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26:59I don't know.
27:23I'm Mark Van Dyke.
27:25I'll explain you later.
27:37See you later.
27:40Shoot a photo tomorrow or party, okay for you?
27:42Super.
27:45Mark.
27:49For this evening.
27:50What?
27:51Yes?
28:03Hello?
28:05Claire Delval.
28:08Hello.
28:09How is your father going?
28:11Very good, thank you.
28:14We organize a reconciliation in the inquiry of Ludivine Gilson.
28:18A reconstitution?
28:19I didn't know.
28:21Your team told us your impossibility to participate,
28:24but I'm sorry to insist.
28:26It was very difficult to put in place.
28:30This evening, you say?
28:32Yes, this evening, 20h30.
28:34I'm sorry.
28:35If I can be honest.
28:37I hope that justice is done for this young woman.
28:43Goodbye.
28:44Goodbye.
28:48Goodbye.
28:49You're going to kill me.
28:51You're going to be a suspect.
28:52You're going to be a suspect.
28:52You're going to be a suspect.
28:55I'm not going to be a immunity for you.
28:56No, you're not at all.
28:58I don't appreciate that you refuse without me consult.
29:01Well I did.
29:14All right.
29:16You're listening.
29:18All right.
29:19All right.
29:23Oh, no, no.
29:23No, no, no, no.
29:24Oh, no.
29:25Oh thanks.
29:25No, no, no, no, no.
29:26There's a story.
29:27It's not over.
29:28Yes, Peter.
29:31I thought he won't wear it like this all day.
29:36It's okay?
29:37Yeah, it's okay.
29:38I told you that it was too late. I told you.
29:48There's a lot of money.
30:03What do I do? How do I open the door? The phone is too far?
30:14Wait.
30:16Stop with that.
30:19What's that change? I don't want to walk.
30:26Let me.
30:28Let me.
30:38Papa, I'm sorry, really.
30:41This kind of transaction was done at the time.
30:43Nothing to do with corruption.
30:45Yes, but how do you call it?
30:47The Heno needed a bus.
30:49It was the Qatar there.
30:50This is the region.
30:51Papa, stop.
30:52There are families who have a house,
30:55who eat at hot, thanks to me.
30:57But that, you don't want to know.
31:05The political people are not at all.
31:08Even my father.
31:10Surtout, he.
31:17I'm sorry.
31:24I'm sorry.
31:31I'm sorry.
31:40I'm sorry.
31:43It's not that you're here.
31:48It's not that...
31:49It's a good job.
31:50It's a good job.
31:54It's a bad job.
31:55It's a bad job.
31:56It's a bad job.
32:03I'm not going to accept it.
32:06But it's an opportunity in order, six months of work.
32:10But Peter, the trial will start.
32:13This is my instruction. My father is going to be mĆŖlĆ©e.
32:16You don't want to be devin to see there's conflict of interest, right?
32:20And you really need to talk to me like that?
32:23Sorry, sorry.
32:26Of course I thought about it, but it's not your instruction.
32:30And this job was given to me later, so I don't see where the problem is.
32:35You don't think it's already quite complicated for me like that?
32:44We're going to apologize to me.
32:51Claire, please, I need this job.
32:56Can't you find something else?
32:59The society is empty.
33:01And it's just in my skills.
33:05Listen, sorry, but this job, you forget.
33:07And since you decide for me?
33:09Go ahead, go ahead.
33:09Always stay away from your affairs.
33:11Always.
33:14What the hell are you doing?
33:16For me.
33:17Oh, you don't see how you block everything?
33:19Go ahead, go ahead.
33:20Don't let it go.
33:23Do you want it?
33:24Don't let it go.
33:27Don't let it go.
33:28Hey, that's the old boy, all right?
33:30Let's calm down a bit.
33:31Fair.
34:15Hello, I'm Mark Van Dyck, Ketanchma.
34:18Perfect. And Ludivine Gilson?
34:22No news.
34:32No news.
34:46Comment Ƨa, pas dans sa chambre?
34:48On cherche partout. Personne ne l'a vu sortir.
34:51Ok, pas qu'on les rappelle.
34:55Bonjour, Madame Nelval.
34:57Bonjour. Merci d'ĆŖtre venue.
34:59Je vous en prie.
34:59Je suis dƩsolƩe, on a un peu de retard. Un petit contre-temps.
35:02D'accord.
35:08Alors?
35:09Toujours bien.
35:13Rappelez, je sais pas, avec quelque chose...
35:29...
35:35...
35:44...
35:45...
35:50...
35:51...
36:02...
36:03...
36:03...
36:15...
36:18...
36:19...
36:20...
36:22...
36:23...
36:30...
36:31...
36:32...
36:35...
36:37...
36:40...
36:41...
36:49...
36:50...
36:50...
36:51...
36:52...
36:55...
36:56...
36:56...
36:59...
37:01...
37:01...
37:04...
37:16...
37:20...
37:25...
37:26...
37:29...
37:59...
38:17...
38:18...
38:18...
38:21...
38:23...
38:23...
38:25...
38:27...
38:34...
38:35...
38:36...
38:37...
39:05...
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39:14...
39:14...
39:15...
39:22...
39:25...
39:25...
39:25...
39:25...
39:25...
39:25Christine, can you tell the others that Mme Gilsson is here?
39:31Yes.
39:33How are you?
39:34Yes, and you?
39:36Yes.
39:40Have you been drinking?
39:40I'm just going to put it in an ambiance.
39:43Let's go?
39:44Okay.
39:54We were trying to determine your position.
39:57That I remember.
40:03It's here that they were taken.
40:06And they were raped.
40:11Very good.
40:13Everyone in place?
40:17Yes.
40:35We're going to stop when you want.
40:37You decide.
40:50What's going on?
40:50Ludivine?
40:53It's okay.
40:54It's okay. I want to continue.
40:55I'm there. You're in security.
40:59What's going on?
41:00I don't know what to do.
41:06It was written like war cries.
41:12What else did you write?
41:14Ah, no?
41:24Osman?
41:33Uh, Etienne, I think.
41:36It's very good, Ludivine.
41:38It's going to help us.
41:48And...
41:48a big bague in...
41:50an argent...
41:51a baguette ronde.
41:54It's very good.
42:04We'll trace their departure, if you want.
42:09Do you remember what happened after they left?
42:15Uh...
42:15No.
42:17No.
42:22Okay, let's go.
42:23Please.
42:24Please.
42:29Yes.
42:34And they were talking.
42:36There was one who said...
42:38Oh, I'm too bad.
42:39And...
42:41And the other who said...
42:42Oh, I'm going to invite you.
42:46And they were talking about...
42:48A mug...
42:49A quick...
42:50Ou...
42:51Ou...
42:51Ou...
42:51Ou...
42:52Je...
42:53Je sais plus.
42:56Je sais plus.
42:57Je sais plus.
42:58Est-ce que je peux avoir une couverture de l'eau, s'il vous plaƮt?
43:03Je...
43:04Je...
43:04Je...
43:05Je...
43:05Je...
43:06Je...
43:06Je...
43:07Je...
43:08Je...
43:09Je...
43:17Je...
43:22Je...
43:23Monsieur Van Deg.
43:25Quand vous ĆŖtes descendu dans le parking vous n'avez rien entendu d'inhabituel.
43:30Non.
43:31Il Ć©tait quelle heure?
43:33Je ne me souviens plus mais je crois que je crois que c'est dans ma dƩclaration.
43:37Vous ĆŖtes arrivĆ© par oĆ¹?
43:40Par les ascenseurs.
43:42Mais votre...
43:43Place de parking est Ć l'Ć©tage supĆ©rieur?
43:45Oui.
43:45But there was someone in my place.
43:48I had to go down here to me.
43:49And where did you find the divine place?
43:54A little further, in front of the ascenseur.
43:58Madame the judge?
43:59Excuse me.
44:02There is one on the street and two pictures in a 500 meters.
44:07The one is closed and the other is in the other side,
44:10just in front of a camera.
44:13I'll put my arms on it.
44:15There will be news this night.
44:20Good job, guys.
44:23Can I show you the exact place?
44:24Yes, yes.
44:25Let's go.
44:44Do you know anything, or do you?
44:44Do you know anything, oon?
44:45That-
44:46You have to-
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