trying to convince me or yourself
29:05i'm trying to have a conversation with my son
29:11we do need to talk
29:13well that rarely goes well for either of us
29:15perhaps i should ask the guard to come in and referee
29:21we need to talk about
29:23we need to talk about
29:24the ruby
29:35come on
29:36come on
29:38come on
29:38come on
29:38come on
29:39come on
29:39come on
29:43come on
29:48Hello Irving, I mean Goldie, I'll call you Goldie for Cain's sake but I think of you
29:56as Irving really, in my heart. He can't help it, it's not his fault, it's who he is, it's
30:03who we are. The first murderer, the first victim. This is our story. Do you even know
30:10what a story is? Should I tell you one? It's a secret story. It's a story about two brothers
30:21who loved each other very, very much and they were very nice to each other, nice and kind
30:26and brotherly, you know? And the elder brother never harmed the younger brother ever.
30:36And they didn't live in different houses, they lived together in the same house.
30:45And they'd be... happy.
30:51I don't mind getting murdered, honestly. If that's what makes Cain happy then, hey, what
30:57are brothers for? Eh, little brother? Come on then. Shall we say good morning to Cain?
31:04Oh, I'll be fine. He never normally murders me before lunch. He's not much of a mourning
31:10person. Like me. Or you, apparently.
31:14May I ask where you're off to, sire? London. Did you not just spend the last hundred years
31:19there? Sorry? Why London?
31:23The sand was sold there. When I have it back, I will seek out my helm. In hell.
31:34Oh dear. Then will you grant me one favor? Before you go, take a raven with you.
31:45No more ravens. No more ravens. If not for you, then for me. A raven can go back and forth
31:51between realms. Keep me informed. I do not need a minder. I am dream of the endless.
31:58Yes, and dream of the endless always has a raven. Jessamy was the last. If this constant
32:09eye is anything like her ancestor, she has served me well enough. She is only human.
32:20As was Roderick Burgess. What could possibly go wrong?
33:00Oh good. You've returned.
33:03And just in time too. His lordship will be pleased.
33:07Where is the dream? He's away. Again. For the moment.
33:12He's out there looking for his tools. Isn't he?
33:16He will be coming back. Well then, I better get a move on.
33:21Where are you going? Back to the waking world. To freedom. You should try some time.
33:27Dreams and nightmares do not belong in the waking world. Oh, turns out I fit right in.
33:32Have you no loyalty to your creator? Why should I? He's no loyalty to us.
33:37You misunderstand him, Corinthian. Oh no, I see him for what he is.
33:42He doesn't give a fuck about you. Or me. He only cares about himself.
33:48His kingdom. Well, he can have it. Because I am leaving. And I am never coming back.
33:57He will come after you. Well then, if he does, he won't be coming back either.
34:07You can't change it. You can't save him either.
34:24You can't change it.
34:28You can't change it.
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