- 20 hours ago
＂Westworld＂ de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [Long Version]Full EP - Full
Category
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Short filmTranscript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:49We have you on grid 5.
00:06:52We have you on grid 5.
00:06:53Notify ground.
00:07:00Notify ground.
00:07:01Sandbox.
00:07:02Locking in now.
00:07:06Shutdown 2.
00:07:08Shutdown 3.
00:07:09Down 2.
00:07:11Down 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Please go to your color-coded tram, which will take you to the world of your choice.
00:07:45Give your name to the attendant.
00:07:50Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine.
00:07:58Peter Martin.
00:08:01Please go to your color-coded tram, which will take you to the world of your choice.
00:08:07We are sure you will enjoy your stay in Western Rome.
00:08:10Was she a...
00:08:11Probably.
00:08:12If you are there, please do whatever you want.
00:08:13That's amazing.
00:08:14There are no rules, and you should feel...
00:08:16Supposedly, you really can't tell.
00:08:18Except by looking at the hand.
00:08:19You may not be afraid of hurting anything or of hurting yourself.
00:08:22They haven't perfected the hands yet.
00:08:23Nothing can go wrong.
00:08:25You will enjoy your stay in Roman world.
00:08:27While you are there, please feel free to indulge your every whim.
00:08:32Medieval world exists for you, the guest.
00:08:35Nothing can go wrong.
00:08:58There is no room for you, the guest of Mata Seas been donde you went to the hour with her
00:09:03job.
00:09:06Total is known for both Damited現在 produced by String the Patric acid to be argued.
00:09:13There is nothing who is here to be mentioned here in the house in the house.
00:09:14There is nothing who is in the house.
00:09:14You may not be afraid of looking at all these customs programs.
00:09:15Once upon a date with theopf Vice President, there is no room for their Themen to see it.
00:09:16And with the mil-Penerщ Alison being Vielen who is in this meeting where the Mil Moderator is theyصل?
00:09:42I don't know what to do if the stagecoach is late.
00:10:17I don't know what to do.
00:10:31I don't know what to do.
00:10:52The path will cost you two bits for hot water, dinner at 7, breakfast at 6.30, eat lunch on
00:10:59your own, a couple of places in town to eat.
00:11:02It doesn't look like much here, but we have everything.
00:11:05Just a minute.
00:11:17You mean to tell me he's a robot?
00:11:19That's what I need to tell you.
00:11:25I'm paying $1,000 a day for this?
00:11:28It's authentic.
00:11:30The west of the 1880s.
00:11:35Well, at least they could have made it a little more comfortable.
00:11:38Well, that's the point.
00:11:40This is really the way it was.
00:11:43You wanted comfort.
00:11:44You should have stayed in Chicago.
00:11:46Hey, Julie would have loved all this.
00:11:49Poking around for hours in all those funny shops, looking for silly things.
00:11:52Peter, what the hell's wrong with you?
00:11:53You're a lawyer.
00:11:55You know better than anybody else what a ride she took you for.
00:11:58Well, the kids.
00:12:00Fine, the kids.
00:12:01Here you are, six months later, still thinking about it.
00:12:04No, not really.
00:12:05It just came to mind is all.
00:12:14There's a lot to do here.
00:12:36There's a lot to do here.
00:13:17What will it be?
00:13:18Whiskey.
00:13:19What about you?
00:13:21Like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38Looks like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43The best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are...
00:13:53guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough,
00:14:00but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:18Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:36Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:14Give this boy a bib.
00:15:20Go on.
00:15:29He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:49You say something, boy.
00:15:56I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:15I said you don't want to.
00:16:31Your move.
00:16:54I don't know.
00:17:20I don't know.
00:17:34I don't know.
00:17:34Hey, John, how do I know I'm not going to kill another guest with this thing?
00:17:41Try it.
00:17:46Shoot me.
00:17:48Go on, shoot.
00:17:57Shoot!
00:17:57Shoot!
00:18:01The gun is a sensing device.
00:18:03It won't fire at anything with a high body temperature.
00:18:07Only something cold like a machine.
00:18:09Hmm.
00:18:11I thought of everything.
00:18:15The Black Knight won't be repaired till tomorrow afternoon.
00:18:18There's a distortion change on the 4 feet high.
00:18:20Guns on writing is 5 feet 5 feet 5 feet.
00:18:23Yeah, I have the banquish schedule.
00:18:24You better check the initiative.
00:18:25You'll find a movie if that conforms.
00:18:31Oh!
00:18:42Oh!
00:18:44Oh!
00:18:46Oh!
00:18:51Oh!
00:18:52Oh!
00:18:53Oh!
00:18:53Oh!
00:18:54Oh!
00:19:12What do folks do for companionly entertainment in this town?
00:19:15I wouldn't know about such things.
00:19:17I'm just running this hotel.
00:19:19Well, Ms. Carey has a real nice saloon down at the end of the street.
00:19:22Now, I won't have talk of that woman in this house.
00:19:25Not over my dinner.
00:19:27Food's real good, ma'am.
00:19:29Thank you, stranger.
00:19:30You're a gentleman of some breeding.
00:19:32Give me a seat to everything.
00:19:36Who's Ms. Carey?
00:19:52Bye.
00:20:09Bye.
00:20:12Bye.
00:20:13Bye.
00:20:14Bye.
00:20:22Uh, the fellow's new in town?
00:20:26Yep. Whiskey.
00:20:30Just passing through?
00:20:33Maybe.
00:20:34Looking for some fun?
00:20:38Maybe.
00:20:40Well, you come to the right place. There's plenty of fun here.
00:20:45That's Cindy and Arlette.
00:20:49Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to them.
00:20:54Perhaps?
00:20:55They're real accommodating.
00:20:58There you go.
00:21:00You look at me, gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, they sound good to me.
00:21:07Are those two girls machines?
00:21:10Now, how can you say this thing like that?
00:21:14Come on.
00:21:27What's going on?
00:21:31They're robbing the bank.
00:21:33Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:36Ah.
00:21:37Well, you don't know.
00:21:38It might be fun to fight bank robbers.
00:21:39Look, Pete.
00:21:41This is better.
00:21:49It might be fun to be fun to be fun to be fun to be fun to be fun to
00:21:57be fun to be fun to be fun to be fun to be fun to be fun to be fun
00:21:58to be fun to be fun to be fun to be fun to be fun to be fun to be
00:21:59fun to be fun to be fun to be fun to be fun to be fun to be fun to
00:21:59be fun to be fun to be fun to be fun to be fun to be fun to be fun
00:21:59to be fun to be fun to be fun to be fun to be fun to be fun to be
00:21:59fun to be fun to be fun to be fun to be fun to be fun to be fun to
00:21:59be fun to be fun to be fun to be fun to be fun to be fun to be fun
00:22:00to be fun to be fun to be fun to be fun to be fun to be fun to be
00:22:02fun to be fun to be fun to be fun to be fun to be fun to be fun to
00:22:07be fun to be fun to be fun to be fun to be fun to be fun to be fun
00:22:07to
00:22:25uh there uh there is something i have to tell you i i don't know if it matters
00:22:32but it matters to me i uh i haven't ever had a uh uh
00:22:47well i i hardly know you if you know what i mean i mean uh
00:22:51we just met a few minutes ago and uh you're probably very nice
00:23:17i feel funny
00:23:23why
00:23:37so
00:23:48so
00:24:16I
00:24:16Think you're very nice
00:24:27How was it wasn't it terrific boy machines are the servant of man was that great?
00:24:35Not that not bad now. You're the big lover
00:24:42Well, you know it is some guys everywhere with women
00:24:47Shooting stop I
00:24:51Guess we missed the robbery you
00:24:55Can't have everything
00:25:01John this place is really fun
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00:29:10Yeah, she fell over this afternoon.
00:29:13I think it's a sensor.
00:29:16But if it's a central unit, we'll have to open her up.
00:29:18Well, you get a confirmation before you do that.
00:29:24What's he in for?
00:29:26Central malfunction.
00:29:28Another one?
00:29:45From the day we opened the resort, we had a failure in breakdown rate conforming to computer predictions.
00:29:50That is, 0.3 malfunctions for each 24-hour activation period, concurrent or not.
00:29:56Now, this was an anticipated operations aspect of the resort, and we were fully able to handle it.
00:30:01The majority of the breakdowns were minor or peripheral until about six weeks ago.
00:30:07So, then Roman world had a rise in breakdown rate, which doubled in a week.
00:30:12In addition, we saw a disproportionate rise in central as opposed to peripheral breakdowns.
00:30:17Now, we identified some problems with humidity control and regained homeostasis.
00:30:23Well, despite our corrections, the breakdown rate continued to climb.
00:30:27Then medieval world began to have trouble.
00:30:29Now we're seeing more western world breakdowns.
00:30:32There's a clear pattern here which suggests an analogy to an infectious disease process, spreading from one resort area to
00:30:39the next.
00:30:40Perhaps there are superficial similarities to disease.
00:30:43It's only a theoretical concept.
00:30:45There are many ways to order that data.
00:30:47I must confess, I find it difficult to believe in a disease of machinery.
00:30:52We aren't dealing with ordinary machines here.
00:30:55These are highly complicated pieces of equipment, almost as complicated as living organisms.
00:31:00In some cases, they've been designed by other computers.
00:31:04We don't know exactly how they work.
00:31:15That input goes out of level 537.
00:31:18I'm not getting sound pickup from the 10th quadrant.
00:31:20We'll try to stabilize there.
00:31:22Okay, my sun entry is good.
00:31:25Repeat at 2-2-3.
00:31:26I can handle without updates at 10 millisecond blocking intervals, but not slower.
00:31:28We have sun rise at 0.43.
00:31:31Ready on all quadrants?
00:31:33Energize grid.
00:31:34Give me a 4-6-8 and switch it over to 9-0-5.
00:31:39All right, thank you.
00:31:40Give me 4-3-6 if you can patch that in.
00:31:42Not 4-3-5.
00:31:44I have sound now.
00:31:46Thank you very much.
00:31:48Yes, I want scrambled eggs and bacon cinnamon toast.
00:31:51Do you have cinnamon toast?
00:31:52Better check the evaluation schedule.
00:31:53Okay, send it down to central control room, console 3.
00:31:57Wait a minute.
00:31:58Now, what was that?
00:31:59No grounding in Unit 5?
00:32:00Yeah.
00:32:01Try a bypass.
00:32:02I have readings at all units?
00:32:035-5 included.
00:32:04Hold on.
00:32:05Sector 14-8.
00:32:06All right.
00:32:07Let's stand by for resort activation.
00:32:15You ready on phase 4-4-3?
00:32:214-4-3.
00:32:24Okay, we're going to activate at 5-9.
00:32:29Lower gain, alpha 2.
00:32:34Ready on 6, on 5, on 4, on 3, on 2.
00:32:40Activate now.
00:32:41All right.
00:33:01Bye.
00:33:25Oh, give me a hope
00:33:28Where the buffalo roam
00:33:32And the deer and the antelope play
00:33:36Where seldom is heard a discouraging word
00:33:43And the skies are not cloudy all day
00:34:14What do you want?
00:34:15Oh, hold on the rain
00:34:20One word
00:34:24Have you no sense of de-
00:34:46No, no, no
00:34:48No, no, no
00:35:19Was he bothering you?
00:35:22He's not going to bother you again
00:35:24Well, I'm here to tell you things have changed
00:35:26There's a law here now
00:35:27You can't go around plugging whoever you please
00:35:31But, Sheriff, it was self-defense
00:35:33It's what they all say
00:35:35Shot a man, you'll have to stand trial
00:35:38Judge will be here next week
00:35:40If I were you, I wouldn't trouble over your friend here
00:35:43Judge Benson likes to hang him
00:35:45Hang him high
00:35:46Look, Sheriff
00:35:47Beat it
00:35:50I said beat it
00:36:11I've never been in jail before
00:36:15First time for everything
00:36:19But I haven't done anything wrong
00:36:22You shot a man, that's something
00:36:26Where are you from?
00:36:27Chicago
00:36:30Chicago's a long way from here, fella
00:36:33A thousand miles and more
00:36:37Laugh
00:36:38A thousand miles and lifts you
00:36:41I feel like we'll catch you
00:36:41Yeah
00:36:58That's something
00:37:01Good
00:39:26I guess that sort of makes us Desperados.
00:39:30Yeah, I guess.
00:39:34Well, what do we do now?
00:39:36Well, the way I figure it, anything we want.
00:39:39There's no law in that town now.
00:39:40I'll say.
00:39:41Can we go in there?
00:39:43Can we go in there?
00:39:44We'll do anything we want.
00:39:46You know what?
00:39:48What?
00:39:49I almost believe all this.
00:39:52I almost believe all this.
00:39:53Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:57Yep.
00:39:58I reckon.
00:39:59What can you give me in grid 7?
00:40:01We have that on SM514.
00:40:03Oh, nothing wrong.
00:40:04Transfer?
00:40:05No.
00:40:08Transfer.
00:40:10Reschedule.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:14Can't disappoint a guest.
00:40:15Yeah, listen.
00:40:15This is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts, and most of my...
00:40:20You're rechecking the tapes on the mechanism now.
00:40:23We have programmed infidelity in the queen as of two minutes ago.
00:40:28All right, coming up in the castle, zero, now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:56My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:11Let us pray it shall not be so.
00:41:14I have news.
00:41:16The Black Knight has returned and seeks a match with you.
00:41:21The Black Knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten.
00:41:28He has the strength of ten and cunning besides.
00:41:31But his sight is weak in his left eye.
00:41:35Stay to his left, and you will prevail and win the day.
00:41:38Confirmation of the reprogramming of that Black Knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:41:50My lady.
00:41:57My lady.
00:42:16I shall see you on the morrow.
00:42:22I shall see you on the morrow.
00:42:29Yes, he can be sheriff any time he wants. That is correct. Just give him the badge
00:42:46Now I'm the new law around here you think you can handle things
00:42:55You want to try me
00:43:23a
00:43:24Thousand pardons, my lord
00:43:28What is your name child
00:43:31Daphne
00:43:33Daphne
00:43:36Oh, I love this place. Mmm. I love my horse. I love my horse and I love julie. Oh shut
00:43:42up
00:43:43Yeah
00:43:44I like the spots on my horse
00:43:46Did you see the spots on the horse? Your horse is beautiful. Yeah, thank you very much. I like yours
00:43:51too. Thank you
00:43:53Look out
00:43:54Let me handle it
00:44:19God damn it. Do you suppose it's real? Hell no
00:44:24That's not supposed to happen
00:44:25Maybe it is maybe it's part of the thing
00:44:27The hell goddamn machines anyway, that's not supposed to happen
00:44:34The rattlesnake struck a guest
00:44:35Yeah, he was shooting at it. He missed
00:44:37Even so the snakes are programmed never to hit on a strike was the guest injured his minor puncture wounds
00:44:42Inexcusable danger a guest
00:44:44Pick up that snake for a total post at once and check all the snake central mechanisms tonight during the
00:44:48repair period
00:44:56Isn't anything work around here
00:44:59Right
00:44:59Right
00:44:59Right
00:45:00Right
00:45:00Right
00:45:01Right
00:45:02Right
00:45:04Right
00:45:05Right
00:45:12Right
00:45:12Right
00:45:13Right
00:45:13Right
00:45:19Right
00:45:20Right
00:45:22Right
00:45:24Right
00:45:25Right
00:46:25Well, a snake injured a guest. We can't allow that to happen.
00:46:29Many elements of the Delos Resort are potentially dangerous.
00:46:31That's part of the appeal.
00:46:33But if they should become truly dangerous...
00:46:34I agree.
00:46:35We can announce that the resort is overbooked
00:46:37and not allow any further new guests to arrive.
00:46:40I think we can take care of the ones already here.
00:46:43If we can't ensure the safety of the guests,
00:46:45we're going to be in desperate trouble.
00:46:46But we can ensure their safety.
00:46:48Everything's fine.
00:47:33All right.
00:47:35Let's start that bar fight.
00:47:36Cheat!
00:47:44John, what do you say?
00:47:46Uh, it's...
00:48:07Now that's just rude.
00:48:08Oh, shit.
00:48:12Woo!
00:48:21Woo!
00:48:22Woo!
00:48:28Woo!
00:48:31Woo!
00:48:33Woo!
00:48:34Come on.
00:49:19Come on, let's go upstairs.
00:49:37Come on.
00:50:07Come on.
00:50:10Come on, let's go upstairs.
00:50:13Come on, let's go upstairs.
00:50:52Come on, let's go upstairs.
00:51:20Come on, let's go upstairs.
00:51:49Come on, let's go upstairs.
00:51:52Come on, let's go upstairs.
00:52:08Come on, let's go upstairs.
00:52:38Come on, let's go upstairs.
00:53:08Come on, let's go upstairs.
00:53:43Are you speaking to me?
00:53:45None other, sir?
00:53:48Look, I'm hungry, and I...
00:53:52Prepare for thy doom, thy scurrilous knave.
00:53:56Wait a minute.
00:53:57Wait a minute.
00:53:58Can't we talk this over?
00:53:59What have you?
00:54:00Fine, darn it.
00:54:02Well, I...
00:54:04The queen!
00:54:08Full monitor.
00:54:13Okay.
00:54:16Let him go.
00:54:18Let him go.
00:54:28Let him go.
00:54:33Let him go.
00:54:35Let him go.
00:54:39Let him go.
00:55:45We're losing a little tolerance. Bring me up.
00:55:47We're losing a little tolerance.
00:56:18Shut down. Shut down immediately.
00:56:25Six on a sponsor.
00:56:27Then cut the robot power.
00:56:29Power cut.
00:56:31Oh, my head.
00:56:37Oh.
00:56:39It's freezing.
00:56:46Gotta get to the hotel.
00:56:50I think I'm going to be sick.
00:57:03They're not responding.
00:57:04Should we cut the main power grid, sir?
00:57:06It'll kill the lights.
00:57:06Shut it all down. Shut it all down.
00:57:18Hold it.
00:57:21Oh, God.
00:57:25Come on. Not now.
00:57:28Not you again.
00:57:29It's too early.
00:57:33Let me do it this time.
00:57:38Your move.
00:57:50I'm shot.
00:57:52What?
00:57:54I'm shot.
00:58:05John?
00:58:18Oh, my God.
00:58:23Draw.
00:58:35Sir, we have no control over the robots at all.
00:58:56Oh, my God.
00:59:50Oh, my God.
01:00:04Turn the main grid back on.
01:00:06The relays must be frozen.
01:00:07We can't get back our power.
01:00:09Hello.
01:00:10Hello, hello.
01:00:11Hello.
01:00:23Hello.
01:00:26Hello.
01:00:52How are we going to get out of here?
01:00:53All these doors are electrically powered.
01:00:57Now, get these doors open in here before we all suffocate.
01:01:29Let's go.
01:01:59Let's go.
01:02:33Let's go.
01:03:00Let's go.
01:03:30Let's go.
01:04:05Temperature elevated, 98 degrees.
01:04:08Oxygen, 17% and dropping.
01:04:11Get that power on so we can open these doors.
01:04:47Hey, don't shoot me.
01:04:50Hey, wait a minute.
01:04:54What's the matter with you?
01:04:58Hold out your hands.
01:05:00Let me see your hands.
01:05:06You're a guest.
01:05:07You're a guest.
01:05:08You really gave me a scare.
01:05:09Look, uh, everything's broken down.
01:05:11The machines have gone crazy.
01:05:12You know about the machines?
01:05:14Yeah.
01:05:14I repair them.
01:05:15There's one chasing me now.
01:05:16A gunslinger.
01:05:18Gunslinger.
01:05:20Must be a model 404, maybe a 406.
01:05:23He's a 406.
01:05:24He's got all the sensory equipment.
01:05:26It's a beautiful machine.
01:05:28He's after me.
01:05:29I don't doubt it.
01:05:30What can I do?
01:05:31There's nothing you can do.
01:05:32If he's after you, he'll get you.
01:05:33You haven't got a chance.
01:05:35There must be something.
01:05:36Fella, don't kid yourself.
01:05:38There are things you could try.
01:05:39Ask for his, uh, visual system.
01:05:42Noise for his hearing.
01:05:43No matter what you did,
01:05:44he'll always be one jump ahead of you.
01:05:46You haven't got a chance.
01:05:51Yes, I do.
01:06:06You haven't got a chance.
01:06:55You haven't got a chance.
01:07:32You haven't got a chance.
01:08:01You haven't got a chance.
01:08:11Let's go.
01:08:44Let's go.
01:09:06Let's go.
01:09:37Let's go.
01:10:06Let's go.
01:10:37Let's go.
01:11:10Let's go.
01:11:38Let's go.
01:12:06Let's go.
01:12:07Let's go.
01:12:14Let's go.
01:12:39Let's go.
01:13:13Let's go.
01:13:14Let's go.
01:13:15Let's go.
01:13:17Let's go.
01:13:49Let's go.
01:14:17Let's go.
01:14:51Let's go.
01:14:52Let's go.
01:14:54Let's go.
01:15:22Let's go.
01:15:52Let's go.
01:16:23Let's go.
01:16:25Let's go.
01:16:25Let's go.
01:16:26Let's go.
01:16:27Let's go.
01:16:29Let's go.
01:16:29Let's go.
01:16:30Let's go.
01:16:34Let's go.
01:16:35Let's go.
01:16:35Let's go.
01:16:37Let's go.
01:16:39Let's go.
01:16:40Let's go.
01:16:40Let's go.
01:16:41Let's go.
01:17:16Let's go.
01:17:41Let's go.
01:17:42Let's go.
01:18:12Let's go.
01:18:42Let's go.
01:19:13Let's go.
01:19:42Let's go.
01:19:47Let's go.
01:20:13Let's go.
01:20:15Let's go.
01:20:15Let's go.
01:20:16Let's go.
01:20:45Let's go.
01:21:15Let's go.
01:21:20Let's go.
01:21:49Let's go.
01:22:18Let's go.
01:22:48Let's go.
01:22:54Let's go.
01:23:17Let's go.
01:23:19Let's go.
01:23:50Let's go.
01:24:21Let's go.
01:24:49Let's go.
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