- 6 days ago
Después del divorcio, la heredera recupera todo
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Short filmTranscript
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04:47por tres años, ¿verdad?
04:49¡Of course she was!
04:50She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you, still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08But you actually seeing someone else, who is he?
05:11Big talk!
05:12Don't bring me down to your level.
05:15I'm not like you.
05:16Since your sister-in-law lost her ring.
05:22Why don't you take...
05:29This one.
05:31You've been waiting for this for a long time, haven't you?
05:39Bye.
05:46And so I left.
05:49This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter, and even invested in his business.
06:00How dare that Drake do this to my daughter!
06:04Look, it's actually a good thing, Dad.
06:08Now we know who he really is, and he has no idea who I am.
06:12Still, you're my daughter. I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company.
06:19We're gonna pull our investment immediately.
06:22Yes. It's time to cut him off.
06:24He doesn't deserve you.
06:25I'm over Drake.
06:28If we withdraw the plans now, it's going to hurt the family business.
06:32He's not worth it.
06:35Honey.
06:37Why didn't you just take a vacation?
06:40Just put all this aside and take some time out for yourself.
06:44Yeah.
06:47No.
06:50I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:06Universal, Paramount, every major studio wants this.
07:12Liar's Game.
07:13Your story on the big screen.
07:16If you're in, I'd be happy to be the one headlining it.
07:18Oh.
07:19So that's why they're making it.
07:21Because of you.
07:22I'm sorry, Christopher Santoro.
07:24See?
07:25They're not funding the film.
07:27They're funding you.
07:29Oh.
07:30They're funding the story.
07:31It's more than good.
07:33It's phenomenal.
07:36Christopher is right.
07:37I'm taking my life back.
07:43I'm going to adapt to myself.
07:46You are?
07:47Yes.
07:49I will.
07:50Good for you.
07:52I won't tell anyone I miss you.
08:04Congratulations to Aria Wong for winning the best director.
08:12This is my close friend from college.
08:15Aria, I need your help.
08:17I want to adapt the Liar's Game myself.
08:19And I want you to direct it.
08:22Of course.
08:23Okay.
08:26There's just one thing.
08:27I want to keep my identity as the writer a secret.
08:31I don't want anyone to know.
08:33Especially not the team.
08:35SQ.
08:35Are you sure?
08:37But why keep it a secret?
08:38I just want people to focus on the story itself.
08:42Got it.
08:43Your secret's safe with me.
08:44Hey.
08:46Oh my god.
08:50Dave.
08:51It's a bit weird.
08:53Ever since news got out about our movie, my phone has not stopped ringing.
08:58Really?
09:04It's Stephanie.
09:09Yeah, just take it.
09:14Hello?
09:15Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:35As long as they write for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:44Mm-hmm.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:56What about me?
10:00Can I be your hero?
10:05Oh, you mean, uh, a film, right?
10:10I've never considered anyone else.
10:15I have to take this.
10:17Hi.
10:22You know I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:31I've waited this long.
10:37Well, well, well.
10:39Look who it is.
10:43Why are you here?
10:44Oh, I see.
10:46You're the production assistant.
10:48Well, do your job.
10:51Get me a water.
10:54Stephanie.
10:56Get your own water.
10:57I'm not your PA.
10:59Look.
11:00It's my first day on set and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order?
11:07Are you deaf?
11:09I'm not a PA.
11:12Here's a tip.
11:13Go on.
11:15Show some respect, Stephanie.
11:17Do you know who she is?
11:21What are you doing?
11:22Oh, no.
11:24She can't know I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:32I don't want anyone to know, especially not the team.
11:38What do you mean?
11:40Who is she?
11:43No one but a lower PA, I'm sure.
11:49Isn't that right?
11:50Well, actually, she's...
11:54She's just a PA.
11:56You're right.
11:59So why don't you show me a lower PA, your acting skills?
12:03Of course.
12:03Maybe I'll be impressed even by who the gofies myself.
12:07Watch this.
12:13I loved you once.
12:15Or so I thought.
12:18But now I see that it was all just a lie.
12:22A beautiful...
12:26Painful lie.
12:30You took everything from me!
12:32You took everything from me!
12:34My dreams!
12:36My future!
12:40See?
12:41There's no soul.
12:43That's not acting, it's just...
12:45reciting lines.
12:48Why don't you show her how it's done?
12:50What?!
12:50Go on.
12:55Go on.
12:57Go on.
12:58Go on.
13:16Go on.
13:17I loved you once.
13:20Or so I thought.
13:23But now I can see.
13:25It was all a lie.
13:27A beautiful, painful lie.
13:31You took everything from me.
13:36My heart.
13:38My dreams.
13:41My future.
13:43And for what?
13:46For your own personal gains.
13:59How is that possible?
14:02Dorothy, that was perfect.
14:05The role is yours if you want it.
14:08No!
14:09This role is mine!
14:12Hide the one with the investment.
14:13Without me, there's no funding for this movie.
14:15Your investment?
14:16Do you even know who she is?
14:20Who is she?
14:25Who is she?
14:26As you know, no one but a PA.
14:30Dorothy.
14:31This movie is important to Stephanie.
14:33I mean, why are you here?
14:34You're not a real actress.
14:35What are you doing? You're trying to ruin her career.
14:37You're trying to get back at me by ruining her career.
14:39I'm not ruining anything.
14:41If she can't handle the role, that's on her, not me.
14:45You can't blame this on anyone else.
14:47You embarrassed her in front of everyone.
14:50I mean, I know what you're doing.
14:51You're the one pulling all the strings here.
14:53You're trying to make her fail so you can take her place.
14:55She's using this whole thing to get to you, Drake.
14:58She's been jealous from the start.
14:59Trying to ruin my chances to get back to you.
15:02Okay, no. I don't want to fight anymore.
15:04Let's just take a look at the script and maybe we can work something out.
15:08And you were just so damn selfish!
15:12You already care about yourself!
15:14Just give Stephanie her role back!
15:16You know what?
15:18I didn't want to do this.
15:20But I will.
15:21I'll take the role.
15:23I'll play the lead.
15:28I'll play the lead.
15:29No way! You can't be serious!
15:31She's not even a real actress!
15:35Dorothy's performance was far stronger than yours.
15:38Everyone in the room can see it.
15:42I'm so glad you've agreed to do the role.
15:46Right, it's settled then.
15:48The lead roles go to Christopher and Dorothy.
15:52I will double my investment if you give Stephanie a role.
16:17You two are just such...
16:21Okay, look.
16:23If the money's on the table, there's no reason to turn it down.
16:26Let's just give her a part.
16:29We have nothing to lose.
16:30I guess that'll be fine.
16:33I'll talk to SQ.
16:40Your father's production company is already the biggest investor in your movie.
16:43So why take Drake's money?
16:45You don't...
16:46You don't still have feelings for Drake, do you?
16:48No!
16:50He's an asshole!
16:52Come on.
16:54I've got an idea.
16:57Why don't we just give her a character?
16:59That'll make her miserable.
17:03Wow, Mr. Santaro.
17:04I feel bad now.
17:11I only wish you didn't have feelings for Drake anymore.
17:16How did she learn herself the role?
17:18She's practically a nobody.
17:20No fan base, no real experience.
17:22Just one good scene.
17:24Doesn't make sense.
17:28Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:44You wanted a role, we gave you a role.
17:47I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:56Even a small role in SQ's film is going to do great things for your career.
17:59Now is not the time for you to be messing around.
18:04Fine.
18:10Two take one.
18:12Action.
18:13Lily, you are my best friend.
18:15How could you do this to me?
18:16I'm sorry, but this is...
18:20What the hell are you doing?
18:22It's part of the scene!
18:27Okay, take it again from the slap.
18:30Action.
18:30Cut!
18:35Cut!
18:36Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:53Did you see her face?
18:56Absolute gold.
18:57I mean, she got what she wanted.
18:59She asks for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:09And we all know the film's better without her slowing us down.
19:12You're right.
19:15I'm not gonna let anyone ruin your story.
19:21So, if you can just give me something that's a bit more...
19:26Tell me about her back.
19:34What's going on with my scenes?
19:35Why have so many of them been cut?
19:37It's a collective decision.
19:41Fuck that!
19:42Let me talk to the writer.
19:44The writer is SQ and, as you know, they never show their face, so their decision is final.
19:51I'll see you on set in five.
20:05Now it all makes sense.
20:11Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:30Everyone, I have an announcement to make.
20:33Today will be Stephanie's last day on set.
20:41You really think I don't see through your little games?
20:44Somebody will be walking out that door today.
20:46But it won't be me.
20:49You really think you can get away with this?
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you talk your way out of this one.
21:00Slut.
21:05That's enough!
21:10So were you the one who was stalking and secretly taking photos?
21:13What? Scared the truth is going to come out?
21:16Someone had to expose her for who she really is.
21:19So you admitted.
21:21You did it.
21:22Damn right I did.
21:23And I'd do it again if I had to.
21:27You don't know who you just crossed!
21:29Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too.
21:36And now your mistress is about to be exposed.
21:40Yeah.
21:41Security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50I have rights!
21:51I was only telling you the truth!
21:53She is a mistress!
21:54A loose woman!
21:55A lady of the night!
22:03Is it true that Dorothy is John's sugar baby?
22:06Otherwise why would he come onto the set and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me!
22:13He had me dragged off the set like a criminal!
22:15You should have seen it!
22:17I'm not gonna let her just ruin her reputation like this!
22:21I mean this whole mess is just making us look like fools!
22:25Dorothy's always been trouble.
22:27I mean first she goes off with a married man and now this!
22:31I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly nothing but a slut!
22:47Oh!
22:49Drake, Stephanie is your sister-in-law.
22:52Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:59She was sleeping her way to the top!
23:02Killing Stephanie's unborn child!
23:05And John dragging her off the set!
23:07You should be sticking up for Stephanie!
23:13I'm not gonna let her do this to you.
23:28Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything!
23:33You did!
23:34You told Stephanie over me! Remember this one?
23:37She's my sister-in-law!
23:38I'm so sick of hearing this!
23:41You have feelings for her and I'm just tired of it!
23:45You're out of your mind if you think I'm gonna let you get away with this!
23:48You do what you want to do!
23:50For now, get out!
23:53Why?
23:59We were married for three years.
24:01And we never...
24:02Oh, your dear! Fuck!
24:03You might let go of it!
24:14No wonder you want me to go!
24:17Just look at yourself.
24:19You're not half the man Christopher is.
24:23Get out!
24:24Or I will call the cops.
24:27Just go!
24:36Are you okay?
24:42Dorothy?
24:44Remember, safety first.
24:46The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:54Got it.
24:55Got it.
25:04Here's a coffee for you.
25:05Thank you.
25:06It's still early before the shoot.
25:07Take your time.
25:16What?
25:22There's a coffee for you.
25:25What?
25:30There's a coffee!
25:30What?
25:31What?
25:32I got to the one!
25:35I got to the one!
25:39I had to go.
25:40I got to the one!
25:44The Wooc?
25:44The Wooc?
25:44The Wooc?
25:59¡Suscríbete al canal!
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30:48...y Nick was lying in that hospital bed.
30:50You promised him you'd look after me.
30:52I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56Don't worry.
30:58I'll get you your character back.
31:16There's a tape of a documentary that apparently SQ has always wanted.
31:20So, we win this bid and we gift it to them.
31:24We should be able to get you your rollback.
31:28Up next, a rare gem.
31:31The original film documentary chronicling the creative journey of none other than herself.
31:37Legendary screenwriter, Margaret Lane.
31:40$50,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:49$60,000.
31:54$70,000.
31:57$100,000.
32:01This is my grandmother's documentary.
32:03It's her legacy.
32:05She's the one who inspired me to become a screenwriter.
32:08I can't let it fall into the wrong hands.
32:13$500,000.
32:16$500,000.
32:22$500,000.
32:26I'm trying to get you your rollback.
32:28Don't worry.
32:29I've got it covered.
32:31Ladies and gentlemen, we are down to the final bid.
32:35Standing at a whopping $500,000.
32:39$500,000 going once.
32:42$500,000 going twice.
32:45Sold to the lady in the blue dress.
32:55I can't believe this.
32:57You have no right to take that film reel with you.
33:04You have no right to take that film reel with you.
33:16Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:23Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case...
33:35May I see your invitation?
33:42I did have it, I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
34:11I'm sorry.
34:12These are the rules.
34:14The documentary reel will go to the honorable couple.
34:23Thank you.
34:35Stephanie, wait.
34:37Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention by going after something that Stephanie wants?
34:50No, you don't understand.
34:53Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:58You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:04Dorothy.
35:05What the hell are you doing?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:15Is this about your role being cut from the bone?
35:19Is that why you're doing this?
35:23I'm the writer.
35:24I'm going to fix this.
35:26Then you write the story and bring your character back.
35:29Just...
35:30Just let me have the real face.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:39You, the writer-esque you.
35:42Can you give us a break?
35:43Look, this reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long,
35:53and you don't even know her.
35:54Oh, and you do.
35:55A hell of a lot more than you.
35:57What the fuck do you think you are?
35:58Both of you, calm down.
36:13Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:17I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me.
36:21Please, just name your price.
36:26Even if I had no use for it,
36:28I'd never give it to you.
36:56I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured,
37:11but it's just one way of seeing things.
37:14The magic is creating it yourself.
37:17And someday you will.
37:29Dorothy, I need you to go apologize to Stephanie
37:33and give her her role back.
37:36Apologize?
37:36To her?
37:38She destroyed the reel.
37:39She wouldn't have done that
37:40if you hadn't pushed her.
37:46So go apologize or I'm pulling my funding.
37:49Look, Dorothy,
37:51let's be real here.
37:53Without Stephanie,
37:55Barry's going to invest.
37:57Even the production company will pull out
37:58if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation
38:03is exactly stellar right now.
38:06Christopher's fans hate you.
38:07Stephanie's fans hate you.
38:09Even if you actually make this film,
38:12no one's going to support you.
38:13You won't be preparing.
38:16If you apologize to Stephanie now,
38:20I can help you.
38:22I can control the press.
38:24I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:33What's so funny?
38:35Pull your funding.
38:37Do it.
38:38You'll see it does nothing for the movie.
38:40Okay.
38:42So what if I tell the production head
38:43to pull his funding too?
38:46Didn't I tell you that I know Mr. Bennett?
38:48No.
38:49Go ahead.
38:50Quiet.
38:51You want me to call?
38:53Mm-hmm.
38:54Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Mossbacher.
39:02Yeah, I'm pulling my funding from Lies Game
39:04and I suggest that you do the same thing.
39:06I've seen it
39:06and it's a sinking ship.
39:10You're pulling out?
39:11Great.
39:11I'll take full control of the investment.
39:14Not a problem.
39:20So you're sat with it?
39:25That's why he's supporting you, isn't it?
39:29Is this how you see me?
39:31The type of woman
39:31who would use her body
39:32to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie,
39:42cut ties with Mr. Bennett
39:43and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you,
39:47I'll match it.
39:47I'll double it.
39:49You must be out of your fucking mind.
39:51What makes you think
39:53I would ever go back
39:54to that living hell?
39:55Living hell?
39:56You heard me!
39:57Being married to you
39:59was a fucking nightmare.
40:01You made me believe
40:02you loved me.
40:04And then you had me waiting
40:06in vain
40:06for three years, Drake.
40:08You said you always protect me,
40:10but then when I need you the most,
40:13you just turned your back on me.
40:15You chose your sister-in-law
40:17over your wife.
40:21We've had enough, Drake.
40:22You were my prison.
40:24So just go back
40:25to your precious Stephanie.
40:31Let's just go.
40:41Why, are you hurt?
40:43Are you okay?
40:50What is Steph?
40:51What are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always thought of you
40:58You're like a sister.
40:59Sister?
41:01Funny.
41:03Don't you remember
41:03when you came to me
41:04the night Nick and I got married?
41:05Don't you remember
41:06what you said?
41:09Remember this?
41:10Yeah.
41:10Why not marry Stephanie?
41:13God.
41:13You were practically
41:14begging me not to marry Nick.
41:15No, I shouldn't have
41:16said that.
41:16I shouldn't have said that.
41:17I don't want to see that.
41:20What's that?
41:22Oh, it's nothing.
41:23Yeah, what is that?
41:24No, Drake, no.
41:25Please.
41:26No.
41:28You lied about this.
41:32You lied about this.
41:36You said that Dorothy
41:37pushed you into the water
41:38but this shows you
41:39shoving her in.
41:41It's a glitch.
41:42A glitch.
41:44So, do you actually
41:45expect me to believe that?
41:47What's this?
41:50Buying pills
41:50off the black market.
41:53Tell me I hit your pregnancy.
41:55It's you.
41:56It's time when
41:57you blamed Dorothy
41:57like some sort of scapegoat
41:59and she was innocent
41:59the whole time.
42:01Please, no.
42:01You have to believe me.
42:03I didn't...
42:03Do you know what?
42:04I've always thought of you
42:04like a sister.
42:06I've always taken care of you.
42:08I even thought that I loved you once
42:08but that was before
42:09you were Nick's wife.
42:13You've changed.
42:16You've changed.
42:19You're not the person
42:20I thought you were.
42:23I only looked after you
42:24because I thought it was my duty
42:25as Nick's brother
42:26to look after his widow.
42:28I guess there's no need
42:30to look after you anymore.
42:32What does that mean?
42:33You're just going to
42:35throw me away?
42:36I'm not going to throw you away
42:38but this is my house.
42:41When I'm back,
42:42I hope you'll be gone.
42:44But you can't just
42:45walk away from me like that.
42:46I've said everything
42:46that I need to say.
42:47Now I'm going to go find
42:48the person that I actually
42:49care about.
42:55Dorothy,
42:56this is all your fault.
43:01Let's take this bitch down.
43:15Don't you want to say please?
43:20No.
43:22I was wrong.
43:25I misunderstood everything
43:27about you and about us.
43:31Can you please just hear me out?
43:34You think you can just
43:35come here and apologise?
43:37After everything?
43:39I didn't mean to hurt you.
43:42Look, I understand what I did
43:43but it was just because
43:44it was definitely an enemy.
43:45Can you please just forgive me?
43:48I don't need your apology, Drake.
43:51You let me down.
43:52You abandoned me.
43:54And I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg
44:01for my forgiveness?
44:03Oh my God, please
44:04just don't show me out.
44:05I can fix this.
44:06I can fix it.
44:07I can do anything, Dorothy.
44:09Please, just...
44:10No.
44:12You were never the person
44:14who thought you were.
44:15And I'm not either.
44:17I've moved on.
44:20I don't need you.
44:25Not like I used to.
44:27Just stay back.
44:29After everything.
44:30Yeah, that's it.
44:43I just have better than this.
44:55I just have better than this.
45:11Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:22of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:29This is true, Dorothy.
45:30You're involved with a married man.
45:31What's your response
45:32to Stephanie's claim?
45:36This is ridiculous.
45:38Let's talk about how she got here.
45:41Shall we?
45:42She didn't get here off her talent.
45:44Oh, no.
45:45She got here by clinging
45:46to powerful men.
45:49No real experience.
45:50No skill.
45:51Just a man's name
45:52and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say,
45:59let's hear it.
46:00Dorothy, it's a trap.
46:02I'm not afraid of the truth.
46:04Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:12How did you get here?
46:14Did you use your relationship
46:16with John Bennett
46:17to land the part?
46:34A homework, are you saying?
46:36Is there something wrong
46:37with me appearing
46:38with my own dad?
46:39You're the one
46:40who sent me this photo, right?
46:41How about you take another one?
46:43This time,
46:44of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy.
46:48Are you really
46:48John Bennett's daughter?
46:49Yes.
46:50I bet you never ask
46:51my last name.
46:52It's Bennett,
46:53either way.
46:56So, Dorothy
46:57is the producer's daughter.
46:59Dorothy,
47:00so,
47:01did you use your father
47:02to get the part?
47:03Aha.
47:04So, it's just nepotism,
47:06then.
47:10Well, even if she didn't
47:11fuck her way to the top,
47:12she still only got here
47:13through her connections.
47:14Whether you like it or not,
47:15my performance
47:16speaks for itself.
47:17And everyone here
47:18saw it.
47:19She was actually really good.
47:20Yeah, she handled the movies.
47:22Oh, are you saying
47:23that everyone here is wrong?
47:24You think you're so
47:25clever,
47:26don't you?
47:28Fine.
47:28You can act
47:29a little bit.
47:30But let's be real.
47:32You didn't land
47:32this role on your own.
47:33You just snapped
47:34your bony little fingers
47:35and let daddy
47:36give you a role.
47:37How else
47:38would a nobody like you
47:39have landed yourself
47:40the lead otherwise?
47:42Dorothy isn't just
47:43a nobody.
47:46She wrote
47:47Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that
47:57be possible?
47:58Liar's Game is a masterpiece.
47:59There's no way
48:00you could have written it.
48:01You don't have to
48:02believe me.
48:03Just let the credit
48:04speak for itself.
48:08How can this be true?
48:11Oh, no.
48:13It's not like that.
48:15Dorothy Bennett,
48:16you're the daughter
48:17of the producer
48:17and the famous writer
48:19SQ.
48:19Why did you keep
48:20your identity
48:20a secret so long?
48:24Why did you keep
48:25your identity
48:25a secret so long?
48:26Stephanie Marsbecker,
48:28Linda Marsbecker
48:28and Ellie Marsbecker,
48:30I'm arresting you
48:30on suspicion of
48:31defamation.
48:32No, no, no.
48:33I didn't do anything wrong.
48:34This was all
48:34Stephanie's idea.
48:35I didn't do anything.
48:43This whole time
48:44she was actually
48:45telling the truth.
48:46Dorothy's SQ.
48:49She's genius.
48:51That's why
48:52she always had
48:53a book in her hand.
48:55Always writing
48:57something on her laptop,
48:58always lost in her thoughts.
49:01Didn't even see her.
49:05Guess I was blind
49:06all along.
49:08I don't deserve that.
49:13But me.
49:28I've missed this place.
49:31Don't you remember?
49:32Of course I do.
49:34We saw so many films here.
49:36We would just
49:37stay in our seats
49:39and talk
49:40about life
49:41and everything.
49:44But you just
49:44made me feel
49:45like I could face
49:46more anything, really.
49:51God, I used to be
49:52so nervous back then
49:54about everything
49:55of the future.
49:58But you just
49:59made me feel
50:00like I could face
50:01or anything, really.
50:03No.
50:05Someone had to be there
50:06to make sure
50:06you didn't overthink
50:07everything.
50:08I remember you used
50:09to unpick
50:10every little detail
50:11like it was
50:11a life or death
50:12situation.
50:17You know, Dorothy.
50:21Life's not been
50:21the same without you.
50:26Even when we
50:26parted ways, I
50:29always knew that
50:30we would find
50:30each other again.
50:34I don't care
50:34what we've been through.
50:36I don't care
50:37what's happened.
50:38All I know
50:40is that I need you
50:41now.
50:44more than ever.
50:58And the award
51:00for best adapted
51:01screenplay goes to
51:03Dorothy Bennett
51:04with Liar's Game.
51:08Wow.
51:10Best screenplay.
51:12Shall I start
51:13calling you
51:14Your Majesty?
51:15I think that's
51:15a great idea.
51:17Why don't I start
51:18now?
51:19You deserve this.
51:21Your Majesty.
51:23Every bit of it.
51:25Now,
51:27since you won,
51:29I think this
51:29calls for a reward.
51:31Oh, yeah?
51:34And what would that be?
51:35¿Me?
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