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The Crown S03E01 [Full Movie] [Trending]Full EP - Full
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07:04I'm New.
07:06I'm assuming New is not your name.
07:10No.
07:11So, when I ask you...
07:14Violet, ma'am.
07:21Where's the other one?
07:23The fat one?
07:25She left, ma'am.
07:29Nervous exhaustion.
07:32PHONE RINGS
07:36Yes?
07:38Morning, ma'am. Lord Snowden sends his apologies.
07:40What?
07:41He's heading out to take photographs.
07:43What?
07:44Of election day.
07:45No.
07:46He will try and join you for coffee.
07:47No!
07:50From the jack to the world
07:55From loneliness to a wedding ring
07:59I played an ace and I won a queen
08:04Turn in.
08:05And walked away with your heart
08:09From a jack to a king
08:12Open the door.
08:14With no regret I stacked the cards last night
08:18And they did not claim her hand just right
08:25For just a little while
08:29I thought that I might lose the game
08:34Then just in time I saw
08:39The twinkle in your eye
08:46Your Majesty.
08:48Your Royal Highness.
08:50Sir Anthony, what's all this?
08:52Preparations for the forthcoming exhibition at the Guildhall Gallery, ma'am.
08:56Of our paintings?
08:57Portraiture in early modern Europe.
08:59I believe you kindly agreed to say a few words.
09:02Did I?
09:02That was a mistake.
09:03Probably.
09:05Who's that by?
09:07Annibale Caracci.
09:08Never heard of him.
09:10This one?
09:11Artemisia Gentileschi.
09:12Never heard of him either.
09:14Her.
09:15Sir.
09:16I'm afraid we're not great connoisseurs of art in this family.
09:19Well, we're country people, really.
09:21Savages.
09:22I wouldn't say that.
09:24But I just did say that.
09:26You disagreeing with me.
09:28I've always said both the Queen and Queen Elizabeth, the Queen Mother, have a very good eye.
09:33Would.
09:34Between them.
09:35One each.
09:37One each.
09:39Right, darling.
09:41I'm off.
09:44Eyes lift.
09:51Good luck with Winston.
09:58If I am to say a few words, I wonder if you might give me another of your wonderful tutorials.
10:03With pleasure.
10:04Your predecessor had very little patience with me.
10:06Whereas you've always been kind enough to make me feel, if not scholarly, then not stupid, which I appreciate.
10:13So to that end, what would you say constitutes early modern?
10:18The end of the Middle Ages to the beginning of the Industrial Revolution.
10:21Roughly late 15th century to late 18th century.
10:24And what era are we in now, do you suppose?
10:26The frighteningly modern?
10:28I think that all depends on the result of the general election today.
10:31Oh, yes.
10:31Have you voted?
10:32I know one shouldn't ask.
10:33I have, ma'am.
10:34A conservative.
10:36Really?
10:38I always had you down as a man of the left.
10:40Perhaps once.
10:41Not anymore.
10:42Who's this?
10:43Rembrandt.
10:44An old man in military costume.
10:47Wonderfully enigmatic character.
10:50Speaking of enigmas, what do we make of Mr. Wilson?
10:52One's heard the rumors, of course.
10:54Rumors, ma'am?
10:54Yes, whilst on a trade mission to Moscow, the KGB got him.
10:58Nonsense, I know.
11:00I wouldn't dismiss them so quickly.
11:05For a young socialist to visit Russia in those days,
11:08with an impressionable mind,
11:10it's not unthinkable he might have been turned to more radical ideas.
11:16But Mr. Wilson is an older man now.
11:19And I'm sure a wiser one.
11:23Harold Wilson's life changed dramatically.
11:26From being a prominent opposition politician,
11:28Harold Wilson became the opposition politician.
11:31A potential prime minister and a servant of the crown.
11:43The Conservatives can afford to lose something in the region of 40...
11:46Sir, the Queen.
11:47We will give them a small, but worth the majority.
11:50Dear Winston.
11:52Your Majesty.
11:53Don't move.
11:55How are you?
11:56Oh, gripped.
11:58Now, it's a proper nail-biter.
12:04You think Mr. Wilson has a chance?
12:06I'm afraid I do.
12:07That we must face the cold wind of socialism
12:11blowing through this land once more.
12:16I probably shouldn't tell you this.
12:19When I was prime minister,
12:22a young Mr. Wilson
12:24came to me asking my permission
12:26to go to Russia
12:30on behalf of...
12:33the...
12:34Board of Trade?
12:36Yes.
12:37Board of Trade.
12:38One of the first Western politicians
12:41to go behind the Iron Curtain.
12:44I remember thinking then,
12:46we'd better keep an eye on that one.
12:52I can't imagine what that would be like.
12:56Having a prime minister one didn't trust.
13:00When one thinks what it was like with you.
13:03I was a terrible bully.
13:06You were my guardian angel.
13:09The roof over my head.
13:12The spine in my back.
13:15The iron in my heart.
13:20You were the compass that
13:21steered and directed me.
13:24Not just me, all of us.
13:27Where would Great Britain be without its...
13:31greatest Britain?
13:32There's one.
13:41Good.
13:41These are the two...
13:44...
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26:41.
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29:33I'll confirm with her majesty and come back to you straight away
29:46Director General of MI5, Mr. Furnival Jones, your majesty
29:55Your majesty, thank you for seeing me
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent
30:11Who has identified a mole at the top of the British establishment
30:16So it's true
30:18Ma'am?
30:19I'd heard the rumours
30:20Initially I dismissed them
30:22But spending time with him personally in close proximity
30:25One had become more and more suspicious
30:29Indeed
30:30And that he should have been able to carry on for so long
30:34Undetected
30:35Is a subject of enormous embarrassment
30:37To all of us
30:39This obviously needs to be handled very delicately
30:42That's what I've come to talk to you about
30:44To see if we might find a way
30:46To contain it
30:48What?
30:50We can't do that
30:52Have a Russian spy in Downing Street
30:56Oh, those rumours
30:58You were talking about Harold Wilson
31:00Yes
31:01I'm so sorry, ma'am
31:03Yes, it's widely accepted
31:05That repeated attempts were made by the KGB
31:07To recruit Wilson when he was younger
31:09Working on trade missions
31:11He travelled to Russia a great deal in those years
31:14But the evidence for the Russians having succeeded is so weak
31:18We discounted it some time ago
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned
31:24He died of lupus
31:26The fact is, even if the Russians had poisoned Gateskill
31:30The most likely beneficiary would have been George Brown
31:32Not Harold Wilson
31:33Wilson was not favourite to take over the leadership at the time
31:37We don't have a Russian spy in Downing Street?
31:41No
31:44But it seems
31:46We do have one in Buckingham Palace
31:52We look at a painting
31:54And immediately want to know it
31:57Understand it
31:59But can anything ever be fully understood?
32:05Take our bearded trickster here
32:07A Venetian card sharp originally ascribed to Titian
32:12Until new evidence came to light
32:14Proving the painting is actually by Lorenzo Lotto
32:16As time passes, so we learn
32:22Truths are revealed
32:23In the late Renaissance, painting after painting
32:26Masterpiece after masterpiece
32:28Seem full of hidden intentions
32:31Multiple meanings
32:35Annibale Caracci's allegory of truth and time
32:39Painted in 1584 or 1585
32:41This winged figure here
32:45Rescues a young woman
32:47His daughter
32:48From the darkness
32:50He is time
32:51She is truth
32:53And this figure below
32:56Trampled by truth
32:58Is deceit
33:00Caracci's message is clear
33:05Be patient
33:07The truth will out
33:09I'm afraid I can now confirm
33:10That the surveyor of the Queen's pictures
33:13Sir Anthony Blunt
33:15Was the fourth man in the Cambridge spy ring
33:18The message encoded in the painting
33:21Is repeated in reality
33:22As with the Lotto
33:24Time passed
33:25And the painting was restored
33:26To reveal
33:27Deceit is two-faced
33:29She has a second
33:31Monstrous visage
33:33And that alongside
33:35Conducting a distinguished career
33:37As an art historian
33:38And member of the royal household
33:40He spent 15 years
33:43As an active KGB mole
33:45And passed almost
33:462,000 documents
33:48Of sensitive military secrets
33:49To the Kremlin
33:50Truth may lie
33:52Beneath the surface
33:54Buried
33:55Forgotten
33:56But time
33:57Has a way
33:58Of uncovering it
34:00One thinks of
34:02The Merchant of Venice
34:03Truth
34:04Will come to light
34:07Murder
34:07Cannot be hid long
34:10A man's son
34:11May
34:12But at the length
34:14Truth
34:15Will out
34:19Thank you
34:34We had initially hoped
34:36The information was false
34:37We get these sorts of claims
34:39All the time
34:40But
34:42We subsequently detained
34:44And interviewed
34:45Blunt
34:45And
34:48I'm sad to say
34:49He has confessed
34:52In full
35:02What's the next step
35:04Well as a traitor
35:05To his country
35:06He should of course
35:07Stand trial
35:08Be put in prison
35:09And the key thrown away
35:11Quite frankly
35:11Unless
35:12It was felt
35:14That exposure
35:15Of Blunt's treachery
35:16Could cause
35:18Even more damage
35:19What
35:20Then
35:20Keeping it silent
35:22How
35:23Apparently
35:24It could have
35:24A catastrophic effect
35:25On the reputation
35:26Of our intelligence services
35:27The fact that he had gone
35:29Undetected for so long
35:30Which could in turn
35:32Seriously affect
35:33Our relationship
35:34With the Americans
35:35We're on our last reserves
35:37Of goodwill with them
35:38As it is
35:39One more operational failure
35:41And our credibility
35:41Would be completely shot
35:43What are they suggesting
35:44That we
35:45Turn a blind eye
35:47And allow
35:47A traitor
35:49An enemy of this country
35:50To remain free
35:51With his career
35:53And reputation intact
35:55Just to spare
35:56MI5's blushes
36:00The man should be shot
36:02I agree
36:03But instead
36:04I have to get up
36:05And pay tribute to him
36:06At this exhibition
36:08How am I supposed
36:09To get through my speech
36:10I might choke on my words
36:27We stand here tonight
36:29Surrounded by some of the royal collection's
36:32Great treasures
36:33To admire the genius of Rubens
36:35Titian
36:36Rembrandt
36:37And Hobart
36:38But we are able to make sense of it all
36:41Appreciate it
36:42Understand it
36:44Speaks to the genius of another man
36:46Whose exceptional scholarship
36:48And vision
36:50Have brought us together today
36:52Sir Anthony Blunt
37:00It is he
37:01Who has curated this exhibition
37:03And given meaning to mystery
37:05And revealed what really does
37:07Lie beneath the surface
37:10I for one
37:11Had never thought of art history
37:13In that way
37:13As the art of investigation
37:16Solving riddles
37:18Finding clues
37:20Unlocking secrets
37:22It's been quite an education
37:25I particularly enjoyed the portrait
37:27Which turned out
37:28To have another person
37:29Lurking beneath the surface
37:35Have I described that correctly
37:36Sir Anthony
37:37Or am I stumbling around
37:38In the dark as usual
37:40Not another person ma'am
37:42The same person
37:43It was not uncommon
37:45In the early modern period
37:46For an artist to finish a portrait
37:48And the patron would take a look
37:50And ask for a more flattering version
37:52Of themselves
37:54And the artist would paint
37:55Another version
37:56Over it
37:59So not two different people
38:00Two different versions
38:02Of the same person
38:04Which might as well be
38:06Two different people
38:08The idealised version of themselves
38:10They want to be seen
38:11And the less desirable person
38:13They rarely are
38:14Hidden away
38:16There's even a word for it
38:18Pelampsest
38:19That generally applies
38:21To manuscripts ma'am
38:22Pentimento for paintings
38:25Pentimento
38:26Well I think I speak
38:28For everyone here
38:29When I say
38:30None of us will be able
38:31To trust
38:31Or look at anything
38:33In the same way
38:34Ever again
38:35Thank you
38:36Applause
39:05Aplausos
39:05Prime Minister.
39:08Your Majesty.
39:09I'm so glad you came.
39:11It gives me the chance to apologise in person.
39:14What for?
39:16There's no need to understand.
39:18All you need to know is that I misjudged you terribly.
39:21And I'd like to take this opportunity to say sorry.
39:29Are you an art man?
39:32Art?
39:33Yes, art. Paintings.
39:34Well, actually, no.
39:37I'm an economist. Statistician at heart.
39:41I'm happiest with numbers.
39:44You can trust numbers.
39:46They're honest.
39:48There's no mystery or deception or allegory.
39:54You know where you stand.
39:57What you see is what you get.
40:01I prefer things that way.
40:04I quite agree.
40:16Excuse me a moment.
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